Highly Commended in Medicine in the 2017 BMA Medical Book Awards Essential Practical Prescribing is an important new textbook with a clinical, ward-based focus. It is specifically designed to help new foundation doctors working on the hospital wards and in the community, as well as medical students preparing for the Prescribing Safety Assessment. Using an accessible format, Essential Practical Prescribing demonstrates how to manage common medical conditions, and explains the logic behind each decision. It also emphasises common pitfalls leading to drug errors, and highlights drugs that could cause harm in certain situations. Organised by hospital department, it outlines the correct management of conditions, as well as highlighting the typical trials of a junior doctor. Essential Practical Prescribing: Contains a range of learning methods within each chapter including: key topics, learning objectives, case studies, DRUGS checklists, "Top-Tips", advice on guidelines and evidence, and key learning points Uses patient histories to set the scene and enhance the clinical emphasis Offers examples of correctly completed drug charts throughout, which are also available online Is an ideal companion for Prescribing Safety Assessment (PSA) preparation Includes a companion website at www.wileyessential.com/prescribing featuring MCQs and downloadable DRUGS checklists and drug charts
Saffi doesn't want her new life, living with her dad, little brother and old-fashioned grandparents in their B&B by the sea. She is grieving for her mum and longs for things to go back to normal. But this new home is anything but normal: the walls change colour, a face appears in the mirror, and the pantry is suddenly filled with fancy food. When a party of extraordinary visitors arrive at midnight, Saffi begins to realise that her family has a dark, magical secret. It will take all her bravery to discover the truth and find a way into another world... Cover art by Sharon King-Chai
Historians of political thought have argued that the real Machiavelli is the republican thinker and theorist of civic virtù. Machiavellian Rhetoric argues in contrast that Renaissance readers were right to see Machiavelli as a Machiavel, a figure of force and fraud, rhetorical cunning and deception. Taking the rhetorical Machiavel as a point of departure, Victoria Kahn argues that this figure is not simply the result of a naïve misreading of Machiavelli but is attuned to the rhetorical dimension of his political theory in a way that later thematic readings of Machiavelli are not. Her aim is to provide a revised history of Renaissance Machiavellism, particularly in England: one that sees the Machiavel and the republican as equally valid--and related--readings of Machiavelli's work. In this revised history, Machiavelli offers a rhetoric for dealing with the realm of de facto political power, rather than a political theory with a coherent thematic content; and Renaissance Machiavellism includes a variety of rhetorically sophisticated appreciations and appropriations of Machiavelli's own rhetorical approach to politics. Part I offers readings of The Prince, The Discourses, and Counter-Reformation responses to Machiavelli. Part II discusses the reception of Machiavelli in sixteenth-and seventeenth-century England. Part III focuses on Milton, especially Areopagitica, Comus, and Paradise Lost.
This book introduces and provides commentary on a selection of published and unpublished works by Victoria Welby and exponents of the Signific Movement in the Netherlands. Beyond offering an important contribution to the reconstruction of a neglected phase in the history of ideas, it evidences the theoretical topicality of significs, in particular the focus on the relation of signs to value, meaning, and understanding, on verbal and nonverbal behavior, and on language and communication.
Written specifically for level 2 undergraduates, this textbook introduces readers to the extremely wide range of forms of religious thought, and the responses of religion to modern ideas, cultural phenomenon and events of the 20th century
Written specifically for level 2 undergraduates, this textbook introduces readers to the extremely wide range of forms of religious thought, and the responses of religion to modern ideas, cultural phenomenon and events of the 20th century
In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture. Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state. Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.
This book assesses the balancing act between EU free movement law, fundamental EU objectives and Member States' concerns regarding their welfare systems. It takes a novel dual approach: namely combining doctrinal analysis of EU citizenship case law with an examination of mobility data. This allows the study to clearly show an imbalance between the representation and protection of these conflicting interests in EU case law. It goes further, identifying avenues for reform and highlighting the importance of the principle of proportionality for attaining a legitimate balance of interests. In a field in which much has been written, this offers a truly original perspective. It will be much welcomed by scholars of EU free movement and citizenship law.
Study of late Anglo-Saxon texts and grave monuments illuminates contemporary attitudes towards dying and the dead. Pre-Conquest attitudes towards the dying and the dead have major implications for every aspect of culture, society and religion of the Anglo-Saxon period; but death-bed and funerary practices have been comparatively and unjustly neglected by historical scholarship. In her wide-ranging analysis, Dr Thompson examines such practices in the context of confessional and penitential literature, wills, poetry, chronicles and homilies, to show that complex and ambiguous ideas about death were current at all levels of Anglo-Saxon society. Her study also takes in grave monuments, showing in particular how the Anglo-Scandinavian sculpture of the ninth to the eleventh centuries may indicate notonly the status, but also the religious and cultural alignment of those who commissioned and made them. Victoria Thompson is Lecturer in the Centre for Nordic Studies at the University of the Highlands and Islands.
Concrete, research-driven advice on humanity's oldest, hardest job Why is parenting so fraught and so difficult in today's society? There has never been a time when advice was so readily available, and yet there is also a prevailing sense that parents are getting it wrong. This book examines the arguments and counter-arguments supported by research on how best to parent children, from birth to twelve years. By taking an impartial approach to the evidence and, by discussing case studies from across the world and from a number of academic disciplines, this book is designed to show how good parenting comes in many shapes and forms.
The concept of eccentricity was central to how people in the 19th century understood their world. This book explores how, from the turn of the century, discourses of eccentricity were established to make sense of individuals who did not seem to fit within an increasingly organized social and economic order.
This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a 'cheap coat of paint'. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, 'whitewash' as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.
A comparison of how societal actors in different geographical, political and cultural contexts understand agents and drivers of sustainability transformations.
Saffi doesn't want her new life, living with her dad, little brother and old-fashioned grandparents in their B&B by the sea. She is grieving for her mum and longs for things to go back to normal. But this new home is anything but normal: the walls change colour, a face appears in the mirror, and the pantry is suddenly filled with fancy food. When a party of extraordinary visitors arrive at midnight, Saffi begins to realise that her family has a dark, magical secret. It will take all her bravery to discover the truth and find a way into another world... Cover art by Sharon King-Chai
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