Playful and inquisitive, seals have long been interested in humans—and humans have reciprocated that interest, falling for their beauty, grace, and charm as they frolic alongside our boats or loll on sandy shores. In this newest entry in the Animal series, Victoria Dickenson traces the history of our interaction with these beautiful, fascinating swimmers, from the centuries of hunting—in which people killed countless seals for their skin, oil, and meat—to the present, when the white-furred baby seal has become one of the most potent symbols of the need for ecological conservation. Along the way, she offers an approachable account of seal biology and behavior, and she delineates the threats they face from habitat destruction and climate change. Beautifully illustrated and packed with stories from folklore, myth, and history, Seal offers a richly immersive view of a much-loved, storied creature.
What is it about the small fruits of field and wood that encourage rapture? These gifts of the earth—flagrant in hedgerows, carpeting the forest floor or coloring tablelands—are so ubiquitous as to be commonplace and yet so extraordinary that we have woven them into our folklore, our fables, and our art. Strawberries were painted in the frescoes of Pompeii, brambles twined into the borders of medieval miniatures, and mulberries have been embroidered on silks and linens. Today, the huge demand for these nutrient-rich fruits is pushing berry cultivation into new territories, from South America to Scandinavia, and changing the nature of our relationship with these much-loved fruits. In this delightful, surprising, and occasionally juicy botanical exploration, Victoria Dickenson traces the humble berry’s journey across cultures and through centuries with humor and passion.
From Benjamin Bunny to Peter Cottontail, the Velveteen Rabbit to the Flopsy Bunnies, the Rabbit of Caerbannog to Bugs Bunny and Roger Rabbit, the winsome long-eared animal is a permanent fixture of our childhoods. We know rabbits for their place in our stories, myths, and legends, and also for how they helped us learn to tie our shoes. In this richly illustrated book, Victoria Dickenson explores the natural and cultural history of the most familiar of the lagomorphs. Tracing the history of the species, Dickenson brings to life the giant extinct rabbits of Minorca and the tiny endangered Volcano rabbits of Mexico while focusing on the European rabbit. She explains how humans became this particular rabbit’s greatest predator, coveting its fur and flesh, and how they distributed rabbits to such far-flung places as New Zealand and Australia to provide food and sport for settlers. Dickenson also examines the paradox of the rabbit as prey and trickster who outwits all rivals, as cuddly companion for children and symbol of unbridled animal passion. She looks at the use of the rabbit’s foot to charm away evil, celebrates the Year of the Rabbit, and discovers the Jade Moon Rabbit, who lives on the moon. Hopping from B’rer Rabbit to the Energizer Bunny, Rabbit is the perfect gift for anyone who loves these intelligent, adorable creatures.
An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers.
This is a book of images of our country as seen by our artists. A gift to Canadians to honour the beauty and power of our shared spaces, and a reminder that we all live by the gifts of the land and it's a book that acknowledges the power of art to reveal what is hidden, to make visible the landscapes of our imagination. Residences: ON, B.C, and QC.
Dickenson County was formed in 1880 from parts of Wise, Russell, and Buchanan Counties. The county was named for William J. Dickenson, a legislator from Russell County who sponsored the bill in the House of Delegates that established it as the 100th county in Virginia. Dickenson has since been referred to as Virginia's baby county. Daniel Boone may have been the first white man to see the area. In 1767, he and two others traveled northward from the Yadkin River in North Carolina and reached the headwaters of the West (later called Russell) Fork of the Big Sandy River. Dickenson has one of the largest underground stores of coal in the world, with coal and lumber providing the majority of jobs for the region. The county is home to bluegrass legend Ralph Stanley, who is from Clintwood and was raised on Sandy Ridge. The county was home to "Ironman" Claude Fuller, who played baseball for the New York Yankees. The county is famous for the "Petticoat Government," an all-women town council and a mayor that received national attention. One of the most tragic mining accidents occurred in Dickenson County in 1932 when an explosion at Splashdam Mine killed 10 men.
Dickenson County was formed in 1880 from parts of Wise, Russell, and Buchanan Counties. The county was named for William J. Dickenson, a legislator from Russell County who sponsored the bill in the House of Delegates that established it as the 100th county in Virginia. Dickenson has since been referred to as Virginia's baby county. Daniel Boone may have been the first white man to see the area. In 1767, he and two others traveled northward from the Yadkin River in North Carolina and reached the headwaters of the West (later called Russell) Fork of the Big Sandy River. Dickenson has one of the largest underground stores of coal in the world, with coal and lumber providing the majority of jobs for the region. The county is home to bluegrass legend Ralph Stanley, who is from Clintwood and was raised on Sandy Ridge. The county was home to "Ironman" Claude Fuller, who played baseball for the New York Yankees. The county is famous for the "Petticoat Government," an all-women town council and a mayor that received national attention. One of the most tragic mining accidents occurred in Dickenson County in 1932 when an explosion at Splashdam Mine killed 10 men.
The wholesale assimilation of Scots into the British Army is largely associated with the recruitment of Highlanders during and after the Seven Years War. This important new study demonstrates that the assimilation of Lowland and Highland Scots into the British Army was a salient feature of its history in the first half of the 18th century and was already well advanced by the outbreak of the Seven Years War. Scotland and the British Army, 1700-1750 analyses the wider policing functions of the British Army, the role of Scotland's militia and the development of Scotland's military roads and institutions to provide a fuller understanding of the purpose and complexity of Scotland's military organisation and presence in Scotland in the turbulent decades between the Glorious Revolution and the defeat of Bonnie Prince Charlie, which has been too often simplified as an army of occupation for the suppression of Jacobitism. Instead, Victoria Henshaw reveals the complexities and difficulties experienced by Scottish soldiers of all ranks in the British Army as nationality, loyalty and prejudice clouded Scottish desires to use military service to defend the Glorious Revolution and the Union of 1707.
Making Development Geography is a timely new book which introduces readers to the major themes and debates in development geography. It argues cogently that the field is engaged in an ongoing process of reinventing itself as critical development geography, and highlights issues such as identity, globalization, social movements and sexuality. Readers are guided through the key concepts and developments of the last 50 years, surveying the themes of Keynesianism, Marxism and post-colonialism. At the same time, each chapter uses international examples to discuss important contemporary issues so that the real-world applications of theory can be understood. This enlightening book offers a comprehensive introduction to the fundamental debates for anyone with an interest in development issues.
Consumption is well established as a key theme in the study of the eighteenth century. Spaces of Consumption brings a new dimension to this subject by looking at it spatially. Taking English towns as its scene, this inspiring study focuses on moments of consumption – selecting and purchasing goods, attending plays, promenading – and explores the ways in which these were related together through the spaces of the town: the shop, the theatre and the street. Using this fresh form of analysis, it has much to say about sociability, politeness and respectability in the eighteenth century.
As the oldest of the Highland Regiments, The Black Watch has an enviable roster of Battle Honors and a mystique born of repeated service on behalf of King, Queen and country. On the strength of her acclaimed biography of Field Marshal Earl Wavell, the regimental trustees commissioned Victoria Schofield to write this, the first volume of her magisterial history of The Black Watch, and have fully cooperated with her as she traces the story of the Regiment from its early 18th-century beginnings through to the eve of the South African War at the end of the 19th-century. Originating as companies of highland men raised to keep a watch over the Highlands of Scotland, they were formed into a regiment in 1739. Its soldiers would go on to fight with extraordinary bravery and elan in almost every major engagement fought by the British Army during this period, from the American War of Independence, the Peninsular Wars, Waterloo, the Crimea, Indian Mutiny to Egypt and the Sudan. Drawing on diaries, letters and memoirs, Victoria Schofield skillfully weaves the multiple strands of this story into an epic narrative of a valiant body of officers and men over one-and-a-half centuries. In her sure hands, the story of The Black Watch is no arid recitation of campaigns, dates and battle honors, but is instead a rich and compelling record of the soldier's experience under fire and on campaign. It is also a celebration of the deeds of a regiment that has played a unique role in British history and a vivid insight into the lives of the many remarkable figures who have marched and fought so proudly under its Colors. It is supported by more than 170 pages of appendices, bibliography, maps, and notes, as well as a brilliant array of illustrations' Military History Monthly.
American baritone Lawrence Tibbett created an overnight sensation at the Metropolitan Opera in 1925 when the audience stopped the performance of Falstaff to honor their compatriot for his exceptional talent. Tibbett's now legendary curtain call foreshadowed a startling new era for classically trained native singers who rarely received the public recognition or respect given to their European colleagues. In this absorbing work, Victoria Etnier Villamil chronicles the extraordinary time from 1935 to 1950 when American artists, who felt intensely inferior to foreign performers, journeyed from being unappreciated in their own country to standing without apology on stages at home and abroad. Drawing on exhaustive primary research and extensive interviews, Villamil tells the remarkable story of a generation of American opera singers whose profession, image, and art were forever altered by the upheavals of World War II, as well as sweeping cultural and technological changes. The author's in-depth look at these breakthrough years explores such defining factors as Edward Johnson's drive to "Americanize the Met" in his first seasons as general manager, the impact of the microphone on singers and singing styles, and the importance of radio and motion pictures in introducing classical music voices to wider audiences. Villamil also considers how travel restrictions imposed on European artists during the war unlocked opportunities for American artists, and the role of political and Jewish refugees in enriching music education and training in this country. In addition, the author discusses thoroughly the founding of the New York City Opera, the rise of regional and smaller opera companies, including the enterprising and popular Lemonade Opera, and advancements for African American classical singers. Brimming with entertaining anecdotes and colorful figures, both famous and little remembered, the fascinating book concludes with an examination of this crucial period's legacy for the American classical music scene in the 1950s and beyond. From Johnson's Kids to Lemonade Opera contains an invaluable appendix that provides biographical sketches of the over 250 opera and radio singers, as well as art song specialists, featured in this illuminating study.
An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers.
From Benjamin Bunny to Peter Cottontail, the Velveteen Rabbit to the Flopsy Bunnies, the Rabbit of Caerbannog to Bugs Bunny and Roger Rabbit, the winsome long-eared animal is a permanent fixture of our childhoods. We know rabbits for their place in our stories, myths, and legends, and also for how they helped us learn to tie our shoes. In this richly illustrated book, Victoria Dickenson explores the natural and cultural history of the most familiar of the lagomorphs. Tracing the history of the species, Dickenson brings to life the giant extinct rabbits of Minorca and the tiny endangered Volcano rabbits of Mexico while focusing on the European rabbit. She explains how humans became this particular rabbit’s greatest predator, coveting its fur and flesh, and how they distributed rabbits to such far-flung places as New Zealand and Australia to provide food and sport for settlers. Dickenson also examines the paradox of the rabbit as prey and trickster who outwits all rivals, as cuddly companion for children and symbol of unbridled animal passion. She looks at the use of the rabbit’s foot to charm away evil, celebrates the Year of the Rabbit, and discovers the Jade Moon Rabbit, who lives on the moon. Hopping from B’rer Rabbit to the Energizer Bunny, Rabbit is the perfect gift for anyone who loves these intelligent, adorable creatures.
When Victoria Hoffarth was at graduate school in the U.S., her lecturer, the anthropologist Margaret Mead, once told her class, “There are so many varied places in the world. It is incumbent upon us to search for one where we most fit.” Thus, despite having been born and brought up in the Philippines, Victoria never felt at home there.
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