Victor Erlich was born in 1914, at the threshold of what the great Russian poet Anna Akhmatova called "the real twentieth century," in Petrograd, a place indelibly marked by that century's violent dislocations and upheavals. His story, begun on the eve of the First World War and taking him through Russia, Poland, Lithuania, Germany, and the U. S. Army, is in many ways a memoir of that "real twentieth century," reflecting its lethal nature and shaped by the "fearful symmetry" of the age of totalitarianism. To read about Erlich's life growing up at the intersection of the century's darkest currents is to experience history firsthand from the Russian Revolution to the end of the Second World War--and to know what it truly is to be a child of the century. Throughout, despite the darkness, even the horror, of much of what he describes, the author maintains the beguiling tone and the warm manner of one who has reached the new millennium with rare and hard-won insight into the human comedy of his time.
Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR
Have you ever wondered what it would be like to sit in on a meeting of the Vienna Circle, listening to discussions by the greatest Austrian thinkers of the 20th century, including Moritz Schlick, Gustav Bergmann, and Karl Menger? Join original Vienna-Circle member Victor Kraft in his discussion of the movement for an exclusive insider's view of this important point in philosophical history. In this in-depth philosophical study, Victor Kraft explores the role the Vienna Circle had on the international philosophical movement. The Vienna Circle constituted a point of departure for the reawaking, rebirth, and reformation of positivism and empiricism, leading to the creation of the Neo-positivism movement. At the time of publication in the 1950s, the Neo-positivism movement stood in the foreground of contemporary philosophy, and it was quite possibly the most significant serious philosophical movement in the period between the two world wars. Making Kraft's study of Neo-positivism available to a world audience, Arthur Pap provides a rich and accessible translation from the original German. Victor Kraft was an Austrian philosopher and a founding member of the Vienna Circle. He taught theoretical philosophy at the University of Vienna. During World War II, he lost his teaching post because of his wife's Jewish background, but he went back to teaching in 1945. He was known for his scientific approach to philosophy, especially his application of empiricism to his ideas on logical positivism. He continued to teach at the university and write on logic, ethics, and the philosophy of history until his death in 1975.
Victor Erlich was born in 1914, at the threshold of what the great Russian poet Anna Akhmatova called "the real twentieth century," in Petrograd, a place indelibly marked by that century's violent dislocations and upheavals. His story, begun on the eve of the First World War and taking him through Russia, Poland, Lithuania, Germany, and the U. S. Army, is in many ways a memoir of that "real twentieth century," reflecting its lethal nature and shaped by the "fearful symmetry" of the age of totalitarianism. To read about Erlich's life growing up at the intersection of the century's darkest currents is to experience history firsthand from the Russian Revolution to the end of the Second World War--and to know what it truly is to be a child of the century. Throughout, despite the darkness, even the horror, of much of what he describes, the author maintains the beguiling tone and the warm manner of one who has reached the new millennium with rare and hard-won insight into the human comedy of his time.
Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR
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