Quarantines, masks, death-terms familiar to anyone who faced the so-called Spanish Flu of 1918. World-wide, it is estimated that the horrifying influenza killed more than 50 million people, significantly more than did the guns of the Great War, which was just then coming to a close. And yet no one has ever heard from Sherlock Holmes or Dr. Watson concerning their own experiences surviving the terrible virus-until now. In a recently-discovered manuscript, Dr. Watson reveals the secret which for years had kept him silent about the deadly pandemic. Only when he meets the eccentric American novelist Sinclair Lewis is the truth pried free and the story of an ingenious murder revealed.
Sherlock Holmes had never met a writer who had ridiculed him as bitterly as Samuel L. Clemens had. For that matter, Holmes had never met a writer who fancied himself a detective. Yet Sam Clemens not only unraveled Holmes' investigation into the murder of the hot-blooded woman on Thor Bridge, but also, while writing as Mark Twain, belittled Holmes' highly-touted detecting skills. In this recently discovered narrative, Doctor Watson sets the record straight. He reveals other crimes related to the original murder while relating what prompted Clemens in a 1902 short story to deride the famous detective. Spurred on by such criticism, as well as by clues discovered in a classic tale by Bret Harte, Sherlock Holmes begins a new investigation, one that leads Holmes and Watson from the gardens of Windsor Castle to the spires of Oxford University in their efforts to track down a deranged assassin bent on wreaking even more havoc.
A young inventor - the man whose name appears in the title of Dr. Watson's narrative, "The Adventure of the Bruce-Partington Plans" - lies dead on the floor of an old house, two bullet holes in his back. To solve the gruesome murder, Sherlock Holmes enlists the aid of William Gillette, the celebrated American actor renown for his portrayal of the famous detective, and Arthur Conan Doyle, conveniently familiar with the world of spiritualism that serves as backdrop to the brutal crime. In a plot replete with foreign spies, young lovers, eerie séances, and an array of the dead inventor's strange mechanical devices, Sherlock Holmes and Dr. Watson press on to discover the identity of Bruce-Partington's cold-blooded killer.
A psychological account of a crime" - that's how Fyodor Dostoyevsky described his novel Crime and Punishment, which tells of two horrific axe murders in St. Petersburg. It becomes much more than a mere "account," however, when a pair of dead bodies turn up in London's East End, their heads split open by an axe-blade. To Scotland Yard, the crimes are murders to solve. To Sherlock Holmes, they present an intriguing puzzle. But to the literary man, Dr. John H. Watson, they seem a deliberate re-staging of the brutal murders depicted in Dostoyevsky's narrative. If Watson is right, what can be the purpose behind an actual recreation of the fictional killings? Blocking the answer to that question is a mysterious assortment of English and Russian eccentrics, and one can only wonder if the startling revelation at the end will be dramatic enough to set matters straight.
They called her “Lady Stewart” when she was married to a British aristocrat. They called her “Miss Cora “when she ran a brothel in Florida. But she called herself “Mrs. Crane” when she asked Sherlock Holmes to locate her common-law husband, writer Stephen Crane, who'd gone missing in Cuba during the Spanish-American War. In their attempt to fulfil the lady's request, Holmes and Watson encounter a world of celebrity authors, terrorist bombings, and haunted manor houses. But it is only when Stephen Crane falls victim to a notorious blackmailer that the master detective and his partner find themselves face-to-face with cold-blooded murder. Under darkened skies, a solitary apparition stood brightly illuminated on the ship’s gloomy deck. Or so it seemed. Cloaked in a long white raincoat-the same gleaming duster he’d worn in the face of Spanish gunfire at San Juan Heights-Stephen Crane looked for all the world like the ghost so many people thought he’d already become.
Sir Arthur Conan Doyle’s timeless creation returns in a new series of handsomely designed, long out-of-print detective stories. From the earliest days of Holmes’ career to his astonishing encounters with Martian invaders, the Further Adventures series encapsulates the most varied and thrilling cases of the worlds’ greatest detective. Sherlock Holmes’ desire for a peaceful life in the Sussex countryside is dashed when true-life muckraker and author David Graham Phillips is assassinated, leaving behind little clues as to why he was murdered. The pleas of his sister draws Holmes and Watson to the far side of the Atlantic, where a web of deceit, violence and intrigue unravels as they embark on one of their most challenging cases.
The eleven stories gathered together in these two volumes share their own common feature. All have connections to the world of belles lettres, the world of literature - some to celebrated authors in particular, others to themes or stories associated with specific writers . . . . Let others plumb this collection for more subtle themes. From Maupassant to Stevenson to Fitzgerald, the authorial giants who populate these pages are explanation enough for its title. As interesting as such literary associations may be, of course, one can never forget that in the finest tradition of all the other adventures of Sherlock Holmes, these sketches depict a series of heartless criminal acts - some more gruesome than others.
In 1910, American author and social critic Jack London began writing The Assassination Bureau, Ltd., a work that he never completed. Now, thanks to the recently discovered manuscript of Dr. John Watson, we know why. The early part of London's book describes a secret organization - scoffed at or ignored by police officials - that conspires to murder influential political and social leaders. Not until Sherlock Holmes is provoked into action by threats close to home does anyone appear able to stop the Assassination Bureau. As Holmes and Watson proceed, they uncover devilish plots involving the deaths of some of the most prominent figures in history-from American Presidents to European heads of state, from murderous gangsters to muckraking writers like Jack London himself. With a deadly timing-device ticking, Sherlock Holmes hopes to prevent any further murders from threatening world peace. But by 1912, is he already too late?
A STUDY IN SYNCHRONICITY weaves an English murder mystery set in 1906 into the framework of a modern-day whodunit. The contemporary plot begins when American writer Todd Stringer wins a writing contest for his short story set in turn-of-the century London. Not only does the story feature the Sherlock Holmes-like detective Corliss Simms, but it also echoes the language of Simms's celebrated but long-dead creator, the Conan Doyle-like Sir Reginald Bertrand Dunbarton. As Todd's real life oddly begins to parallel murderous aspects of his own crime story, he becomes more intertwined in his fictional narrative than he could ever have imagined. For just after the publication of his story is halted, the executor of Dunbarton's estate turns up murdered in the same manner as the victim in Todd's fictional story, and Todd finds himself the target of an actual murder investigation. What began as an attempt to get his story published becomes, with the help of a lovely young woman he meets in England, a quest to find the real murderer, a quest which takes on added urgency as he tries to eliminate himself as the prime suspect.
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