When we came to America, we brought anger and socialism and hunger. We also brought our demons. In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own. Emma Goldman—yes, that Emma Goldman—takes tea with the Baba Yaga and truths unfold inside of exquisitely crafted lies. In "Among the Thorns," a young woman in seventeenth century Germany is intent on avenging the brutal murder of her peddler father, but discovers that vengeance may consume all that it touches. In the showstopping, awards finalist title story, "Burning Girls," Schanoes invests the immigrant narrative with a fearsome fairytale quality that tells a story about America we may not want—but need—to hear. Dreamy, dangerous, and precise, with the weight of the very oldest tales we tell, Burning Girls and Other Stories introduces a writer pushing the boundaries of both fantasy and contemporary fiction. With a foreword by Jane Yolen
Tordotcom Publishing is proud to present a sneak peek of its 2021 debut novel and novella authors. In the tradition of Italo Calvino’s Invisible Cities, debut author S. Qiouyi Lu has written a multifaceted story of borders, power, diaspora, and transformation with In the Watchful City. Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by hungry ghost. Red White & Royal Blue meets Jonathan Strange and Mr. Norrell in debut author Freya Marske’s A Marvellous Light, featuring an Edwardian England full of magic, contracts, and conspiracies. In Aimee Ogden's Sun-Daughters, Sea-Daughters, one woman will travel to the stars and beyond to save her beloved in this lyrical space opera that reimagines The Little Mermaid. Flowers for the Sea is a dark, dazzling debut novella from Zin E. Rocklyn that reads like Rosemary's Baby by way of Octavia E. Butler In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own. A Canticle for Leibowitz meets The Hunt for Red October in We Shall Sing a Song into the Deep, a lyrical and page-turning coming-of-age exploration of duty, belief, and the post-apocalypse from breakout newcomer Andrew Kelly Stewart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Among the Thorns, by Veronica Schanoes, is a dark fantasy taking place in seventeenth century Germany, about a young woman who is intent on avenging the brutal murder of her peddler father many years earlier, by a vagabond with a magic fiddle. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A woman visiting Las Vegas for a fun weekend encounters her ne’er-do-well ex-husband, who begs her for a favor that gambles with life and death... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Ballroom Blitz" by Veronica Schanoes is a contemporary fairy tale about a young man, who with his eleven brothers, have been cursed to remain in a rock club for their bad behavior. Their only shot at freedom might be the twelve sisters who one day enter the club. "I really like what the author has done with the fairytale material, inverting the storyline to focus on the brothers, not the sisters."--Locus At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
At the same time that 1970s feminist psychoanalytic theorists like Jean Baker Miller and Nancy Chodorow were challenging earlier models that assumed the masculine psyche as the norm for human development and mental/emotional health, writers such as Anne Sexton, Olga Broumass, and Angela Carter were embarked on their own revisionist project to breathe new life into fairy tales and classical myths based on traditional gender roles. Similarly, in the 1990s, second-wave feminist clinicians continued the work begun by Chodorow and Miller, while writers of fantasy that include Terry Windling, Tanith Lee, Terry Pratchett, and Catherynne M. Valente took their inspiration from revisionist authors of the 1970s. As Schanoes shows, these two decades were both particularly fruitful eras for artists and psychoanalytic theorists concerned with issues related to the development of women's sense of self. Putting aside the limitations of both strains of feminist psychoanalytic theory, their influence is undeniable. Schanoes's book posits a new model for understanding both feminist psychoanalytic theory and feminist retellings, one that emphasizes the interdependence of theory and art and challenges the notion that literary revision involves a masculinist struggle with the writer's artistic forbearers.
A Most Anticipated in 2021 Pick for The Independent | Buzzfeed | The Nerd Daily When we came to America, we brought anger and socialism and hunger. We also brought our demons. In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own. Emma Goldman—yes, that Emma Goldman—takes tea with the Baba Yaga and truths unfold inside of exquisitely crafted lies. In "Among the Thorns," a young woman in seventeenth century Germany is intent on avenging the brutal murder of her peddler father, but discovers that vengeance may consume all that it touches. In the showstopping, awards finalist title story, "Burning Girls," Schanoes invests the immigrant narrative with a fearsome fairytale quality that tells a story about America we may not want—but need—to hear. Dreamy, dangerous, and precise, with the weight of the very oldest tales we tell, Burning Girls and Other Stories introduces a writer pushing the boundaries of both fantasy and contemporary fiction. With a foreword by Jane Yolen At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
At the same time that 1970s feminist psychoanalytic theorists like Jean Baker Miller and Nancy Chodorow were challenging earlier models that assumed the masculine psyche as the norm for human development and mental/emotional health, writers such as Anne Sexton, Olga Broumass, and Angela Carter were embarked on their own revisionist project to breathe new life into fairy tales and classical myths based on traditional gender roles. Similarly, in the 1990s, second-wave feminist clinicians continued the work begun by Chodorow and Miller, while writers of fantasy that include Terry Windling, Tanith Lee, Terry Pratchett, and Catherynne M. Valente took their inspiration from revisionist authors of the 1970s. As Schanoes shows, these two decades were both particularly fruitful eras for artists and psychoanalytic theorists concerned with issues related to the development of women's sense of self. Putting aside the limitations of both strains of feminist psychoanalytic theory, their influence is undeniable. Schanoes's book posits a new model for understanding both feminist psychoanalytic theory and feminist retellings, one that emphasizes the interdependence of theory and art and challenges the notion that literary revision involves a masculinist struggle with the writer's artistic forbearers.
Testing the relationship between feminist psychoanalytic theory and feminist retellings of fairy tales and myths in the 1970s and 1990s, Schanoes shows that these contemporaneous developments in theory and art advance complementary interpretations of the same themes. Her book posits a new model that emphasizes the interdependence of theory and art and challenges the notion that literary revision involves a masculinist struggle with the writer's artistic forbearers.
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