Tolkien's concern with time - past and present, real and faerie - captures the wonder of travel into other worlds and other times. This work shows that he was not just a mythmaker and writer of escapist fantasy but a man whose relationship to his own century was troubled and critical.
J. R. R. Tolkien is perhaps best known for The Hobbit and The Lord of the Rings, but it is in The Silmarillion that the true depth of Tolkien's Middle-earth can be understood. The Silmarillion was written before, during, and after Tolkien wrote The Hobbit and The Lord of the Rings. A collection of stories, it provides information alluded to in Tolkien's better known works and, in doing so, turns The Lord of the Rings into much more than a sequel to The Hobbit, making it instead a continuation of the mythology of Middle-earth. Verlyn Flieger's expanded and updated edition of Splintered Light, a classic study of Tolkien's fiction first published in 1983, examines The Silmarillion and The Lord of the Rings in light of Owen Barfield's linguistic theory of the fragmentation of meaning. Flieger demonstrates Tolkien's use of Barfield's concept throughout the fiction, showing how his central image of primary light splintered and refracted acts as a metaphor for the languages, peoples, and history of Middle-earth.
Tolkien made a continuous effort over several years to construct a comprehensive mythology, to include not only the stories themselves but also the storytellers, scribes, and bards who were the offspring of his thought. In Interrupted Music Flieger attempts to illuminate the structure of Tolkien's work, allowing the reader to appreciate its broad, overarching design and its careful, painstaking construction. --from publisher description.
Tolkien Studies: An Annual Scholarly Review centers on J.R.R. Tolkien and his works. Since the publication of The Hobbit in 1937 the writings of Tolkien have been admired throughout the world. With the publication of The Lord of the Rings in the 1950s, Tolkien's fantasy writing began to attract academic attention in both the classroom and the world of scholarship. Most recently, Peter Jackson's three-part movie adaptation has added film-study scholars to those fascinated by Tolkien's work. Tolkien Studies: An Annual Scholarly Review is the first scholarly journal published by an academic press for the purpose of presenting and reviewing the growing body of critical commentary and scholarship about Tolkien's writings. The founding editors, Douglas A. Anderson, Michael D.C. Drout, and Verlyn Flieger, and the members of the editorial board, David Bratman, Carl F. Hostetter, Tom Shippey, Richard C. West, and Marjorie Burns, are all distinguished Tolkien scholars.
“Shows how Finnish mythology and folk tales were instrumental to how Tolkien created his own legendarium.”—Boston Globe Kullervo, son of Kalervo, is perhaps the darkest and most tragic of all J.R.R. Tolkien’s characters. “Hapless Kullervo,” as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny. Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and tried three times to kill him when he was still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and the magical powers of the black dog Musti, who guards him. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruelest of fates. Tolkien himself said that The Story of Kullervo was “the germ of my attempt to write legends of my own,” and was “a major matter in the legends of the First Age.” Tolkien’s Kullervo is the clear ancestor of Túrin Turambar, the tragic incestuous hero of The Silmarillion. Published with the author’s drafts, notes, and lecture essays on its source work, the Kalevala, The Story of Kullervo is a foundation stone in the structure of Tolkien’s invented world. “A fascinating read.”—NPR
Unavailable for more than seventy years, this early but important work is published for the first time with Tolkien’s "Corrigan" poems and other supporting material, including a prefatory note by Christopher Tolkien. Set ‘In Britain’s land beyond the seas’ during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the ‘Aotrou’ and ‘Itroun’ of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life. Coming from the darker side of J.R.R. Tolkien’s imagination, The Lay of Aotrou and Itroun, together with the two shorter ‘Corrigan’ poems (which lead up to it and are also included in this volume), were the outcome of a comparatively short but intense period in Tolkien's life when he was deeply engaged with Celtic, and particularly Breton, myth and legend. Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside The Legend of Sigurd and Gudrún, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into ‘real-world’ mythologies, each of which in its own way would be a formative influence on his own legendarium. Edited with notes and commentary by Verlyn Flieger and a prefatory note on the text by Christopher Tolkien.
Near the village of Little Wicken, a baby girl is found abandoned in a field. Unwanted and unloved, the foundling grows up, existing on the grudging charity of the villagers. It is only when they notice her way with animals that the girl is given a permanent place—as a pig herder—and a name: Mokie, meaning “Little Pig Girl.” After a brutal attack by the village boys, fifteen-year-old Mokie flees with her beloved pig, Apple, into the heart of the mysterious Wickenwood. It is there that Mokie meets a trio of Gypsies, who take her under their wing. But she soon discovers that her new friends are more than they appear to be. Could they hold the key to her past. . .and her future? In her debut novel, Verlyn Flieger weaves elements from Celtic mythology into an unforgettable tale that explores universal truths about the human condition—society’s need for scapegoats, the yearning to belong, and love’s transcendent power to make the world anew. Thought-provoking, unflinching, and original, Pig Tale will break your heart, and utterly astonish you.
Tolkien made a continuous effort over several years to construct a comprehensive mythology, to include not only the stories themselves but also the storytellers, scribes, and bards who were the offspring of his thought. In Interrupted Music Flieger attempts to illuminate the structure of Tolkien's work, allowing the reader to appreciate its broad, overarching design and its careful, painstaking construction. --from publisher description.
Tolkien's concern with time - past and present, real and faerie - captures the wonder of travel into other worlds and other times. This work shows that he was not just a mythmaker and writer of escapist fantasy but a man whose relationship to his own century was troubled and critical.
J. R. R. Tolkien is perhaps best known for The Hobbit and The Lord of the Rings, but it is in The Silmarillion that the true depth of Tolkien's Middle-earth can be understood. The Silmarillion was written before, during, and after Tolkien wrote The Hobbit and The Lord of the Rings. A collection of stories, it provides information alluded to in Tolkien's better known works and, in doing so, turns The Lord of the Rings into much more than a sequel to The Hobbit, making it instead a continuation of the mythology of Middle-earth. Verlyn Flieger's expanded and updated edition of Splintered Light, a classic study of Tolkien's fiction first published in 1983, examines The Silmarillion and The Lord of the Rings in light of Owen Barfield's linguistic theory of the fragmentation of meaning. Flieger demonstrates Tolkien's use of Barfield's concept throughout the fiction, showing how his central image of primary light splintered and refracted acts as a metaphor for the languages, peoples, and history of Middle-earth.
Near the village of Little Wicken, a baby girl is found abandoned in a field. Unwanted and unloved, the foundling grows up, existing on the grudging charity of the villagers. It is only when they notice her way with animals that the girl is given a permanent place—as a pig herder—and a name: Mokie, meaning “Little Pig Girl.” After a brutal attack by the village boys, fifteen-year-old Mokie flees with her beloved pig, Apple, into the heart of the mysterious Wickenwood. It is there that Mokie meets a trio of Gypsies, who take her under their wing. But she soon discovers that her new friends are more than they appear to be. Could they hold the key to her past. . .and her future? In her debut novel, Verlyn Flieger weaves elements from Celtic mythology into an unforgettable tale that explores universal truths about the human condition—society’s need for scapegoats, the yearning to belong, and love’s transcendent power to make the world anew. Thought-provoking, unflinching, and original, Pig Tale will break your heart, and utterly astonish you.
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