Easy-to-follow instructions help you to create publisher-quality music notation; learn to use the tools of Finale while writing your own music and arrangements; get started immediately with hundreds of professional templates, partially completed notation files, and libraries available on the companion website (www.FINALEBOOK.com); print transposed parts from scores automatically; write standard notation, guitar tablature, drum set parts, and more with this comprehensive hands-on tutorial. Teachers can create warm-up and practice exercises; write their own compositions, arrangements and method books; and simplify parts for students. --From publisher's description.
At a level comprehensible to graduate students and beginning researchers, describes the state of the art in using numerical methods for analyzing turbulence in fluids, a problem still unsolved after centuries of research. The methods described include wavelet-based, semi-Lagrangian, Langrangian multi-pole, continuous adaptation of curvilinear grids, finite volume, and shock-capturing. Among the applications are industrial flows, aerodynamics, two-phase flows, astrophysical flows, and meteorology. Suitable as a course text for graduate students with a background in fluid mechanics. No index. Annotation copyrighted by Book News, Inc., Portland, OR
The universal appeal of Vincent's paintings and drawings, those that are little known as well as those familiar and much loved images, is enhanced by his own account of his life and thought contained in his letters. In quantity and quality of writing they are unique among those of great artists. Most were written to Theo - his brother, patron and anchor and to him we owe an enormous debt for encouraging, supporting and preserving the writings and works of a troubled genius who, in a tragically brief ten years, progressed to a climax of highly original and productive creativity. This selection of extracts from the letters and more than 230 paintings and drawings - many reproduced for the first time - has been designed for all lovers of Vincent's work. It will appeal equally to those who are familiar with it and his life and who no longer need biographical or analytical texts to complete their enjoyment of the pictures as well as to the many with less knowledge who feel no less intensely the power of his art.
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