Tuesday morning, I spent an hour with a neurologist trying to figure out why I kept tripping over my feet. He pushed and pulled on my legs, whacked me with a reflex hammer and shone a light so deep into my eyes I thought it might illuminate the wall behind my head. That afternoon, I drove home and ordered a new backpacking tent." Pain is an unforgiving equalizer--forget social status, race or gender. For people suffering from chronic pain, "real life" can get lost among endless appointments, diagnoses, prescriptions and medical bills. Living a life beyond mere survival becomes as big a battle as fighting the pain itself. Drawing on her experiences as both a patient and a health-care professional, the author candidly describes her sudden transition from a healthy, active lifestyle to years of learning to live with debilitating pain.
Since the first funerary statues were placed in the first sepulchres, the ideas of death and the afterlife have always held a prominent place at the heart of the art world. An unlimited source of inspiration where artists can search for the expression of the infinite, death remains the object of numerous rich illustrations, as various as they are mysterious. The ancient Egyptian Book of the Dead, the forever sleeping statues on medieval tombs, and the Romantic and Symbolist movements of the 19th century are all evidence of the incessant interest that fuels the creation of artworks featuring themes of death and what lies beyond it. In this work, Victoria Charles analyses how, through the centuries, art has become the reflection of these interrogations linked to mankind’s fate and the hereafter.
Between 1600 and 1800 around 4,000 Catholic women left England for a life of exile in the convents of France, Flanders, Portugal and America. These closed communities offered religious contemplation and safety, but also provided an environment of concentrated female intellectualism. The nuns’ writings from this time form a unique resource.
Calling all Raina Telgemeier fans! The Newbery Honor-winning author of Roller Girl is back with a heartwarming graphic novel about starting middle school, surviving your embarrassing family, and the Renaissance Faire. Eleven-year-old Imogene (Impy) has grown up with two parents working at the Renaissance Faire, and she's eager to begin her own training as a squire. First, though, she'll need to prove her bravery. Luckily Impy has just the quest in mind—she'll go to public school after a life of being homeschooled! But it's not easy to act like a noble knight-in-training in middle school. Impy falls in with a group of girls who seem really nice (until they don't) and starts to be embarrassed of her thrift shop apparel, her family's unusual lifestyle, and their small, messy apartment. Impy has always thought of herself as a heroic knight, but when she does something really mean in order to fit in, she begins to wonder whether she might be more of a dragon after all. As she did in Roller Girl, Victoria Jamieson perfectly—and authentically—captures the bittersweetness of middle school life with humor, warmth, and understanding.
Using the case of early-sixteenth-century Antwerp, argues that practices of religious toleration in the Christian West first emerged not as the outgrowth of beliefs about human rights, but as a practical consequence of religious coexistence. In a modern world still struggling to achieve religious coexistence, there has been a recent burgeoning of scholarship aimed at examining the history of such coexistence. Most of these studies focus on developments in the seventeenth century and beyond. This book redirects attention earlier, to the first half of the sixteenth century, and argues that impulses to toleration were already at work even amid the religious upheaval of the European Reformations.In the early modern metropolis of Antwerp, the author finds a wealthy merchant city struggling to balance the competing interests of municipality and empire. While their imperial overlords attempted to impose religious uniformityvia increasingly repressive anti-heresy edicts, the city fathers of Antwerp found ways to circumvent those laws in order to accommodate the religious heterodoxy of their most valued inhabitants. The result was the development of pragmatically tolerant practices that arose in the service of fundamentally nonreligious motivations. Via a series of case studies, this book documents the development of such practices on the part of the Antwerp fathersas they defended their heterodox inhabitants. It seeks to understand the motivations underlying the councilors' lenient treatment of heterodoxy in their city, and attempts to answer the question of how we are to understand such pragmatically tolerant behavior as part of the broader history of religious tolerance in the Christian West. Victoria Christman is associate professor of history at Luther College.
Between 1600 and 1800 around 4,000 Catholic women left England for a life of exile in the convents of France, Flanders, Portugal and America. These closed communities offered religious contemplation and safety, but also provided an environment of concentrated female intellectualism. The nuns’ writings from this time form a unique resource.
Tuesday morning, I spent an hour with a neurologist trying to figure out why I kept tripping over my feet. He pushed and pulled on my legs, whacked me with a reflex hammer and shone a light so deep into my eyes I thought it might illuminate the wall behind my head. That afternoon, I drove home and ordered a new backpacking tent." Pain is an unforgiving equalizer--forget social status, race or gender. For people suffering from chronic pain, "real life" can get lost among endless appointments, diagnoses, prescriptions and medical bills. Living a life beyond mere survival becomes as big a battle as fighting the pain itself. Drawing on her experiences as both a patient and a health-care professional, the author candidly describes her sudden transition from a healthy, active lifestyle to years of learning to live with debilitating pain.
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