In this anthropological study of a neurodegenerative disease, Amyotrophic Lateral Sclerosis/Parkinsonism-Dementia Complex (ALS/PDC) in Guam, Western Pacific, Verena Keck intertwines three separate perspectives of history, medicine, and anthropology. The book is an important contribution to the long overdue decolonizing of biomedical research and argues that neurological diseases can be better understood if they are seen, too, as social and cultural phenomena. With sound ethnography linked to current, controversial debates in neurology, the author breaks new ground; her insights add to the hitherto few anthropological studies of neurodegenerative diseases in non-Western societies.
This in-depth ethnography presents new and otherwise not easily accessible results of thirty years of anthropological field research among the Yupno people of Papua New Guinea. Anthropological studies about cultures in the Finisterre Range, where the Yupno live, have been quite scarce, and this comprehensive monograph about a local knowledge system offers an important contribution to this hitherto ethnographically little-known area. Ideas about personhood, including a unique personal melody as an individual's acoustic representation and sign of social belonging, and cultural conceptualisations of time and space are the main topics of this book. Following a strictly interdisciplinary approach, a cross-cultural psychologist, an anthropologist, a linguist, cognitive scientists and a musicologist participated in this study. These diverse forms and intensities of collaboration are mirrored in the distinctive structure of this book, with an emphasis on co-authored chapters to represent the joint research experience.
Transparency and Dissimulation analyses the configurations of ancient neoplatonism in early modern English texts. In looking closely at poems and prose writings by authors as diverse as Thomas Wyatt, Philip Sidney, Edmund Spenser, John Donne, Edward Herbert, Andrew Marvell, Thomas Traherne, Thomas Browne and, last not least, Aphra Behn, this study attempts to map the outlines of a neoplatonic aesthetics in literary practice as well as to chart its transformative potential in the shifting contexts of cultural turbulency and denominational conflict in 16th- and 17th-century England. As part of a “new”, contextually aware, aesthetics, it seeks to determine some of the functions neoplatonic structures – such as forms of recursivity or certain modes of apophatic speech – are capable of fulfilling in combination and interaction with other, heterogeneous or even ideologically incompatible elements. What emerges is a surprisingly versatile poetics of excess and enigma, with strong Plotinian and Erigenist accents. This appears to need the traditional ingredients of petrarchism or courtliness only as material for the formation of new and dynamic wholes, revealing its radical metaphysical potential above all in the way it helps to resist the easy answers – in religion, science, or the fashions of libertine love.
The concept of gender mainstreaming has experienced an unexpected boom in the European Union and beyond since the United Nations World Conference of Women in Beijing in 1995. Starting from the evolution of gender mainstreaming, this book examines the extent to which gender mainstreaming can be regarded as an innovation and as an institution in a complex organisation like the European Commission. By ensuring that the effects on both genders of all policies and organisational processes are taken into account, gender mainstreaming seeks to bring what are often marginalised as ́women ́s concerns ́ into the mainstream of the analysis. Gender mainstreaming is often regarded as a paradigm shift compared to previous concepts of equal treatment and positive action programmes.
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