A New York Review Books Original Victor Serge is one of the great men of the 20th century —and one of its great writers too. He was an anarchist, an agitator, a revolutionary, an exile, a historian of his times, as well as a brilliant novelist, and in Memoirs of a Revolutionary he devotes all his passion and genius to describing this extraordinary—and exemplary—career. Serge tells of his upbringing among exiles and conspirators, of his involvement with the notorious Bonnot Gang and his years in prison, of his role in the Russian Revolution, and of the Revolution’s collapse into despotism and terror. Expelled from the Soviet Union, Serge went to Paris, where he evaded the KGB and the Nazis before fleeing to Mexico. Memoirs of a Revolutionary recounts a thrilling life on the front lines of history and includes vivid portraits not only of Trotsky, Lenin, and Stalin but of countless other figures who struggled to remake the world. Peter Sedgwick’s fine translation of Memoirs of a Revolutionary was abridged when first published in 1963. This is the first edition in English to present the entirety of Serge’s book.
Birth of Our Power is an epic novel set in Spain, France, and Russia during the heady revolutionary years 1917–1919. Serge’s tale begins in the spring of 1917, the third year of mass slaughter in the blood-and-rain-soaked trenches of World War I. When the flames of revolution suddenly erupt in Russia and Spain, Europe is “burning at both ends.” Although the Spanish uprising eventually fizzles, in Russia the workers, peasants, and common soldiers are able to take power and hold it. Serge’s “tale of two cities” is constructed from the opposition between Barcelona, the city “we” could not take, and Petrograd, the starving, beleaguered capital of the Russian Revolution besieged by counter-revolutionary Whites. Between the romanticism of radicalized workers awakening to their own power in a sun-drenched Spanish metropolis to the grim reality of workers clinging to power in Russia’s dark, frozen revolutionary outpost. From “victory in defeat” to “defeat in victory.” The novel was composed a decade after the revolution in Leningrad, where Serge was living in semicaptivity because of his declared opposition to Stalin’s dictatorship over the revolution.
Available for the first time, Victor Serge's intimate account of the last decade of his life gives a vivid look into the Franco-Russian revolutionary's life, from his liberation from Stalin's Russia to his "Mexico Years," when he wrote his greatest works. In 1936, Victor Serge—poet, novelist, and revolutionary—left the Soviet Union for Paris, the rare opponent of Stalin to escape the Terror. In 1940, after the Nazis marched into Paris, Serge fled France for Mexico, where he would spend the rest of his life. His years in Mexico were marked by isolation, poverty, peril, and grief; his Notebooks, however, brim with resilience, curiosity, outrage, a passionate love of life, and superb writing. Serge paints haunting portraits of Osip Mandelstam, Stefan Zweig, and “the Old Man” Trotsky; argues with André Breton; and, awaiting his wife’s delayed arrival from Europe, writes her passionate love letters. He describes the sweep of the Mexican landscape, visits an erupting volcano, and immerses himself in the country’s history and culture. He looks back on his life and the fate of the Revolution. He broods on the course of the war and the world to come after. In the darkest of circumstances, he responds imaginatively, thinks critically, feels deeply, and finds reason to hope. Serge’s Notebooks were discovered in 2010 and appear here for the first time in their entirety in English. They are a a message in a bottle from one of the great spirits, and great writers, of our shipwrecked time.
1919–1920: St. Petersburg, city of the czars, has fallen to the Revolution. Camped out in the splendid palaces of the former regime, the city’s new masters seek to cement their control, even as the counterrevolutionary White Army regroups. Conquered City, Victor Serge’s most unrelenting narrative, is structured like a detective story, one in which the new political regime tracks down and eliminates its enemies—the spies, speculators, and traitors hidden among the mass of common people. Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red, the Communists who have dared to pick up the weapons of power—police, guns, jails, spies, treachery—in the doomed gamble that by wielding them righteously, they can put an end to the need for terror, perhaps forever. Conquered City is their tragedy and testament.
In 1933, Victor Serge was arrested by Stalin’s police, interrogated, and held in solitary confinement for more than eighty days. Released, he spent two years in exile in remote Orenburg. These experiences were the inspiration for Midnight in the Century, Serge’s searching novel about revolutionaries living in the shadow of Stalin’s betrayal of the revolution. Among the exiles gathered in the town of Chenor, or Black-Waters, are the granite-faced Old Bolshevik Ryzhik, stoic yet gentle Varvara, and Rodion, a young, self-educated worker who is trying to make sense of the world and history. They struggle in the unlikely company of Russian Orthodox Old Believers who are also suffering for their faith. Against unbelievable odds, the young Rodion will escape captivity and find a new life in the wild. Surviving the dark winter night of the soul, he rediscovers the only real, and most radical, form of resistance: hope.
An eyewitness account of the world-changing uprising—from the author of Memoirs of a Revolutionary. “A truly remarkable individual . . . an heroic work” (Richard Allday of Counterfire). Brimming with the honesty and passionate conviction for which he has become famous, Victor Serge’s account of the first year of the Russian Revolution—through all of its achievements and challenges—captures both the heroism of the mass upsurge that gave birth to Soviet democracy and the crippling circumstances that began to chip away at its historic gains. Year One of the Russian Revolution is Serge’s attempt to defend the early days of the revolution against those, like Stalin, who would claim its legacy as justification for the repression of dissent within Russia. Praise for Victor Serge “Serge is one of the most compelling of twentieth-century ethical and literary heroes.” —Susan Sontag, MacArthur Fellow and winner of the National Book Award “His political recollections are very important, because they reflect so well the mood of this lost generation . . . His articles and books speak for themselves, and we would be poorer without them.” —Partisan Review “I know of no other writer with whom Serge can be very usefully compared. The essence of the man and his books is to be found in his attitude to the truth.” —John Berger, Booker Prize–winning author “The novels, poems, memoirs and other writings of Victor Serge are among the finest works of literature inspired by the October Revolution that brought the working class to power in Russia in 1917.” —Scott McLemee, writer of the weekly “Intellectual Affairs” column for Inside Higher Ed
Unforgiving Years is a thrilling and terrifying journey into the disastrous, blazing core of the twentieth century. Victor Serge’s final novel, here translated into English for the first time, is at once the most ambitious, bleakest, and most lyrical of this neglected major writer’s works. The book is arranged into four sections, like the panels of an immense mural or the movements of a symphony. In the first, D, a lifelong revolutionary who has broken with the Communist Party and expects retribution at any moment, flees through the streets of prewar Paris, haunted by the ghosts of his past and his fears for the future. Part two finds D’s friend and fellow revolutionary Daria caught up in the defense of a besieged Leningrad, the horrors and heroism of which Serge brings to terrifying life. The third part is set in Germany. On a dangerous assignment behind the lines, Daria finds herself in a city destroyed by both Allied bombing and Nazism, where the populace now confronts the prospect of total defeat. The novel closes in Mexico, in a remote and prodigiously beautiful part of the New World where D and Daria are reunited, hoping that they may at last have escaped the grim reckonings of their modern era. A visionary novel, a political novel, a novel of adventure, passion, and ideas, of despair and, against all odds, of hope, Unforgiving Years is a rediscovered masterpiece by the author of The Case of Comrade Tulayev.
The author of Memoirs of a Revolutionary brings to life the unwavering commitment of red Petrograd during some of the Russian Revolution’s darkest hours. Upon arrival in Petrograd in 1919, Victor Serge—the great chronicler of the Russian Revolution—found a society nearly shredded to ribbons by civil war. Threatened on all sides by invading armies from fourteen countries, and attacked from within by counterrevolutionary forces seeking to restore the Tsar, the fledging revolution was facing its darkest hours. In these essays Serge paints a bleak picture of the desperate conditions faced by Petrograd’s working class, capturing the revolutionary enthusiasm that stood as the last defense of their besieged city. Challenging the revolution’s critics, Serge defends the measures the revolutionary government was forced to take to defend the gains workers and peasants had made in overthrowing Tsarist tyranny and pulling Russia out of World War I. This is an inspiring account of the struggle to defend workers’ power and Serge’s enthusiasm for the revolution—and the prospect of a better future it represented. Praise for Victor Serge “He was an eyewitness of events of world historical importance, of great hope and even greater tragedy. His political recollections are very important, because they reflect so well the mood of this lost generation . . . His articles and books speak for themselves, and we would be poorer without them.” —Partisan Review
“Everything in this book is fictional and everything is true,” wrote Victor Serge in the epigraph to Men in Prison. “I have attempted, through literary creation, to bring out the general meaning and human content of a personal experience.” The author of Men in Prison served five years in French penitentiaries (1912–1917) for the crime of “criminal association”—in fact for his courageous refusal to testify against his old comrades, the infamous “Tragic Bandits” of French anarchism. “While I was still in prison,” Serge later recalled, “fighting off tuberculosis, insanity, depression, the spiritual poverty of the men, the brutality of the regulations, I already saw one kind of justification of that infernal voyage in the possibility of describing it. Among the thousands who suffer and are crushed in prison—and how few men really know that prison!—I was perhaps the only one who could try one day to tell all… There is no novelist’s hero in this novel, unless that terrible machine, prison, is its real hero. It is not about ‘me,’ about a few men, but about men, all men crushed in that dark corner of society.” Ironically, Serge returned to writing upon his release from a GPU prison in Soviet Russia, where he was arrested as an anti-Stalinist subversive in 1928. He completed Men in Prison (and two other novels) in “semi-captivity” before he was rearrested and deported to the Gulag in 1933. Serge’s classic prison novel has been compared to Dostoyevsky’s House of the Dead, Koestler’s Spanish Testament, Genet’s Miracle of the Rose, and Solzhenitsyn’s One Day in the Life of Ivan Denisovitch both for its authenticity and its artistic achievement. This edition features a substantial new introduction by translator Richard Greeman, situating the work in Serge’s life and times.
One cold Moscow night, Comrade Tulayev, a high government official, is shot dead on the street, and the search for the killer begins. In this panoramic vision of the Soviet Great Terror, the investigation leads all over the world, netting a whole series of suspects whose only connection is their innocence—at least of the crime of which they stand accused. But The Case of Comrade Tulayev, unquestionably the finest work of fiction ever written about the Stalinist purges, is not just a story of a totalitarian state. Marked by the deep humanity and generous spirit of its author, the legendary anarchist and exile Victor Serge, it is also a classic twentieth-century tale of risk, adventure, and unexpected nobility to set beside Ernest Hemingway's For Whom the Bell Tolls and André Malraux's Man's Fate.
Dispatches from a workers’ revolt by the Memoirs of a Revolutionary author, “one of the most compelling of twentieth-century ethical and literary heroes” (Susan Sontag, winner of the National Book Award). Following in the wake of the carnage reaped across Europe by World War I, German workers undertook a struggle that would prove decisive in determining the course of the entire twentieth century. In 1923, the fledgling Comintern (The Communist International) dispatched Victor Serge, with his peerless journalistic skills, to Berlin to expedite the German Revolution and write these moving reports from the battlefront. Praise for Victor Serge “He was an eyewitness of events of world historical importance, of great hope and even greater tragedy. His political recollections are very important, because they reflect so well the mood of this lost generation . . . His articles and books speak for themselves, and we would be poorer without them.” —Partisan Review “I know of no other writer with whom Serge can be very usefully compared. The essence of the man and his books is to be found in his attitude to the truth.” —John Berger, Booker Prize–winning author “The novels, poems, memoirs and other writings of Victor Serge are among the finest works of literature inspired by the October Revolution that brought the working class to power in Russia in 1917 . . . His articles—like the work of John Reed, his American friend—let us follow revolutionary events as they unfold, as seen through the eyes of an exceptionally alert journalist.” —Scott McLemee, writer of the weekly “Intellectual Affairs” column for Inside Higher Ed
Victor Serge, an authentic witness of the political and cultural struggles of this century, wrote these poems of Resistancein Orenburg in Central Asia, where he was sent into exile by Stalin in 1933. He eulogizes close friends and comrades and movingly records and shares the lives of the people he lived among on the steppe, far from the centers of power, intrigue, and history. Richard Greeman writes in his introduction that Serge "spoke the truth aloud and perpetuated the spiritual tradition of the Russian revolutionary intelligentsia at the very moment when the voices of his colleagues were forced into silence (so that) this collection of poems, written in deportation on the Ural, represents a unique strand of continuity between a lost generation and what one hopes will be a new beginning, 'with no blank pages,' in Soviet literature.
This classic manual on repression by revolutionary activist Victor Serge offers fascinating anecdotes about the tactics of police provocateurs and an analysis of the documents of the Tsarist secret police in the aftermath of the Russian revolution. With a new introduction by Howard Zinn collaborator, Anthony Arnove. “Victor Serge is one of the unsung heroes of a corrupt century.” —Adam Hochschild, author of King Leopold’s Ghost As we approach the 100th anniversary of Victor Serge’s (1926) classic exposé of political repression, the specter of fear as a tool of political repression is chillingly familiar to us in world increasingly threatened by totalitarianism. Serge’s exposé of the surveillance methods used by the Czarist police reads like a spy thriller. An irrepressible rebel, Serge wrote this manual for political activists, describing the structures of state repression and how to dodge them—including how to avoid being followed, what to do if arrested, and tips on securing correspondence. He also explains how such repression is ultimately ineffective. “Repression can really only live off fear. But is fear enough to remove need, thirst for justice, intelligence, reason, idealism…? Relying on intimidation, the reactionaries forget that they will cause more indignation, more hatred, more thirst for martyrdom, than real fear. They only intimidate the weak; they exasperate the best forces and temper the resolution of the strongest.” —Victor Serge
Anarchists Never Surrender provides a complete picture of Victor Serge’s relationship to anarchism. The volume contains writings going back to his teenage years in Brussels, where he became influenced by the doctrine of individualist anarchism. At the heart of the anthology are key articles written soon after his arrival in Paris in 1909, when he became editor of the newspaper l’anarchie. In these articles Serge develops and debates his own radical thoughts, arguing the futility of mass action and embracing “illegalism.” Serge's involvement with the notorious French group of anarchist armed robbers, the Bonnot Gang, landed him in prison for the first time in 1912. Anarchists Never Surrender includes both his prison correspondence with his anarchist comrade Émile Armand and articles written immediately after his release. The book also includes several articles and letters written by Serge after he had left anarchism behind and joined the Russian Bolsheviks in 1919. Here Serge analyzed anarchism and the ways in which he hoped anarchism would leaven the harshness and dictatorial tendencies of Bolshevism. Included here are writings on anarchist theory and history, Bakunin, the Spanish revolution, and the Kronstadt uprising. Anarchists Never Surrender anthologizes Victor Serge’s previously unavailable texts on anarchism and fleshes out the portrait of this brilliant writer and thinker, a man I.F. Stone called one of the “moral figures of our time.”
Victor Serge (1890–1947) played many parts, as he recounted in his indelible Memoirs of a Revolutionary. The son of anti-czarist exiles in Brussels, Serge was a young anarchist in Paris; a syndicalist rebel in Barcelona; a Bolshevik in Petrograd; a Comintern agent in Central Europe; a comrade of Trotsky’s; a friend of writers like Andrei Bely, Boris Pilnyak, and André Breton; a prisoner of Stalin; a dissident Marxist in exile in Mexico... Like Serge’s extraordinary novels, A Blaze in a Desert: Selected Poems bears witness to decades of revolutionary upheavals in Europe and the advent of totalitarian rule; many of the poems were written during the “immense shipwreck” of Stalin’s ascendancy. In poems datelined Petrograd, Orenburg, Paris, Marseille, the Caribbean, and Mexico, Serge composed elegies for the fallen—as well as prospective elegies for the living who, like him, endured prison, exile, and bitter disappointment in the revolutions of the first half of the twentieth century: Night falls, the boat pulls in, stop singing. Exile relights its captive lamps on the shore of time. Throughout A Blaze in a Desert, Serge draws on the heritage of late- and post-Symbolist writers like Verhaeren, Rictus, Apollinaire, Blok, and Bely—themselves authors of messages of a more general resistance by the human spirit—to express the anguish of the failure of the Russian Revolution and to search out glimmers of hope in the ruins of the Second World War. A Blaze in a Desert comprises Victor Serge’s sole published book of poetry, Resistance (1938), his unpublished manuscript Messages (1946), and his last poem, “Hands” (1947).
Anarchists Never Surrender anthologises Victor Serge's previously unavailable texts on anarchism and fleshes out the portrait of this brilliant writer and thinker, a man who legendary American journalist I.F. Stone called one of the moral figures of our time.' It provides a complete picture of Victor Serge's relationship to anarchism. The volume contains writings going back to his teenage years in Brussels, where he became influenced by the doctrine of individualist anarchism.
A story of displacement and resistance during the early days of the Nazi occupation of France. Last Times, Victor Serge’s epic novel of the fall of France, is based—like much of his fiction—on firsthand experience. The author was an eyewitness to the last days of Paris in June 1940 and joined the chaotic mass exodus south to the unoccupied zone on foot with nothing but his manuscripts. He found himself trapped in Marseille under the Vichy government, a persecuted, stateless Russian, and participated in the early French Resistance before escaping on the last ship to the Americas in 1941. Exiled in Mexico City, Serge poured his recent experience into a fast-moving, gripping novel aimed at an American audience. The book begins in a near-deserted Paris abandoned by the government, the suburbs already noisy with gunfire. Serge’s anti-fascist protagonists join the flood of refugees fleeing south on foot, in cars loaded with household goods, on bikes, pushing carts and prams under the strafing Stukas, and finally make their way to wartime Marseille. Last Times offers a vivid eyewitness account of the city’s criminal underground and no less criminal Vichy authorities, of collaborators and of the growing resistance, of crowds of desperate refugees competing for the last visa and the last berth on the last—hoped-for—ship to the New World.
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