Focusing on the life of ambitious former slave Conway Barbour, Victoria L. Harrison argues that the idea of a black middle class traced its origins to the free black population of the mid-nineteenth century and developed alongside the idea of a white middle class. Although slavery and racism meant that the definition of middle class was not identical for white people and free people of color, they shared similar desires for advancement. Born a slave in western Virginia about 1815, Barbour was a free man by the late 1840s. His adventurous life took him through Lexington and Louisville, Kentucky; Cleveland, Ohio; Alton, Illinois; and Little Rock and Lake Village, Arkansas. In search of upward mobility, he worked as a steamboat steward, tried his hand at several commercial ventures, and entered politics. He sought, but was denied, a Civil War military appointment that would have provided financial stability. Blessed with intelligence, competence, and energy, Barbour was quick to identify opportunities as they appeared in personal relationships—he was simultaneously married to two women—business, and politics. Despite an unconventional life, Barbour found in each place he lived that he was one of many free black people who fought to better themselves alongside their white countrymen. Harrison’s argument about black class formation reframes the customary narrative of downtrodden free African Americans in the mid-nineteenth century and engages current discussions of black inclusion, the concept of “otherness,” and the breaking down of societal barriers. Demonstrating that careful research can reveal the stories of people who have been invisible to history, Fight Like a Tiger complicates our understanding of the intersection of race and class in the Civil War era.
Examines Marianne Moore's editorship of the modernist magazine, the Dial between 1925 and 1929As editor of the Dial, Moore wielded considerable cultural authority in the world of arts and letters, yet cultural histories of modernist magazines have largely overlooked her editorial influence. Modernism Edited: Marianne Moore and the Dial Magazine makes visible Moore's contribution to the production of modernism even as it complicates the concept of editorial agency. It explores the public face of the modernist editor, the image of highbrow distinction circulated by the Dial and embodied by the figure of 'Miss Moore'. It also examines Moore's editorial practice as a form of modernist 'contractility' drawing on her own poetics to understand more fully the motives underpinning her revisions. It returns to the well-known case of Moore's radical cuts to Hart Crane's poem 'The Wine Menagerie' as well as instances of collaborative struggle with Williams Carlos Williams, Gertrude Stein, Paul Rosenfeld and D. H. Lawrence. In doing so, the book conceptualises editorial labour as a form of creative and critical social practice.Key Features:Returns to controversial case of Moore's revisions to Hart Crane's 'The Wine Menagerie'Uncovers evidence that points to Moore's revisions to the work of other well-known modernistsConceptualizes editorial agencyDevelops methodologies for critically engaging with magazine contentUncovers and analyses Moore's advertisements for the DialProduces a sustained analysis of Moore's editorial comments for the DialDraws on Moore's poetics to understand her editorial revisions
What do you do when you discover your four-legged best friend might belong to someone else? From the acclaimed author of Who Rescued Who comes the charming story of a custody battle between two pet parents who would do anything for the dog they both adore. Justine Becker could not be more in love with her rescue dog, Spencer. He's her best friend and "colleague" at her dog supply store, Tricks & Biscuits, in upstate New York. When she discovers a heartbreaking social media post trying to locate a dog that looks suspiciously like Spencer, Justine realizes that her beloved pup might actually belong to someone else. Her worst fears are realized when she and Spencer meet up with Brooklyn-based Griffin McCabe, and he wants Spencer back. He claims he is the dog's rightful owner, and has the paperwork to prove it. But Justine refuses to roll over and let him take Spencer without a fight. It’s not easy juggling Spencer's burgeoning new career as a dog actor, along with the demands of her life upstate, all while constantly trying to prove she's a better pet parent than Griffin. Their not-so-friendly competition teeters on the edge of flat-out hate, so when romantic feelings for Griffin catch Justine off guard, she needs to determine if it's all part of his plot to win the pup back, or if the guy who was good enough for Spencer might also be good enough for her.
This popular volume on the culture of hair through human history and around the globe has been updated and revised to include even more entries and current information. How we style our hair has the ability to shape the way others perceive us. For example, in 2017, the singer Macklemore denounced his hipster undercut hairstyle, a style that is associated with Hitler Youth and alt-right men, and in 2015, actress Rose McGowan shaved her head in order to take a stance against the traditional Hollywood sex symbol stereotype. This volume examines how hair-or lack thereof-can be an important symbol of gender, class, and culture around the world and through history. Hairstyles have come to represent cultural heritage and memory, and even political leanings, social beliefs, and identity. This second edition builds upon the original volume, updating all entries that have evolved over the last decade, such as by discussing hipster culture in the entries on beards and mustaches and recent medical breakthroughs in hair loss. New entries have been added that look at specific world regions, hair coverings, political symbolism behind certain styles, and other topics.
The Eurocentric conventional wisdom holds that the West is unique in having a multi-state system in international relations and liberal democracy in state-society relations. At the same time, the Sinocentric perspective believes that China is destined to have authoritarian rule under a unified empire. In fact, China in the Spring and Autumn and Warring States periods (656–221 BC) was once a system of sovereign territorial states similar to Europe in the early modern period. Both cases witnessed the prevalence of war, formation of alliances, development of the centralized bureaucracy, emergence of citizenship rights, and expansion of international trade. This book, first published in 2005, examines why China and Europe shared similar processes but experienced opposite outcomes. This historical comparison of China and Europe challenges the presumption that Europe was destined to enjoy checks and balances while China was preordained to suffer under a coercive universal status.
Use trauma-informed strategies to give students the skills and support they need to succeed in school and life Nearly half of all children have been exposed to at least one adverse childhood experience (ACE), such as poverty, divorce, neglect, homelessness, substance abuse, domestic violence, or parent incarceration. These students often enter school with behaviors that don’t blend well with the typical school environment. How can a school community come together and work as a whole to establish a healthy social-emotional climate for students and the staff who support them? This workbook-style resource shows K-12 educators how to make a whole-school change, where strategies are integrated from curb to classroom. Readers will learn how to integrate trauma-informed strategies into daily instructional practice through expanded focus on: The different experiences and unique challenges of students impacted by ACEs in urban, suburban, and rural schools, including suicidal tendencies, cyberbullying, and drugs Behavior as a form of communication and how to explicitly teach new behaviors How to mitigate trauma and build innate resiliency through a read, reflect, and respond model Let this book be the tool that helps your teams move students away from the school-to-prison pipeline and toward a life rich with educational and career choices. "I cannot think of a book more needed than this one. It gives us the tools to support our students who have the most need while practicing the self-care necessary to continue to serve them." —Lydia Adegbola, Chair of English Department New Rochelle High School, NY "This book highlights the impact of trauma on children and the adults who work with them, while providing relevant and practical strategies to understand and address it through reflective practices." —Marine Avagyan, Director, Curriculum and Instruction Saugus Union School District, Sunland, CA
Can she love the man responsible for her sister's death? With her sister murdered, Audrey Hughes becomes the guardian of her only nephew. When Audrey travels to Texas to settle her sister's affairs, she becomes the target of a dangerous criminal with ties to her sister. US Marshal Alejandro Santiago won't forgive himself for Lana's death until he catches her killer. Going undercover in her lover's criminal organization proves difficult after Lana's sister Audrey arrives in town with the determination to get answers on her own.
Captivity was endemic in Arizona from the end of the Mexican-American War through its statehood in 1912. The practice crossed cultures: Native Americans, Mexican Americans, Mexicans, and whites kidnapped and held one another captive. Victoria Smith's narrative history of the practice of taking captives in early Arizona shows how this phenomenon held Arizonans of all races in uneasy bondage that chafed social relations during the era. It also maps the social complex that accompanied captivity, a complex that included orphans, childlessness, acculturation, racial constructions, redemption, reintegration, intermarriage, and issues of heredity and environment. ø This in-depth work offers an absorbing account of decades of seizure and kidnapping and of the different ?captivity systems? operating within Arizona.øBy focusing on the stories of those taken captive?young women, children, the elderly, and the disabled, all of whom are often missing from southwestern history?Captive Arizona, 1851?1900 complicates and enriches the early social history of Arizona and of the American West.
At Christmas, even the loneliest cowboy can find true love, whether it arrives with the subtle fragrance of evergreen or the kick of a wild stallion. Celebrate the holiday season with these nine short, sweet, and heartwarming contemporary romances. Capturing the Christmas Cowboy - by Roxy Boroughs To secure her job with an advertising company, an L.A. photographer travels to the wilds of Montana, searching for a rugged cowboy to peddle cheap cologne. There she meets a down-on-his-luck, camera-shy rancher, who wants to give his little brother a homespun Christmas – just like the ones they knew before they lost their parents. All I Want for Christmas - by Victoria Chatham Rancher Luke Evans expects to spend Christmas alone. When a snowstorm strands Kate Cooper and her five-year-old daughter Alice, that changes. While the child’s smile warms his heart, will widowed emergency nurse Kate dare to love again? Could she and Alice become the family Luke always wanted? Come Home for Christmas, Cowboy - by Amy Jo Fleming Jolene, a young widow, needs to sell the ranch that she loves. It’s the only home her son Cody has ever known. There’s a catch. Her late husband’s cousin owns half the property. Devon will be home for the holidays and Jolene needs to convince him to sell before Christmas. Will those old feelings that Jolene and Devon once shared ruin her plans? A Rocking Horse Christmas - by Raine Hughes Recovering from a life-changing injury, a bronc buster drives across Canada with his young sons to work as a ranch foreman. Heart-sore owner, Sally, hides a wariness of being touched with a warm, hopeful smile. Will the miracle of Christmas help them find true healing love? Silver Belle’s Christmas Cowboy - by Lawna Mackie Being the caregiver to nine reindeer in Alaska has many challenges, including a promise Silver Belle Delaney intends to fulfill. Granted, there are a few hiccups. Steal her employer’s reindeer…oh, and his truck and trailer, drive through a blizzard, then hope and pray the handsome, wealthy rancher doesn’t throw her in jail on Christmas Eve. My Cowboy, Until Christmas - by Shawna Mumert Desperate to keep her ranch, Caroline Bailey, a young widow, hires Trace Morgan, a drifter, to help her until Christmas Eve, when the final ranch payment is due, but working together changes their dreams and their lives. The Cowboy’s Comeback Christmas - by Jan O’Hara The woman formerly known as Shrinking Violet is back, bearing a new no-nonsense attitude and a deadline for leaving town. Five Christmases ago, Russ broke both their hearts. Can he prove he's a changed man and convince her to stay? Candy Cane Cowboy - by A.M. Westerling Mandy Robinson, a server in a country diner is puzzled when her encounters with the new short order chef, injured bull rider, Chay Burton, seem to mirror events as chronicled over a hundred years ago in her great grandmother’s diary. Romance blossoms as Christmas approaches but should she trust the journal that hints of eventual heartbreak or a cowboy who only has his love to offer? A Heart Creek Christmas – by Joanie Wilde A kind-hearted equine osteopath lands her dream job - and possibly the love of her life in a broken-down cowboy. Can they move past their personal barriers to find love in time for Christmas? This anthology is the work of nine independent-minded women who live in or near cattle country, Alberta.
A cold case investigation of a notorious serial killer who terrorized 1970s Washington D.C. by the New York Times bestselling true crime coauthors. In 1971 and 1972, a deadly predator stalked the streets of the nation’s capital. His targets were young girls whose fates included rape and torture before their brutalized corpses were left in plain view along busy roadways. Seven victims raging from the ages of ten to eighteen died in his hands. On one victim he left a note, taunting police and claiming the media’s name for him: The Freeway Phantom. Then, as abruptly as he started, the Freeway Phantom stopped. Decades later, Washington DC’s oldest unsolved serial killing spree is pried open with the suspects, the liars, and the evidence laid bare. Father-daughter true crime investigators Blaine Pardoe and Victoria Hester shed new light and provide tantalizing new clues as to who the Freeway Phantom may be.
Excellent. . . . The Education of Jane Addams provides a detailed, wonderfully complex analysis of Addams's ideas, life, and work."--Journal of American History
“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.
According to the defined canons of art technique, a portrait should be, above all, a faithful representation of its model. However, this gallery of 1000 portraits illustrates how the genre has been transformed throughout history, and has proven itself to be much more complex than a simple imitation of reality. Beyond exhibiting the skill of the artist, the portrait must surpass the task of imitation, as just and precise as it may be, to translate both the intention of the artist as well as that of its patron, without betraying eitherÊs wishes. Therefore, these silent witnesses, carefully selected in these pages, reveal more than faces of historic figures or anonymous subjects: they reveal a psychology more than an identity, illustrate an allegory, serve as political and religious propaganda, and embody the customs of their epochs. With its impressive number of masterpieces, biographies, and commentaries on works, this book presents and analyses different portraits, consequently exposing to the reader, and to any art lover, a reflection of the evolution of society, and above all the upheavals of a genre that, over 300 centuries of painting, has shaped the history of art.
From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform,and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’ sfirst Tribunal Play – Half the Picture. This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture, Nuremberg, Srebrenica, The Colour of Justice, Justifying War, Guantanamo, Bloody Sunday, Called to Account, Tactical Questioning and The Riots. Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.
The Business of News in England, 1760-1820 explores the commerce of the English press during a critical period of press politicization, as the nation confronted foreign wars and revolutions that disrupted domestic governance.
How can we make sense of the innovative structure of Euripidean drama? And what political role did tragedy play in the democracy of classical Athens? These questions are usually considered to be mutually exclusive, but this book shows that they can only be properly answered together. Providing a new approach to the aesthetics and politics of Greek tragedy, Victoria Wohl argues that the poetic form of Euripides' drama constitutes a mode of political thought. Through readings of select plays, she explores the politics of Euripides' radical aesthetics, showing how formal innovation generates political passions with real-world consequences. Euripides' plays have long perplexed readers. With their disjointed plots, comic touches, and frequent happy endings, they seem to stretch the boundaries of tragedy. But the plays' formal traits—from their exorbitantly beautiful lyrics to their arousal and resolution of suspense—shape the audience's political sensibilities and ideological attachments. Engendering civic passions, the plays enact as well as express political ideas. Wohl draws out the political implications of Euripidean aesthetics by exploring such topics as narrative and ideological desire, the politics of pathos, realism and its utopian possibilities, the logic of political allegory, and tragedy's relation to its historical moment. Breaking through the impasse between formalist and historicist interpretations of Greek tragedy, Euripides and the Politics of Form demonstrates that aesthetic structure and political meaning are mutually implicated—and that to read the plays poetically is necessarily to read them politically.
For fans of Victoria Christopher Murray and ReShonda Tate Billingsley comes an eBook box set. An eBook boxed set by collaborators Victoria Christopher Murray and ReShonda Tate Billingsley. Includes Lady Jasmine, Sins of the Mother, Let the Church Say Amen, and Everybody Say Amen.
’Private Equity’ is an advanced applied corporate finance book with a mixture of chapters devoted to exploring a range of topics from a private equity investor’s perspective. The goal is to understand why and which practices are likely to deliver sustained profitability in the future. The book is a collection of cases based on actual investment decisions at different stages for process tackled by experienced industry professionals. The majority of the chapters deal with growth equity and buyout investments. However, a range of size targets and investments in different geographical markets are covered as well. These markets include several developed economies and emerging markets like China, Russia, Turkey, Egypt and Argentina. This compilation of cases is rich in institutional details, information about different markets, and segments of the industry as well as different players and their investment practices – it is a unique insight into the key alternative asset class.
A biography of the remarkable woman whose bestselling Mythology has introduced millions of readers to the classical world Edith Hamilton (1867–1963) didn’t publish her first book until she was sixty-two. But over the next three decades, this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales and sells tens of thousands of copies a year. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. In American Classicist, Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times. Hamilton studied Latin and Greek from an early age, earned a BA and MA at Bryn Mawr College, and ran a girls’ prep school for twenty-six years. After retiring, she turned to writing and began a relationship with the pianist and stockbroker Doris Fielding Reid. The two women were partners for more than forty years and entertained journalists, diplomats, and politicians in their Washington, D.C., house. Hamilton traveled extensively around the world, formed friendships with Gertrude Stein and Ezra Pound, and was made an honorary citizen of Athens. While Hamilton believed that the ancient Greeks represented the peak of world civilization, Houseman shows that this suffragist, pacifist, and anti-imperialist was far from an apologist for Western triumphalism. An absorbing narrative of an eventful life, American Classicist reveals how Hamilton’s Greek and Roman worlds held up a mirror to midcentury America even as she strived to convey a timeless beauty that continues to enthrall readers.
A girl from a Yorkshire mining town is barely thirteen when her father kills himself – her brother finds him dying. At sixteen she’s spotted by a rock star and becomes an international Vogue model. Seven years later her brother kills himself in her New York apartment and her mother dies too. With no family left, her life is now one of extreme choices. Fifty years later, Victoria confronts her past and takes her readers on an unflinching voyage through her experiences as a model and beyond. Speaking frankly about loss, love, friendship and ambition, Head Shot is a book of inspiration and purpose. Packed with astonishing images by the photographers Victoria worked with, and the defiant fashions she wore throughout her career, it also bears witness to a time of unparalleled cultural energy and invention; it’s a story in which bags and shoes can, and do, sit right next to life and death.
Montigan, the small but beautiful Martian country, now faces an existential threat. With a population devastated by years of war, they face annexation by their political enemies. Granted a one year reprieve by the Supreme Martian Court, Montiganians must prove they can rebuild their population to minimum legal levels, or their charter will be given to the very countries whose greed-driven wars brought them to this point. The first Montigan mission to Earth brought back human blood for DNA splicing into the Martian gene pool. The early trials failed to yield promised results, but their later advanced gene experiments had a surprising outcome: male human babies. Now, grown and trained as Martian agents, four of these humans, Steve Hamlet, Tom Steinway, Andrew Holloway, and David Conway, are Montigan's greatest hope to thwart its enemies. Their mission is to invade the Earth and bring back human female blood, so human babies' creation might continue on Mars. Handpicked for their unwavering allegiance to Montigan and their fluency in Earth languages, their loyalty will be tested as they carry out their own personal mission: Finding Earthmates and locating their bloodline to solve the mystery of their existence.
For every parent/spouse/sibling/loved one of a war fighter, this book will ease your burden. For every soldier/airman/sailor/war fighter, this book is a tribute to you
Meet Bruce Tully, a sixteen-year-old high school jock, and follow him as he feels personally challenged by Soviet Premier Nikita Khrushchev after a visit to the United Nations. Discover how Bruce changes into a Cold War Warrior whose vision is to strengthen America's youth in the competitive fields of science and technology. See how he perseveres and gains the support of industry leaders and government officials including the President of the United States.
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