The legend of The Wild Hunt is as old as mankind. Every race has its version of The Hunt - the "raging host" of poachers' gangs who drove their quarry by night in defiance of ferociously strict game laws: the penalty for killing a deer was hanging. Disguised in the skins of beasts, they spread terror through the countryside, especially as they hunted not only animals but other humans and, when stimulated by drink and drugs, tore to pieces and devoured living creatures. As late as the 20th century, terrorists in the Congo and Kenya disguised themselves in panther and leopard pelts, the claws reinforced with steel to lacerate victims. The most common disguise was a wolf-hide, particularly in northern Europe, creating the werewolf superstition. It was clearly addictive behaviour, and some of its patterns can be discovered in modern gang activities. Could a Wild Hunt survive into our time? In a remote area, seldom visited by outsiders, a secret werewolf cult might still be pursuing and devouring its victims. The Wild Hunt tells of a young university woman who inherits a long-abandoned farmhouse which she plans to restore for a summer retreat, only to learn (too late) that it has become the headquarters of a Wild Hunt surviving among the men of a degenerate village. The anthropological soundness lends a terrifying plausibility which heightens the suspense more acutely than would the fear of supernatural, shape-shifting werewolves.
This book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.
Sea Change is about many of the issues that threaten our world's oceans, and what we can do to save them. ALL profit will be donated to marine conservation in order to aid in the preservation of our marine ecosystems.
An illustrated, essential guide to engaging children and youth in the process of urban design From a history of children’s rights to case studies discussing international initiatives that aim to create child-friendly cities, Placemaking with Children and Youth offers comprehensive guidance in how to engage children and youth in the planning and design of local environments. It explains the importance of children’s active participation in their societies and presents ways to bring all generations together to plan cities with a high quality of life for people of all ages. Not only does it delineate best practices in establishing programs and partnerships, it also provides principles for working ethically with children, youth, and families, paying particular attention to the inclusion of marginalized populations. Drawing on case studies from around the world—in Australia, New Zealand, Canada, India, Puerto Rico, the Netherlands, South Africa, and the United States—Placemaking with Children and Youth showcases children’s global participation in community design and illustrates how a variety of methods can be combined in initiatives to achieve meaningful change. The book features more than 200 visuals and detailed, thoughtful guidelines for facilitating a multiplicity of participatory processes that include drawing, photography, interviews, surveys, discussion groups, role playing, mapping, murals, model making, city tours, and much more. Whether seeking information on individual methods and project planning, interpreting and analyzing results, or establishing and evaluating a sustained program, readers can find practical ideas and inspiration from six continents to connect learning to the realities of students’ lives and to create better cities for all ages.
Book Description A Generation at War explores the intersection of gender, age, and Confederate identity through the lives of teenage daughters from slaveholding, secessionist families throughout the South. These young women, who came of age in a time of secession and war, clung tenaciously to the gender ideals that lauded motherhood and marriage as the fulfillment of female duty and the racial order of the slaveholding South that defined their status and afforded them numerous material privileges. When differences between the North and South proved irreconcilable, southern daughters demonstrated extraordinary agency in protecting their future as wives, mothers, and slaveholders. Centered in the culture of their youth, gender, and class group, they threw their support behind the movement to create a Confederate identity. Their loyalty to the nascent nation, born out of a conservative movement to uphold the status quo, ultimately brought them into new areas of work, civic activism, and courtship rituals. After the war, young women drew from their wartime experiences as youths in constructing their own female imagery in the Lost Cause mythology that stood apart from the typical older, maternal figure. What emerges from their experiences is the creation of a transformative female identity that bridged the cultural gap between the antebellum and postbellum periods, paving the way for the emergence of a new understanding of southern womanhood in the New South era. A generational approach allows readers to take a more in-depth look at the transitional nature of wartime and its long-term effects on women's self-perceptions. While many studies of southern women tend to lump teenage daughters with the older generation of women, this examination singles them out as a unique group whose experiences made a significant contribution to the new woman in the New South. This study therefore will serve as a useful tool to students and teachers of southern women's history, providing a new perspective on the female experience and the changing ideas of womanhood that war produces. The detailed account of teenage daughters and their wartime activities and relationships will also appeal to a more general readership interested in Civil War history.
Exquisite and nuanced in its storytelling, Midnight crafts intimate, humanizing portraits of Jane Austen, Mary Shelley, and Joan of Arc that ask us to behold the women behind the icons. Midnight is a study in the courage of three women—Jane Austen, Mary Shelley, and Joan of Arc. Jane Austen was poor in 1802, unmarried and homeless. She had outlines, ideas, and first drafts of her future novels but no place to sit and write them. It is at this bleak moment that she receives an offer of marriage from a rich man. Midnight takes us to the hour of her decision between financial security and her writing life. When sixteen-year-old Mary Godwin elopes to France with the poet Percy Bysshe Shelley, she scoffs at the cost—life as an outcast. Together they travel through Europe, reading and writing, but Midnight finds her alone, eight years later, pacing a terrace overlooking the Italian shore, watching for Shelley to sail home over stormy seas in a shaky boat. Joan of Arc, imprisoned in chains, kept her faith for a long year. Be brave, daughter of God, her saints had whispered, you will be saved—and she believes it, until she is taken to be burned at the stake. Midnight is the story of Joan’s final days, between her terrified recantation and her heroic return to the stake.
Playful and inquisitive, seals have long been interested in humans—and humans have reciprocated that interest, falling for their beauty, grace, and charm as they frolic alongside our boats or loll on sandy shores. In this newest entry in the Animal series, Victoria Dickenson traces the history of our interaction with these beautiful, fascinating swimmers, from the centuries of hunting—in which people killed countless seals for their skin, oil, and meat—to the present, when the white-furred baby seal has become one of the most potent symbols of the need for ecological conservation. Along the way, she offers an approachable account of seal biology and behavior, and she delineates the threats they face from habitat destruction and climate change. Beautifully illustrated and packed with stories from folklore, myth, and history, Seal offers a richly immersive view of a much-loved, storied creature.
The voice that this generation's mystery readers have been waiting for...How to Find a Missing Girl is edge-of-your-seat compelling from beginning to end." —#1 New York Times bestselling author Chloe Gong For fans of A Good Girl's Guide to Murder and Veronica Mars, this whip-smart thriller follows a sapphic detective agency as they seek the truth behind a growing trail of missing girls in small-town Louisiana. A year ago, beloved cheerleader Stella Blackthorn vanished without a trace. Devastated, her younger sister, Iris, launched her own investigation, but all she managed to do was scare off the police’s only lead and earn a stern warning: Once she turns eighteen, more meddling means prison-level consequences. Then, a year later, the unthinkable happens. Iris’s ex-girlfriend, Heather, goes missing, too—just after dropping the polarizing last episode of her true crime podcast all about Iris’s sister. This time, nothing will stop Iris and her amateur sleuthing agency from solving these disappearances. But with a suspicious detective watching her every move, an enemy-turned-friend-turned-maybe-more to contend with, and only thirty days until she turns eighteen, it’s a race against the clock for Iris to solve the most dangerous case of her life.
A young, Egyptian prince finds a hidden room deep within the temple of Amun. A mysterious message has been preserved there and the boy sets out to learn of its meaning. Discovering the hieroglyphs are connected to the Hebrew people currently conquering the inhabitants of Canaan, the prince decides, once he is pharaoh, he will change Egypt’s temples to align with his new-found faith. Joined in this quest by his beautiful bride, Nefertiti, Akhenaten uproots the capital to a new site in Amarna and only allows his citizens to worship the Aten. But the leaders of Egypt and the priests of Amun vie for control of the ancient kingdom on the Nile. Eliminating the heretic pharaoh becomes their chief goal. Once a new, boy king, Tutankhamun, is on the throne, the power of Egypt can be reversed and once again rest in their hands! The Heretic Pharaoh uncovers hidden events that connect loyal king Tutankhamun and Akhenaten, the renegade pharaoh that turned Egypt’s world upside down.
New in Paperback 2004. Probably the most comprehensive work on the American art song ever available, this book considers the lives and contributions of 144 significant composers in the field, including many for whom information has been extremely scarce. Most composers' entries consist of a biographical sketch; a brief discussion of his or her song writing characteristics (with emphasis on performers' concerns); a partial or complete listing of annotated songs; recording information; and the composer's individual bibliography. Song annotations include poet, publisher, date of composition (when known), voice type, range, duration, tempo indication, mood, subject matter, vocal style, special difficulties, general impression, artists who have recorded the song, and any other pertinent information. Thirty composers whose contributions are deemed of lesser import are summarized in brief essays. Appendixes include a supplement of recommended songs; a listing of American song anthologies and their contents; and the most recent information regarding publishers cited in the guide. There is also a general discography, a general bibliography, and indexes for both titles and poets. Documenting the most important 110 years in the development of American art song, this book is an indispensable tool for singers, teachers, coaches, accompanists, and libraries.
A beautifully designed book full of creative ideas and fun activities to get your children outdoors, with a foreword by Chris Packham. Spending time outdoors and interacting with the elements gives our senses a host of stimuli that cannot be recreated indoors. Whether you're splashing in muddy puddles, making shelters, foraging blackberries, playing hide and seek or watching birds, experiencing the natural world reduces stress, makes us feel alive and lays critical foundations for a healthy developing brain. Learning with Nature is ideal for parents, teachers and youth workers looking to enrich children's learning through nature and teach them to enjoy and respect the great outdoors. Written by experienced Forest School practitioners, it is packed with more than 100 tried and tested games and activities suitable for groups of children aged between 3 and 16, which aim to help children develop key practical and social skills and gain a better awareness of the world. The book is well-organised and features step-by-step instructions, age guides, a list of resources needed, and invisible learning points. Explore, have fun, make things and learn about nature with this fantastic guide.
The Business of News in England, 1760-1820 explores the commerce of the English press during a critical period of press politicization, as the nation confronted foreign wars and revolutions that disrupted domestic governance.
The Art of Carol Janeway portrays the exotic life and artistic career of a woman whose commercial success as a tile decorator and ceramist in New York in the 1940s and later retirement due to lead poisoning offer a fascinating study. Victoria Jenssen presents the career of yet another previously unrecognized woman artist, Carol Janeway (1913-1989), who was an entrepreneur and a single mother. While Janeway often exhibited, twice at the MoMA for example, few museums today own Janeway ceramics. This book will appeal to those interested in the following artists and topics: Georg Jensen Inc. and Frederik Lunning, Jens Risom, Ossip Zadkine, Maya Deren, Leo Lerman and Richard Hunter, Harold Ambellan, Tusnelda Sanders, underglaze ceramic decoration both freehand and printed, Lisette Model, Catherine Yarrow, Ed Wiener, Madeleine Turner, Stalin’s Moscow of the early 1930s, syndicated woman journalists of the 1940s, Ralph Ingersoll and Charles Marsh, Josiah Wedgwood & Sons, Lou Block, Doris Lee, Walter Duranty, Eliot Janeway, Julien Levy’s The Imagery of Chess, preservation of Greenwich Village. Among several celebrity owners, Marilyn Monroe owned five Janeway doorknobs.
This book documents hundreds of customs and traditions practiced in countries outside of the United States, showcasing the diversity of birth, coming-of-age, and death celebrations worldwide. From the beginning of our lives to the end, all of humanity celebrates life's milestones through traditions and unique customs. In the United States, we have specific events like baby showers, rites of passage such as Bat and Bar Mitzvahs and "sweet 16" birthday parties, and sober end-of-life traditions like obituaries and funeral services that honor those who have died. But what kinds of customs and traditions are practiced in other countries? How do people in other cultures welcome babies, prepare to enter into adulthood, and commemorate the end of the lives of loved ones? This three-volume encyclopedia covers more than 300 birth, life, and death customs, with the books' content organized chronologically by life stage. Volume 1 focuses on birth and childhood customs, Volume 2 documents adolescent and early-adulthood customs, and Volume 3 looks at aging and death customs. The entries in the first volume examine pre-birth traditions, such as baby showers and other gift-giving events, and post-birth customs, such as naming ceremonies, child-rearing practices, and traditions performed to ward off evil or promote good health. The second volume contains information about rites of passage as children become adults, including indigenous initiations, marriage customs, and religious ceremonies. The final volume concludes with coverage on customs associated with aging and death, such as retirement celebrations, elaborate funeral processions, and the creation of fantasy coffins. The set features beautiful color inserts that illustrate examples of celebrations and ceremonies and includes an appendix of excerpts from primary documents that include legislation on government-accepted names, wedding vows, and maternity/paternity leave regulations.
An analysis of the confinement experience in Italian narrative between 1930 and 1960, covering the last years of Fascism. Not limiting herself to prisons, Nerenberg also explores military barracks, convents, and brothels as carceral homologues.
Every educator's imaginative instincts will be guided by this book's practical design method, which harnesses the power of play for student learning. Teachers from all disciplines and levels can create a full spectrum of engaging exercises through the authors' six accessible ALLURE steps: Ask where to apply the play. List the mental moves. Link the mental moves to the play. Understand how the learning principles operate. Run the activity-game. Evaluate the learner experience. Along with principles from game-based learning pedagogy, readers will explore a framework of original complex mechanic teaching templates, which will help their fledgling instructional activities cross the bridge into fully formed games. Beginners and veterans will find multiple entry points, from adding a single playful element (student roles to discussions) to more elaborate designs (riddles and simulations). They will also learn different levels of producing physical tabletop components (cards, boards, plastic pieces) or light digital options (discussion board riddles, Google Slides games). Born from the authors' extensive experiences running professional development workshops, this guide has been frequently requested by teachers at the secondary school and college levels, librarians, instructional designers, and others caught by the allure of educational games and play. Book Features: Offers hands-on, practical advice about how to be more playful with your students, with a focus on nondigital activities and games. Written in the language of instructional design, so advanced knowledge about games or technology is not required. Provides creative instructional techniques that will boost student engagement for both in-person and online instruction. Includes more than two dozen original illustrations and designs to aid understanding. Addresses the need for accessible, inclusive learning environments.
This book explores a significant lacuna in British history. Between the 1790s and the 1840s, the concept of psychological androgyny or the unsexed mind emerged as a notion of psychosexual equality, promoted by a small though influential network of heterodox radicals on the margins of Rational Dissent. Deeply concerned with the growing segregation of the sexes, supported seemingly by arbitrary and increasingly binary models of sexual difference, heterodox radicals insisted that while the body might be sexed, the mind was not. They argued that society and the prejudicial masculinist institutions of patriarchy should be reformed to accommodate and protect what one radical described as an ‘infinitely varied humanity’. In placing the concept of psychological androgyny centre stage, this book offers a substantial revision to understandings of progressive debates on gender in the late eighteenth and early nineteenth-century in Britain.
Life is full of different paths, sometimes willingly we choose which path to walk upon, other times paths are chosen for us. Alain's true identity has always been unknown, mysterious, unexplainable, Alain mastered the talent to block out the mystery of who indeed she truly is. Alain has managed to keep this void in her life dormant in her mind. This came with serious consequences. Alain Roselle unfortunately did not only block out the void of her unknown identity. Alain blocked out life in general. Read what happens when Alain's negative dormant void, awakens, learn how a negative in one's life can blossom into facets of positives.
An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers.
The New York Times bestselling coauthors uncover new information in the Colonial Parkway Murders of 1980s Virginia in this true crime investigation. For four years a killer, or killers, stalked Virginia’s Tidewater region, carefully selecting victims and terrorizing the local community. Again and again, young people in the prime of their lives were targeted. But the pattern that stitched these killings together was more like a spider web of theory, intrigue, and mathematics. Then, mysteriously, the killing spree stopped. The unknown predator, or predators, who stalked the Colonial Parkway seemingly disappeared. Now, father-daughter true crime authors Blaine Pardoe and Victoria Hester blow the dust off of these cases. Interviewing the victims’ family and friends, as well as members of law enforcement, they provide the most complete and in-depth look at these horrifying murders and disappearances. The author-investigators peel back the rumors and myths surrounding these crimes and provide new information never before revealed about the investigations. “Remarkable research and a compelling narrative…relentless and harrowing.”—Burl Barer, author of Betrayal in Blue
The book is an essential resource for those interested in investigating the lives, histories, and futures of indigenous peoples around the world. Perfect for readers looking to learn more about cultural groups around the world, this four-volume work examines approximately 400 indigenous groups globally. The encyclopedia investigates the history, social structure, and culture of peoples from all corners of the world, including their role in the world, their politics, and their customs and traditions. Alphabetically arranged entries focus on groups living in all world regions, some of which are well-known with large populations, and others that are lesser-known with only a handful of surviving members. Each entry includes sections on the group's geography and environment; history and politics; society, culture, and tradition; access to health care and education; and threats to survival. Each entry concludes with See Also cross-references and a list of Further Reading resources to guide readers in their research. Also included in the encyclopedia are Native Voices inset boxes, allowing readers a glimpse into the daily lives of members of these indigenous groups, as well as an appendix featuring the United Nations Declaration on the Rights of Indigenous Peoples.
John Constable was the first English landscape painter to take no lessons from the Dutch. He is rather indebted to the landscapes of Rubens, but his real model was Gainsborough, whose landscapes, with great trees planted in well-balanced masses on land sloping upwards towards the frame, have a rhythm often found in Rubens. Constable’s originality does not lie in his choice of subjects, which frequently repeated themes beloved by Gainsborough. Nevertheless, Constable seems to belong to a new century; he ushered in a new era. The difference in his approach results both from technique and feeling. Excepting the French, Constable was the first landscape painter to consider as a primary and essential task the sketch made direct from nature at a single sitting; an idea which contains in essence the destinies of modern landscape, and perhaps of most modern painting. It is this momentary impression of all things which will be the soul of the future work. Working at leisure upon the large canvas, an artist’s aim is to enrich and complete the sketch while retaining its pristine freshness. These are the two processes to which Constable devoted himself, while discovering the exuberant abundance of life in the simplest of country places. He had the palette of a creative colourist and a technique of vivid hatchings heralding that of the French impressionists. He audaciously and frankly introduced green into painting, the green of lush meadows, the green of summer foliage, all the greens which, until then, painters had refused to see except through bluish, yellow, or more often brown spectacles. Of the great landscape painters who occupied so important a place in nineteenth-century art, Corot was probably the only one to escape the influence of Constable. All the others are more or less direct descendants of the master of East Bergholt.
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