Neonatal Nursing in Australia and New Zealand: Principles for Practice uniquely reflects the local practice, context and standards of neonatal nursing in Australia and New Zealand. Edited by Victoria Kain and Trudi Mannix, the content spans all neonatal care settings, addressing the considerations of all levels, including special care and intensive care units, while highlighting the collaborative nature of neonatal care and interdisciplinary teamwork within this environment. The text comprehensively addresses ANZ-specific perspectives, including the neonatal context for First Peoples; the neonatal nurse practitioner and advanced practice roles; workplace culture; newborn screening, resuscitation, retrievals and transport; stabilisation of the high-risk newborn; the range of disorders by body system; legal and ethical issues; and end-of-life care in the neonatal unit. Supported by international and ANZ neonatal network data Aligned to the Australian College of Neonatal Nurses and New Zealand Nurses Organisation Standards Key learning objectives emphasised Nursing and midwifery-focused Case studies provide the vital link between theory and practice Clinical Practice and Reflections features further reader insight and knowledge Evidence-based practice research underpins all chapters Family-centred care is reinforced throughout Evolve resources included to enhance teaching and learning: eBook on VitalSource Student and Lecturer resources, for each chapter: Test banks of MCQ and short answer questions Additional online case studies Journal articles related to practice and critical thinking questions Answer guide to in-text and online case study, test bank and article questions
In the first chapter of Designing with Light, Meyers summarizes recent developments in the science of light and their cultural impact, and then surveys the uses of light in contemporary visual art, theater, film, and even music. This overview reveals how the work of artists as diverse as videographer Bill Viola, stage director Robert Wilson, and composer John Cage can lend architects insight into the properties of light. Each of the following chapters is devoted to one aspect of light in contemporary architecture, beginning with Color and continuing with Lines, Form, Glass, Windows, Sky Frames, Shadows, and, finally, Reflections. Within these chapters, some two hundred vivid color photographs illustrate the myriad ways in which architects like Zaha Hadid, Herzog & de Meuron, Rem Koolhas, and John Pawson have employed light, internally and externally, in their recent commissions. Enriched with this abundance of images, as well as with numerous insights from Meyers's own architectural practice, Designing with Light will appeal to every student, practitioner, and enthusiast of contemporary architecture."--BOOK JACKET.
In this study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies. At five feet seven inches tall and two hundred pounds, Dressler was never considered the popular "delicate beauty," often playing ugly ducklings, old maids, doting mothers, and imperious dowagers. However, Dressler's body, her fearless physicality, and her athletic slapstick routines commanded the screen. Although an unlikely movie star, Dressler represented for Depression-era audiences a sign of abundance and generosity in a time of scarcity. This premier analysis of her body of work explores how Dressler refocused the generic frame of her films beyond the shallow problems of the rich and beautiful, instead dignifying the marginalized, the elderly, women, and the poor. Sturtevant inteprets the meanings of Dressler's body through different genres, venues, and historical periods by looking at her vaudeville career, her transgressive representation of an "unruly" yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie.
Hollywood celebrities are doing it. Corporate moguls are doing it. But what about those of us living in the real world—and on a real budget? Author and holistic health practitioner Victoria Moran started eating only plants nearly thirty years ago, raised her daughter, Adair, vegan from birth, and maintains a sixty-pound weight loss. In Main Street Vegan, Moran offers a complete guide to making this dietary and lifestyle shift with an emphasis on practical "baby steps," proving that you don’t have to have a personal chef or lifestyle coach on speed dial to experience the physical and spiritual benefits of being a vegan. This book provides practical advice and inspiration for everyone—from Main Street to Wall Street, and everywhere between. "Finally, a book that isn't preaching to the vegan choir, but to the people in the pews—and the ones who can’t fit in those pews. This is a book for the Main Street majority who aren’t vegans. Once you read this, you'll know it's possible to get healthy and enjoy doing it—even if you live in Paramus or Peoria."—Michael Moore "A great read for vegans and aspiring vegans."—Russell Simmons "Yet another divine gift from Victoria Moran. Main Street Vegan covers it all—inspiration, information, and out of this world recipes. This book is a gem."—Rory Freedman, co-author Skinny Bitch "Main Street Vegan is exactly the guide you need to make changing the menu effortless. Victoria Moran covers every aspect of plant-based eating and cruelty-free living, with everything you need to make healthy changes stick."—Neal Barnard, MD, president, Physicians Committee for Responsible Medicine, and NY Times bestselling author of 21-Day Weight Loss Kickstart "A great book for anyone who's curious about veganism. It shows that not all vegans are weirdos like me."—Moby
When someone goes vegan on Park Avenue or Beverly Drive, they have a private chef and a personal assistant to do the troubleshooting. When we make the shift on Main Street, we could use some help, too. For nearly six years, acclaimed author, speaker, podcaster, and Main Street Vegan Academy director, Victoria Moran, has trained individuals to become vegan lifestyle coaches and educators. Now, Victoria has teamed up with one her Academy alums turned faculty member, cookbook author, culinary instructor, and radio host, JL Fields, to bring that very same coaching to you. In The Main Street Vegan Academy Cookbook, Victoria and JL, along with over a hundred certified vegan lifestyle coaches, join you in the kitchen as you discover more than 100 of their favorite plant-sourced recipes. Whether you're new to the diet or a seasoned plant-based eater, vegan or just veg-curious, their tips, tricks, shortcuts, and strategies will transform your cooking, your eating, and your life. Inside, you'll find wholesome, delectable, and accessible recipes like: • PB&J Sammie Smoothie • Sweet Red Chili Potato Skins • Pepperoni Pizza Puffs • Avocado-Cucumber Soup • Cranberry-Kale Pilaf • Crisp Mocha Peanut Butter Bars Anchored in compassion, The Main Street Vegan Academy Cookbook is more than a cookbook; it's a complete guide to going vegan, from FAQs, troubleshooting, and menu plans to inspiration and innovations for navigating the culinary, nutritional, and social landscape of plant-based eating. Embrace a healthier, more compassionate you, with Victoria, JL, and the rest of the Main Street Vegan Academy coaches by your side.
Critical of technologically determinist assumptions underpinning current educational policy, Victoria Armstrong argues that this growing technicism has grave implications for the music classroom where composition is often synonymous with the music technology suite. The use of computers and associated compositional software in music education is frequently decontextualized from cultural and social relationships, thereby ignoring the fact that new technologies are used and developed within existing social spaces that are always already delineated along gender lines. Armstrong suggests these gender-technology relations have a profound effect on the ways adolescents compose music as well as how gendered identities in the technologized music classroom are constructed. Drawing together perspectives from the sociology of science and technology studies (STS) and the sociology of music, Armstrong examines the gendered processes and practices that contribute to how students learn about technology, the repertoire of teacher and student talk, its effect on student confidence and the issue of male control of technological knowledge. Even though girls and female teachers have technological knowledge and skill, the continuing material and symbolic associations of technology with men and masculinity contribute to the perception of women as less able and less interested in all things technological. In light of the fact that music technology is now central to many music-making practices across all sectors of education from primary, secondary through to higher education, this book provides a timely critical analysis that powerfully demonstrates why the relationship between gender and music technology should remain an important empirical consideration.
This book examines the impact of neoliberalism on society, bringing to the forefront a discussion of violence and harm, the inherent inequalities of neoliberalism and the ways in which our everyday lives in the Global North reproduce and facilitate this violence and harm. Drawing on a range of contemporary topics such as state violence, the carceral state, patriarchy, toxic masculinity, death, sports and entertainment, this book unmasks the banal forms of violence and harm that are a routine part of life that usurp, commodify and consume to reify the existing status quo of harm and inequality. It aims to defamiliarize routine forms of violence and inequality, thereby highlighting our own participation in its perpetuation, though consumerism and the consumption of neoliberal dogma. It is essential reading for students across criminology, sociology and political philosophy, particularly those engaged with crimes of the powerful, state crime and social harm.
By the mid-nineteenth century music publishing was no longer the provenance of shopkeepers, instrument makers or individual scholars, but a business enterprise undertaken by a new breed of Victorian entrepreneur. Two such were Vincent Novello and his son Alfred, whose music publishing house enjoyed significant growth between 1829 and 1866. Victoria Cooper builds up a picture of Novello during this period and the socio-economic and cultural climate that influenced the company's business decisions. Looking in detail at some of the editions Novello published, she analyzes the editing style of the firm and how this was dictated by Novello's main audience of amateur musicians and choral societies. Scrutiny of Novello's stockbook indicates the financial fortunes of these editions, while correspondence between the firm and composers such as Mendelssohn reveals how Vincent and Alfred went about acquiring new compositions. With its focus on the development of a music publishing business, this study brings a fresh dimension to musicological research. Novello was able to combine business practice with a commitment to disseminate music of educational and artistic value, and the history of the company provides illuminating evidence of the commodification of music in nineteenth-century Britain.
One death, two victims – one seen, one hidden A thrilling rollercoaster, combining a multi-layered crime drama with an emotionally charged family saga, Still Small Voice looks at a fractured marriage and the fatal consequences of love, lust, and obsession. It’s a sweltering August day in 1998, and the body of a missing woman, best-selling author Nicky Butler, is discovered in an empty house in South West London. DI John Burroughs and his tenacious partner, DS Lucy Burton, are assigned to the case and it is immediately clear that all is not what it seems. Do they suspect Nicky’s controlling husband, James Scott, a hundred miles away in a dreary hotel room, contemplating a grim future, or the mysterious man seen entering the house the previous evening? As the detectives delve deeper into the investigation without a clear suspect, nothing seems to add up and there is a strong chance they will convict the wrong man. Why was Nicky at her brother-in-law’s house on the night of the murder while he was out of the country? And who is the shadowy figure hovering on the edge of the action, watching and waiting. The heart-stopping final twist will leave you gasping.
Nutrition writer Victoria Moran has compiled 501 easy tips for ridding our lives of fat forever. By substituting good, healthy foods found in most kitchens, here at last is a clear, concise handbook to reducing fat and cholesterol. With insider advice from dietitians, nutritionists, doctors, and chefs--including tips on shopping and dining out--Moran shows us how to make low-fat a way of life. Line drawings.
Moran has discovered consistent positive self-esteem with her "Love-Based Diet"--based on the principles of a 12-step program. This program reveals how physical, emotional, and spiritual aspects of one's life can be employed to help her or him stop being a problem, binge, or compulsive eater. Moran also tells readers where to find delight in their lives and how to stop obsessing about food so they can stop using it as a drug. Reprint.
Merging Eastern and Western spiritual traditions with a sensitivity to the demands of modern life, "Shelter for the Spirit" provides people with usable directions for bringing a sense of peace and renewal to their homes. Whether addressing how to get rid of clutter or decorate in a way that respects your personality, this book shows how the quality of attention we give to everyday acts can transform our lives.
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