This book presents the first comprehensive study of Anglo-Saxon manuscript texts containing runic letters. To date there has been no comprehensive study of these works in a single volume, although the need for such an examination has long been recognized. This is in spite of a growing academic interest in the mise-en-page of early medieval manuscripts. The texts discussed in this study include Old English riddles and elegies, the Cynewulfian poems, charms, Solomon and Saturn I, and the Old English Rune Poem. The focus of the discussion is on the literary analysis of these texts in their palaeographic and runological contexts. Anglo-Saxon authors and scribes did not, of course, operate within a vacuum, and so these primary texts are considered alongside relevant epigraphic inscriptions, physical objects, and historical documents. Victoria Symons argues that all of these runic works are in various ways thematically focused on acts of writing, visual communication, and the nature of the written word. The conclusion that emerges over the course of the book is that, when encountered in the context of Anglo-Saxon manuscripts, runic letters consistently represent the written word in a way that Roman letters do not.
From 1914 to 1934 the US government sent Native American girls to work as domestic servants in the homes of white families. Matrons and Maids tells this forgotten history through the eyes of the women who facilitated their placements. During those two decades, “outing matrons” oversaw and managed the employment of young Indian women. In Tucson, Arizona, the matrons acted as intermediaries between the Indian and white communities and between the local Tucson community and the national administration, the Office of Indian Affairs. Based on federal archival records, Matrons and Maids offers an original and detailed account of government practices and efforts to regulate American Indian women. Haskins demonstrates that the outing system was clearly about regulating cross-cultural interactions, and she highlights the roles played by white women in this history. As she compellingly argues, we cannot fully engage with cross-cultural histories without examining the complex involvement of white women as active, if ambivalent, agents of colonization. Including stories of the entwined experiences of Indigenous and non-Indigenous women that range from the heart-warming to the heart-breaking, Matrons and Maids presents a unique perspective on the history of Indian policy and the significance of “women’s work.”
In 1839, Antonio Sunol acquired this beautiful valley, originally inhabited by Ohlone Indians, to raise his cattle. Thirty years passed, and the First Transcontinental Railroad was poised to make history, completing the last segment of rail from Sacramento to Oakland. The final link was laidstraight through the middle of Sunoland a small village was suddenly transformed. The valley prospered with new wealth; hotels and railroad depots were built along with hay warehouses, a grocery and a mercantile, a blacksmith shop, post office, five schools, and a church. San Francisco families built summer homes in the new resort destination. The Spring Valley Water Company purchased property in the valley, where some of their largest water mains to San Francisco would flow, and even commissioned famed architect Willis Polk to design his Italian-style masterpiece, The Water Temple. Early prosperity eventually gave way to the grim realities of the Depression and the war years, however, and families began occupying the summer cabins lining Kilkare Road year-round. But as the towns permanent population grew, a new and unique community emerged.
The human singing voice holds immense power - to convey mood, emotion, and identity in songs, provide music's undeniable "wow" moments, and communicate a pop song's meaning perhaps more than any other musical parameter. And unlike the other aspects of musical content - like harmony, form, melody, and rhythm, for which generations of scholars have formed sophisticated analyses - scholarly approaches to vocal delivery remain grossly underdeveloped. An exciting and much-needed new approach, A Blaze of Light in Every Word presents a systematic and encompassing conceptual model for analyzing vocal delivery. Author Victoria Malawey focuses on three overlapping areas of inquiry - pitch, prosody, and quality - while drawing on research from music theory and pedagogy as well as gender studies and philosophy to situates the sonic and material aspects of vocal delivery among broader cultural, philosophical, and anthropological approaches to voice. Malawey develops a much-needed and innovative set of analytical tools through in-depth analyses of popular song recordings in genres spanning from hip hop to death metal. A Blaze of Light in Every Word brings new clarity to the relationship between the voice's sonic content and its greater signification, helping us understand the complexity and uniqueness of singing voices.
Curious about the family of her eccentric great-grandmother, artist Zoe Clifford is keen to discover the truth. The quest leads her to York, and an unexpected meeting with a distant relative, sea-captain Stephen Elliott. Still smarting from his recent divorce, at first Stephen is reluctant to be involved, but an old travelling trunk full of letters and memorabilia prompts him to contact Zoe again.Intrigued by a WW1 diary written by Liam Elliott, Stephen finds it raises more questions than answers. But as he and Zoe continue to search for the story behind it, Zoe wonders about Georgina Duncannon: who was she, and what was she to Liam? Time slips into the past, to a peaceful family gathering in the summer of 1913, and a shocking revelation. As the secrets of two generations of star-crossed lovers come to light, the story moves from York to Australia, and from Gallipoli to the Somme, revealing the seductive power of a piercing, impossible affair. Drawn into their own passionate affair, Stephen and Zoe are besieged by doubt; and, as Stephen joins a ship bound for the war-torn Middle East, both are faced with disturbing parallels between then and now. While Stephen navigates dangerous waters, Zoe, alone in London, is discovering the agony of distance, love and loss. Liam's haunting presence touches them both, but it takes a near-tragedy to make the message clear: only in the present can the past be healed...'A thoroughly satisfying historical novel that bridges the decades with grace and skill...' Kirkus Reviews'A splendid piece of storytelling about the loss of innocence and a love which endures...' Publishing News'Liam's Story is really two beautifully crafted stories set in two different periods of time... linked by a family mystery, the solving of which takes us to many places, both geographically and emotionally. We meet many family members of both eras and get to know the characters well. In at least two gut-wrenching scenes I cried my heart out...' Elizabeth Sandeman-Gay, reviewer.
Locked in a place beyond time, only the truth can set Titanic's Master free.Haunted by his final voyage, Captain Smith relives his past: the ships he sailed, the women he loved, his rise from humble beginnings to become White Star's most eminent captain. A lucky man: until an incident with HMS Hawke throws time - and White Star's plans - into disarray.Under pressure, Captain Smith agrees to one more voyage. Aboard Titanic the seas are calm but other forces are at work. Fire threatens from below, and ice lies ahead. Amongst the passengers, WT Stead - journalist and psychic - is predicting danger, while a mysterious young woman brings an old love affair to life.But the past cannot be changed: nor the events of that tragic night in April 1912. Burdened by guilt, Titanic's Master makes the voyage again, seeking his fatal mistake...Memories loom out of the mist like the sails of a schooner, skimming past my bridge with a tangible rush and barely a yard to spare...Uncovering dramatic and little-known events, Ann Victoria Roberts explores themes of time and coincidence in this haunting novel, based on the life of Captain Edward John Smith.
." . . based on a conference that was held at the National Institutes of Health in December 2005 to promote historical research on biomedical science in the twentieth century"--p. ix.
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