In the first book-length study of Valerie Martin's fiction, Veronica Makowsky explores the work of this lauded, but often overlooked, contemporary novelist. Winner of the Orange Prize for her novel Property (2003), Martin also won the Kafka Prize for Mary Reilly (1990), which was then translated into sixteen languages and made into a popular film. Despite these successes, her critically acclaimed novels and stories have yet to attain a broad readership. Makowsky addresses this disconnect through a detailed critical study of Martin's distinguished oeuvre, grounding each work in its historical, cultural, and theoretical contexts. Makowsky begins with a sketch of Martin's life and then considers each of her ten novels and four collections of short stories. Throughout, Makowsky's deft critique reveals Martin to be an astute observer of people and places. Pointing to both early works, like A Recent Martyr (1987), and recent books, such as The Ghost of the Mary Celeste (2014), Makowsky identifies a potent mixture of pleasure and fear in Martin's writing that emphasizes the author's nuanced exploration of human imagination. Notable, too, are Martin's literary techniques -- especially point of view -- and her allusions to masterpieces in Western literature. The works of Henry and William James in particular influenced Martin's thematic blend of intellectualism and empathy evident in her rounded depictions of women in works like Italian Fever (1999) and The Great Divorce (1994). A rich and substantive study, The Fiction of Valerie Martin demonstrates and deconstructs the mastery of this thought-provoking author, in turn firmly establishing Martin's place in the canon of contemporary writers.
Tracing the evolution of Susan Glaspell's writing, Veronica Makowsky provides fascinating glimpses of the life of a woman who broke the barriers against female journalists, advocated socialism, struggled with the precepts of Greenwich Village free love, was one of the founders of the Provincetown Players, participated in the sessions of the feminist Heterodoxy Club, placed women's concerns on the stage as a playwright and actress, and wrote about a turbulent century of American women with courage, optimism, sensitivity, and love. This is the first full-length book about Glaspell's works, including the fiction and lifewriting that bracketed her relatively brief career as the playwright best-known for the one-act drama Trifles. Also the author of many other plays, including the Pulitzer prize-winning Alison's House, a number of collected and uncollected short stories, nine novels, and a biography of her husband the iconoclastic George Cram Cook, Glaspell was an artist of formidable, but ill-acknowledged talent. Makowsky places Glaspell's work in its biographical and cultural context, with particular attention to Glaspell's depiction of women's roles over a century of American history. In addition, she examines closely Glaspell's use of the maternal metaphor and her depiction of women in the role of mothers. This absorbing and revelatory study rescues one of America's literary "foremothers" from relative obscurity, challenging canonical ideas about the circumstances that lead to literary "greatness.
Fashion is all around us: we see it, we buy it, we read about it, but most people know little about fashion as a business. Veronica Manlow considers the broader signifi cance of fashion in society, the creative process of fashion design, and how fashion unfolds in an organizational context where design is conceived and executed. To get a true insider's perspective, she became an intern at fashion giant Tommy Hilfi ger. Th ere, she observed and recorded how a business's culture is built on a brand that is linked to the charisma and style of its leader. Fashion firms are not just in the business of selling clothing along with a variety of sidelines. Th ese companies must also sell a larger concept around which people can identify and distinguish themselves from others. Manlow defi nes the four main tasks of a fashion fi rm as creation of an image, translation of that image into a product, presentation of the product, and selling the product. Each of these processes is interrelated and each requires the eff orts of a variety of specialists, who are often in distant locations. Manlow shows how the design and presentation of fashion is infl uenced by changes in society, both cultural and economic. Information about past sales and reception of items, as well as projective research informs design, manufacturing, sales, distribution, and marketing decisions. Manlow offers a comprehensive view of the ways in which creative decisions are made, leading up to the creation of actual styles. She helps to defi ne the contribution fashion fi rms make in upholding, challenging, or redefi ning the social order. Readers will fi nd this a fascinating examination of an industry that is quite visible, but little understood.
In the first book-length study of Valerie Martin's fiction, Veronica Makowsky explores the work of this lauded, but often overlooked, contemporary novelist. Winner of the Orange Prize for her novel Property (2003), Martin also won the Kafka Prize for Mary Reilly (1990), which was then translated into sixteen languages and made into a popular film. Despite these successes, her critically acclaimed novels and stories have yet to attain a broad readership. Makowsky addresses this disconnect through a detailed critical study of Martin's distinguished oeuvre, grounding each work in its historical, cultural, and theoretical contexts. Makowsky begins with a sketch of Martin's life and then considers each of her ten novels and four collections of short stories. Throughout, Makowsky's deft critique reveals Martin to be an astute observer of people and places. Pointing to both early works, like A Recent Martyr (1987), and recent books, such as The Ghost of the Mary Celeste (2014), Makowsky identifies a potent mixture of pleasure and fear in Martin's writing that emphasizes the author's nuanced exploration of human imagination. Notable, too, are Martin's literary techniques -- especially point of view -- and her allusions to masterpieces in Western literature. The works of Henry and William James in particular influenced Martin's thematic blend of intellectualism and empathy evident in her rounded depictions of women in works like Italian Fever (1999) and The Great Divorce (1994). A rich and substantive study, The Fiction of Valerie Martin demonstrates and deconstructs the mastery of this thought-provoking author, in turn firmly establishing Martin's place in the canon of contemporary writers.
Tracing the evolution of Susan Glaspell's writing, Veronica Makowsky provides fascinating glimpses of the life of a woman who broke the barriers against female journalists, advocated socialism, struggled with the precepts of Greenwich Village free love, was one of the founders of the Provincetown Players, participated in the sessions of the feminist Heterodoxy Club, placed women's concerns on the stage as a playwright and actress, and wrote about a turbulent century of American women with courage, optimism, sensitivity, and love. This is the first full-length book about Glaspell's works, including the fiction and lifewriting that bracketed her relatively brief career as the playwright best-known for the one-act drama Trifles. Also the author of many other plays, including the Pulitzer prize-winning Alison's House, a number of collected and uncollected short stories, nine novels, and a biography of her husband the iconoclastic George Cram Cook, Glaspell was an artist of formidable, but ill-acknowledged talent. Makowsky places Glaspell's work in its biographical and cultural context, with particular attention to Glaspell's depiction of women's roles over a century of American history. In addition, she examines closely Glaspell's use of the maternal metaphor and her depiction of women in the role of mothers. This absorbing and revelatory study rescues one of America's literary "foremothers" from relative obscurity, challenging canonical ideas about the circumstances that lead to literary "greatness.
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