Reading The Shadow of Her Smile was like slurping a long, cold lemonade on a sultry, summer day--I couldn't devour it fast enough! The story started off with a bang, and grew increasingly suspenseful as Victoria Taylor Murray drew me into her exciting plot with the ease that only the best writers can achieve. From Trump Tower to the Waldorf-Astoria Hotel to Little Italy to NYPD and a grandmother's run-down mansion, she painted a New York seldom seen by outsiders. I especially relished the historical vignettes of The Big Apple woven in at appropriate places in the story. Although many of the supporting characters were ultra-worldly-- obviously shallow, greedy, and lustful--each one was unique and thoroughly fleshed-out. Even billionaire Forrest Gray--who set the stage for this novel when he hired Corbin Douglas to find Nikki Rourke--became larger than life as Murray wielded her magic pen to craft him. Through all these marvelous, mixed-up, often malevolent characters, Murray captured the true essence of the city's diversity of cultures and life-styles. And the hero and heroine were to die for! Corbin, a cop-turned-private-investigator, is every woman's dream: handsome, strong, and sexy, yet kind, caring, and ethical, while Nikki is the beautiful, charming, smart, gutsy, red-haired woman who is at the center of everything. Corbin hooked me right from the start, but I had to wait awhile to meet Nikki. The wait was worth it, and she quickly won my heart by the tender, loving manner in which she cared for our hero when he was injured. And then there's Charlie, Corbin's friend and former partner, and the love-of-his-life Bette. What a joy it was to meet them. Of stronger moral fiber, thesefour characters more than made up for the "indiscriminate" behavior of the minor characters. They became so real to me, I'll think of them often in days to come. The excitement was nonstop as Corbin searched for Nikki--"a woman in a photograph" with an unforgettable smile--overcoming death-defying, breath-stealing obstacles to help her. This well-written, fast-paced story has everything: believable characters, realistic dialogue, suspense, romance, and "original" humor. When Corbin, told his former partner, "I have a headache the size of Stephen King's Buick 8," I laughed out loud ... a welcome relief from the tension of the book's drama. The Shadow of Her Smile takes you through a series of twists and turns that makes your goosebumps sprout more goosebumps as you question: Who are the dead dancers? Who is killing red-haired women? Are they after Nikki too? Will Corbin find her in time or will she be the next victim? What's going on with the billionaire's wife? What does the chauffeur's "pretty-boy" son have to do with it? And the gangster and his hit squad? Is it all connected? The very talented Victoria Taylor Murray won my heart with this book. I join her growing legions of fans in applauding her on penning another winner. My one regret is that I didn't discover her from her very first book. -- Betty Dravis, author of The Toonies Invade Silicon Valley
From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform,and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’ sfirst Tribunal Play – Half the Picture. This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture, Nuremberg, Srebrenica, The Colour of Justice, Justifying War, Guantanamo, Bloody Sunday, Called to Account, Tactical Questioning and The Riots. Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.
Reflecting the remarkable changes in the world of propaganda due to the increasing use of social media, this updated Seventh Edition provides a systematic introduction to the increasingly complex world of propaganda. Viewing propaganda as a form of communication, the authors help readers understand information and persuasion so they can understand the characteristics of propaganda and how it works as a communication process. Providing provocative case studies and fascinating examples of the use of propaganda from ancient times up through the present day, Propaganda and Persuasion provides an original model that helps students analyze the instances of propaganda and persuasion they encounter in everyday life. New to the Seventh Edition: New coverage of social media as a disseminator of propaganda offers readers an up-to-date perspective. The book’s four case studies have been updated and strengthened to demonstrate their relevance not only to past and contemporary culture, but also to the study of propaganda campaigns. New coverage of how a propaganda case study can be structured to reveal the components of a campaign allows students to compare strengths and weaknesses across different types of campaigns and evaluate the relative success of various propaganda strategies. Updated research on persuasion and expanded coverage of collective memory as it appears in new memorials and monuments enhances the presentation. Current examples of propaganda, especially the ways it is disseminated via the Internet, deepen student understanding. New illustrations and photos add a unique visual dimension that helps readers conceptualize methods of persuasion and propaganda.
Face Processing' seeks to answer questions such as how we recognise familiar faces, and which factors determine facial attractiveness. Drawing on a wealth of studies and research, it is an essential companion for undergraduates studying face processing as part of a psychology degree.
The heroic and inspiring story of the fortunes of the Black Watch, whose soldiers have distinguished themselves in theatres of war across the world. Formed into a regiment in 1739 and named for the dark tartan of its soldiers' kilts, The Black Watch has fought in almost every major conflict of nation and empire between 1745 and the present, and has a reputation second to none. Following on from The Highland Furies, in which she traced the regiment's history to 1899, Victoria Schofield tells the story of The Black Watch in the 20th and 21st centuries. She tracks its fortunes through the 2nd South African War, two World Wars, the 'troubles' in N Ireland and the war in Iraq – up to The Black Watch's merger with five other regiments to form the Royal Regiment of Scotland in 2006. Drawing on diaries, letters and interviews, Victoria Schofield weaves the many strands of the story into an epic narrative of a heroic body of officers and men. In her sure hands, the story of The Black Watch is no arid recitation of campaigns and battle honours, but a rewarding account of the fortunes of war of a regiment that has played a distinguished role in British, and world, history.
Critical of technologically determinist assumptions underpinning current educational policy, Victoria Armstrong argues that this growing technicism has grave implications for the music classroom where composition is often synonymous with the music technology suite. The use of computers and associated compositional software in music education is frequently decontextualized from cultural and social relationships, thereby ignoring the fact that new technologies are used and developed within existing social spaces that are always already delineated along gender lines. Armstrong suggests these gender-technology relations have a profound effect on the ways adolescents compose music as well as how gendered identities in the technologized music classroom are constructed. Drawing together perspectives from the sociology of science and technology studies (STS) and the sociology of music, Armstrong examines the gendered processes and practices that contribute to how students learn about technology, the repertoire of teacher and student talk, its effect on student confidence and the issue of male control of technological knowledge. Even though girls and female teachers have technological knowledge and skill, the continuing material and symbolic associations of technology with men and masculinity contribute to the perception of women as less able and less interested in all things technological. In light of the fact that music technology is now central to many music-making practices across all sectors of education from primary, secondary through to higher education, this book provides a timely critical analysis that powerfully demonstrates why the relationship between gender and music technology should remain an important empirical consideration.
Finalist for the 2018 National Book Award for Nonfiction A New York Times Editors' Choice Selection The untold story of Hamilton’s—and Burr’s—personal physician, whose dream to build America’s first botanical garden inspired the young Republic. On a clear morning in July 1804, Alexander Hamilton stepped onto a boat at the edge of the Hudson River. He was bound for a New Jersey dueling ground to settle his bitter dispute with Aaron Burr. Hamilton took just two men with him: his “second” for the duel, and Dr. David Hosack. As historian Victoria Johnson reveals in her groundbreaking biography, Hosack was one of the few points the duelists did agree on. Summoned that morning because of his role as the beloved Hamilton family doctor, he was also a close friend of Burr. A brilliant surgeon and a world-class botanist, Hosack—who until now has been lost in the fog of history—was a pioneering thinker who shaped a young nation. Born in New York City, he was educated in Europe and returned to America inspired by his newfound knowledge. He assembled a plant collection so spectacular and diverse that it amazes botanists today, conducted some of the first pharmaceutical research in the United States, and introduced new surgeries to America. His tireless work championing public health and science earned him national fame and praise from the likes of Thomas Jefferson, James Madison, Alexander von Humboldt, and the Marquis de Lafayette. One goal drove Hosack above all others: to build the Republic’s first botanical garden. Despite innumerable obstacles and near-constant resistance, Hosack triumphed when, by 1810, his Elgin Botanic Garden at last crowned twenty acres of Manhattan farmland. “Where others saw real estate and power, Hosack saw the landscape as a pharmacopoeia able to bring medicine into the modern age” (Eric W. Sanderson, author of Mannahatta). Today what remains of America’s first botanical garden lies in the heart of midtown, buried beneath Rockefeller Center. Whether collecting specimens along the banks of the Hudson River, lecturing before a class of rapt medical students, or breaking the fever of a young Philip Hamilton, David Hosack was an American visionary who has been too long forgotten. Alongside other towering figures of the post-Revolutionary generation, he took the reins of a nation. In unearthing the dramatic story of his life, Johnson offers a lush depiction of the man who gave a new voice to the powers and perils of nature.
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