/i/Arctic Shorebirds in North America//i/ represents a study that is one of the remarkable achievements of wildlife fieldcraft, like those done by Aldo Leopold in the 1930s and by the Craighead Brothers in the 1960s. To conduct a study of this scientific caliber in the great expanse and harsh climate of the Arctic makes it one of the great wildlife investigations whose value will only grow with time."--Larry Niles, Conserve Wildlife Foundation of New Jersey "It is most timely that Jonathan Bart and Victoria Johnston have gathered information on shorebirds that breed in the Arctic regions of North America. Data on these birds is generated at a wide range of locations by many different individuals and teams, and this book puts it into perspective. It is particularly valuable to have this treatise when so many shorebird species worldwide are in marked decline."--Clive Minton, Australasian Wader Studies Group "When the PRISM program for pan-Arctic shorebird monitoring was introduced, everyone agreed with its laudable aims, but it seemed impractical. How could shorebird biologists with limited time and resources acquire robust data on the size and trend of shorebird populations across the American Arctic? Now, the credibility gap has been bridged. /i/Arctic Shorebirds in North America//i/ presents the rigorous, practical methods that will be the foundation of Arctic shorebird monitoring for years to come. I look forward to Arctic PRISM becoming the keystone of shorebird conservation in the Western Hemisphere."--Humphrey Sitters, editor of /i/Wader Study Group Bulletin//i/
In this study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies. At five feet seven inches tall and two hundred pounds, Dressler was never considered the popular "delicate beauty," often playing ugly ducklings, old maids, doting mothers, and imperious dowagers. However, Dressler's body, her fearless physicality, and her athletic slapstick routines commanded the screen. Although an unlikely movie star, Dressler represented for Depression-era audiences a sign of abundance and generosity in a time of scarcity. This premier analysis of her body of work explores how Dressler refocused the generic frame of her films beyond the shallow problems of the rich and beautiful, instead dignifying the marginalized, the elderly, women, and the poor. Sturtevant inteprets the meanings of Dressler's body through different genres, venues, and historical periods by looking at her vaudeville career, her transgressive representation of an "unruly" yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie.
The first study of the synergies between postcolonialism and the genre of the short story composite, Unsettling Stories considers how the form of the interconnected short story collection is well suited to expressing thematic aspects of postcolonial writing on settler terrain. Unique for its comparative considerations of American, Canadian, and Australian literature within the purview of postcolonial studies, this is also a considered study of the difficult place of the postcolonial settler subject within academic debates and literature. Close readings of work by Tim Winton, Margaret Laurence, William Faulkner, Stephen Leacock, Sherwood Anderson, Olga Masters, Scott R. Sanders, Thea Astley, Tim O’Brien and Sandra Birdsell are positioned alongside critical discussions of postcolonial theory to show how awkward affiliations of individuals to place, home, nation, culture, and history expressed in short story composites can be usefully positioned within the broader context of settler colonialism and its aftermath.
The Eurocentric conventional wisdom holds that the West is unique in having a multi-state system in international relations and liberal democracy in state-society relations. At the same time, the Sinocentric perspective believes that China is destined to have authoritarian rule under a unified empire. In fact, China in the Spring and Autumn and Warring States periods (656–221 BC) was once a system of sovereign territorial states similar to Europe in the early modern period. Both cases witnessed the prevalence of war, formation of alliances, development of the centralized bureaucracy, emergence of citizenship rights, and expansion of international trade. This book, first published in 2005, examines why China and Europe shared similar processes but experienced opposite outcomes. This historical comparison of China and Europe challenges the presumption that Europe was destined to enjoy checks and balances while China was preordained to suffer under a coercive universal status.
Examining the role of Asian and indigenous male servants across the Asia Pacific from the late-19th century to the 1930s, this study shows how their ubiquitous presence in these purportedly 'humble' jobs gave them a degree of cultural influence that has been largely overlooked in the literature on labour mobility in the age of empire. With case studies from British Hong Kong, Singapore, Northern Australia, Fiji and British Columbia, French Indochina, the American Philippines and the Dutch East Indies, the book delves into the intimate and often conflicted relationships between European and American colonists and their servants. It explores the lives of 'houseboys', cooks and gardeners in the colonial home, considers the bell-boys and waiters in the grand colonial hotels, and follows the stewards and cabin-boys on steamships travelling across the Indian and Pacific Oceans. This broad conception of service allows Colonialism and Male Domestic Service to illuminate trans-colonial or cross-border influences through the mobility of servants and their employers. This path-breaking study is an important book for students and scholars of colonialism, labour history and the Asia Pacific region.
Victoria Glendinning provides a woman's view of Anthony Trollope, placing emphasis on family, particularly on his relationship with his mother. But it is Anthony as a husband and lover that intrigues her most. She looks at the nature of his love for his wife, Rose and at his love for Kate Field.
Confederate Daughters: Coming of Age during the Civil War explores gender, age, and Confederate identity by examining the lives of teenage daughters of Southern slaveholding, secessionist families. These young women clung tenaciously to the gender ideals that upheld marriage and motherhood as the fulfillment of female duty and to the racial order of the slaveholding South, an institution that defined their status and afforded them material privileges. Author Victoria E. Ott discusses how the loyalty of young Southern women to the fledgling nation, born out of a conservative movement to preserve the status quo, brought them into new areas of work, new types of civic activism, and new rituals of courtship during the Civil War. Social norms for daughters of the elite, their preparation for their roles as Southern women, and their material and emotional connections to the slaveholding class changed drastically during the Civil War. When differences between the North and South proved irreconcilable, Southern daughters demonstrated extraordinary agency in seeking to protect their futures as wives, mothers, and slaveholders. From a position of young womanhood and privilege, they threw their support behind the movement to create a Confederate identity, which was in turn shaped by their participation in the secession movement and the war effort. Their political engagement is evident from their knowledge of military battles, and was expressed through their clothing, social activities, relationships with peers, and interactions with Union soldiers. Confederate Daughters also reveals how these young women, in an effort to sustain their families throughout the war, adjusted to new domestic duties, confronting the loss of slaves and other financial hardships by seeking paid work outside their homes. Drawing on their personal and published recollections of the war, slavery, and the Old South, Ott argues that young women created a unique female identity different from that of older Southern women, the Confederate bellehood. This transformative female identity was an important aspect of the Lost Cause mythology—the version of the conflict that focused on Southern nationalism—and bridged the cultural gap between the antebellum and postbellum periods. Augmented by twelve illustrations, this book offers a generational understanding of the transitional nature of wartime and its effects on women’s self-perceptions. Confederate Daughters identifies the experiences of these teenage daughters as making a significant contribution to the new woman in the New South.
Anthony Trollope has come down to us as the most Victorian of Victorian novelists, who perfected a "bluff, roast-beef kind of Englishness" into high--and immensely popular--art. Glendinning ushers readers into the furthest reaches of Trollope's work and life to reveal a man of extraordinary depth and liveliness. Photos.
From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform,and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’ sfirst Tribunal Play – Half the Picture. This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture, Nuremberg, Srebrenica, The Colour of Justice, Justifying War, Guantanamo, Bloody Sunday, Called to Account, Tactical Questioning and The Riots. Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.
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