In the cold morning of June 6, 1944, thousands of German soldiers are in position from Port en Bessin eastwards past Colleville on the Normandy coast, aware that a massive invasion force is heading straight for them. According to Allied Intelligence, they shouldn't be there. 352 infantry division would ensure the invaders would pay a massive price to take OMAHA beach. There were veterans from the Russian front amongst them and they were well trained and equipped. The presence of 352 Division meant that the number of defenders was literally double the number expected – and on the best fortified of all the invasion beaches. What makes this account of the bloody struggle unique is that it is told from the German standpoint, using firsthand testimony of German combatants. There are not many of them left and these accounts have been painstakingly collected by the authors over many years.
In Those for Whom the Lamp Shines, Vince L. Bantu uses the rich body of anti-Chalcedonian literature to explore how the peoples of Egypt, both inside and outside the Coptic Church, came to understand their identity as Egyptians. Working across a comparative spectrum of traditions and communities in late antiquity, at the intersection of religious and other social forms of identity, Bantu shows that it was the dissenting doctrines of the Coptic Church that played the crucial role in conceptualizing Egypt and being Egyptian. Based on the study of neglected Coptic and Syriac texts, Those for Whom the Lamp Shines offers the only sustained treatment of ethnic and religious self-understanding in Africa’s oldest Christian church.
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
Revealing the true, behind-the-scenes stories from some of wrestling's most famous moments, including Bret Hart's lost championship and the rise to superstardom of Stone Cold Steve Austin, Mick Foley, and The Rock, this autobiography is the one that every wrestling fan has been waiting for.
These proceedings focus on the latest research in molecular mechanisms of metal-induced toxicity and carcinogenesis. The conference promoted a multidisciplinary investigative approach and included presentations from international experts on state-of-the-art information in this field.
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