New in Paperback 2004. Probably the most comprehensive work on the American art song ever available, this book considers the lives and contributions of 144 significant composers in the field, including many for whom information has been extremely scarce. Most composers' entries consist of a biographical sketch; a brief discussion of his or her song writing characteristics (with emphasis on performers' concerns); a partial or complete listing of annotated songs; recording information; and the composer's individual bibliography. Song annotations include poet, publisher, date of composition (when known), voice type, range, duration, tempo indication, mood, subject matter, vocal style, special difficulties, general impression, artists who have recorded the song, and any other pertinent information. Thirty composers whose contributions are deemed of lesser import are summarized in brief essays. Appendixes include a supplement of recommended songs; a listing of American song anthologies and their contents; and the most recent information regarding publishers cited in the guide. There is also a general discography, a general bibliography, and indexes for both titles and poets. Documenting the most important 110 years in the development of American art song, this book is an indispensable tool for singers, teachers, coaches, accompanists, and libraries.
Iona knows her friends very well. A little too well. There isn't a single crush, grudge or secret she doesn't know about. And given a free hand, she would like to slap the lot of them. There's Tamara, who's spent more time on the single's chart than 'Mull of Kintyre'; Ned, brilliant chef, professional time-waster; Angus, Iona's workaholic boyfriend; and Jim, the only property developer in London who still does the office coffee run. And Iona? Living with Angus, with their own luxury sofa and a subscription to Private Eye, the only qualification she doesn't have is a driving licence. But maybe that's the problem. Perhaps learning to drive and running a restaurant - team efforts both - will provide excitement, that great Elastoplast for problems. But as Iona's finding out, you can't make an omelette without breaking eggs ...
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