Vice magazine started out as a reaction against the humourless,self-righteous posers of the end of the '90s. Originally a black andwhite fanzine, the magazine is published in 30 countries across theglobe, and has grown into a multimedia empire. A conglomerate ofwriters, photographers, artists and filmmakers, they report first-handon war, terrorism, the environment and how everything is going tohell with as much relish as they do sex, drugs and rock ’n’ roll –all served up with a large dose of humour. Now it’s time to findout for yourself. Welcome to the world of Vice. You’ll like it.
In this new book of photographs - complete with sniping commentary - that document the dizzy heights and murky depths of street fashion, VICE magazine's staple humour series is collected in its entire, unabashed glory. The DOs are put on a pedestal that soars way past God and the DON'Ts are so cruel they sound litigiously close to death threats. DOs and DON’Ts will be the ultimate compendium of the hilarious fashion commentary that has helped forge VICE magazine's reputation; always mean, bang on and roaringly funny.
VICE magazine started out as a reaction against the humourless, self-righteous posers of the end of the 90s. Originally a black and white fanzine, the magazine is published in 30 countries across the globe, and has grown into an international multimedia empire. A conglomerate of writers, photographers, artists and filmmakers, they report first-hand on war, terrorism, the environment and how everything is going to hell with as much relish as they do sex, drugs and rock 'n'roll - all served up with a large dose of humour. It's time to find out for yourself. Welcome to the world of VICE. You'll like it.
From VICE magazine—a.k.a. the "hipster bible"—this ebook includes photos from the uber popular DOs & DON'Ts street fashion feature in which candid photos of strangers are accompanied by over-the-top critiques either praising (a "Do") or ridiculing (a "Don't"). Featuring the best Dos and the worst Don'ts, this ebook provides a hearty dose of the most amazing—and appalling—street fashion finds.
documentary Heavy Metal in Baghdad featuring the members of Iraq’s only heavy metal band—Acrassicauda—and their daily struggle to survive and rock on even as their country fell into a bloody insurgency. Acrassicauda (Latin for a deadly black scorpion) is Iraq’s only heavy metal band. Inspired by groups like Metallica, Slayer, and Slipknot, the band began writing and playing metal in 2001, performing a handful of shows before the war started in 2003. With increased security precautions throughout Iraq, it became difficult to practice or even get through a show without serious problems. When they began receiving death threats from insurgent groups and religious fundamentalists accused them of Satan-worship, they became a band on the run. As recently seen in the feature film documentary of the same name, Iraq disintegrated around them while Acrassicauda struggled to stay together and stay alive, always refusing to let their heavy metal dreams die. Their story echoes the unspoken hopes of an entire generation of young Iraqis, and it became a race-against-time humanitarian effort, irrevocably transforming everyone’s lives in the process. Going beyond the documentary to explore all the players’ unique perspectives, Heavy Metal in Baghdad features new information about one of the most dramatic and unique stories in modern music.
Weaving together research findings and narratives, Culture of Health in Practice: Innovations in Research, Community Engagement, and Action explores the many opportunities we have as a society to advance a Culture of Health and makes the case that a commitment to health equity is fundamental to bringing those efforts into the mainstream. In this latest contribution to the Robert Wood Johnson Foundation's Culture of Health Series, contributors describe the challenges and opportunities in rural and urban regions, in neighborhoods and schools, in prisons and workplaces. They explore different populations, including immigrants, minority youth, and individuals with substance use disorders; the risks posed by climate change; the role of the media in shaping the public discourse; and the innovations being spearheaded by health providers, insurers, and community leaders. Together, the chapters carry the message that while the challenges are daunting, achieving health equity for all lies within reach.
Here's a New Edition of Petz & Garratty's classic text, Acquired Immune Hemolytic Anemias, originally published in 1980. The scope of the book has now been expanded to include the full spectrum of autoimmune and alloimmune immune hemolytic anemias including hemolysis associated with transplantation, hemolytic disease of the fetus and newborn, and hemolytic transfusion reactions. Completely revised and updated from beginning to end, it presents authoritative coverage of all of today's best laboratory tests as well as the latest diagnostic and treatment methods. Presents the latest advances in knowledge about hemolytic anemias in neonates, bone marrow transplantation recipients, individuals with autoimmune disorders, and more. Features a significantly expanded section on differential diagnosis that includes disorders such as lymphoma and EBV-associated hemolysis and reflects the latest immunologic assays. Synthesizes the expertise of the world's most respected authorities on the subject.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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