American baritone Lawrence Tibbett created an overnight sensation at the Metropolitan Opera in 1925 when the audience stopped the performance of Falstaff to honor their compatriot for his exceptional talent. Tibbett's now legendary curtain call foreshadowed a startling new era for classically trained native singers who rarely received the public recognition or respect given to their European colleagues. In this absorbing work, Victoria Etnier Villamil chronicles the extraordinary time from 1935 to 1950 when American artists, who felt intensely inferior to foreign performers, journeyed from being unappreciated in their own country to standing without apology on stages at home and abroad. Drawing on exhaustive primary research and extensive interviews, Villamil tells the remarkable story of a generation of American opera singers whose profession, image, and art were forever altered by the upheavals of World War II, as well as sweeping cultural and technological changes. The author's in-depth look at these breakthrough years explores such defining factors as Edward Johnson's drive to "Americanize the Met" in his first seasons as general manager, the impact of the microphone on singers and singing styles, and the importance of radio and motion pictures in introducing classical music voices to wider audiences. Villamil also considers how travel restrictions imposed on European artists during the war unlocked opportunities for American artists, and the role of political and Jewish refugees in enriching music education and training in this country. In addition, the author discusses thoroughly the founding of the New York City Opera, the rise of regional and smaller opera companies, including the enterprising and popular Lemonade Opera, and advancements for African American classical singers. Brimming with entertaining anecdotes and colorful figures, both famous and little remembered, the fascinating book concludes with an examination of this crucial period's legacy for the American classical music scene in the 1950s and beyond. From Johnson's Kids to Lemonade Opera contains an invaluable appendix that provides biographical sketches of the over 250 opera and radio singers, as well as art song specialists, featured in this illuminating study.
Those who survived the brutal dictatorship of the Somoza family have tended to portray the rise of the women’s movement and feminist activism as part of the overall story of the anti-Somoza resistance. But this depiction of heroic struggle obscures a much more complicated history. As Victoria González-Rivera reveals in this book, some Nicaraguan women expressed early interest in eliminating the tyranny of male domination, and this interest grew into full-fledged campaigns for female suffrage and access to education by the 1880s. By the 1920s a feminist movement had emerged among urban, middle-class women, and it lasted for two more decades until it was eclipsed in the 1950s by a nonfeminist movement of mainly Catholic, urban, middle-class and working-class women who supported the liberal, populist, patron-clientelistic regime of the Somozas in return for the right to vote and various economic, educational, and political opportunities. Counterintuitively, it was actually the Somozas who encouraged women's participation in the public sphere (as long as they remained loyal Somocistas). Their opponents, the Sandinistas and Conservatives, often appealed to women through their maternal identity. What emerges from this fine-grained analysis is a picture of a much more complex political landscape than that portrayed by the simplifying myths of current Nicaraguan historiography, and we can now see why and how the Somoza dictatorship did not endure by dint of fear and compulsion alone.
A Hired Gunslinger Romance #4 From Romantic Times Career Achievement Award Winner and New York Times bestseller Victoria Thompson, a sensual tale of historical romance in the American Wild, Wild West... “Ms. Thompson imbues her characters with strength, eloquence and dignity.” –Romantic Times Strong-willed Heiress... Fiery Leah Harding has her hands full protecting her family's vast ranch from scheming land grabbers. So, when ruggedly handsome gunslinger Calhoun Stevens suddenly shows up with an unproven claim on her family, she swears to test his determination to its limits—and scare him off for good. But as Leah looks into his blazing blue eyes and finds herself melting under kisses as hot as a Texas sun, she suddenly doesn’t mind if he stays by her side—and in her arms—forever... A Composed Gunslinger... To set his past to rights, Calhoun Stevens has to convince the headstrong Miss Harding that he’s an honest man. He’s resolved to save her land—and do his best to forget her tempting, shimmering fall of brown hair and inviting dark eyes. But once he feels the enchanting spitfire’s slender body close to his, Cal is lost to a passion that means more to him than any ranch possibly could...
Soon after Jack Wilder, private detective, moves to the small lakeside town of Wakeegon at the request of his friend Sheriff OConnell, he falls headfirst into the towns worst crime spree in decades. Jack quickly becomes infatuated with Sara Reynolds Jacobs, daughter of one of the towns most prominent families, when she is involved in a mysterious car accident. All eyes are on Luke Jacobs, Saras husband, who is secretly planning to build a tourist complex on the Reynolds estate, in order to solve the towns, and his, financial problems. When the young detectives extraordinary senses draw him further into the investigation, he wakes up in a stream alongside the slime-covered body of an out-of-town environmentalist. Jack soon realizes his life, along with Saras, is in jeopardy.
“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.
From the national bestselling author of the Gaslight Mysteries comes the first Counterfeit Lady novel—the intriguing start of a historical mystery series featuring woman-on-the-run Elizabeth Miles. Like most women, Elizabeth Miles assumes many roles; unlike most, hers have made her a woman on the run. Living on the edge of society, Elizabeth uses her guile to relieve so-called respectable men of their ill-gotten gains. But brutal and greedy entrepreneur Oscar Thornton is out for blood. He’s lost a great deal of money and is not going to forgive a woman for outwitting him. With his thugs hot on her trail, Elizabeth seizes the moment to blend in with a group of women who have an agenda of their own. She never expects to like or understand these privileged women, but she soon comes to respect their intentions, forming an unlikely bond with the wealthy matriarch of the group whose son, Gideon, is the rarest of species—an honest man in a dishonest world. Elizabeth knows she’s playing a risky game, and her deception could be revealed at any moment, possibly even by sharp-eyed Gideon. Nor has she been forgotten by Thornton, who’s biding his time, waiting to strike. Elizabeth must draw on her wits and every last ounce of courage she possesses to keep her new life from being cut short by this vicious shadow from her past.
The wholesale assimilation of Scots into the British Army is largely associated with the recruitment of Highlanders during and after the Seven Years War. This important new study demonstrates that the assimilation of Lowland and Highland Scots into the British Army was a salient feature of its history in the first half of the 18th century and was already well advanced by the outbreak of the Seven Years War. Scotland and the British Army, 1700-1750 analyses the wider policing functions of the British Army, the role of Scotland's militia and the development of Scotland's military roads and institutions to provide a fuller understanding of the purpose and complexity of Scotland's military organisation and presence in Scotland in the turbulent decades between the Glorious Revolution and the defeat of Bonnie Prince Charlie, which has been too often simplified as an army of occupation for the suppression of Jacobitism. Instead, Victoria Henshaw reveals the complexities and difficulties experienced by Scottish soldiers of all ranks in the British Army as nationality, loyalty and prejudice clouded Scottish desires to use military service to defend the Glorious Revolution and the Union of 1707.
Qu'est-ce que c'est?" (What is it?) mezzo-soprano Celestine Galli-Marie asked when offered the title role in the 1875 premier of Bizet's new opera, Carmen. She was only the first in a long line of performers to ask. In the 140+ years since, each singer has crafted her own portrayal of the inscrutable Gypsy. The famous soprano Geraldine Farrar wrote: "Each one of us probably sees something that the others have not seen--or thinks she does--and that 'something' is her individual Carmen." This book explores the history of operatic portrayals of Bizet's elusive enchantress, tracing the development of vocal and dramatic interpretations from generation to generation around the globe.
From the authors of Legislative Labyrinth: Congress and Campaign Finance Reform. Elections, the basic mechanism of representative democracy, should be untainted by corruption and provide a platform for free speech. But running for office takes money—a lot of it, usually—which means campaign finance has become a pitched battle over the fundamental political values of free speech versus fair elections. With insiders' perspectives, Farrar-Myers and Dwyre tell the story of what it took to pass campaign finance legislation, provide analysis of the subsequent court action, and explore the regulatory and electoral outcomes of reform efforts. Limits and Loopholes is a story about incremental policymaking and inter-branch struggle, about institutional design and unintended consequences, about the influence of interest groups and the media, and about the health of our representative democracy. Bringing together discussions of core values and the policymaking process, this book serves as an excellent case study that traces an issue from inception, through legislation and litigation, and finally to implementation.
The Nisqually are the original stewards of prairie lands, mountains, and rivers in Thurston and Pierce Counties. They welcomed British and American newcomers and tightly bound the outsiders to the Native American world. This volume visually explores the traditional time, when Nisqually political and economic control of the South Sound was supreme. As Nisqually men and women married and worked with outsiders, the Native American world was transformed. In 1854, Nisqually leaders signed a treaty with the United States and officially ceded most of their country, but the land and rights they reserved set the stage for a cultural revival in the 1970s.
From Romantic Times Career Achievement Award Winner and New York Times bestseller Victoria Thompson, a magnificent historical romance set in Texas. Well past marrying age, innocent schoolmarm Isabel Forester arrives in Bittercreek, Texas, to discover she is now a bonafide catch! A severe shortage of women in the rough-and-tumble frontier community has every bachelor—but one—trying to court Isabel. The lone holdout is Eben Walker - a man of mystery, a man of scruples...and the only eligible male Isabel truly wants. But the virile blacksmith refuses to participate in Bittercreek's spirited contest to compromise the headstrong spinster. How can Eben hope to defeat an entire town of sneaky bachelors—and win the love of a perplexing, infuriating woman who won’t even heed the passionate whispers of her own heart?
Elizabeth Bishop's Poetics of Intimacy, a biographical and critical study of one of the great poets of this century, offers a fresh look at Bishop's published and unpublished writing over the course of her career. Informed by pragmatic, post-modern, and feminist theories, Victoria Harrison's study also makes extensive use of Bishop's archives, many pieces of which have never been discussed, to reveal the process of the poet's writing. Harrison explores Bishop's childhood memoirs, journals, letters, Brazilian travel prose, unfinished poems, and draft material, researching dates of undated material and reproducing Bishop's revisions, cancellations, and idiosyncratic spellings. Attentiveness to the detail of this archival writing gives Harrison a broad foundation for arguing that Bishop treats some of our largest concerns - family relationships, sexuality, war, and cultural differences - within poetry and prose that are intimate but not self-revelatory and daily but never ordinary. Elizabeth Bishop charges the moments of her writing with the desires, fears, and passions of her life.
Spangles, Elephants, Violets & Me is a moving and revealing journey back to the playground of Victoria Cristiani Rossis youth. It is, quite simply, one thought-provoking train rideone that involves fairy tales, nightmares and miracles. Victoria describes the tempestuous world of her Internationally Famous Cristiani Riding Act family (former Ringling Bros. and Barnum & Bailey superstars), her life-altering convent experiences, starting at age six, and her near-fatal accident under the big top in Los Angeles. There are fascinating glimpses of Emmett Kelly, Karl Wallenda, Hugo Zacchini and disgraced 1950's quiz-show contestant Charles Van Doren. Spangles, Elephants, Violets & Me is also a story of the American dream, the confluence of wealth and fame, the strength and frailty of family, social and economic ambition, misplaced trust, conflict, loss and redemption. Victorias gift for writing is most evident as she builds dramatic contrast between days spent happily on the circus lot, and haunting nights spent away from it. Employing her authentic voice and role in circus history, Victoria honors an institution often caught publicly and unfortunately between its defenders and detractors, a situation that can preempt enjoyment of its true reason for being, or appreciation of the circus industrys numerous contributions to American culture.
Jointly published by the National Gallery of Victoria and Macmillan Publishers Australia this book is the first publication to document in depth the nature, extent and history of the National Gallery of Victorias celebrated glass collection. Its author, and expert on the art of glass, Geoffrey Edwards, has selected the most magnificent works from the collection, each reproduced in colour, as the basis for a broader discussion of the history of glassmaking in the worlds leading production centres, from the ancient Mediterranean to the present day. With fine photographs by Garry Sommerfeld, this book provides a most spectacular visual array.
Using the case of early-sixteenth-century Antwerp, argues that practices of religious toleration in the Christian West first emerged not as the outgrowth of beliefs about human rights, but as a practical consequence of religious coexistence. In a modern world still struggling to achieve religious coexistence, there has been a recent burgeoning of scholarship aimed at examining the history of such coexistence. Most of these studies focus on developments in the seventeenth century and beyond. This book redirects attention earlier, to the first half of the sixteenth century, and argues that impulses to toleration were already at work even amid the religious upheaval of the European Reformations.In the early modern metropolis of Antwerp, the author finds a wealthy merchant city struggling to balance the competing interests of municipality and empire. While their imperial overlords attempted to impose religious uniformityvia increasingly repressive anti-heresy edicts, the city fathers of Antwerp found ways to circumvent those laws in order to accommodate the religious heterodoxy of their most valued inhabitants. The result was the development of pragmatically tolerant practices that arose in the service of fundamentally nonreligious motivations. Via a series of case studies, this book documents the development of such practices on the part of the Antwerp fathersas they defended their heterodox inhabitants. It seeks to understand the motivations underlying the councilors' lenient treatment of heterodoxy in their city, and attempts to answer the question of how we are to understand such pragmatically tolerant behavior as part of the broader history of religious tolerance in the Christian West. Victoria Christman is associate professor of history at Luther College.
Discover the twisted 19th century tale of a respected St. Louis doctor who was also a body snatcher and suspected murderer in this true crime biography. Though he was never caught in the act, it was widely known among St. Louis locals that Dr. Joseph Nash McDowell routinely stole corpses for strange and illegal experiments. McDowell was so loathed for this practice that he wore body armor in public. Meanwhile, he was so idolized by his anatomy students that they often dug up the bodies for him. The ghoulish Dr. McDowell—who later served as a Confederate Army surgeon—left a host of fiendish rumors and mysteries behind. Did he ever resort to murder for the sake of a fresh specimen? Did his mother's ghost actually help him escape an angry mob? Did he really hang the corpse of his daughter in the Mark Twain Cave of Hannibal, Missouri? What very real horrors remained in his medical college after Union soldiers took it over? In this grimly fascinating biography, Victoria Cosner dissects a life surrounded by speculation and a legend littered with ghosts.
Shows how central the Second World War still is to post-war writing. Focusing on the upsurge of interest in the Second World War in recent British novels, this monograph explores the ways in which secrecy and secret work - including code-breaking, espionage and special operations - have been approached in representations of the war. It considers established writers, including Muriel Spark, Sarah Waters and Kazuo Ishiguro, as well as newer voices, such as Liz Jensen and Peter Ho Davies. The examination of the after-effects of involvement in secret work, inter-generational secrets in a domestic context, political allegiance and sexuality shows how issues of loyalty, deception and betrayal are brought into focus in these novels.
Finalist for the 2018 National Book Award for Nonfiction A New York Times Editors' Choice Selection The untold story of Hamilton’s—and Burr’s—personal physician, whose dream to build America’s first botanical garden inspired the young Republic. On a clear morning in July 1804, Alexander Hamilton stepped onto a boat at the edge of the Hudson River. He was bound for a New Jersey dueling ground to settle his bitter dispute with Aaron Burr. Hamilton took just two men with him: his “second” for the duel, and Dr. David Hosack. As historian Victoria Johnson reveals in her groundbreaking biography, Hosack was one of the few points the duelists did agree on. Summoned that morning because of his role as the beloved Hamilton family doctor, he was also a close friend of Burr. A brilliant surgeon and a world-class botanist, Hosack—who until now has been lost in the fog of history—was a pioneering thinker who shaped a young nation. Born in New York City, he was educated in Europe and returned to America inspired by his newfound knowledge. He assembled a plant collection so spectacular and diverse that it amazes botanists today, conducted some of the first pharmaceutical research in the United States, and introduced new surgeries to America. His tireless work championing public health and science earned him national fame and praise from the likes of Thomas Jefferson, James Madison, Alexander von Humboldt, and the Marquis de Lafayette. One goal drove Hosack above all others: to build the Republic’s first botanical garden. Despite innumerable obstacles and near-constant resistance, Hosack triumphed when, by 1810, his Elgin Botanic Garden at last crowned twenty acres of Manhattan farmland. “Where others saw real estate and power, Hosack saw the landscape as a pharmacopoeia able to bring medicine into the modern age” (Eric W. Sanderson, author of Mannahatta). Today what remains of America’s first botanical garden lies in the heart of midtown, buried beneath Rockefeller Center. Whether collecting specimens along the banks of the Hudson River, lecturing before a class of rapt medical students, or breaking the fever of a young Philip Hamilton, David Hosack was an American visionary who has been too long forgotten. Alongside other towering figures of the post-Revolutionary generation, he took the reins of a nation. In unearthing the dramatic story of his life, Johnson offers a lush depiction of the man who gave a new voice to the powers and perils of nature.
Shakespeare’s adolescents examines the varied representation of adolescent characters in Shakespeare’s plays. Using early modern medical knowledge and an understanding of contemporary theatrical practices, the book unpacks complexities that surrounded the cultural and theatrical representations of ‘signs’ associated with an individual’s physical maturation. Each chapter explores the implications of different ‘signs’ of puberty, in verbal cues, facial adornments, vocal traits and body sizes, to illuminate how Shakespeare presents vibrant adolescent selves and stories. By analysing female and male puberty together in its discussion of adolescence, Shakespeare’s adolescents provides fresh insight into the age-based symmetry of early modern adolescent identities. The book uses the adolescent’s state of transformation to illuminate how the unfixed nature of adolescence was valued in early modern culture and through Shakespeare’s celebrated characters and actors.
This exciting and engaging textbook introduces students to the psychology of lesbian, gay, bisexual, trans and queer lives and experiences. It covers a broad range of topics including diversity, prejudice, health, relationships, parenting and lifespan experiences from youth to old age. The book includes 'key researcher' boxes, which outline the contributions of significant individuals and their motivations for conducting their research in their own words. Key issues and debates are discussed throughout the book, and questions for discussion and classroom exercises help students reflect critically and apply their learning. There are extensive links to further resources and information, as well as 'gaps and absences' sections, indicating major limitations of research in a particular area. This is the essential textbook for anyone studying LGBTQ psychology, psychology of sexuality or related courses. It is also a useful supplement to courses on gender and developmental psychology.
For the people of early modern England, the dividing line between the natural and supernatural worlds was both negotiable and porous - particularly when it came to issues of authority. Without a precise separation between ’science’ and ’magic’ the realm of the supernatural was a contested one, that could be used both to bolster and challenge various forms of authority and the exercise of power in early modern England. In order to better understand these issues, this volume addresses a range of questions regarding the ways in which ideas, beliefs and constructions of the supernatural threatened and conflicted with authority, as well as how the power of the supernatural could be used by authorities (monarchical, religious, legal or familial) to reinforce established social norms. Drawing upon a range of historical, literary and dramatic texts the collection reveals intersecting early modern anxieties in relation to the supernatural, issues of control and the exercise of power at different levels of society, from the upper echelons of power at court to local and domestic spaces, and in a range of publication contexts - manuscript sources, printed prose texts and the early modern stage. Divided into three sections - ’Magic at Court’, ’Performance, Text and Language’ and ’Witchcraft, the Devil and the Body’ - the volume offers a broad cultural approach to the subject that reflects current research by a range of early modern scholars from the disciplines of history and literature. By bringing scholars into an interdisciplinary dialogue, the case studies presented here generate fresh insights within and between disciplines and different methodologies and approaches, which are mutually illuminating.
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