Magnolia Edwards, a businesswoman, a mother, and a neglected wife, is swept off her feet in a secret, flirtatious love affair with a tantalizing younger man, Aaron Freeman, whom she believes to be her soulmate. Passion consumes the two of them until Magnolia feels deceived after Aaron admits that his intentions toward her weren't always genuine. Magnolia's controlling husband, Joe, is acting shadier than usual, which leads her to undertake some detective work, where she discovers a common link between alluring Aaron and her husband, which is far worse than she ever expected. The chemical attraction between Magnolia and Aaron has left a permanent yearning on both of their hearts. Aaron tries to regain her trust, but can Magnolia accept Aaron's apology and give in to her constant desires, or will she remain in her sham of a marriage for the sake of her children?
“Patterson beautifully parses the consequences of one woman’s fall in this memorable, penetrating, fully achieved novel.” —The New York Times Book Review Story Prize and California Book Award finalist Victoria Patterson revisits Newport Beach in This Vacant Paradise, examining the intersections of economics, class, race, sex, and family expectations during the mid–1990s. Esther lives with her grandmother, a virulent matriarch who controls her family through her wealth. Esther knows that an advantageous marriage replete with social standing, familial and peer approval, and financial rewards will alleviate her struggles. But she has been known to self–sabotage, and her loved ones are rooting for her not to blow it with her latest beau, especially since she’s at the ripe old age of thirty–three. All is well until she begins a tumultuous love affair with Charlie, a local college professor known for his unconventional ideals as much as for his golf game and good looks. He sets a fire inside Esther, sparking and delivering her—whether by choice or not—from the insular, safe, and stifling confines of societal expectations to an alternate, unglamorous, and indefinable course. The result is a stunning debut novel: a powerful work of fiction sure to provoke and engage. “Patterson writes with the exuberance of a natural storyteller. Her cast is rich, her narrative sinuous and masterfully structured.” —San Francisco Chronicle “Considering the subject matter—the real housewives of Orange County—Patterson’s debut novel (after story collection Drift) is surprisingly sophisticated and nuanced.” —Publishers Weekly
Freud's interpretation of the ancient legend of Oedipus—as formulated in Sophocles' tragic drama—is among the most widely known concepts of psychoanalysis. Euripides' Ion, however, presents a more complex version of the development of personal identity. Here, the discovery of family origins is a process in which parent and child both take part as distinct agents driven by their own impulses of violence and desire. Euripides, Freud, and the Romance of Belonging studies the construction of identity and the origins of the primal trauma in two texts, the Ion and Freud’s case history of the Wolf Man. Victoria Pedrick challenges the conventional psychoanalytic theory of the development of the individual within the family, presenting instead a richer and more complex economy of exchange between the parent and the child. She provides a new perspective on Freud's appropriation of ancient texts and moves beyond the familiar reunion in Oedipus to the more nuanced scene of abandonment present in Ion. Her parallel investigation of these texts suggests that contemporary culture remains preoccupied by the problems of the past in the determination of identity. Pedrick's fresh perspectives on both texts as well as on their relationship to each other shed new light on two foundational moments in the intellectual development of the West: Greek tragedy and Freudian psychoanalysis.
Entangled in a web of deceit and devastated by her broken engagement, Mackenzie Adams is overwhelmed by guilt and shame. Believing her sin is unforgiveable, Mackenzie flees her Arizona home, despite her parents objection, and travels to central Arkansas to take on full-time employment as nanny to the child of Andrew Huntington, owner of a well-known land development corporation. Terror strikes when Mackenzie arrives at the Huntington's historic estate, Park House, and discovers that Mr. Huntington's wife, Jasmine, has been murdered. Elise, the Huntingtons baby girl, captures Mackenzies heart. This relationship, along with the friendship of fellow employee, Angela Valincia, helps to offset the hostility Mackenzie tolerates from house manager, Mrs. Slater, and the unwelcome romantic pursuit of Greg Martin, Mr. Huntington's obnoxious chauffeur. Her trust level in men below zero, Mackenzies conception of the opposite sex is challenged when she meets her employers nephew, Trace Patterson, the debonair vice president of Huntington, Inc. Curious about Jasmine, Mackenzie senses a strong urge to search for her killer. With the aid of Angie, Mackenzie begins her surreptitious quest, ignoring the warning of jeopardy she might incur. Things heat up when Elise is kidnapped, Jasmines attorney, Jason Crane, is murdered, and the killer discovers that Mackenzie has a clue that will identify him.
Why did the language of contract become the dominant metaphor for the relationship between subject and sovereign in mid-seventeenth-century England? In Wayward Contracts, Victoria Kahn takes issue with the usual explanation for the emergence of contract theory in terms of the origins of liberalism, with its notions of autonomy, liberty, and equality before the law. Drawing on literature as well as political theory, state trials as well as religious debates, Kahn argues that the sudden prominence of contract theory was part of the linguistic turn of early modern culture, when government was imagined in terms of the poetic power to bring new artifacts into existence. But this new power also brought in its wake a tremendous anxiety about the contingency of obligation and the instability of the passions that induce individuals to consent to a sovereign power. In this wide-ranging analysis of the cultural significance of contract theory, the lover and the slave, the tyrant and the regicide, the fool and the liar emerge as some of the central, if wayward, protagonists of the new theory of political obligation. The result is must reading for students and scholars of early modern literature and early modern political theory, as well as historians of political thought and of liberalism.
The eagerly awaited third edition of this highly respected and user-friendly text for introductory courses has been thoroughly updated to reflect the world today. Politics: An Introduction provides stimulating coverage of topics essential to the understanding of contemporary politics. It offers students necessary guidance on ways of studying and understanding politics, and illustration of the many different sites at which politics is construed and conducted. Ideal for students taking combined degrees at introductory level in politics and the social sciences, it emphasises the individual and social dimension of politics and covers theories and concepts in an accessible way. Fundamentally, it helps students see the political, and its relevance, in their lives. Key features include: a revised introduction considering ‘what is politics’ and how we understand and approach its study clear and well-organised coverage of political theory, political behaviour, institutions and the policy process carefully crafted in-text chapter features such as ‘consider this’ thought-provoking scenarios, ‘think points’, keyword definitions, chapter summaries, and exercises designed to enliven and extend the learning experience stimulating, up-to-date examples and case studies from across the globe, such as ‘fake news’, online activism, the rise of populism, culture wars, ‘fertility tourism’ in India, hydropower in Cambodia, free speech in France, and personality politics in Turkmenistan detailed consideration of democratisation, authoritarian regimes, direct democracy, gender critical perspectives, minority rights, global capitalism, social movements, radical political change, post-secularism, and challenges and changes brought by social media. Politics: An Introduction is a broad-ranging, accessible, and essential guide for all students studying, or beginning to study, politics.
The stories of ten women healers form the core of this provocative journey into cultural healing methods utilized by women. In a truly grass-roots project, the authors take the reader along to listen to the voices of Native American medicine women, Southwest Hispanic curanderas, and women physicians as they describe their healing paths. This book will fascinate anyone interested in the relationship between illness and healing-medical practitioners and historians, patients, anthropologists, feminists, psychologists, psychiatrists, theologians, sociologists, folklorists, and others who seek understanding about our relationship to the forces of both illness and healing.
The Historiography of Genocide is an indispensable guide to the development of the emerging discipline of genocide studies and the only available assessment of the historical literature pertaining to genocides.
Americans have always regarded farming as a special calling, one imbued with the Jeffersonian values of individualism and self- sufficiency. As Victoria Saker Woeste demonstrates, farming's cultural image continued to shape Americans' expectations of rural society long after industrialization radically transformed the business of agriculture. Even as farmers enthusiastically embraced cooperative marketing to create unprecedented industry- wide monopolies and control prices, they claimed they were simply preserving their traditional place in society. In fact, the new legal form of cooperation far outpaced judicial and legislative developments at both the state and federal levels, resulting in a legal and political struggle to redefine the place of agriculture in the industrial market. Woeste shows that farmers were adept at both borrowing such legal forms as the corporate trust for their own purposes and obtaining legislative recognition of the new cooperative style. In the process, however, the first rule of capitalism--every person for him- or herself--trumped the traditional principle of cooperation. After 1922, state and federal law wholly endorsed cooperation's new form. Indeed, says Woeste, because of its corporate roots, this model of cooperation fit so neatly with the regulatory paradigms of the first half of the twentieth century that it became an essential policy of the modern administrative state.
A “wonderfully realized” story collection that “scrapes off the glitter” of posh Newport Beach, California (Publishers Weekly). Welcome to Newport Beach, California—a community that often seems dazzling from a distance, but isn’t always as glamorous as we imagine. In this fresh and fearless collection of interconnected stories, Victoria Patterson introduces us to a homeless stoner named John Wayne; a trophy wife who is cheating on her husband—who in turn has a secret of his own; and a confused teenager named Rosie whose wayward coming of age is depicted with frank honesty and piercing insight. Through the lives of these and other denizens of this coastal city, Patterson’s Drift offers “keen perspectives on life lived on the fringe” while plumbing the depths of female friendship and what it means to be an outsider (Booklist). “Drift is one of the truest depictions of Southern California I’ve read yet. . . . Subtle, honest, and a great pleasure to read.” —Danzy Senna, author of New People “Patterson is our generation’s heir to John O’Hara and Edith Wharton. Several times I had to put this book down just to catch my breath.” —Michelle Huneven, author of Jamesland
The 7 Deadly Sins series that inspired four Lifetime original movies continues with this unputdownable novel following mortgage broker Journee Alexander as she tries to escape the secrets of her past without losing all she has worked to build in the present. Journee Alexander grew up believing that the only person she could depend on was herself. After being abandoned by her mother, burning bridges with friends, and narrowly escaping bad business dealings with her first mentor, her trust is hard to earn and harder to keep. But she has overcome all of that and now, as a successful mortgage broker at the top of her game in Houston’s booming real estate market, she has every reason to be proud of her accomplishments. She achieved this massive success on her own—there’s no need to put her trust in anyone else. But when Journee starts receiving cryptic text messages from an unknown number threatening to destroy everything she has worked to build, she is out of her depth for the first time. Forced to consider accepting help from someone, Journee turns to the first man she loved, the one who got away. But old habits are hard to break and after trusting only her own instincts for so long, can she put her pride aside and accept advice from an old flame? Or should she put her trust in a brand-new love who is in sync with all that she wants to do? Journee is forced to confront the secrets of her past, the old hurts that never seem to heal, and the fact that sometimes a meteoric rise is just the first step in a devastating fall that will change her life forever.
Murder She Wrote meets Fargo in the eighteenth installment of Victoria Houston’s “engaging” (Alfred Hitchcock's Mystery Magazine) and critically acclaimed mystery series set in the northwoods of Wisconsin. "My wife and Gordon Maxwell tried to kill me this morning." Doc Osborne is startled by the unexpected words tumbling out of the mouth of his friend and fellow AA member Chuck Pelletier, the recently remarried lead accountant for a planned luxury fly-fishing lodge preserve under construction in the area. Alarmed, Doc tries to alert Police Chief Lew Ferris, but she is tied up with law enforcement teams across the state. They’re searching for thieves who have been cutting down and stealing hundreds of thousands of precious birch trees from public and private property across northern Wisconsin. But it’s too late. Pelletier is found dead not two hours later. Doc is shocked, saddened, and determined to get to the bottom of the murder. With one man dead, evidence of lakeshore properties being stolen from elderly owners, and an attempted sexual assault, short-handed Chief Ferris deputizes Doc and his skilled tracker neighbor to help with the investigation. Then, just as they seem to be getting somewhere, things grow even more complicated. Just another summer in Loon Lake.
Highly Commended in Medicine in the 2017 BMA Medical Book Awards Essential Practical Prescribing is an important new textbook with a clinical, ward-based focus. It is specifically designed to help new foundation doctors working on the hospital wards and in the community, as well as medical students preparing for the Prescribing Safety Assessment. Using an accessible format, Essential Practical Prescribing demonstrates how to manage common medical conditions, and explains the logic behind each decision. It also emphasises common pitfalls leading to drug errors, and highlights drugs that could cause harm in certain situations. Organised by hospital department, it outlines the correct management of conditions, as well as highlighting the typical trials of a junior doctor. Essential Practical Prescribing: Contains a range of learning methods within each chapter including: key topics, learning objectives, case studies, DRUGS checklists, "Top-Tips", advice on guidelines and evidence, and key learning points Uses patient histories to set the scene and enhance the clinical emphasis Offers examples of correctly completed drug charts throughout, which are also available online Is an ideal companion for Prescribing Safety Assessment (PSA) preparation Includes a companion website at www.wileyessential.com/prescribing featuring MCQs and downloadable DRUGS checklists and drug charts
Aristocrat, novelist, essayist, traveler, and lover of Virginia Woolf, Vita Sackville-West lived a fascinating and daring life on the periphery of the Bloomsbury circle. She wrote in an astounding variety of genres, including travel narrative, historical and literary studies, poetry, fiction, and essays, and is probably best known or her novels, The Edwardians and All Passion Spent, and incomparable writings about English country houses and gardens. Here, for the first time, is an anthology that represents the full expanse of her interests and styles. Over half of the works, including intimate diaries and a dream notebook, have never been published. Edited by a foremost expert on the Bloomsbury circle, Vita Sackville-West: Selected Writings provides the best and most accessible introduction to this unique writer.
Historians of political thought have argued that the real Machiavelli is the republican thinker and theorist of civic virtù. Machiavellian Rhetoric argues in contrast that Renaissance readers were right to see Machiavelli as a Machiavel, a figure of force and fraud, rhetorical cunning and deception. Taking the rhetorical Machiavel as a point of departure, Victoria Kahn argues that this figure is not simply the result of a naïve misreading of Machiavelli but is attuned to the rhetorical dimension of his political theory in a way that later thematic readings of Machiavelli are not. Her aim is to provide a revised history of Renaissance Machiavellism, particularly in England: one that sees the Machiavel and the republican as equally valid--and related--readings of Machiavelli's work. In this revised history, Machiavelli offers a rhetoric for dealing with the realm of de facto political power, rather than a political theory with a coherent thematic content; and Renaissance Machiavellism includes a variety of rhetorically sophisticated appreciations and appropriations of Machiavelli's own rhetorical approach to politics. Part I offers readings of The Prince, The Discourses, and Counter-Reformation responses to Machiavelli. Part II discusses the reception of Machiavelli in sixteenth-and seventeenth-century England. Part III focuses on Milton, especially Areopagitica, Comus, and Paradise Lost.
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