Entrusted by His Majesty the King with the duty of making a selection from Queen Victoria's correspondence, we think it well to describe briefly the nature of the documents which we have been privileged to examine, as well as to indicate the principles which have guided us throughout. It has been a task of no ordinary difficulty. Her Majesty Queen Victoria dealt with her papers, from the first, in a most methodical manner; she formed the habit in early days of preserving her private letters, and after her accession to the Throne all her official papers were similarly treated, and bound in volumes. The Prince Consort instituted an elaborate system of classification, annotating and even indexing many of the documents with his own hand. The result is that the collected papers form what is probably the most extraordinary series of State documents in the world. The papers which deal with the Queen's life up to the year 1861 have been bound in chronological order, and comprise between five and six hundred volumes. They consist, in great part, of letters from Ministers detailing the proceedings of Parliament, and of various political memoranda dealing with home, foreign, and colonial policy; among these are a few drafts of Her Majesty's replies. There are volumes concerned with the affairs of almost every European country; with the history of India, the British Army, the Civil List, the Royal Estates, and all the complicated machinery of the Monarchy and the Constitution. There are letters from monarchs and royal personages, and there is further a whole series of volumes dealing with matters in which the Prince Consort took a special interest. Some of them are arranged chronologically, some by subjects. Among the most interesting volumes are those containing the letters written by Her Majesty to her uncle Leopold, King of the Belgians, and his replies.1 The collection of letters from and to Lord Melbourne forms another hardly less interesting series. In many places Queen Victoria caused extracts, copied from her own private Diaries, dealing with important political events or describing momentous interviews, to be inserted in the volumes, with the evident intention of illustrating and completing the record.
This book considers the relationship between biblical readings and literary writings in early modern England and it explores the impact of how the Bible was read across a variety of writers and genres.
Mount Mellyn stood as proud and magnificent as she had envisioned...But what bout its master--Connan TreMellyn? Was Martha Leigh's new employer as romantic as his name sounded? As she approached the sprawling mansion towering above the cliffs of Cornwall, an odd chill of apprehension overcame her. TreMellyn's young daugher, Alvean, proved as spoiled and difficult as the three governesses before Martha had discovered. But it was the girl's father whose cool, arrogant demeanor unleashed unfimiliar sensations and turmoil--even as whispers of past tragedy and present danger begin to insinuate themselves into Martha's life. Powerless against her growing desire for the enigmatic Connan, she is drawn deeper into family secrets--as passion overpowers reason, sending her head and heart spinning. But though evil lurks in the shadows, so does love--and the freedom to find a golden promise forever...
A hot August afternoon and Midwest Clinic CEO John McNeil has been working late. Working on his latest conquest, that is. Jen Williams is twenty-six, in charge of graphics for the hospital's PR division—and quite attractive in a healthy, athletic kind of way. She is quick to laugh and a little too quick to fall for guys. She is no virgin. And she is one of three women—including his wife—intimately familiar with McNeil. When Jen's youthful body is found with a single stab wound through the heart, suspicion falls on both McNeil's wife, who insists she is being stalked, and the striking hospital physician with whom he had just ended an affair. Pressure to find the killer falls on Loon Lake Police Chief Lewellyn "Lew" Ferris and Dr. Paul "Doc" Osborne, the retired dentist and forensic dental expert whom she has deputized to help with the investigation—when they are not taking a break for fishing and other personal pursuits. When the mayor demands Lew take early retirement—and Doc has to babysit his teenage granddaughter who won't stop texting—the frustrations mount. Desperate for a few hours off—and persuaded by Ray Pradt (a fishing guide who wears a stuffed trout on his head, so they should have known better)—to try fly fishing from kayaks, Doc and Lew find themselves in life-and-death straits on the river. This leads to an unexpected and macabre discovery that just may break the case.
Volume 4, Including Unions in Cotton, Wood and Worsted, Linen and Jute, Silk, Elastic Web, Lace and Net, Hosiery and Knitwear, Textile Finishing, Tailors and Garment Workers, Hat and Cap, Carpets and Textile Engineering
Volume 4, Including Unions in Cotton, Wood and Worsted, Linen and Jute, Silk, Elastic Web, Lace and Net, Hosiery and Knitwear, Textile Finishing, Tailors and Garment Workers, Hat and Cap, Carpets and Textile Engineering
Despite widespread interest in the trade union movement and its history, it has never been easy to trace the development of individual unions, especially those now defunct, or where name changes or mergers have confused the trail. In this respect the standard histories and industrial studies tend to stimulate curiosity rather than satisfy it. When was a union founded? When did it merge or dissolve itself, or simply disappear? What records survive and where can further details of its history be found? These are the kinds of question the Directory sets out to answer. Each entry is arranged according to a standard plan, as follows: 1. Name of union; 2. Foundation date: Name changes (if any) and relevant dates. Any amalgamation or transfer of engagements. Cessation, winding up or disappearance, with date and reasons where appropriate and available; 3. Characteristics of: membership, leadership, policy, outstanding events, membership (numbers). 4. Sources of information: books, articles, minutes etc; location of documentation.
This addition to the Shakespeare on Screen series reveals the remarkable presence of Macbeth in the global Shakespearean screenscape. What is it about Macbeth that is capable of extending beyond Scottish contexts and speaking globally, locally and “glocally”? Does the extensive adaptive reframing ofMacbeth suggest the paradoxical irrelevance of the original play? After examining the evident topic of the supernatural elements—the witches and the ghost—in the films, the essays move from a revisitation of the well-known American screen versions, to an analysis of more recent Anglophone productions and to world cinema (Asia, France, South Africa, India, Japan, etc.). Questions of lineage and progeny are broached, then extended into the wider issues of gender. Finally, ballet remediations, filmic appropriations, citations and mises-en-abyme of Macbeth are examined, and the book ends with an analysis of a Macbeth script that never reached the screen. Ce nouvel ouvrage de la série « Shakespeare à l’écran » révèle la présence remarquable de Macbeth dans le paysage filmique shakespearien à l’échelle mondiale. Comment expliquer qu’une pièce dont l’intrigue est ancrée dans une nation, l’Écosse, ait pu être absorbée par des cultures aussi diverses ? Les multiples adaptations de Macbeth suggèrent-elles, de manière paradoxale, une moindre pertinence de la pièce originelle ? Après avoir exploré la représentation des éléments surnaturels (les sorcières et le fantôme), le volume revisite les films américains « canoniques », les productions anglophones plus récentes et les versions d’autres aires culturelles (Asie, France, Afrique du Sud, Inde, Japon, etc.) Les questions de lignée et de descendance sont abordées, puis prolongées dans des articles sur la représentation du genre. Les versions dansées, les appropriations, les citations et les mises en abyme de Macbeth sont ensuite analysées, et ce parcours mène à un étrange objet – un scénario non filmé.
“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.
A woman in Tudor England fends for herself after Henry VIII closes her abbey in this historical novel perfect for fans of Wolf Hall and Philippa Gregory. In 1535, England is hardly a wellspring of gender equality; it is a grim and oppressive age where women―even the privileged few who can read and write―have little independence. In The Butcher’s Daughter, it is this milieu that mandates Agnes Peppin, daughter of a simple country butcher, to leave her family home in disgrace and live out her days cloistered behind the walls of the Shaftesbury Abbey. But with her great intellect, she becomes the assistant to the Abbess and as a result integrates herself into the unstable royal landscape of King Henry VIII. As Agnes grapples with the complex rules and hierarchies of her new life, King Henry VIII has proclaimed himself the new head of the Church. Religious houses are being formally subjugated, monasteries dissolved, and the great Abbey is no exception to the purge. The cosseted world in which Agnes has carved out for herself a sliver of liberty is shattered. Now, free at last to be the master of her own fate, she descends into a world she knows little about, using her wits and testing her moral convictions against her need to survive by any means necessary . . . The Butcher’s Daughter is the riveting story of a young woman facing head-on the obstacles carefully constructed against her sex. This dark and affecting novel by award-winning author Victoria Glendinning intricately depicts the lives of women in the sixteenth century in a world dominated by men. “A fresh perspective [of the Tudor Era]. . . . Glendinning’s research convincingly depicts the bustling and frequently ruthless world of Henry VIII’s England.” —Library Journal “Psychologically astute . . . and evincing deep knowledge of Tudor-era society. Glendinning thoughtfully explores womanhood’s many facets.” —Booklist “Unabashedly feminist . . . elegant, intelligent, compulsively entertaining. . . . [The Butcher’s Daughter] demonstrates the power of individuals with inner strength and determination to work for change when able to choose a life of their own design.” —Foreword Reviews (starred review)
“There is much more to de Havilland’s story than her role as Melanie Wilkes, and it’s all here . . . a treat for film fans” (Booklist). Two-time Academy Award winner Olivia de Havilland is best known for her role as Melanie Wilkes in Gone with the Wind. She often inhabited characters who were delicate, elegant, and refined; yet at the same time, she was a survivor with a fierce desire to direct her own destiny on and off the screen. She fought and won a lawsuit against Warner Bros. over a contract dispute that changed the studio contract system forever. She is also noted for her long feud with her sister, fellow actress Joan Fontaine—a feud that lasted from 1975 until Fontaine’s death in 2013. Victoria Amador draws on extensive interviews and forty years of personal correspondence with de Havilland to present an in-depth look at her life and career.Amador begins with de Havilland’s childhood—she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries—and her theatrical ambitions at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown. Readers are given an inside look at her love affairs with iconic cinema figures such as James Stewart and John Huston, and her onscreen partnership with Errol Flynn, with whom she starred in The Adventures of Robin Hood and Dodge City. After she moved to Europe, de Havilland became the first woman to serve as the president of the Cannes Film Festival in 1965, and remained active in film and television for another two decades. Olivia de Havilland: Lady Triumphant is a tribute to one of Hollywood’s greatest legends, tracing her evolution from a gentle heroine to a strong-willed, respected, and admired artist.
From a magical childhood in Kenya, through misery at an American high school, to rescue by an inspirational teacher in England, Victoria Whitworth weaves a sublimely rich narrative, which is both an ode to her beloved Greece and Corfu, and a highly original exploration of myth and legend. Her adventures in the often weird and unsettling world of a Corinth English language school, and the shattering experience of her rape by a Greek taxi driver, lead Victoria to question some deeply familiar stories. Did Agamemnon really kill his daughter Iphigenia, so the wind would fill their sails for Troy? Was beautiful Helen of Troy a powerful enchantress? Or a tragic victim? Was Theseus, the Minotaur slayer, a superhero, or a predatory rapist? Or were they all of these things? This beautiful memoir asks repeatedly where truth lies, and how, as women, we can survive violence and conquer fear.
Curious about the family of her eccentric great-grandmother, artist Zoe Clifford is keen to discover the truth. The quest leads her to York, and an unexpected meeting with a distant relative, sea-captain Stephen Elliott. Still smarting from his recent divorce, at first Stephen is reluctant to be involved, but an old travelling trunk full of letters and memorabilia prompts him to contact Zoe again.Intrigued by a WW1 diary written by Liam Elliott, Stephen finds it raises more questions than answers. But as he and Zoe continue to search for the story behind it, Zoe wonders about Georgina Duncannon: who was she, and what was she to Liam? Time slips into the past, to a peaceful family gathering in the summer of 1913, and a shocking revelation. As the secrets of two generations of star-crossed lovers come to light, the story moves from York to Australia, and from Gallipoli to the Somme, revealing the seductive power of a piercing, impossible affair. Drawn into their own passionate affair, Stephen and Zoe are besieged by doubt; and, as Stephen joins a ship bound for the war-torn Middle East, both are faced with disturbing parallels between then and now. While Stephen navigates dangerous waters, Zoe, alone in London, is discovering the agony of distance, love and loss. Liam's haunting presence touches them both, but it takes a near-tragedy to make the message clear: only in the present can the past be healed...'A thoroughly satisfying historical novel that bridges the decades with grace and skill...' Kirkus Reviews'A splendid piece of storytelling about the loss of innocence and a love which endures...' Publishing News'Liam's Story is really two beautifully crafted stories set in two different periods of time... linked by a family mystery, the solving of which takes us to many places, both geographically and emotionally. We meet many family members of both eras and get to know the characters well. In at least two gut-wrenching scenes I cried my heart out...' Elizabeth Sandeman-Gay, reviewer.
Excellent. . . . The Education of Jane Addams provides a detailed, wonderfully complex analysis of Addams's ideas, life, and work."--Journal of American History
It's late January in Loon Lake and bodies abound: a woman on snowshoes has been discovered wedged under a wooden bridge on a cross-country ski trail. A day later, Police Chief Lewellyn Ferris interviews a couple who alleges that the wife, a former nun, is being stalked. Meanwhile, Loon Lake is hosting an International Ice Fishing Festival with problems.
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