One of the supreme writers of gothic romance, a compelling storyteller whose gripping novels have thrilled millions."--RT Book Reviews She's torn between two men. One man is her destiny. The other is her demise. According to legend, a girl will see her future husband at the time of the hunter's moon. But when the handsome stranger revealed to Cordelia Grant disappears after an all-too-brief encounter, she has to wonder: Was he merely an apparition...or something more? The memory of her mysterious gentleman continues to haunt Cordelia when Sir Jason Verringer comes calling. It's rumored the dashing land baron murdered his wife and mistress. But Cordelia knows, better than anyone, not to believe in society gossip. And there's no denying that Jason is dangerously compelling. Her future hinges on one choice.
Peggy Glanville-Hicks (1912-1990) is an Australian composer whose full significance has only recently been appreciated. Born in Melbourne, Australia, she transcended the gendered expectations of her upbringing and went on to become a fine composer and a highly influential figure in the vibrant musical life of New York after the Second World War. Following early composition studies with Fritz Hart in Melbourne, Glanville-Hicks moved to London where she studied with Ralph Vaughan Williams, then to Paris where she was taught by the great pedagogue, Nadia Boulanger. Her migration to the USA in 1941 shaped the musical direction of her late works. After a brief neoclassical phase, she joined the small group of American composers who were using non-Western musics as their inspirational well-spring, including Colin McPhee, Alan Hovhaness, Lou Harrison and Paul Bowles. During this period she also forged an illustrious career as a music journalist and arts administrator, working tirelessly to promote new music and the careers of young composers. In the late 1950s she retreated to Greece to write 'the big works', most notably the operas which lie at the heart of her creative output. Her compositional career ended prematurely, and tragically, in 1967 following surgery the previous year for a life-threatening brain tumour. Against all medical expectations she went on to live for a further 24 years, returning to Australia in 1975 amidst a dawning recognition that one of the country's most significant composers had returned. Glanville-Hicks's career as a composer is impressive by any measure. She produced over 70 finely-crafted works, including operas, ballets, concertos, instrumental chamber pieces, songs and choral works. The story of her life has been told in the biographies. This book traces the development of her musical language from the English pastoral style of the early works, through the neoclassicism of the middle period, to the melody-rhythm concept of the late works,
As Thanksgiving approaches, Jordan Bingham is grateful for her job researching rare books for Vera Van Alst, the infamous curmudgeon of Harrison Falls, New York. But when an uninvited guest makes an appearance, much more than dinner is disrupted—and Jordan is thankful just to be alive… Vera Van Alst doesn’t normally receive visitors without appointment, but she agrees to see the imperious Muriel Delgado upon arrival. Shortly thereafter, Jordan is told that her position is being terminated. Evicted from the Van Alst House, Jordan is determined to find out what hold Muriel has over her erstwhile employer. It seems Muriel has designs on Vera’s money and property—not to mention a particular interest in her collection of Nero Wolfe first editions. When Jordan discovers a deadly connection between Muriel and the Van Alst family, it’s up to her to put the house in order and stop a killer from going back to press.
Explains the key concepts, theories, and studies in the sociology of the arts—the fully updated new edition of the classic textbook Sociology of the Arts is a comprehensive yet accessible review of sociological approaches to studying the fine, popular, and folk arts. Integrating scholarly literature, theoretical models, and empirical studies, this authoritative textbook provides balanced coverage of a broad range of essential topics—enabling a deeper understanding of the field as a whole. Throughout the text, numerous real-world case studies reinforce key concepts, stimulate classroom discussion, and encourage students to contemplate abstract theoretical issues central to the relationship between art and society. Now in its second edition, this bestselling volume features fully revised content that reflects the most recent literature and research in the field. New discussion on the production and the consumption of culture are complemented by fresh perspectives on changes in the social world such as the rise of the internet and digital media. Updated chapters offer insights into social boundaries and embodiment in the arts, emplacement, materiality, the social construction of art and aesthetics, and more. Exploring how art is created, distributed, received, and consumed, this textbook: Explores both classic work and new approaches in the sociology of the arts Features case studies and discussion questions on art forms including popular music, film, romance novels, visual arts, and classical music Discusses the meaning of artistic objects and why interpretations of art vary Examines the ways art intersects with race, gender, sexuality, and class Includes photographs, tables and figures, and a comprehensive reference list Written by a leading scholar in the field, Sociology of the Arts: Exploring Fine and Popular Forms, Second Edition is an ideal textbook for advanced undergraduate and graduate courses on sociology of art and culture, media studies, anthropology of art, arts management, and the social history of art, and is a useful reference for established scholars studying any aspect of sociology of the arts.
How to overcome barriers to the long-term investments that are essential for solving the world’s biggest problems There has never been a greater need for long-term investments to tackle the world’s most difficult problems, such as climate change, human health, and decaying infrastructure. And it is increasingly unlikely that the public sector will be willing or able to fill this gap. If these critical needs are to be met, the major pools of long-term, patient capital—including pensions, sovereign wealth funds, university endowments, and wealthy individuals and families—will have to play a large role. In this accessible and authoritative account of long-term capital investment, two leading experts on the subject, Victoria Ivashina and Josh Lerner, highlight the significant hurdles facing long-term investors and propose concrete ways to overcome these difficulties.
In this vivid and captivating journey through the colors of an artist’s palette, Victoria Finlay takes us on an enthralling adventure around the world and through the ages, illuminating how the colors we choose to value have determined the history of culture itself. How did the most precious color blue travel all the way from remote lapis mines in Afghanistan to Michelangelo’s brush? What is the connection between brown paint and ancient Egyptian mummies? Why did Robin Hood wear Lincoln green? In Color, Finlay explores the physical materials that color our world, such as precious minerals and insect blood, as well as the social and political meanings that color has carried through time. Roman emperors used to wear togas dyed with a purple color that was made from an odorous Lebanese shellfish–which probably meant their scent preceded them. In the eighteenth century, black dye was called logwood and grew along the Spanish Main. Some of the first indigo plantations were started in America, amazingly enough, by a seventeen-year-old girl named Eliza. And the popular van Gogh painting White Roses at Washington’s National Gallery had to be renamed after a researcher discovered that the flowers were originally done in a pink paint that had faded nearly a century ago. Color is full of extraordinary people, events, and anecdotes–painted all the more dazzling by Finlay’s engaging style. Embark upon a thrilling adventure with this intrepid journalist as she travels on a donkey along ancient silk trade routes; with the Phoenicians sailing the Mediterranean in search of a special purple shell that garners wealth, sustenance, and prestige; with modern Chilean farmers breeding and bleeding insects for their viscous red blood. The colors that craft our world have never looked so bright.
This book demonstrates how the Romans constructed garden boundaries specifically in order to open up or undermine the division between a number of oppositions, such as inside/outside, sacred/profane, art/nature, and real/imagined. Using case studies from across literature and material and visual culture, Victoria Austen explores the perception of individual garden sites in response to their limits, and showcases how the Romans delighted in playing with concepts of boundedness and separation. Transculturally, the garden is understood as a marked-off and cultivated space. Distinct from their surroundings, gardens are material and symbolic spaces that constitute both universal and culturally specific ways of accommodating the natural world and expressing human attitudes and values. Although we define these spaces explicitly through the notions of separation and division, in many cases we are unable to make sense of the most basic distinction between 'garden' and 'not-garden'. In response to this ambiguity, Austen interrogates the notion of the 'boundary' as an essential characteristic of the Roman garden.
Where can you turn when the world turns against you? When Elizabeth Barnes’ life fell apart she never imagined that she’d be rescued by a new friend on four paws. The plan was simple: Elizabeth would ignore the fact that she was unjustly fired from her dream job, fly across the pond to settle an unexpected inheritance in her father’s home country and quickly return to reclaim her position among the Silicon Valley elite. But when Elizabeth stumbles upon an abandoned puppy, she’s shocked to realize that her brief trip to England might turn into an extended stay. Her strict itinerary is upended completely by the pup’s dogged devotion, and soon the loveable puppy helps her to connect with a tight-knit community of new friends on two legs and four, from the aunt and uncle she didn't know existed, to a grumpy coffee shop owner to two very opinionated sheep. Along the way Elizabeth is confronted by long-kept family secrets, hard truths about her former life and a new romance that might lead her to question everything she knows about love. Because sometimes rescue magic happens on both ends of the leash.
From around 1850, London’s street markets grew in number and scale, giving working-class Londoners a site for shopping, entertainment and sociability. Cheap Street is the first major study of this subject, analysing the street markets as a component of London’s lively informal economy, and providing new insights into urban and consumer geographies.
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