Wing Commander Vic Hodgkinson DFC served throughout the Second World War as a pilot in the Royal Australian Air Force. His war began in 1939 when he traveled to the UK to become one of the founding members of 10 Squadron RAAF. With its training complete, the squadron took delivery of its first Short Sunderland flying boats. In early 1940, the squadron was loaned to the RAF by the Australian Government. Flying from Mount Batten (Plymouth), Pembroke Dock (Wales) and Oban (Scotland), Vic Hodgkinson, along with the rest of the squadron, played a vital part in the early stages of the Battle of the Atlantic as part of the RAF’s Coastal Command. During that time, he was involved in numerous air-sea rescues. This included picking up twenty-one survivors of a U-boat attack, and of returning the compliment with depth charge attacks on German submarines. Vic himself became a survivor when, returning from a fifteen-hour patrol in fog, his Sunderland crashed into the Irish Sea near Bardsey Island, off the North Wales coast, while returning to Pembroke Dock. Six of his eleven crew were killed; it was a gruelling twelve hours before the survivors were finally rescued. In May 1941, Vic and his crew were dispatched to the Mediterranean, but became stranded in Egypt after their Sunderland was damaged. while awaiting spare parts, Vic volunteered to serve with a RAF flying boat squadron based in Alexandria. He found himself flying through heavy enemy fire to make contact with Allied troops fighting for their lives in Crete. After this, they were once again back in the Atlantic, flying patrols across the Bay of Biscay. During one such sortie, Vic’s crew became embroiled in a battle of the giants with a Focke-Wulf Fw 200 Condor. It was an engagement that ended badly for the faster and heavily armed enemy aircraft. In 1942, Hodgkinson was sent back to Australia, going on to serve with both 20 Squadron RAAF and 40 Squadron RAAF. It was in this period that he also flew the Consolidated Catalina, Martin Mariner and other flying boats – including Dornier Do 24s that had been impressed into RAAF service after the fall of the Dutch East Indies. His missions included dropping supplies to remote areas, minelaying, reporting on Japanese ship movements, and engaging in the bombing of enemy positions. This is Vic’s remarkable story, told here in his own words for the first time.
This much-needed book provides valuable insights into themes and genres in popular song in the period c. 1600-1900. In particular it is a study of popular ballads as they appeared on printed sheets and as they were recorded by folk song collectors. Vic Gammon displays his interest in the way song articulates aspects of popular mentality and he relates the discourse of the songs to social history. Gammon discusses the themes and narratives that run through genres of song material and how these are repeated and reworked through time. He argues that in spite of important social and economic changes, the period 1600-1850 had a significant cultural consistency and characteristic forms of popular musical and cultural expression. These only changed radically under the impact of industrialization and urbanization in the nineteenth century. The book will appeal to those interested in folk song, historical popular music (including church music), ballad literature, popular literature, popular culture, social history, anthropology and sociology.
In the “thrilling conclusion”* to the dystopian trilogy that began with Gilded Cage and Tarnished City, the people of Britain rise up against their magically gifted masters. They must break the system—or be broken. MAGIC RUINS. WE RISE. The rules are simple, the system cruel: the lower classes must give ten years in service to Britain’s powerfully gifted rulers. With one uprising crushed by the glittering elite, commoners and aristocrats alike now take sides for a final confrontation. At the center of it all are two ordinary siblings: Abi Hadley and her brother, Luke. Each has reason to hate the ruling Jardine family. Abi, who was once their servant, now seeks revenge for a terrible wrong. Luke was imprisoned on their whim—but his only hope may be an alliance with the youngest and most powerful of the clan, the cold and inscrutable Silyen Jardine. Risking everything to end a bright and shining tyranny, Abi, Luke, and Silyen find themselves bound by a single destiny. Their actions will change their fates—and change the world. But at a cost almost too terrible to contemplate. What price would you pay for freedom? *Library Journal (starred review, Pick of the Month) Look for all three books in the mesmerizing Dark Gifts trilogy: GILDED CAGE • TARNISHED CITY • BRIGHT RUIN Praise for Bright Ruin “Fast-paced, entertaining, and a satisfying end to an epic story [with] dramatic class division based not on mere financial wealth but on a family’s magic.”—Booklist “A triumphant conclusion to this outstanding fantasy series . . . It will keep you up at night until you finish it, and you’ll take a huge breath as you can’t believe the story is over. If you haven’t read the first two installments, please do so, and then jump into the finale. You’ll fly through them all as you see Britain as you’ve never imagined—and you’ll hope against hope for the freedom that may never come.”—Bookreporter “Rebellion comes to a deadly boil in the final chapter of James’s Dark Gifts alternate history fantasy trilogy (after Tarnished City). . . . [An] intricate tale of ruthless scheming and bloody betrayals backlit by an unquenchable glimmer of hope.”—Publishers Weekly
The East Neuk of Fife may seem like an unusual place for a musical revolution. However, in amongst the sleepy fishing villages and rolling fields, a small community of gifted musicians has quietly crept up on the world. From psychedelic troubadours the Beta Band to the mult-million-selling KT Tunstall, acclaimed singer-songwriter James Yorkston and the reigning monarch and lynchpin of the Fence Collective, King Creosote, Songs in the Key of Fife plots the unique, intertwining tales of these Fifers from their schooldays to the present day. This fascinating story, full of personal anecdotes and insights, provides an in-depth look at a unique collective of musicians who have experienced the extreme highs and the desperate lows of the music business over 20 years and why this craggy outpost on the east coast of Scotland is responsible for providing us with so many talented artists.
This much-needed book provides valuable insights into themes and genres in popular song in the period c. 1600-1900. In particular it is a study of popular ballads as they appeared on printed sheets and as they were recorded by folk song collectors. Vic Gammon displays his interest in the way song articulates aspects of popular mentality and he relates the discourse of the songs to social history. Gammon discusses the themes and narratives that run through genres of song material and how these are repeated and reworked through time. He argues that in spite of important social and economic changes, the period 1600-1850 had a significant cultural consistency and characteristic forms of popular musical and cultural expression. These only changed radically under the impact of industrialization and urbanization in the nineteenth century. The book will appeal to those interested in folk song, historical popular music (including church music), ballad literature, popular literature, popular culture, social history, anthropology and sociology.
Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, “I figure singing and playing is the same,” or, “Singing was more into my blood than the trumpet.” Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.
After the dust of World War II had settled, the military position of the UK was far from straightforward. It was of course allied to the USA and part of NATO, but it was at odds with the former in maintaining an Empire and the two nations also had competing oil interests in the Middle East. The UK's engagement in war after 1945 was thus a strange mixture ranging from homeland security through insular actions within the colonies or protectorates to preserve empire - to playing a major role in confronting the USSR. The types of active involvement of the RAF, Fleet Air Arm and Army Air Corps between 1945 and 1995 include the following, with examples.Maintaining Local Stability - Greece, Netherlands East Indies. Maintaining Empire - Malaya, Kenya. Defending Empire - Borneo. Defending Interests - Suez, Kuwait. Homeland Security - Northern Ireland, air defence. Confrontation - Berlin Airlift, Korea. Covert Action - Albania, strategic reconnaissance. Humanitarian and Peacekeeping- Jordan, Cyprus. Development of Deterrent - Bombs, bombers and missiles.
Vic Reeves' vivid, enchanting, and utterly hilarious childhood memoir is a comic masterpiece. Before there was Vic Reeves, there was a boy called James Moir who was much the same as any other lad.Obsessed with owning a pet crow, a master at writing his name and terrified of his father's immense moustache. Growing up in Yorkshire and then CountyDurham, the boy who would be Reeves somehow managed to escape the attentions of 'Randy Mandy' and get a crash course in pig castration, before having encounters with Jimi Hendrix and the Yorkshire Ripper. Peopled with weird and wonderful characters, Vic Reeves' memoir is authentic, witty and inventive, and as unique as you'd expect from one of Britain's most exceptional comedy talents.
America would be very different if William Harding Jackson (1901 1971) had not put his indelible stamp on the US government as OSS / War Department chief of secret intelligence in World War II Europe, cofounder of todays Central Intelligence Agency, and his work as Eisenhowers national security adviser. During the most dangerous times in our history and for decades beyond his death, there is no other American who influenced so many sensitive, top-secret national security matters more than Jackson. When Bill Jackson was in the room, everyone paid attention; and for a time in our history, three US presidents saw to itpersonally.
No CGI can match what Vic can accomplish" - Steven Spielberg "Vic is The Man" - Pierce Brosnan "Vic Armstrong is, of course, a legend" - Martin Scorsese "This is the best and most original behind-the-scenes book I have read in years, gripping and revealing. Vic Armstrong is modest, humorous and wry - altogether brilliant company." - Roger Lewis, Daily Mail "[A] page-turner... I couldn't put it down! I had a great time reading this book and give it my highest recommendation." - Leonard Maltin "[Vic has] been this unheralded savior of movie magic for decades, and hearing how he makes the incredible credible is a must for any film fan." - Hollywood.com "Armstrong's a fascinating guy and a straight shooter. His book is fantastic." - Ain't It Cool News "The man is a legend in the industry... [A] mind-blowing, must-read biography." - Movies.com "The movie memoir of the year!" - SciFi Mafia "[Vic] talks to you like he’s your cool uncle, or the uncle you wished you had, really down to earth, but at the same time you can tell he’s got a twinkle in his eye as he’s talking..." - Geek Six “A hell of a read.” – Film School Rejects "The key to an entertaining autobiography is a combination of good stories to tell and a distinctive life; Armstrong has them both." - Library Journal "Armstrong has done it all." - Empire "A spills’n’thrills ride through a fast-forward life in pictures." - The Times "Armstrong takes us on the spectacular journey of his life that left me wondering who would be brave enough to play him in a movie. What a legacy! What a life! What a book!" - Geeks of Doom -- Think you don’t know Vic Armstrong? Wrong! You’ve seen his work in countless films... He’s been a stunt double for James Bond, Indiana Jones and Superman, and he’s directed action scenes for three Bond movies, Mission Impossible 3, Thor, and the upcoming The Amazing Spider-Man to name but a few. Counting Harrison Ford, Steven Spielberg and Arnold Schwarzenegger among his friends, and officially credited in the Guinness Book of World Records as the World's Most Prolific Stuntman, Vic’s got a lot of amazing stories to tell, and they’re all here in this - the movie memoir of the year!
As a reader, have you ever imagined how wonderful it would feel if God were speaking directly to you? Prepare yourself for a powerfully uplifting and spiritual journey with author and publisher, Vic T. Farley. His groundbreaking book, written through divine intervention, is now available for all the world to experience. After many years of safeguarding this material, Vic T. Farley is now revealing this God-sent knowledge for all of humankind to embrace. God’s silence has broken, and Jesus Christ has spoken within the pages of GODGROUND: Thee Arrival Of Saint Michael. Courageously undertake this journey as you delve into the origins of God and Jesus Christ. This book explores the many problems that plague humankind as well as the myriad of biblical misinterpretations that have confused believers for centuries. Uncover the real meaning and significance behind the story of Adam and Eve as you explore God and God’s reality. Is Judgement Day coming? Or is it already here? You should own this book if: · You believe in God · You’ve ever questioned the existence of God · You feel confused and unsure of what to believe anymore · You feel that God may have become disenchanted with humankind’s behavior This timeless and riveting book will be a must-read for generations to come. Begin a brand-new tomorrow by finding your answers today. Own your copy now!
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