The second edition of this user-friendly text for students taking introductory courses in politics builds on the success of the first edition. It provides completely updated and stimulating coverage of topics essential to the understanding of contemporary politics. Ideal for students taking combined degrees at introductory level in politics and the social sciences, it emphasises the individual and social dimension of politics and covers theories and concepts in an accessible way. New features in the second edition include: * new examples drawn from Western democracies and other political systems * expanded sections on nationalism, religion, alternative politics, globalisation and ethnic conflict * updated examples from the most contemporary political events * biographies of key political thinkers and figures.
From the authors of Legislative Labyrinth: Congress and Campaign Finance Reform. Elections, the basic mechanism of representative democracy, should be untainted by corruption and provide a platform for free speech. But running for office takes money—a lot of it, usually—which means campaign finance has become a pitched battle over the fundamental political values of free speech versus fair elections. With insiders' perspectives, Farrar-Myers and Dwyre tell the story of what it took to pass campaign finance legislation, provide analysis of the subsequent court action, and explore the regulatory and electoral outcomes of reform efforts. Limits and Loopholes is a story about incremental policymaking and inter-branch struggle, about institutional design and unintended consequences, about the influence of interest groups and the media, and about the health of our representative democracy. Bringing together discussions of core values and the policymaking process, this book serves as an excellent case study that traces an issue from inception, through legislation and litigation, and finally to implementation.
Imagine a country where the right to vote is not guaranteed by the Constitution, where the candidate with the most votes loses, and where paperwork requirements and bureaucratic bungling disenfranchise millions. You're living in it. If the consequences weren't so serious, it would be funny. A concise handbook designed as a fact-filled companion to the forthcoming PBS documentary starring political satirist and commentator Mo Rocca, Electoral Dysfunction illuminates a broad array of issues, including: the Founding Fathers' decision to omit the right to vote from the Constitution—and the legal system's patchwork response to this omission; the battle over voter ID, voter impersonation, and voter fraud; the foul-ups that plague Election Day, from ballot design to contested recounts; the role of partisan officials in running elections; and the antidemocratic origins and impact of the Electoral College. The book concludes with a prescription for a healthy voting system crafted by leading voting-reform experts, whose agenda for change includes a call for universal voter registration and unform national standards. Published in the run-up to the 2012 election, Electoral Dysfunction is for readers across the political spectrum who want their vote to count.
Psychic intuitive Char Margolis has amazed TV hosts from Larry King to Regis Philbin--and millions of viewers--with her uncanny ability to make contact with departed spirits. Now she shares her most exciting experiences in this astonishing book. But this is much more than a memoir-Char also tells you how to develop your own psychic abilities. Her inspiring advice can help you to contact a loved one's spirit, or enhance your innate ability to sense danger or protect others. She also provides easy instructions for making life-changing decisions-intuitively-about business, family, health, and love! Discover: * Why we don't have to fear death * Nineteen questions that test your intuitive abilities * Sure-fire ways to tell if a spirit is trying to contact you * Expert guidance on evaluating an intuitive or psychic message * Methods to help you communicate with loved ones, guardian angels, and spirit guides * The messages you can find in dreams and daydreams * Important facts about guarding against negative energies...and much more! LET CHAR SHOW YOU HOW TO FOLLOW YOUR INTUITION TO... ..."hone in" on missing or misplaced objects ...psychically contact people or "accidentally" run into them ...choose or change a career intuitively ...do an intuitive health check, including discerning specific conditions ...ease the pain of grief and losing a loved one ...expand your wisdom and happiness ...increase your ability to love ...prevent problems and attain goals in your life
Remember how many lies we told, Molly? It’s enough to make my head spin. You were wild and free when we met, and I was completely fascinated by you. But now you’re gone. Disappeared. And the police are asking questions. But don’t worry, I’ll find you. Somewhere in the story of us—of you and me, and that immediate, intense connection we had—I’ll the find the answers. I’ll find you. I’ve got places to look and a list of names. The police have a list of names, too. But you and I know that’s another lie. There’s only one person they’re really looking at, Molly. And that’s me.
Architecture is a challenging profession. The education is rigorous and the licensing process lengthy; the industry is volatile and compensation lags behind other professions. All architects make a huge investment to be able to practice, but additional obstacles are placed in the way of women and people of color. Structural Inequality relates this disparity through the stories of twenty black architects from around the United States and examines the sociological context of architectural practice. Through these experiences, research, and observation, Victoria Kaplan explores the role systemic racism plays in an occupation commonly referred to as the 'white gentlemen's profession.' Given the shifting demographics of the United States, Kaplan demonstrates that it is incumbent on the profession to act now to create a multicultural field of practitioners who mirror the changing client base. Structural Inequality provides the context to inform and facilitate the necessary conversation on increasing diversity in architecture.
From the Kennedy administration through the end of the Reagan era, the Potomac Institute gave vital, behind-the-scenes support to countless public-and-private-sector initiatives related to equal opportunity, urban social problems, and race relations. Part history and part memoir of Harold C. Fleming, the institute's leader, The Potomac Chronicle tells for the first time how the institute served as a creative broker of talent, ideas, and resources among minorities, activists, and interest groups. Owing to Fleming's dedication, coolheadedness, and low-key approach, no other such organization was as well linked to—and as trusted by—both government policymakers and southern civil rights leaders. In the context of major national trends and events, The Potomac Chronicle tells of the institute's role in the Kennedy administration's civil rights policy debates, in helping the Defense Department set up what would become model guidelines for civil rights compliance by federal contractors, and in informing, educating, and reassuring Americans about Lyndon Johnson's Civil Rights Act. Other accomplishments discussed include the institute's involvement in forming the Equal Employment Opportunity Commission, tying civil rights requirements to government programs and private practices in education, housing, and employment, and, in the years before it closed in 1988, helping defend affirmative action.
The most significant conquest of the twentieth century may well have been the triumph of American consumer society over Europe's bourgeois civilization. It is this little-understood but world-shaking campaign that unfolds in Irresistible Empire, Victoria de Grazia's brilliant account of how the American standard of living defeated the European way of life and achieved the global cultural hegemony that is both its great strength and its key weakness today. De Grazia describes how, as America's market empire advanced with confidence through Europe, spreading consumer-oriented capitalism, all alternative strategies fell before it--first the bourgeois lifestyle, then the Third Reich's command consumption, and finally the grand experiment of Soviet-style socialist planning. Tracing the peculiar alliance that arrayed New World salesmanship, statecraft, and standardized goods against the Old World's values of status, craft, and good taste, Victoria de Grazia follows the United States' market-driven imperialism through a vivid series of cross-Atlantic incursions by the great inventions of American consumer society. We see Rotarians from Duluth in the company of the high bourgeoisie of Dresden; working-class spectators in ramshackle French theaters conversing with Garbo and Bogart; Stetson-hatted entrepreneurs from Kansas in the midst of fussy Milanese shoppers; and, against the backdrop of Rome's Spanish Steps and Paris's Opera Comique, Fast Food in a showdown with advocates for Slow Food. Demonstrating the intricacies of America's advance, de Grazia offers an intimate and historical dimension to debates over America's exercise of soft power and the process known as Americanization. She raises provocative questions about the quality of the good life, democracy, and peace that issue from the vaunted victory of mass consumer culture.
Prince Ali had everything: talent, charisma, and a devoted best friend, Becky Howard. He won every time he set a hoof in a show ring. He garnered more fans from personal and TV appearances. Becky was with him every step of the way, even riding him in the Swallows Day Parade in their hometown, San Juan Capistrano. Disaster struck when two thugs put Becky in a coma, drugged him and dragged Prince Ali off to sell for diabolical purposes. When their buyer realized who Ali was, he nixed the deal. That landed the pampered show horse high in the mountains in late March. One night, a week later, he discovered the corral gate unlatched. Prince Ali mustered every ounce of strength, courage, and stamina he had to walk into the wilderness searching for the best friend he couldn't live without.
A blistering journalistic exposé: an account of government negligence, corporate malfeasance, familial struggle, drugs, politics, murder, and a daring rescue operation in the Colombian jungle. On July 2, 2008, when three American private contractors and Colombian presidential candidate Ingrid Betancourt were rescued after being held for more than five years by the Revolutionary Armed Forces of Colombia (FARC), the world was captivated by their personal narratives. But between the headlines a major story was lost: Who exactly are the FARC? How had a drug-funded revolutionary army managed to hold so many hostages for so long? Had our costly War on Drugs failed completely? Hostage Nation answers these questions by exploring the complex and corrupt political and socioeconomic situations that enabled the FARC to gain unprecedented strength, influence, and impunity. It takes us behind the news stories to profile a young revolutionary in the making, an elite Colombian banker-turned-guerrilla and the hard-driven American federal prosecutor determined to convict him on American soil, and a former FBI boss who worked tirelessly to end the hostage crisis while the U.S. government disregarded his most important tool—negotiation. With unprecedented access to the FARC’s hidden camps, exceptional research, and lucid and keen insight, the authors have produced a revelatory work of current history.
I am not a propagandist," declared the matriarch of American modern dance Martha Graham while on her State Department funded-tour in 1955. Graham's claim inspires questions: the United States government exported Graham and her company internationally to over twenty-seven countries in Europe, Eastern Europe, the Middle East, the Near and Far East, and Russia representing every seated president from Dwight D. Eisenhower through Ronald Reagan, and planned under George H.W. Bush. Although in the diplomatic field, she was titled "The Picasso of modern dance," and "Forever Modern" in later years, Graham proclaimed, "I am not a modernist." During the Cold War, the reconfigured history of modernism as apolitical in its expression of "the heart and soul of mankind," suited political needs abroad. In addition, she declared, "I am not a feminist," yet she intersected with politically powerful women from Eleanor Roosevelt, Eleanor Dulles, sister of Eisenhower's Dulles brothers in the State Department and CIA, Jackie Kennedy Onassis, Betty Ford, and political matriarch Barbara Bush. While bringing religious characters on the frontier and biblical characters to the stage in a battle against the atheist communists, Graham explained, "I am not a missionary." Her work promoted the United States as modern, culturally sophisticated, racially and culturally integrated. To her abstract and mythic works, she added the trope of the American frontier. With her tours and Cold War modernism, Graham demonstrates the power of the individual, immigrants, republicanism, and, ultimately freedom from walls and metaphorical fences with cultural diplomacy with the unfettered language of movement and dance"--
Part historical novel, part romance, this exotic story spans Vietnamese history and generations in its portrayal of la doctoresse Jade Minh, an exquisitely beautiful but soulless woman with a secret past; the mysterious Chou, the South Vietnamese Embassy's slippery legal eagle and sometimes counterspy who lusts after Jade Minh with a creative perversion; and lovely Suzette, illegitimate child of a star-crossed union who is adopted into America at the start of the Vietnam War and returns to Vietnam searching for her identity. Lilting on the ear, Red Dream's narrative is spiked with simple poetry like the lyrics of a modern song. It is also a unique visual experience. Images set behind the text or running up the wide margins gives the pages a special appeal. "Steamy and sexy....Stunning and unforgettable" - Christopher Ondaatje.
Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the mid-1960s to the mid-2010s. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The titular concept, "moving otherwise" names how both concert dance and its off-stage practice and consumption offer alternatives to and modes to critique the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence. Drawing on archival research based in institutional and private collections, over fifty interviews with dancers and choreographers, and the author's embodied experiences as a collaborator and performer with active groups, the book analyzes how a wide range of practices moved otherwise, including concert works, community dance initiatives, and the everyday labor that animates dance. It demonstrates how these diverse practices represent, resist, and remember violence and engender new forms of social mobilization on and off the theatrical stage. As the first book length critical study of Argentine contemporary dance, it introduces a breadth of choreographers to an English speaking audience, including Ana Kamien, Susana Zimmermann, Estela Maris, Alejandro Cervera, Renate Schottelius, Susana Tambutti, Silvia Hodgers, and Silvia Vladimivsky. It also considers previously undocumented aspects of Argentine dance history, including crossings between contemporary dancers and 1970s leftist political militancy, Argentine dance labor movements, political protest, and the prominence of tango themes in contemporary dance works that address the memory of political violence. Contemporary dance, the book demonstrates, has a rich and diverse history of political engagement in Argentina.
This book covers many questions about how we as a country got to Black American racism. As I found more and more answers, I realized how many of them were totally new to me and how I felt that I had been so deceived about so much of our history. After talking to many people, Black and white, I knew that it wasn't just me who had been deceived. There is so much that has been done to Black Americans over the ages, not just slavery, that I felt everyone could understand better if various truths were revealed. One Black young man I discussed this with seemed to visibly feel better about himself just hearing some of these basic truths. Eugenics, I believe, was worse than slavery. Eugenics founder, Galton, was a first cousin to Charles Darwin. This was all related to Malthus, who decided in 1795 that overpopulation was a dire emergency. Eugenics was the answer to who should be allowed to live or reproduce in order to keep the world population down. The geologic timetable, evolution, overpopulation, and eugenics all came about in the early 1800s before any carbon dating. Who is still pushing this, and how does it all relate to American racism?
Trager’s The Law of Journalism and Mass Communication provides a clear and engaging introduction to media law with comprehensive coverage and analysis for future journalists and media professionals. The Eighth Edition brings the law to life with cutting-edge research, the latest court and legislative rulings, and a wealth of new content.
Over 40 fun- and fact-filled brain teasers for puzzle lovers and history buffs focus on White House hostesses — from Martha Washington, Mary Todd Lincoln, and Eleanor Roosevelt to Jacqueline Kennedy, Hillary Rodham Clinton, and Laura Bush. List of data below each grid; solutions at end of book.
Before Hungary’s transition from communism to democracy, local dissidents and like-minded intellectuals, activists, and academics from the West influenced each other and inspired the fight for human rights and civil liberties in Eastern Europe. Hungarian dissidents provided Westerners with a new purpose and legitimized their public interventions in a bipolar world order. The Making of Dissidents demonstrates how Hungary’s Western friends shaped public perceptions and institutionalized their advocacy long before the peaceful revolutions of 1989. But liberalism failed to take root in Hungary, and Victoria Harms explores how many former dissidents retreated and Westerners shifted their attention elsewhere during the 1990s, paving the way for nationalism and democratic backsliding.
Television Criticism presents an original treatment of television criticism with a foundational approach to the nature of criticism, an understanding of the business of television, production background in creating television style, in-depth chapters on storytelling and narrative theories and television genres, the interaction of rhetoric and cultural studies theories, representation, and postmodernism. It presents new and comprehensive guidelines for analysis and criticism, and it has a sample critique of the television program "CSI: Crime Scene Investigation.
This edition contains revised and updated persuasion and propaganda theories and recent studies. The coverage of theory is expanded as is the discussion on the global war against terrorism, US attempts to "sell" itself to the Arab countries, and the question of ideological propaganda in a polarized mass media system. The authors incorporate examples from Jihad and US propaganda after September 11, 2001, and include new as well as revised case studies.
Winner of the 2009 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award The Midwest of popular imagination is a "Heartland" characterized by traditional cultural values and mass market dispositions. Whether cast positively —; as authentic, pastoral, populist, hardworking, and all-American—or negatively—as backward, narrow–minded, unsophisticated, conservative, and out-of-touch—the myth of the Heartland endures. Heartland TV examines the centrality of this myth to television's promotion and development, programming and marketing appeals, and public debates over the medium's and its audience's cultural worth. Victoria E. Johnson investigates how the "square" image of the heartland has been ritually recuperated on prime time television, from The Lawrence Welk Show in the 1950s, to documentary specials in the 1960s, to The Mary Tyler Moore Show in the 1970s, to Ellen in the 1990s. She also examines news specials on the Oklahoma City bombing to reveal how that city has been inscribed as the epitome of a timeless, pastoral heartland, and concludes with an analysis of network branding practices and appeals to an imagined "red state" audience. Johnson argues that non-white, queer, and urban culture is consistently erased from depictions of the Midwest in order to reinforce its "reassuring" image as white and straight. Through analyses of policy, industry discourse, and case studies of specific shows, Heartland TV exposes the cultural function of the Midwest as a site of national transference and disavowal with regard to race, sexuality, and citizenship ideals.
These 88 puzzles and their solutions offer an entertaining approach to the life and times of Presidents and First Ladies, from the Washingtons to the Trumps and everyone in between.
At the 1964 annual meeting of the Inter-American Development Bank (IDB) in Panama, Felipe Herrera, then the President of the institution, argued that Cour institution must continue to demonstrate that, being a bank, it is also more than a bank. What is this institution that had the backing of both Latin American countries and the United States, and that since Herrera many have claimed it is more than a bank? And how did it come into existence?
New in Paperback 2004. Probably the most comprehensive work on the American art song ever available, this book considers the lives and contributions of 144 significant composers in the field, including many for whom information has been extremely scarce. Most composers' entries consist of a biographical sketch; a brief discussion of his or her song writing characteristics (with emphasis on performers' concerns); a partial or complete listing of annotated songs; recording information; and the composer's individual bibliography. Song annotations include poet, publisher, date of composition (when known), voice type, range, duration, tempo indication, mood, subject matter, vocal style, special difficulties, general impression, artists who have recorded the song, and any other pertinent information. Thirty composers whose contributions are deemed of lesser import are summarized in brief essays. Appendixes include a supplement of recommended songs; a listing of American song anthologies and their contents; and the most recent information regarding publishers cited in the guide. There is also a general discography, a general bibliography, and indexes for both titles and poets. Documenting the most important 110 years in the development of American art song, this book is an indispensable tool for singers, teachers, coaches, accompanists, and libraries.
A magnificent work of original research that unravels history through textiles and cloth—how we make it, use it, and what it means to us. How is a handmade fabric helping save an ancient forest? Why is a famous fabric pattern from India best known by the name of a Scottish town? How is a Chinese dragon robe a diagram of the whole universe? What is the difference between how the Greek Fates and the Viking Norns used threads to tell our destiny? In Fabric, bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it, and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama - where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form. She began her research just after the deaths of both her parents —and entwined in the threads she found her personal story too. Fabric is not just a material history of our world, but Finlay's own journey through grief and recovery.
Explains the key concepts, theories, and studies in the sociology of the arts—the fully updated new edition of the classic textbook Sociology of the Arts is a comprehensive yet accessible review of sociological approaches to studying the fine, popular, and folk arts. Integrating scholarly literature, theoretical models, and empirical studies, this authoritative textbook provides balanced coverage of a broad range of essential topics—enabling a deeper understanding of the field as a whole. Throughout the text, numerous real-world case studies reinforce key concepts, stimulate classroom discussion, and encourage students to contemplate abstract theoretical issues central to the relationship between art and society. Now in its second edition, this bestselling volume features fully revised content that reflects the most recent literature and research in the field. New discussion on the production and the consumption of culture are complemented by fresh perspectives on changes in the social world such as the rise of the internet and digital media. Updated chapters offer insights into social boundaries and embodiment in the arts, emplacement, materiality, the social construction of art and aesthetics, and more. Exploring how art is created, distributed, received, and consumed, this textbook: Explores both classic work and new approaches in the sociology of the arts Features case studies and discussion questions on art forms including popular music, film, romance novels, visual arts, and classical music Discusses the meaning of artistic objects and why interpretations of art vary Examines the ways art intersects with race, gender, sexuality, and class Includes photographs, tables and figures, and a comprehensive reference list Written by a leading scholar in the field, Sociology of the Arts: Exploring Fine and Popular Forms, Second Edition is an ideal textbook for advanced undergraduate and graduate courses on sociology of art and culture, media studies, anthropology of art, arts management, and the social history of art, and is a useful reference for established scholars studying any aspect of sociology of the arts.
Nearly 200 word searches are packed with interesting tidbits about every state and the District of Columbia as well as the life and times of the Presidents and First Ladies, from George and Martha Washington to Donald and Melania Trump. Solutions included.
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