Son of the famous American journalist Louis Fischer, who corresponded from Germany and then Moscow, and the Russian writer Markoosha Fischer, Victor Fischer grew up in the shadow of Hitler and Stalin, watching his friends’ parents disappear after political arrests. Eleanor Roosevelt personally engineered the Fischer family’s escape from Russia, and soon after Victor was serving in the United States Army in World War II and fighting opposite his childhood friends in the Russian and German armies. As a young adult, he went on to help shape Alaska’s map by planning towns throughout the state. This unique autobiography recounts Fischer’s earliest days in Germany, Russia, and Alaska, where he soon entered civic affairs and was elected as a delegate to the Alaska Constitutional Convention—the body responsible for establishing statehood in the territory. A move to Washington, DC, and further government appointments allowed him to witness key historic events of his era, which he also recounts here. Finally, Fischer brings his memoir up to the present, describing how he has returned to Russia many times to bring the lessons of Alaska freedom and prosperity to the newly democratic states.
The text of this new scholarly edition of Adventures of Huckleberry Finn is the first ever to be based on Mark Twain's complete, original manuscript—including its first 665 pages, which had been lost for over a hundred years when they turned up in 1990 in a Los Angeles attic. The text has been thoroughly re-edited using this manuscript, restoring thousands of details of wording, spelling, and punctuation which had been corrupted by Mark Twain's typist, typesetters, and proofreaders. It includes all of the 174 first edition illustrations by Edward Windsor Kemble, which the author called "most rattling good." The editorial matter is extraordinarily rich. A new introduction tells the story of how Mark Twain's book was written, edited, published, and received, and spells out in detail the effect of the newly discovered manuscript on the text. Included are revised and updated maps of the Mississippi River valley, explanatory notes, glossary, and several documentary appendixes such as Twain's literary working notes, facsimile manuscript pages, facsimile reproductions of the author's revisions for his public reading tours, and contemporary advertisements and announcements. Also included are a description of the manuscript and all texts used in preparing this edition and complete lists of the author's revisions. The acclaimed 2001 Mark Twain Library edition (Library edition books are intended for general readers) was drawn from this comprehensive new scholarly edition in the Works of Mark Twain series.
This note is a reference guide to the econometric work on fiscal multipliers for MENAP countries. Spending and tax multipliers are estimated from conventional VAR models and identified using a sign-restrictions approach. Estimates show that fiscal multipliers tend to be small, except for those associated with government investment spending, which generally exceed unity. For the average MENAP country, fiscal multipliers for current spending, government consumption and government investment spending are 0.5, 0.8, and 1.1,respectively, while the tax revenues multiplier is estimated at around –0.4. There is also significant variation in the size of these multipliers across countries, consistent with differences in economic fundamentals, such as openness to trade and the flexibility of the exchange rate. The estimated multipliers are generally consistent with theoretical priors, and are in line with the evidence from the literature for other economies and categories of spending and taxes.
What am I writing? A historical tale of 300 years ago, simply for the love of it." Mark Twain's "tale" became his first historical novel, The Prince and the Pauper, published in 1881. Intricately plotted, it was intended to have the feel of history even though it was only the stuff of legend. In sixteenth-century England, young Prince Edward (son of Henry VIII) and Tom Canty, a pauper boy who looks exactly like him, are suddenly forced to change places. The prince endures "rags & hardships" while the pauper suffers the "horrible miseries of princedom." Mark Twain called his book a "tale for young people of all ages," and it has become a classic of American literature. The first edition in 1881 was fully illustrated by Frank Merrill, John Harley, and L. S. Ipsen. The boys in these illustrations, Mark Twain said, "look and dress exactly as I used to see them cast in my mind. . . . It is a vast pleasure to see them cast in the flesh, so to speak." This Mark Twain Library edition exactly reproduces the text of the California scholarly edition, including all of the 192 illustrations that so pleased the author.
The Revealing (in Greek, the Apocalypse) is the telling of the history of the age of the Gentiles before it happens. The age of the Gentiles, sometimes called the time of the Gentiles or the church age, began with the final act of the Jewish age, the destruction of Herod’s temple in AD 70. This is the third of the three and a half ages (or times) of man—a time, times, and half a time. Enoch was the prophet of the first age (the age of the patriarchs), Daniel of the second (the age of the Jews), and John of the third (the age of the Gentiles). We live near the end of the third age, with the half age yet to come—the age of the dead. How do we read Bible prophecy? What is symbology, and how can ancient prophecies show us how to read prophecy yet unfulfilled? Is there a prophecy language used consistently throughout scripture? Can the Bible really interpret itself? What is the purpose of prophecy? We will explore all these questions. The most significant problem facing Bible researchers is identifying those prophecies already fulfilled versus the prophecies yet to be realized. Any scripture researcher must also be fluent in the history of the age. Some who look for fulfillment in the future simply don’t see the foretold completion in the past. Ignorance of history causes misunderstandings of what is to come. Storytelling is the art of conveying to the reader events along a timeline. How does the timeline progress? Does the reader understand that multiple timelines occur simultaneously while the narrator jumps between small pieces of parallel accounts, or does the narrative stay with one timeline to its conclusion before regressing to the beginning of the next narrative? With a culture of Hollywood indoctrinated moviegoers, storytelling of past times may be unfamiliar and confusing. There are a few simple key principles needed to unlock Bible prophecy for anyone. The symbolic language opens prophecy, parables, and Bible pictures for anyone with the desire to read and study God’s Word. The lives of the patriarchs are the patterns of our lives today. God is the ultimate planner and mathematician. When will the time be fulfilled?
This collection brings together for the first time more than 360 of Mark Twain's short works written between 1851, the year of his first extant sketch, and 1871, when he renounced his ties with the Buffalo Express and the Galaxy, resolving to "write but little for periodicals hereafter." In October 1871 Clemens and his family moved to Hartford, where they would live until 1891. No longer a journalist, he was about to complete his second full-length book, Roughing It. The literary apprenticeship that he had begun twenty years before in the print shops of Hannibal, and pursued in the newspaper offices of Virginia City, San Francisco, and Buffalo, had at last come to a close. The selections included in these volumes represent a generous sampling from Mark Twain's most imaginative journalism, a few set speeches, a few poems, and hundreds of tales and sketches recovered from more than fifty newspapers and journals, as well as two dozen unpublished items of various description—the main body of what can now be found of his early literary and subliterary work, though by no means everything written during those twenty years of experimentation. The selections are ordered chronologically and therefore provide a nearly continuous record of the author's literary activity from his earliest juvenilia up through the mature work that he published in the Galaxy, the Buffalo Express, and many other journals.
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