Jason and Mortyiene track a murderer hunting gnomes through a mystical library. The edifice finds itself drawn in to the war as tribal humanoids track the protagonist through the depths of the infinite building.
The notion of a special intimacy between 'the feminine and the sacred' has received significant attention since the publication of Julia Kristeva and Cathérine Clément's famous ecumenical 'conversation' of the same name which focussed on the relationship between meaning and the body at whose interface the feminine is positioned. Brought to the wider public as the 'sacred feminine', it has also made its mark on popular culture. Taking up the debate and moving beyond anthropology or theology, writers from varied ethnic, geo-cultural and religious perspectives here join with secular cultural analysts to explore the sacred and the feminine in art, architecture, literature, art history, music, philosophy, theology, critical theory and cultural studies. The book addresses key issues in feminist questions of creativity, the imaginary and the sacred as 'otherness', exploring the ways in which visual practices have explored this rich, contested and highly charged territory.
Pregnancy is so thoroughly entangled with birth and babies in the popular imagination that a pregnancy which ends in miscarriage consistently appears as a failure or a waste of time – indeed, as not proper to pregnancy at all. But in this compelling book, Victoria Browne argues that reflection on miscarriage actually deepens and expands our understanding of pregnancy, forcing us to consider what pregnancy can amount to besides the production of a child. By exploring common themes within personal accounts of miscarriage-including feelings of failure, self-blame and being 'stuck in limbo'-Pregnancy Without Birth critically interrogates teleological discourses and disciplinary ideologies that elevate birth as pregnancy's 'natural' and 'normal' endpoint. As well as politicizing miscarriage as a feminist issue, the book articulates an alternative intercorporeal philosophy of pregnancy which embraces variation, invites us to sit with ambiguity, contingency and suspension, and enables us to see subjective agency in all pregnancies, even as they are shaped by biological, political and social forces beyond our personal control. What emerges is a relational feminist politics of full-spectrum solidarity, social justice and care (rather than individualized choice and responsibility), which breaks down presumed oppositions between pregnancy, miscarriage, abortion, stillbirth and live birth, and liberates pregnancy from reproductive futurism.
Murder stalks the Wisconsin northwoods in a gripping novel from the author of the acclaimed Loon Lake mysteries. It's mid-May in the tiny northwoods Wisconsin town of Loon Lake, and the fish are biting. Walleye's not the only thing on the hook. There are rumors that a precious vein of nickel and copper is buried on the property of wealthy Grace McDonough, and the drilling is about to begin. But not if environmentalist Pete Ferris can help it. When Grace's 24-year-old son, Noah, is caught in a sordid sex crime, police chief Lew Ferris makes the arrest. But a day later, Lew is stricken when her brother Pete turns up dead, a bloody pry bar found in the woods nearby. Then, Grace's body is discovered in a car at the bottom of a river--and Noah has vanished. Lew puts out a statewide APB, but before long, Noah is also found murdered on the McDonough property. It's beginning to look like mother and son were killed by the same person. And when Lew learns that her brother had planned to file a lawsuit to prevent drilling for the sulfide mine, a key piece of the puzzle suddenly falls into place. Lew is beginning to close in on the truth. But has the killer set his bait again, angling for his biggest catch yet?
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