The Astonishing story of the movement that is changing our world from violence, hatred and war, to a new and incredible world where there is Respect, Compassion and Love. A New Heart-Centered World ! Where the Heart rules there is Cooperation, Respect, Compassion, Love Care and Forgiveness,. The heart reflects all that is good and kind in the Universe and seeks to make it a reality in our lives. Through the centuries the great visionaries and prophets have urged us to strive to possess a New Heart. Where the head rules there is greed, animosity, hatred, competition and war. The head is all about living for ourselves, and thinking only about # 1. Some courageous and forward thinking scientists and visionaries maintain that we are on the threshold of a great experience. They believe that we are moving towards a new World and a new Civilization. They call it the The Great Shift in Consciousness.
Set between the rise of the U.S. and Japan as Pacific imperial powers in the 1890s and the aftermath of the latter’s defeat in World War II, Strange Fruit of the Black Pacific traces the interrelated migrations of African Americans, Japanese Americans, and Filipinos across U.S. domains. Offering readings in literature, blues and jazz culture, film,theatre, journalism, and private correspondence, Vince Schleitwiler considers how the collective yearnings and speculative destinies of these groups were bound together along what W.E.B. Du Bois called the world-belting color line. The links were forged by the paradoxical practices of race-making in an aspiring empire—benevolent uplift through tutelage, alongside overwhelming sexualized violence—which together comprise what Schleitwiler calls “imperialism’s racial justice.” This process could only be sustained through an ongoing training of perception in an aesthetics of racial terror, through rituals of racial and colonial violence that also provide the conditions for an elusive countertraining. With an innovative prose style, Strange Fruit of the Black Pacific pursues the poetic and ethical challenge of reading, or learning how to read, the black and Asian literatures that take form and flight within the fissures of imperialism’s racial justice. Through startling reinterpretations of such canonical writers as James Weldon Johnson, Nella Larsen, Toshio Mori, and Carlos Bulosan, alongside considerations of unexpected figures such as the musician Robert Johnson and the playwright Eulalie Spence, Schleitwiler seeks to reactivate the radical potential of the Afro-Asian imagination through graceful meditations on its representations of failure, loss, and overwhelming violence.
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