The Business of News in England, 1760-1820 explores the commerce of the English press during a critical period of press politicization, as the nation confronted foreign wars and revolutions that disrupted domestic governance.
A tale of romance, intrigue, and the true meaning of honor from the author of The Heart of a Duke An American businessman in England, Brett Curtis has little use for the haughty ton beyond seeing his sisters happily entertained in London. But when his cousin mysteriously disappears after inheriting the title of Duke, he sets out to locate him and drag him home. Lady Emily Chandler plunged into deep despair when her fiancé died in India, and now she is determined to prove that he was murdered. The brash American Brett Curtis’s reputation may be less than sterling, but he’s just the man to help Emily on her quest—if she can convince him to accept her dangerous proposition. While their alliance uncovers a web of scandalous secrets, their undeniable attraction threatens to reveal something even more dangerous: true love.
One of the best romantic-suspense novelists."—Associated Press The ship and her captain were supposed to be her salvation, but they both may end up leaving her in deep water Anna Brett fears she's doomed to be a governess to an English family for the rest of her life. But when the dashing captain Redvers Stretton struts back into her life, she is whisked away from the bleak English countryside forever. But is that such a good thing? While the charming blue-eyed captain makes Anna forget her troubled past, he is hiding dark secrets of his own. It's no coincidence that Stretton's ship is named The Secret Woman. During their voyage to the South Seas, with a murder dogging her steps and the mystery of a missing treasure haunting her dreams, Anna is forced to confront the clever captain—a man who may have just as many secrets as she.
Clinical Procedures in Small Animal Veterinary Practice is your straightforward refresher in basic veterinary procedures. If as a veterinary student or graduate have you ever struggled to connect all your learning to concrete clinical practice, or felt an overpowering and urgent need for a quick, clear and reliable reprisal of basic clinical procedures, then this is the book for you. All the clinical procedures fundamental to the success of the student and practitioner are covered in clear, step-by-step format and with a wealth of colour illustrations for maximum clarity and understanding. Dogs, cats, rabbits and avian species are all dealt with. Everything you need to know about basic procedures, but may have been afraid to ask, is presented here in one convenient volume, authored by two noted veterinary educators with years of teaching experience between them. - All the principal basic procedures covered - Step-by-step 'action/rationale' approach - Full colour format illustrated with 250 colour figures - Authors have long experience of teaching and training vets Never struggle to find definitive information on basic procedures again
Consumption is well established as a key theme in the study of the eighteenth century. Spaces of Consumption brings a new dimension to this subject by looking at it spatially. Taking English towns as its scene, this inspiring study focuses on moments of consumption – selecting and purchasing goods, attending plays, promenading – and explores the ways in which these were related together through the spaces of the town: the shop, the theatre and the street. Using this fresh form of analysis, it has much to say about sociability, politeness and respectability in the eighteenth century.
This book examines the history of empire and its influence on capitalism. Taking inspiration from Vladimir Lenin’s essay Imperialism, the Highest Stage of Capitalism, the thoughtful chapters explore how workers and resources in Africa, Latin America, and Asia were exploited by capitalist colonizers. Particular attention is given to the empires of Great Britain, Russia, Japan, the Netherlands, and the United States. This book aims to trace the historical development of capitalism and its reliance of colonialism, and is relevant to those interested in economics, development studies, international relations, and global politics.
A Lady and the Cowboy Romance (#2) What starts as a marriage in name only is just one hot, sweet kiss away from Paradise.... Nothing is more important to Miss Rachel McKinsey than the Circle M—even if it means taking a near-stranger as husband to scare off rustlers. Still, marrying the towering, rugged, Cole Elliott may be every bit as dangerous—especially if she can’t control her own wayward urges. Ranch foreman Cole Elliott just can't say no to his enticing boss Rachel McKinsey: he’s had his eye on her since he first hired on! And though he's promised to protect her property and not lay a finger on her...this promise is going to be near impossible to keep.
Typography is no longer the specialist domain of the typesetter: these days anyone who uses a computer has access to a wide range of typefaces and effects. This book offers an introduction to the basics of typography, including choosing which typeface to use; adjusting letter-, line-, and word-spacing for improved legibility; understanding kerning and leading; and mastering typographic details, such as italics, punctuation, and line endings. The book is illustrated throughout with practical examples demonstrating good and bad solutions. There are tips for specific design tasks, such as letters, charts, tables, and design for the screen, and a glossary explaining typographic terms.
In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.
Martha Graham's Cold War frames the story of Martha Graham and her particular brand of dance modernism as pro-Western Cold War propaganda used by the United States government to promote American democracy. Representing every seated president from Dwight D. Eisenhower through Ronald Reagan, Graham performed politics in the global field for over thirty years. Why did the State Department consistently choose Martha Graham? As with other art forms such as jazz or avant-garde paintings, modern dance was seen to demonstrate American values of individualism and freedom; the choreographer used the freed body to make a new dance technique that could find the essence of human narratives. Graham targeted elites and its youth with modern dance to propound the 'universalism' of human rights under the banner of American democracy. In her choreography, argues author Victoria Phillips, Graham recast the stories of the Western canon through female protagonists whom she captured as timeless, seemingly beyond current politics, and in so doing implied superior political and cultural values of the Free World. Centering on powerful yet not demonstrably American female characters, the stories Graham danced seduced and captured the imaginations of elite audiences without seeming to force a determinedly American agenda. When her characters grew mythic on stage, they became the stories of all mankind, as Graham termed it. "My dances are ages old in meaning," she declared. But Graham took the pro-American argument one step further than her artistic compatriots. She added the trope of the frontier to her repertory. In the Cold War, Graham's particular modernism and the woman herself ossified, as did political aims of a cultural diplomacy based on an appeal to foreign elites. Phillips lays bare the side-by-side trajectories between the aging of Graham's choreography, her work as an ambassador, and the political dominance of the United States as a global power. With her tours and Cold War modernism, she demonstrated the power of the individual, immigrants, republicanism, and freedom from walls and metaphorical fences through cultural diplomacy with the unfettered language of movement and dance.
Three touching tales of love, family and faith In a Mother’s Arms by Jillian Hart and Victoria Bylin In “Finally a Family” by Jillian Hart, widow Molly McKaslin won’t marry for less than true love. But does handsome town doctor Sam Frost want a wife or a housekeeper for his daughters? With the help of two little matchmakers, Molly might end up with the family of her dreams. In “Home Again” by Victoria Bylin, Cassie O’Rourke comes face-to-face with town sheriff—and her former love—Gabe Wyatt when her troublemaking son vandalizes the local church. The honorable lawman offers to help tame her wild child, if he can come courting. For the love of her son, dare she entrust her heart to this man once The Widow’s Secret by Sara Mitchell Secret Service agent Micah MacKenzie needs Jocelyn Tremayne’s help to uncover a conspiracy in New York City’s privileged circles. But the more she risks to help him, the more he sees the wrongly judged woman she truly is. Now he’s determined to win her trust, rekindle her belief—and prove his love.
This study examines the role of southern Italian women who remained behind when their husbands emigrated in the late nineteenth and early twentieth centuries. By piecing together limited archival source material, the author argues that married women were not voiceless or powerless when their husbands were abroad, but they took on roles beyond their limited legal position. They petitioned local officials, requested passports, received remittances, and handled the family finances, all in the absence of their husbands, the legal head of the family. The study also emphasizes the connection forged between women and the new Italian state at a time when women did not have political rights. Centering on Basilicata—a “forgotten” region of the Italian south and one that has not been a major focus of scholarly investigation—this study challenges stereotypes that the Italian south was backwards, uncivilized, and lagging behind northern Italy. The author argues that large scale emigration greatly impacted the married women left behind in the villages of Basilicata, changing their social, political, and economic role.
These 88 puzzles and their solutions offer an entertaining approach to the life and times of Presidents and First Ladies, from the Washingtons to the Trumps and everyone in between.
Differences in performance between students of poverty and more advantaged students are reflective of an opportunity gap, as opposed to a gap in student ability. This book argues that significant attention must be given to eliminating the barriers that produce educational inequities in student achievement. Walker-Dalhouse and Risko focus on disparities in literacy achievement that might be attributed to color-blind practices, deficit mindsets, low expectations, or context-neutral practices. Situating literacy learning within a comprehensive view of literacy development, they provide a set of instructional practices that will best support students living in poverty. Specifically, vignettes from kindergarten through middle school classrooms are used to demonstrate practices that address critical areas of the reading process; are responsive to students’ racial, ethnic, cultural, gender, and linguistic histories and assets; attend to students’ strengths and needs; and go beyond the impact of short-term testing to support optimal and sustainable learning. Educators and school leaders can use this resource to transform schools into nurturing and vibrant communities that are committed to change, equity, and diversity. Book Features: Provides recommendations and detailed guidance for enacting literacy instruction that will close opportunity gaps for students living in poverty.Includes vignettes from leading literacy educators and researchers that demonstrate high-quality literacy instruction implemented in K–8 classrooms.Presents instruction that is responsive to differences and honors the languages, literacies, and cultural resources that students bring to their learning.Offers specific recommendations and practices that can guide advocacy for change. “The authors correct the deficit misperceptions by showing how students experiencing poverty are the targets, not the causes, of educational disparities. . . . What a different world schools would be if we each embraced these lessons.” —From the Afterword by Paul C. Gorski, founder, Equity Literacy Institute
Bringing to bear the hymnody of Dickinson's female forbears and contemporaries and the Dissenting ideology found in Isaac Watts's hymns, this study offers a critical intervention in Dickinson's use of the hymn form. Dickinson's use of bee imagery and the re-visioned notions of religious design in her 'alternative hymns' show her engaging with a community of hymn writers in ways that anticipate the ideas of feminist theologians.
Drawing on ethnography of Aboriginal and Torres Strait Islander communities across Australia, Mortality, Mourning and Mortuary Practices in Indigenous Australia focuses on the current ways in which indigenous people confront and manage various aspects of death. The contributors employ their contemporary and long-term anthropological fieldwork with indigenous Australians to construct rich accounts of indigenous practices and beliefs and to engage with questions relating to the frequent experience of death within the context of unprecedented change and premature mortality. The volume makes use of extensive empirical material to address questions of inequality with specific reference to mortality, thus contributing to the anthropology of indigenous Australia whilst attending to its theoretical, methodological and political concerns. As such, it will appeal not only to anthropologists but also to those interested in social inequality, the social and psychosocial consequences of death, and the conceptualization and manipulation of the relationships between the living and the dead.
Concealing their passions and innermost thoughts even from those they love most dearly, the Warshinskys and Gateses love, lust, seize power, do battle, and strive to rule themselves and their city during a decade of turmoil at home and abroad in the 1920s.
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