The Long Shadow of the Civil War relates uncommon narratives about common Southern folks who fought not with the Confederacy, but against it. Focusing on regions in three Southern states--North Carolina, Mississippi, and Texas--Victoria E. Bynum introduces Unionist supporters, guerrilla soldiers, defiant women, socialists, populists, free blacks, and large interracial kin groups that belie stereotypes of Southerners as uniformly supportive of the Confederate cause. Centered on the concepts of place, family, and community, Bynum's insightful and carefully documented work effectively counters the idea of a unified South caught in the grip of the Lost Cause.
In this richly detailed and imaginatively researched study, Victoria Bynum investigates "unruly" women in central North Carolina before and during the Civil War. Analyzing the complex and interrelated impact of gender, race, class, and region on the lives of black and white women, she shows how their diverse experiences and behavior reflected and influenced the changing social order and political economy of the state and region. Her work expands our knowledge of black and white women by studying them outside the plantation setting. Bynum searched local and state court records, public documents, and manuscript collections to locate and document the lives of these otherwise ordinary, obscure women. Some appeared in court as abused, sometimes abusive, wives, as victims and sometimes perpetrators of violent assaults, or as participants in ilicit, interracial relationships. During the Civil War, women freqently were cited for theft, trespassing, or rioting, usually in an effort to gain goods made scarce by war. Some women were charged with harboring evaders or deserters of the Confederacy, an act that reflected their conviction that the Confederacy was destroying them. These politically powerless unruly women threatened to disrupt the underlying social structure of the Old South, which depended on the services and cooperation of all women. Bynum examines the effects of women's social and sexual behavior on the dominant society and shows the ways in which power flowed between private and public spheres. Whether wives or unmarried, enslaved or free, women were active agents of the society's ordering and dissolution.
In September 2006, Victoria Coren won the European Poker Championship, and with it a cool one million dollars. Overnight, she became one of the world's most famous players. But how did she do it? In For Richer, For Poorer, Victoria Coren's long-awaited poker memoir, she answers this question. It is an intensely honest story of twenty years of obsession, of highs and lows, wins and losses, friendships, power plays, loneliness and addiction. Coren takes us from the grimy underworld of illegal cash games to the high glamour of Monte Carlo and Las Vegas, vividly capturing the incredible excitement of a poker match and getting to the heart of why poker has become the world's most popular card game. It is a razor-sharp, accessible, entertaining, and intensely gripping story.
In Chinatown to deliver a baby, Sarah Brandt meets a group of women she might otherwise never have come across: Irish girls who, after alighting on Ellis Island alone, have married Chinese men in the same predicament. But with bigotry in New York from every side, their mixed-race children are often treated badly, by the Irish, the Chinese—even the police. When the new mother’s half-Chinese, half-Irish, 15-year-old niece goes missing, Sarah knows that alerting the constables would prove futile. So she turns to Detective Sergeant Frank Malloy—and together they begin the search themselves. And after they find her, dead in an alley, Sarah and Malloy have ample suspects—from both sides of Canal Street.
Both conservative and liberal Baby Boomers have romanticized the 1950s as an age of innocence--of pickup ball games and Howdy Doody, when mom stayed home and the economy boomed. These nostalgic narratives obscure many other histories of postwar childhood, one of which has more in common with the war years and the sixties, when children were mobilized and politicized by the U.S. government, private corporations, and individual adults to fight the Cold War both at home and abroad. Children battled communism in its various guises on television, the movies, and comic books; they practiced safety drills, joined civil preparedness groups, and helped to build and stock bomb shelters in the backyard. Children collected coins for UNICEF, exchanged art with other children around the world, prepared for nuclear war through the Boy and Girl Scouts, raised funds for Radio Free Europe, sent clothing to refugee children, and donated books to restock the diminished library shelves of war-torn Europe. Rather than rationing and saving, American children were encouraged to spend and consume in order to maintain the engine of American prosperity. In these capacities, American children functioned as ambassadors, cultural diplomats, and representatives of the United States. Victoria M. Grieve examines this politicized childhood at the peak of the Cold War, and the many ways children and ideas about childhood were pressed into political service. Little Cold Warriors combines approaches from childhood studies and diplomatic history to understand the cultural Cold War through the activities and experiences of young Americans.
The “fascinating…great-grandson’s account” (The Wall Street Journal) of the US postal inspector who brought to justice the deadly Black Hand is “unputdownable” (Library Journal, starred review). Before the emergence of prohibition-era gangsters like Al Capone and Lucky Luciano, there was the Black Hand: an early twentieth-century Sicilian-American crime ring that preyed on immigrants from the old country. In those days, the FBI was in its infancy, and local law enforcement were clueless against the dangers. Terrorized victims rarely spoke out, and the criminals ruled with terror—until Inspector Frank Oldfield came along. In 1899, Oldfield became America’s 156th Post Office Inspector—joining the ranks of the most powerful federal law enforcement agents in the country. Based in Columbus, Ohio, the unconventional Oldfield brilliantly took down train robbers, murderers, and embezzlers from Ohio to New York to Maryland. Oldfield was finally able to penetrate the dreaded Black Hand when a tip-off put him onto the most epic investigation of his career, culminating in the 1909 capture of sixteen mafiosos in a case that spanned four states, two continents—and ended in the first international organized crime conviction in the country. Hidden away by the Oldfield family for one hundred years and covered-up by rival factions in the early 20th century Post Office Department, this incredible true story out of America’s turn-of-the-century heartland will captivate all lovers of history and true crime. “I tip my hat to Inspector Oldfield. He was way ahead of his time and his efforts are magnificently relived in this book” (Daniel L. Mihalko, former Postal Inspector in Charge, Congressional & Public Affairs).
When midwife Sarah and detective Frank Malloy’s friend and new partner Gino Donatelli is accused of murder, he and Sarah must catch the real killer to keep him alive, in this enthralling, new novel in the USA Today bestselling Gaslight Mystery series. . . . A young woman is missing in the upper Manhattan neighborhood called Italian Harlem, and everyone knows whoʼs responsible—the Black Hand, a notorious group known for terrorizing their own community with violence and kidnappings. Gino and Frank set out to learn more about the disreputable gang and soon find a lead: a saloon-owning gangster named Nunzio Esposito. Gino hates that a fellow immigrant would stoop so low and decides to confront his wayward countryman. But he quickly discovers the man can’t be reasoned with—because he’s been murdered. The police have only one suspect: Gino Donatelli. Frank and Sarah know Gino is no killer, but someone has pulled out all the stops to make it look like he is guilty. They also must now face the Black Hand, who are honor-bound to avenge the death of one of their own. With evidence mounting against their friend and a group of bad guys out for blood, Sarah and Frank race to unravel a treacherous plot before Gino’s time runs out. . . .
Get more bang for your buck with this exclusive ebook boxed set, featuring seven full-length contemporary romances and extended teasers of five other books, perfect for every romance reader! This boxed set features seven delightful full-length contemporary romance novels. The stories range from two women struggling to keep their lingerie shop afloat while juggling romance in Try Me On For Size, to a horseback riding teacher trying to ignore advances from the hunky Hollywood actor who also happens to be the father of one of her students in Thrown, to a woman actually living a fairytale—that is, until her sexy ex shows up to throw a wrench in all her plans in Love Like the Movies. Seven Books for Seven Lovers is the perfect collection of charming love stories for any voracious reader!
In this irresistible romantic romp, movie fanatic Kensington Shaw is thrown into love—Hollywood-style—when her gorgeous ex presents a series of big screen challenges to win back her heart. What girl wouldn’t want to experience the Pretty Woman shopping scene? It’s number two on the list. Or, try the lift from Dirty Dancing? It’s number five. One list, ten romantic movie moments, and a handful of shenanigans later, Kenzi has to wonder…should she marry the man her family loves, or risk everything for a love like the movies?
Sarah and Frank Malloy must catch a scheming killer in this latest gripping installment in the USA Today bestselling Gaslight Mysteries . Former policeman Frank Malloy is frustrated when a woman requests his private detective services to implicate her wealthy husband in adultery, the only legal grounds for divorce in New York state. Although Mrs. Bing seems genuinely distressed about her marriage and desperate to end it, she refuses to tell Frank the reason she absolutely must divorce her husband and admits she has no legal grounds. Frank explains he won't manufacture evidence for her and sends her on her way. The following week, Frank and Sarah happen to be attending the first ever auto show in Madison Square Garden when they meet the woman's husband, Alfred Bing, who has invested in a company that produces one of the electric motorcars on display. A few days later, the newspapers report that millionaire Alvin Bing has been found dead, pinned beneath one of the wheels of his very own motorcar. But who was driving it? The obvious suspect is Mrs. Bing, but Frank and Sarah find that nothing is as it seems in their puzzling, dangerous search for truth.
Volume 4, Including Unions in Cotton, Wood and Worsted, Linen and Jute, Silk, Elastic Web, Lace and Net, Hosiery and Knitwear, Textile Finishing, Tailors and Garment Workers, Hat and Cap, Carpets and Textile Engineering
Volume 4, Including Unions in Cotton, Wood and Worsted, Linen and Jute, Silk, Elastic Web, Lace and Net, Hosiery and Knitwear, Textile Finishing, Tailors and Garment Workers, Hat and Cap, Carpets and Textile Engineering
Despite widespread interest in the trade union movement and its history, it has never been easy to trace the development of individual unions, especially those now defunct, or where name changes or mergers have confused the trail. In this respect the standard histories and industrial studies tend to stimulate curiosity rather than satisfy it. When was a union founded? When did it merge or dissolve itself, or simply disappear? What records survive and where can further details of its history be found? These are the kinds of question the Directory sets out to answer. Each entry is arranged according to a standard plan, as follows: 1. Name of union; 2. Foundation date: Name changes (if any) and relevant dates. Any amalgamation or transfer of engagements. Cessation, winding up or disappearance, with date and reasons where appropriate and available; 3. Characteristics of: membership, leadership, policy, outstanding events, membership (numbers). 4. Sources of information: books, articles, minutes etc; location of documentation.
Fenway's favorite short human, Hattie, has a few tricks up her sleeves in this adorable and heartwarming paperback, perfect for fans of Humphrey and Og, the Frog. Fenway has two jobs. He must love and care for his best friend and favorite short human, Hattie. And he must protect his human family, especially from the thieving chipmunks. The chipmunks strut around like they own the place but Fenway will not have it. He begins a daring chase to get rid of the pesky chipmunks, which lands him in a bush filled with bees. Poor, heroic Fenway suffers a paw injury but even worse, his humans will not let him lick the pain away! Instead, they take him to the Place of Fear and then Hattie doesn't even help him take off the Cone of Doom! Fenway never would have expected Hattie to do these things to him. Doesn't she love him anymore? But even though his family is acting weird, Fenway is determined do whatever it takes to make them all happy again.
The national bestselling author of The Marsh Madness takes rare book collector Jordan Bingham on a trip to San Francisco—home to Dashiell Hammett’s hard-boiled heroes—where nothing is as it seems. On a getaway to the City by the Bay, book collector Jordan Bingham becomes entangled in a mystery with more twists than Lombard Street... Jordan has been able to swing a romantic trip to San Francisco with Officer Tyler “Smiley” Dekker on one condition—she must return with a rare copy of Dashiell Hammett’s Red Harvest for her irascible employer, Vera Van Alst. For his own part, Smiley is full of surprises. He’s a Dashiell devotee himself—excited to be in the city of Hammett’s hard-boiled heroes like Sam Spade and the Continental Op—and also announces he plans to visit his previously unmentioned estranged grandmother, who lives in an old Victorian in Pacific Heights. But the trip goes downhill fast when Jordan is pushed from a cable car and barely escapes death. And when a dark sedan tries to run the couple down, it’s clear someone’s after them—but who? Just like in Hammett’s world, nothing is quite what is seems... INCLUDES RECIPES
Held captive in the frozen wilderness, transhuman Chase Sterling almost loses faith that he’ll ever be reunited with his bride and with the persecuted souls he’s promised to guard. His escape leads to even greater struggles, and discoveries about his own abilities. At last, he arrives at the unusual location his people have chosen as a hiding place.And then things get complicated.His wife’s been kidnapped and the underground faces annihilation. Victory and heartbreak build Chase’s resolve, until he is forced to face his worst fear. Now he must choose whether to sacrifice himself. He's endured so much since they transformed him into the world's first transhuman, but will he survive the final transfusion?
Tates of Texas (#1) Victoria Thompson’s vivid romances have brought pioneer Texas to life with heart-pounding action and lush passion. The first book in the Tates of Texas series, Wild Texas Wind, introduces the Tates—a family that shaped and upheld the legacy of the majestic Lone Star state. After seven years as a Comanche captive, Rebekah Tate has only a faint hope that she’ll ever see her beloved childhood home again. That is, until the day tall and dangerously handsome trader Sean MacDougal strides into camp and proceeds to risk his life rescuing her. Rebekah can only guess his reasons: could he be looking for glory—or a reward from her wealthy father? One thing she does know: no one is more stubborn than this rugged, self-made man. And no one else has a touch that warms her on cool desert nights, and makes her wonder how, together, the two of them might forge a new life out of a harsh and powerful land.
American baritone Lawrence Tibbett created an overnight sensation at the Metropolitan Opera in 1925 when the audience stopped the performance of Falstaff to honor their compatriot for his exceptional talent. Tibbett's now legendary curtain call foreshadowed a startling new era for classically trained native singers who rarely received the public recognition or respect given to their European colleagues. In this absorbing work, Victoria Etnier Villamil chronicles the extraordinary time from 1935 to 1950 when American artists, who felt intensely inferior to foreign performers, journeyed from being unappreciated in their own country to standing without apology on stages at home and abroad. Drawing on exhaustive primary research and extensive interviews, Villamil tells the remarkable story of a generation of American opera singers whose profession, image, and art were forever altered by the upheavals of World War II, as well as sweeping cultural and technological changes. The author's in-depth look at these breakthrough years explores such defining factors as Edward Johnson's drive to "Americanize the Met" in his first seasons as general manager, the impact of the microphone on singers and singing styles, and the importance of radio and motion pictures in introducing classical music voices to wider audiences. Villamil also considers how travel restrictions imposed on European artists during the war unlocked opportunities for American artists, and the role of political and Jewish refugees in enriching music education and training in this country. In addition, the author discusses thoroughly the founding of the New York City Opera, the rise of regional and smaller opera companies, including the enterprising and popular Lemonade Opera, and advancements for African American classical singers. Brimming with entertaining anecdotes and colorful figures, both famous and little remembered, the fascinating book concludes with an examination of this crucial period's legacy for the American classical music scene in the 1950s and beyond. From Johnson's Kids to Lemonade Opera contains an invaluable appendix that provides biographical sketches of the over 250 opera and radio singers, as well as art song specialists, featured in this illuminating study.
The thrilling sequel to Victoria Schwab's New York Times bestselling City of Ghosts! Trouble is haunting Cassidy Blake . . . even more than usual. She (plus her ghost best friend, Jacob, of course) are in Paris, where Cass's parents are filming their TV show about the world's most haunted cities. Sure, it's fun eating croissants and seeing the Eiffel Tower, but there's true ghostly danger lurking beneath Paris, in the creepy underground Catacombs. When Cass accidentally awakens a frighteningly strong spirit, she must rely on her still-growing skills as a ghosthunter -- and turn to friends both old and new to help her unravel a mystery. But time is running out, and the spirit is only growing stronger. And if Cass fails, the force she's unleashed could haunt the city forever. New York Times bestselling authorVictoria Schwab returns to the spooky and heart-pounding world of City of Ghosts, delivering thrilling new adventures and an unforgettable spin on friendship. (Because sometimes, even psychic ghost best friends have secrets...) For fans of The Day I Fell Into a Fairy Tale, R L Stine and Scullduggery Pleasant
In 1974, women imprisoned at New York’s maximum-security prison at Bedford Hills staged what is known as the August Rebellion. Protesting the brutal beating of a fellow prisoner, the women fought off guards, holding seven of them hostage, and took over sections of the prison. While many have heard of the 1971 Attica prison uprising, the August Rebellion remains relatively unknown even in activist circles. Resistance Behind Bars is determined to challenge and change such oversights. As it examines daily struggles against appalling prison conditions and injustices, Resistance documents both collective organizing and individual resistance among women incarcerated in the U.S. Emphasizing women’s agency in resisting the conditions of their confinement through forming peer education groups, clandestinely arranging ways for children to visit mothers in distant prisons and raising public awareness about their lives, Resistance seeks to spark further discussion and research into the lives of incarcerated women and galvanize much-needed outside support for their struggles. This updated and revised edition of the 2009 PASS Award winning book includes a new chapter about transgender, transsexual, intersex, and gender-variant people in prison.
In 1926, Agatha Christie disappeared—making headlines across the world—only to show up eleven days later at a spa under an assumed name. During those eleven days, did she have time to write a play? Jordan Kelly needs a new job and a new place to live. She’s back in Harrison Falls, New York, living with her not so law-abiding uncles, in debt thanks to a credit card–stealing ex and pending grad school loans. Enter the perfect job, a research position that includes room and board, which will allow her to spend her days hunting down rare mysteries for an avid book collector. There’s just one problem: her employer, Vera Van Alst—the most hated citizen of Harrison Falls. Jordan’s first assignment is to track down a rumored Agatha Christie play. It seems easy enough, but Jordan soon finds out that her predecessor was killed while looking for it, and there is still someone out there willing to murder to keep the play out of Vera’s hands. Jordan’s new job is good…but is it worth her life?
Jordan Kelly is delighted to make money tracking down rare and valuable mystery novels for her employer, Vera Van Alst, an avid collector and the most difficult woman in Harrison Falls, New York. But now her boss’s complete set of Dorothy Sayers is missing, and finding them may lead Jordan to a murder suitable for Sayers’s esteemed sleuth, Lord Peter Wimsey… When Jordan manages to locate her boss’s missing books, they are in the possession of Randolph Adams, an elderly man in a nearby town. Offering a valuable Hemingway first edition as an incentive, Jordan thinks she’s about to seal the deal—but some of Randolph’s relatives think he should hold out for more. Then the entire family disappears—and a dead body shows up. It’s up to Jordan to collect the clues—and make sure a killer gets booked.
Murder never takes a holiday...or so Loon Lake learns one wintry Thanksgiving Day. Chief of Police Lew Ferris, short-handed thanks to an AWOL coroner, never even gets the turkey stuffed before the bodies start to surface. By the end of the day, credit card theft and dysfunctional families have so muddied the waters that not even expert tracker and dedicated fishing guide Ray Pradt can hope to fish the final day of muskie season. And while retired dentist Doc Osborne had counted on sitting by the fire with Lew (out of uniform) and planning a fly-fishing trip to Wyoming, the unexpected arrival of Gina Palmer, former investigative reporter turned forensics database expert, ramps up the action with her pursuit of a Canadian link to the theft of merchandise from stores across the upper Midwest. Dead Hot Shot, ninth in the Loon Lake Mystery series, is a heady mix of murder, mayhem, and fishing in the northwoods of Wisconsin.
“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.
Inspired by Victoria Kelly’s experiences as the wife of a fighter pilot during three wartime deployments, this collection follows women whose lives have been impacted by war and military service as they struggle with their fragile ideas of home. In “Prayers of an American Wife,” a Navy wife grapples with loneliness when she discovers that her neighbor, also a Navy wife, is having an affair while their husbands are deployed on the same aircraft carrier. Tensions rise in “The Strangers of Dubai” as a soldier on leave tries to buy his wife a souvenir from an Afghan vendor. After attending eight funerals with fellow military wives whose husbands died in the Iraq war, the protagonist in “Finding the Good Light” divorces her Navy husband and tries to start a new life as a movie star. These, along with the eleven other stories in this collection, explore the emotional landscape of the resilient women who remain on the homefront. Kelly’s stories offer readers an intimate, eye-opening look into the sacrifices and steadfastness of military family members.
His single days are numbered… Look up unlucky in love in the dictionary, and you'll see Gia Grant's picture. Still, she takes inspiration from her elderly neighbors—married seventy years!—and will do anything to stop foreclosure on their home. That includes running interference with businessman Derek Camden. He says he's here to help, but everyone knows Camdens can't be trusted. So why is it every time she turns around she wants to kiss this lovable lout? Derek has a knack for falling for the wrong women—over and over! Luckily, working with the goody-goody girl next door to make amends to her neighbors doesn't represent a romantic threat. Or so he likes to tell himself—because the beautiful botanist is growing on him! Could this be the bachelor's last stand?
We don't get involved with the prevention of crime. This is not our job. We are here if he kills you or physically harms you; sorry, we cannot help. I know that he called you 260 times last week and has made 254 photographs of your bedroom windows. But, hey, all this is no hurt to yourself." I was standing in a London police station, not believing my ears. He is doing everything to destroy me and my business, but that is not enough terror I need to be stabbed or killed. When I mentioned that he has broken the court order that was issued for my protection, I was told that it is up to me to prove it in order for the police to act. I was on my own and very scared. I tried to not let him change my life, but I lost that battle. All I could do was write, and so I did. This book can be treated as a manual on how to recognize the kind of men to run from--men that are psychopaths and predators, who will leave you having wrecked your self-esteem, stolen your money and peace of mind, and in the end, your health or your very life. They are just not worth it, so beware!
In this study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies. At five feet seven inches tall and two hundred pounds, Dressler was never considered the popular "delicate beauty," often playing ugly ducklings, old maids, doting mothers, and imperious dowagers. However, Dressler's body, her fearless physicality, and her athletic slapstick routines commanded the screen. Although an unlikely movie star, Dressler represented for Depression-era audiences a sign of abundance and generosity in a time of scarcity. This premier analysis of her body of work explores how Dressler refocused the generic frame of her films beyond the shallow problems of the rich and beautiful, instead dignifying the marginalized, the elderly, women, and the poor. Sturtevant inteprets the meanings of Dressler's body through different genres, venues, and historical periods by looking at her vaudeville career, her transgressive representation of an "unruly" yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie.
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