Victor Hugo is often regarded as one of the greatest French writers of all time. Best known today, for his classic novels "The Hunchback of Notre-Dame" and "Les Misérables," Hugo had several novels and stories regarded equally high, and they are collected here (along with all of his other classics). This collection includes: The History of a Crime The Hunchback of Notre Dame Les Miserables The Man Who Laughs The Memoirs of Victor Hugo Napoleon the Little
To the English, I am "shocking"...What's more, French, which is disgusting; republican, which is abominable; exiled, which is repulsive; defeated, which is infamous. To top it all off, a poet...' Victor Hugo dominated literary life in France for over half a century, pouring forth novels, poems, plays, and other writings with unflagging zest and vitality. Here, for the first time in English, all aspects of his work are represented within a single volume. Famous scenes from the novels Notre-Dame, Les Misérables, and The Toilers of the Sea are included, as well as excerpts from his intimate diaries, poems of love and loss, and scathing denunciations of the political establishment. All the chosen passages are self-contained and can be enjoyed without any previous knowledge of Hugo's work. Much of the material is appearing in English for the first time, and most of it has never before been annotated thoroughly in any language.
Four previously untranslated plays for the World Classics series. Here are four characteristic and hugely important dramas by one of the most famous and influential European writers of the last two hundred years, translated into English for the first time, and in highly playable versions. An essential collection for students of both French and Drama
Although best known as the author of Notre Dame de Paris and Les Misérables, Victor Hugo was primarily a poet—one of the most important and prolific in French history. Despite his renown, however, there are few comprehensive collections of his verse available and even fewer translated editions. Translators E. H. and A. M. Blackmore have collected Victor Hugo's essential verse into a single, bilingual volume that showcases all the facets of Hugo's oeuvre, including intimate love poems, satires against the political establishment, serene meditations, religious verse, and narrative poems illustrating his mastery of the art of storytelling and his abiding concern for the social issues of his time. More than half of this volume's eight thousand lines of verse appear here for the first time in English, providing readers with a new perspective on each of the fascinating periods of Hugo's career and aspects of his style. Introductions to each section guide the reader through the stages of Hugo's writing, while notes on individual poems provide information not found in even the most detailed French-language editions. Illustrated with Hugo's own paintings and drawings, this lucid translation—available on the eve of Hugo's bicentenary—pays homage to this towering figure of nineteenth-century literature by capturing the energy of his poetry, the drama and satirical force of his language, and the visionary beauty of his writing as a whole.
Victor Hugo is best known most for his epic novels Les Miserables and The Hunchback Of Notre Dame. However in his day he was equally famed for his Poetry of which he wrote many volumes. The masterful Hugo loses none of his insightful scope writing on a smaller scale. Indeed, the disciplines and structures of his craft are heightened and the works represent a bold triumph. Readers will be instantly captivated by his words and themes. Portable Poetry is an imprint of Deadtree Publishing bringing the quality selections of poetry from the worlds most accomplished writers to audiobooks and e-book.
Victor Brombert reassesses in a modern perspective the power and originality of Hugo's work, and provides a new interpretation of Hugo's narrative art as well as a synthesis of his poetic and moral vision. The twenty-eight drawings by Hugo reproduced in this book are further testimony to the visionary nature of Hugo's imagination.
Hidden deep within the confines of Notre Dame, Quasimodo lives in solitude, shunned by the outside world because of his hideous appearance. His only joy is the appearance of a woman by the name of Esmerelda who takes pity on him because of his circumstances. Esmerelda, after attracting unwanted attention from members of the Church finds herself in a battle for her life, and seemingly only Quasimodo, the man she has taken pity on can save her.A mad priest, a vagabond playwright, a social-climbing soldier, and a deformed bell-ringer all are captivated by a gypsy girl's beauty and charm. Two of them will betray her, but the others will remain loyal, even in the shadow of the gallows. These outlaws find sanctuary within the walls of medieval Paris' greatest monument, the grand Cathedral of Notre Dame."What a beautiful thing Notre-Dame is!" declared Gustave Flaubert of Victor Hugo's 1837 novel. Originally published as Notre-Dame de Paris (Our Lady of Paris), it was conceived as a story of the cathedral itself, which functioned as the passionate heart of fifteenth-century city life. But Hugo's human drama rivals the Gothic masterpiece for dominance. Drawn with humor and compassion, his characters endure, both in literary history and in readers' imaginations: Frollo, the sinister archdeacon; Quasimodo, the hideous hunchback; and the enchanting outcast, Esmeralda.
Victor Hugo is best known most for his epic novels Les Miserables and The Hunchback Of Notre Dame. However in his day he was equally famed for his Poetry of which he wrote many volumes. The masterful Hugo loses none of his insightful scope writing on a smaller scale. Indeed, the disciplines and structures of his craft are heightened and the works represent a bold triumph. Readers will be instantly captivated by his words and themes. Portable Poetry is an imprint of Deadtree Publishing bringing the quality selections of poetry from the worlds most accomplished writers to audiobooks and e-book.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Victor Hugo was a poet, novelist, and dramatist of the Romantic Movement. And he is also considered to be one of the greatest and best-known French writers. This meticulously edited collection will bring you closer to his true persona. You will find out the amazing circumstances and true events in his incredible life full of turmoil, great success as well as great defeats. Contents: Biography Victor Hugo: His Life and Work Autobiography The Memoirs of Victor Hugo Essays Medley of Philosophy and Literature Napoleon the Little William Shakespeare The History of a Crime Speeches: "In Defense of His Son" Address to the Workman's Congress at Marseille Oration on Voltaire Letters: Juliette Drouet's Love-Letters to Victor Hugo Letter to the London News Regarding John Brown Letter to Mrs. Maria Weston Chapman on American Slavery
The Memoirs of Victor Hugo by Victor Hugo. This volume of memoirs has a double character—historical and intimate. The life of a period, the XIX Century, is bound up in the life of a man, VICTOR HUGO. As we follow the events set forth we get the impression they made upon the mind of the extraordinary man who recounts them; and of all the personages he brings before us he himself is assuredly not the least interesting. In portraits from the brushes of Rembrandts there are always two portraits, that of the model and that of the painter. This is not a diary of events arranged in chronological order, nor is it a continuous autobiography. It is less and it is more, or rather, it is better than these. It is a sort of haphazard chronique in which only striking incidents and occurrences are brought out, and lengthy and wearisome details are avoided. VICTOR HUGO'S long and chequered life was filled with experiences of the most diverse character—literature and politics, the court and the street, parliament and the theatre, labour, struggles, disappointments, exile and triumphs. Hence we get a series of pictures of infinite variety.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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