This meticulously researched and compassionately rendered portrait of Leonard Woolf, the "dark star" of Bloomsbury, is the first to capture his troubled relationship with his wife, his own intellect, and the tumultuous world of artists and eccentrics around him. A man of extremes, Woolf was by turns ferocious and tender, violent and repressed, opinionated and nonjudgmental, always an outsider of sorts within the exceptionally intimate, fractious, and sometimes vicious society of brilliant but troubled friends and lovers. In telling Woolf's story, Victoria Glendinning traces the development of the Bloomsbury circle, bringing to life the group's literary and personal discussions. She also provides an unprecedented account of Woolf's marriage to the legendary Virginia, revealing his undying creative and emotional support for her amid her numerous breakdowns. Leonard Woolf is a perceptive and lively biography of a man whose far–reaching influence is long overdue the full appreciation Glendinning provides.
Customers also found a stunning array of goods - fur coats and canned tuna, pianos and tractors - and an environment that combined the spectacular with the familiar. But the story of Leonards goes beyond the store and the man who made it. For Marvin Leonard, downtown Fort Worth and Leonards were always intertwined. Leonards gave Fort Worth a special identity, a distinctiveness, and an attraction to the city's center. When Tandy bought Leonards and later sold it to Dillard's, Fort Worth's image and character changed.
magine you are a mathematics teacher who gave up English and Drama when you were eighteen years old. Faced with writing a mini-production, which must be suitable for both a group of teenagers who want to look cool in front of their peers and teachers who expect a decent plot and a positive outcome, would fill you with dread, panic and stress. Kidwell not only offers practical advise on how to approach assemblies but also a selection of five minute assemblies as examples.
Our moon is an enigma. The ancients viewed it as a light to guide them in the darkness, and a god to be worshipped. In modern times, it has been taught that the Moon is simply a dead rock that is caught in Earth’s gravity, with no activity. As a researcher of metaphysical, paranormal and cosmic subjects, I have come across stories and information about the Moon that tell us that indeed there is activity there, and there has been for generations. Just who or what is causing the commotion is a mystery. There are stories that suggest that the Moon is home to extraterrestrials, theories that it is not a natural satellite, tales of anomalous lights, and tales that NASA astronauts saw extraterrestrial ships and ruins of an ancient civilization there. There is a rumor that Apollo13 was saved by extraterrestrials. Another story states that there are extraterrestrial bases on the Moon. There is even a tale that states that a part of the kingdom of Atlantis was once located there. Some even believe that there are cities beneath the surface of the Moon. There is an interesting account of a government employee using remote viewing as a means of seeing what is on the Moon. His experience is eye-opening! This is just a sample of the information that will be in The Encyclopedia of Moon Mysteries: Secrets, Conspiracy Theories, Anomalies, Extraterrestrials and More. For example, did you know that: • Aristotle and Plato wrote about a time when there was no Moon? They even gave a name of an ancient tribe of people that lived during that moonless period. • several of the NASA astronauts reported seeing UFOs while traveling to the Moon? • the Moon might be hollow? • Apollo 10 astronauts heard strange “space music” when traveling on the far side of the Moon? • strange and unexplained lights have been seen on the Moon for centuries? • there are said to be ruins of structures on the Moon? • there is an ancient tale that suggests that the first human was created on the Moon? • that radio signals have been detected coming from the Moon? • that famed astronomer Sir John Herschel saw unidentified lights above the Moon during an eclipse? • that ancient Bolivian symbols tell us that the Moon came into Earth’s orbit around 12,000 years ago? • a psychic was used by the government to relay information about the Moon? The book is separated into A to Z sections for easy reference and reading.
Television Criticism, Third Edition by Victoria O'Donnell provides a foundational approach to the nature of television criticism. Rhetorical studies, cultural studies, representation, narrative theories, and postmodernism are introduced for greater understanding and appreciation of the critical perspectives on television with in-depth methods of criticism. Illustrated with contemporary examples, this updated Third Edition includes a new, extensive sample critical analysis of The Big Bang Theory and reflects recent changes in the ways television is viewed across multiple devices and the impact of the Internet on television.
The Moon’s Galactic History: A Look at the Moon’s Extraterrestrial Past and Its Connection to Earth, follows the past and present research about the Moon’s strange, enigmatic history, with a focus on an extraterrestrial presence. The book examines such questions as, “Are there Moon inhabitants?” “Are the UFOs seen today connected to the Moon?” “Is there a city on the Moon?” and more. Additionally, Briggs discusses thing observed on the Moon, including anomalous strange lights, unidentified flying objects, odd constructions, artifacts, symbols and more. This book examines new thoughts and ideas from researchers and what their ideas are today about the extraterrestrial, Moon-Earth connection, and what it means for us. With all the information on unidentified flying objects in the news today, it is time to have an updated book with current research that investigates both the past and present material on the Moon. Did you know that: Several of the NASA astronauts reported seeing UFOs while traveling to the Moon?; the Moon might be hollow?; Apollo 10 astronauts heard strange “space music” when traveling on the far side of the Moon?; mysterious anomalous activity has been seen on the Moon for centuries?; there are said to be ruins of structures on the Moon?; and more.
This book assesses the impact of decentralization on Mexico’s intergovernmental relations and examines the constraints upon the devolution of political power from the center to the lower levels of government. It also discusses the distribution of power and authority to governments of opposition parties within the context of a more open political space. Victoria Rodríguez uncovers a new paradox in the Mexican political system: retaining power by giving it away. She argues that since the de la Madrid presidency (1982–1988), the Mexican government has embarked upon a major effort of political and administrative decentralization as a means to increase its hold on power. That effort continued under Salinas, but paradoxically led to further centralization. However, since Zedillo assumed the presidency, it has become increasingly clear that the survival of the ruling party and, indeed, the viability of his own government require a genuine, de facto reduction of centralism.
Shows how central the Second World War still is to post-war writing. Focusing on the upsurge of interest in the Second World War in recent British novels, this monograph explores the ways in which secrecy and secret work - including code-breaking, espionage and special operations - have been approached in representations of the war. It considers established writers, including Muriel Spark, Sarah Waters and Kazuo Ishiguro, as well as newer voices, such as Liz Jensen and Peter Ho Davies. The examination of the after-effects of involvement in secret work, inter-generational secrets in a domestic context, political allegiance and sexuality shows how issues of loyalty, deception and betrayal are brought into focus in these novels.
This is a compelling and absorbing behind-the-scenes collection of memorable vignettes from an insider’s point of view about: Red Buttons, George Wallace, the Marquis de Montal, Maria Sharapova, Dr. Billy Graham, Leonardo DiCaprio, Pat Boone, Milton Berle, Guy Ritchie & Madonna, Michael Caine, Phyllis Diller, Liza Minelli, Frank Sinatra, Laurence Olivier, Albert Finney, Minnie Pearl, Farrah Fawcett, Don Rickles, Burt Lancaster, Maria Callas, The Judds, Arnold Schwartzenegger, Jackie Onassis, George Clooney, David Frost, Leona Helmsley, Bianca Jagger, Gene Simmons (KISS), Ringo Starr, Sidney Poitier, Robert Stack, Ronald Reagan, Oprah Winfrey, Donald Trump, Bear Bryant, Bill O’Reilly, Gloria Allred, Kirk Douglas, Michael Douglas, Catherine Zeta-Jones, Ernest Borgnine, Denise Rich, Bill & Hillary Clinton, among others.
New in Paperback 2004. Probably the most comprehensive work on the American art song ever available, this book considers the lives and contributions of 144 significant composers in the field, including many for whom information has been extremely scarce. Most composers' entries consist of a biographical sketch; a brief discussion of his or her song writing characteristics (with emphasis on performers' concerns); a partial or complete listing of annotated songs; recording information; and the composer's individual bibliography. Song annotations include poet, publisher, date of composition (when known), voice type, range, duration, tempo indication, mood, subject matter, vocal style, special difficulties, general impression, artists who have recorded the song, and any other pertinent information. Thirty composers whose contributions are deemed of lesser import are summarized in brief essays. Appendixes include a supplement of recommended songs; a listing of American song anthologies and their contents; and the most recent information regarding publishers cited in the guide. There is also a general discography, a general bibliography, and indexes for both titles and poets. Documenting the most important 110 years in the development of American art song, this book is an indispensable tool for singers, teachers, coaches, accompanists, and libraries.
In the 1950s the brethren at the Benedictine Abbey of Saint John the Baptist in Collegeville, Minnesota—the largest Benedictine abbey in the world—decided to expand their campus, including building a new church. From a who’s who of architectural stars—such as Walter Gropius, Richard Neutra, Pietro Belluschi, Barry Byrne, and Eero Saarinen—the Benedictines chose a former member of the Bauhaus, Marcel Breuer. In collaboration with the monks, this untested religious designer produced a work of modern sculptural concrete architecture that reenvisioned what a church could be and set a worldwide standard for midcentury religious design. Saint John’s Abbey Church documents the dialogue of the design process, as Breuer instructed the monks about architecture and they in turn guided him and his associates in the construction of a sacred space in the crucial years of liturgical reform. A reading of letters, drawings, and other archival materials shows how these conversations gave shape to design elements from the church’s floor plan to the liturgical furnishings, art, and incomparable stained glass installed within it. The book offers a rare detailed view of how a patron and architect work together in a successful building campaign—one that, in this case, lasted for two decades and resulted in designs for twelve buildings, ten of which were completed. The post–World War II years were critical in the development of religious and architectural experiences in the United States—experiences that came together in the construction of Saint John’s Abbey and University Church and that find their full expression in Victoria M. Young’s account of the process. Using the liturgy of the mid-twentieth century as a cornerstone for understanding the architecture produced to support it, her book showcases the importance of modernism in the design of sacred space, and of Marcel Breuer’s role in setting the standard.
She Only Wanted the Best for Her Nephew… When Chicago sophisticate Clair Fletcher hit the tiny town of Elk Creek, Wyoming, seeking custody of her orphaned nephew, she thought her mission would be easy. Then she confronted rancher Jace Brimley, the mountain of a man who'd given his all to become the toddler's guardian, and she realized she was in for the fight of her life. Combining tantalizing brawn with heart-stopping tenderness, Jace clearly adored tiny, hero-worshipping Willy. Still, didn't Willy belong with his blood relative? Yet how could Clair battle bighearted Jace when he and little Willy evoked such unthinkable longings in her…longings for a future of small-town family bliss?
Aristocrat, novelist, essayist, traveler, and lover of Virginia Woolf, Vita Sackville-West lived a fascinating and daring life on the periphery of the Bloomsbury circle. She wrote in an astounding variety of genres, including travel narrative, historical and literary studies, poetry, fiction, and essays, and is probably best known or her novels, The Edwardians and All Passion Spent, and incomparable writings about English country houses and gardens. Here, for the first time, is an anthology that represents the full expanse of her interests and styles. Over half of the works, including intimate diaries and a dream notebook, have never been published. Edited by a foremost expert on the Bloomsbury circle, Vita Sackville-West: Selected Writings provides the best and most accessible introduction to this unique writer.
The inside story of the legendary actor's 65-year career — from radio to classic movies and horror films to Broadway — and his family life. "Entertaining and touching." — The New York Times.
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