A new collection of the accessible and evocative "micro-verse" from one of Russia's most beloved poets. Vera Pavlova's If There Is Something to Desire delighted the poetry world a few years ago. Her poems, rarely longer than a few lines, thrill and puzzle us like Zen koans, considering matters philosophical, romantic, sexual, familial, artistic. Album for the Young (and Old), whose title poem takes its name and inspiration from Tchaikovsky’s music, carries us through a life in miniatures, drawing from a wide-ranging group of poems translated by the poet’s late husband, Steven Seymour. Here Pavlova returns to her childhood to peruse its key ingredients (“a glass jar, a rag, a sponge . . . Mom’s listening to the Beatles, / Dad, to Radio Liberty”), confronts adulthood (“And, please, no forbidden fruits!”), balances her loves and losses (“Without you, my unquenchable . . . woes are bearable, / joys are not”). Once again, this poet’s piquant short poems sum up worlds and take on heavyweight challenges, yet are light enough to carry with us.
Now in paperback, the widely acclaimed collection of one hundred poems of extraordinarily elegant simplicity by one of the best-selling poets in Russia, whose presence on the American poetry scene is increasingly strong. Pavlova writes about love (both sexual love and the love that reaches beyond sex); about motherhood; about the memories of childhood that continue to feed us; about our lives as passionate souls abroad in the world. Sensitively translated by her husband, Steven Seymour, Pavlova's poems are highly disciplined miniatures ("I broke your heart. / Now barefoot I tread / on shards"--a whole poem in ten words). Pavlova is a poet who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.
Now in paperback, the widely acclaimed collection of one hundred poems of extraordinarily elegant simplicity by one of the best-selling poets in Russia, whose presence on the American poetry scene is increasingly strong. Pavlova writes about love (both sexual love and the love that reaches beyond sex); about motherhood; about the memories of childhood that continue to feed us; about our lives as passionate souls abroad in the world. Sensitively translated by her husband, Steven Seymour, Pavlova's poems are highly disciplined miniatures ("I broke your heart. / Now barefoot I tread / on shards"--a whole poem in ten words). Pavlova is a poet who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.
A new collection of the accessible and evocative "micro-verse" from one of Russia's most beloved poets. Vera Pavlova's If There Is Something to Desire delighted the poetry world a few years ago. Her poems, rarely longer than a few lines, thrill and puzzle us like Zen koans, considering matters philosophical, romantic, sexual, familial, artistic. Album for the Young (and Old), whose title poem takes its name and inspiration from Tchaikovsky’s music, carries us through a life in miniatures, drawing from a wide-ranging group of poems translated by the poet’s late husband, Steven Seymour. Here Pavlova returns to her childhood to peruse its key ingredients (“a glass jar, a rag, a sponge . . . Mom’s listening to the Beatles, / Dad, to Radio Liberty”), confronts adulthood (“And, please, no forbidden fruits!”), balances her loves and losses (“Without you, my unquenchable . . . woes are bearable, / joys are not”). Once again, this poet’s piquant short poems sum up worlds and take on heavyweight challenges, yet are light enough to carry with us.
This book examines the challenges and pressures liberal journalists face in Putin's Russia. It presents the findings of an in-depth qualitative study, which included ethnographic observations of editorial meetings during the conflict in Ukraine. It also provides a theoretical framework for evaluating the Russian media system and a historical overview of the development of liberal media in the country. The book focuses on some of Russia’s most influential liberal national news outlets: "the deadliest" newspaper Novaya Gazeta, "Russia’s last independent radio station" Radio Echo of Moscow (Ekho Moskvy) and US Congress-funded Radio Free Europe/Radio Liberty. The fieldwork included ethnographic observations of editorial meetings, long interviews with editors and journalists as well as documentary analysis. The monograph makes theoretical contributions to three main areas: 1. Media systems and terms of reference. 2. Journalism: cultures, role conceptions, and relationship with power, culture and society. 3. Mediatisation of conflict and nationhood.
An examination of the early Soviet period of the Russian (Soviet) Academy of Sciences which focuses on the reactions of individual members of the academy to the new situation in which they found themselves after October 1917. Based on the extensive use of documents from the Archives of the Russian Academy of Sciences, the author discusses how the academicians justified their cooperation with the Bolsheviks and the ideological basis of the regime's policy towards the academy in the 1920s.
A prolific poet as a child, Barbara Drake-Vera loved writing almost as much as she adored her father, a moody postal employee with an elaborate comb-over and a fondness for Mahler. But when her successes sparked his rage, Barbara silenced her voice for years, terrified even to see her name in print. By age forty-nine, she was a professional journalist living in Peru and collaborating with her husband, a Peruvian-born photographer, to report on melting glaciers in the Andes, far from the reach of her father. Melted Away recounts what happens after her father is diagnosed with advancing Alzheimer’s and Barbara takes him into her home in Lima, beginning a process of self-discovery that uncovers a path toward personal and family healing. A diverse group of allies support her on this quest: a trio of caregiving women from the provinces, who serve as home-health aides; a mischievous, Cervantes-quoting, nonagenarian suitor; and a stubborn alpaca herder who lives beneath a long-worshipped, life-sustaining Andean glacier now melting from rapid climate change. Candid, poignant, and deeply researched, Melted Away is the true story of how a writer at midlife reclaims her agency, and an ardent plea to care for the planet by embracing collectivism and mutual aid.
Vera Caspary, the celebrated author of Laura, tells her own story in this captivating autobiography. With a career that spanned from the 1920s through 1970s, one that produced over twenty novels, in addition to her many credits for film and theater, Caspary centered her life around a passion for writing. From her early experiences at an advertisement agency—where she developed a correspondence school and invented its “famed” instructor—to the struggles of being gray-listed in the McCarthy Era, Caspary constantly found a way to turn her creative needs into viable work. Caspary recalls the rest of a full life, too, including her flirtation with communism, travels across Europe, and a marriage. Caspary’s skillful writing makes her incredible depictions of people, and the times in which they lived, jump off the page.
Evvie, by the author of Laura “Caspary is an expert at suspense and suspicion…She is also expert at evoking the flavor of a decade when martinis were drunk in coffee cups and rumbles were car seats.”—The New York Times Fanny Butcher, the literary critic for the Chicago Tribune, “came out of retirement to declare it obscene—ironic judgment from today's point of view, since there are no graphic descriptions and the most explicit allusions are in a scene in which two naked girls discuss sex.” (Caspary’s The Secrets of Grown-ups, p. 265) It was a time when skirts were short and hair was shingled. A time of speakeasies, hipflasks and bathtub gin. A time when Evvie Ashton, the beautiful society girl who modeled, danced, painted and loved promiscuously had come of age—knowing all the right people, doing all the wrong things, and sharing all of it with her roommate and confidante, Louise.
A discussion of the secrets of breathing, color, sound, diet, and exercise, and how these can be used to develop the third eye. Includes recommendations for the final steps to mastery of the self and the dangers on the path to wisdom.
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