Australian spy Ernest Moneylove aspires to be as suave and sophisticated a solver of crimes as James Bond. Unfortunately the physical and intellectual attributes of Bond. Vera M, Murray presents clever and witty yarns in her anthology which combines adventure and comedy. Vera Murray's gothic horror novel Leap Year Blood Lust was noted for its humor interspersed in the bloody tale. In her first anthology of short stories, Ms Murray turns the formula on its head with these humorous tales featuring romance, mystery and suspense. Most of the stories in this book were inspired by the author's personal experience, or the experiences of others who at various times have crossed the writer's path, with, however, some exceptions. These exceptions include a trip to Mars, arriving at the pearly gates, meeting possible Aliens, winning millions, being a drug squad agent, and, of course, being murdered.
What do unsolved murders in a seaside hamlet have to do with a bloody cycle of leap years? How does the bloodless Lord of the Manor control the simple townspeople of Rockville, inspired by the author's visit to Tasmania's west coast, despoiled by slag heaps of abandoned mines? Vera Murray's chilling gothic horror story, transported to Australia brings an ancient curse to life.
Redemption is the seventh short-story and poetry anthology in the series begun by the Arts Alliance Pine Rivers.It is illustrated by artist Chelsea Lomandra and has humor, drama, fantasy, science-fiction, mystery, history, social commentary, and adventure.
This book incorporates a range of new material on racist events and incidents across the United States. It includes a few new concepts and some of the original concepts about individual and institutionalized racism in the United States.
INTRODUCTION These are the true-life adventures and experiences of Joseph and Vera Buck who lived and worked in Cuba from 1917 through 1922. Joseph F. Buck, my grandfather, was appointed to a Consular position in Cuba, March of 1917, after having served as the U.S. Consul to Bremerhaven, Germany for five years. This story begins as his pretty, young bride of three months, Vera Elizabeth Buck, my grandmother, joins him in Antilla, Cuba, January of 1919. They kept an excellent journal of all their experiences while they were in Cuba, and, at some point, Vera, I am sure with Josephs help, began converting their records into an historical narrative for posterity. She turned a rough, unfinished draft of her work over to the University of Michigan, Bentley Library, sometime in the 1960s. In a brilliant, far-sighted move, my grandmother stipulated that the copyrights remain in the family in regards to everything she donated to this library. I am her only grandchild and am therefore able to bring these valuable, historic accounts to light for the first time. Meanwhile, my grandfather, Joseph F. Buck, had died of tuberculosis, September 14th, 1942, three years before I was born. My mother died six months after I was born and my grandmother, the author of this book, passed away in 1971 without ever telling me anything about it at all. The reason for this miscommunication was that I was raised 800 miles away from my grandmother and, unfortunately, not able to get to know her until she was in her seventies. I stumbled upon the rough draft of this book purely by the Grace of God while I was doing research on Joseph F. Buck, my grandfather, for a future book of his WWI experiences. All the places, dates, events, presidents, buildings, wildlife, boats, railroads, etc., have been researched and verified to the best of my ability and footnoted accordingly. The tales of Nico and Giva are both based upon factual history as supported by Joseph Bucks filed reports with the State Department, now on record in the National Archives, College Park, Maryland. Our family project that was started by my grandparents eighty five years ago (this being the year 2002) has now been completed! This has truly been a labor of love and I will advise anyone who is contemplating doing something like this to go ahead and give it a try, even though it can be pretty tough going at times. To complete a family project for your loved ones who died before they were able to finish it, has got to be one of the most rewarding things in life any one of us could ever hope to accomplish. Acknowledgments and gratitude must also be expressed to the White Pine Village, Ludington, Michigan for preserving my grandparents records documents and articles for all these years that my grandparents had donated to the Mason County Historical Society, and for all their kind, invaluable assistance and support. You will notice throughout the book that Joseph refers to Vera as Julie. Why? Because my grandparents were both very romantic, so during their long engagement necessitated by WWI, they had to make do with a whole lot of letter writing back and forth across the Atlantic Ocean. They referred to each other as Romie and Julie (Romeo and Juliet) to help keep romance alive throughout this long ordeal. My grandfather cared so deeply for my grandmother that the pet name, Julie, stuck even after they were married in 1918. Vera certainly didnt mind as she felt the same way about him and their house was a house of love, indeed! I plan on publishing a series of some of those letters at a later date along with my grandfathers experiences from WWI as they are not only romantic masterpieces but quite historically relevant as well. Let us now return to a time long ago in a land that was much different than it is today. We travel to. . . The Pearl of the Antilles - Cuba, 1917-1922, and -- The Consul's Wife. Chris Edwards
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
A considered balance of depth, detail, context, and critique, Directions books offer the most student-friendly guide to the subject; they empower students to evaluate the law, understand its practical application, and approach assessments with confidence.
Narrative inquiry is based on the proposition that experience is the stories lived and told by individuals as they are embedded within cultural, social, institutional, familial, political, and linguistic narratives. It represents the phenomenon of experience but also constitutes a methodology for its study. At the heart of this methodology is relational ethics. However, until now the functioning of this key relationship in practice has remained largely undefined. In this book the authors take on the essential task of developing a conceptual framework for the application of relational ethics to narrative inquiry. Building on a corpus of more generalized research, this book is grounded in a multi-year study with indigenous youth and families. The authors describe their experiences of narrative inquiry, highlighting how relational ethics informed their negotiation of these research relationships. They also engage in a conversation with the work of philosophers who have guided their narrative inquiry to offer a more thorough understanding of relational ethics. Through this, and contributions from five further studies on a diverse range of subjects, a number of key points for successful relational ethics are isolated and expounded upon. This book is an invaluable tool for researchers and postgraduates engaged in qualitative research — providing clear and practical guidance on ethical concerns. It also extends the work of the authors’ two previous titles, Engaging in Narrative Inquiry and Engaging in Narrative Inquiries with Children and Youth.
Liberation sociology is concerned with eliminating social oppressions and creating truly just societies. Liberation sociology takes sides with the oppressed and envisions an end to that oppression. Liberation social scientists featured in this book consciously try to step outside their groups or societies and view them critically. The authors examine theories and research of social scientists who ask, Social science for what purpose? and Social science for whom? Case studies offer humanistic, democratic, and activist answers. Featured researchers provide tools to increase human abilities to understand deep social realities, engage in better dialogues, and increase democratic participation in use of knowledge.Many people of all ages today continue to be attracted to sociology and other social sciences because of their promise to contribute to better political, social, and moral understandings of themselves and their social worlds-and often because they hope it will help them to build a better society. We accent the liberation potential of social science with these social science teachers and students firmly in mind.
A considered balance of depth, detail, context, and critique, Tort Law Directions offers the most student-friendly guide to the subject; empowering students to evaluate the law, understand its practical application, and approach assessments with confidence.
Children who are cared for in an out of home placement are in need of support and stability. This classic text offers information and advice for professionals and carers on how to help these children, who will often have attachment difficulties. Vera I. Fahlberg, M.D. shares her experience and expertise, outlining the significance of attachment and separation, the developmental stages specific to adoptive children and providing guidance on minimizing the trauma of moves. The book also features practical advice on case planning, managing behavior and direct work with children, and throughout are case studies and exercises which provide opportunities for further learning. A readable, compassionate and practical text, A Child’s Journey Through Placement provides the foundation, the resources, and the tools to help students, professionals, parents and others who care to support children on their journey through placement to adulthood.
What is creativity, and where does it come from? Creativity and Development explores the fascinating connections and tensions between creativity research and developmental psychology, two fields that have largely progressed independently of each other-until now. In this book, scholars influential in both fields explore the emergence of new ideas, and the development of the people and situations that bring them to fruition. The uniquely collaborative nature of Oxford's Counterpoints series allows them to engage in a dialogue, addressing the key issues and potential benefits of exploring the connections between creativity and development. Creativity and Development is based on the observation that both creativity and development are processes that occur in complex systems, in which later stages or changes emerge from the prior state of the system. In the 1970s and 1980s, creativity researchers shifted their focus from personality traits to cognitive and social processes, and the co-authors of this volume are some of the most influential figures in this shift. The central focus on system processes results in three related volume themes: how the outcomes of creativity and development emerge from dynamical processes, the interrelation between individual processes and social processes, and the role of mediating artifacts and domains in developmental and creative processes. The chapters touch on a wide range of important topics, with the authors drawing on their decades of research into creativity and development. Readers will learn about the creativity of children's play, the creative aspects of children's thinking, the creative processes of scientists, the role of education and teaching in creative development, and the role of multiple intelligences in both creativity and development. The final chapter is an important dialogue between the authors, who engage in a roundtable discussion and explore key questions facing contemporary researchers, such as: Does society suppress children's creativity? Are creativity and development specific to an intelligence or a domain? What role do social and cultural contexts play in creativity and development? Creativity and Development presents a powerful argument that both creativity scholars and developmental psychologists will benefit by becoming more familiar with each other's work.
The broad sweep of environmental and ecological history has until now been written and understood in predominantly male terms. In Made From This Earth, Vera Norwood explores the relationship of women to the natural environment through the work of writers, illustrators, landscape and garden designers, ornithologists, botanists, biologists, and conservationists. Norwood begins by showing that the study and promotion of botany was an activity deemed appropriate for women in the early 1800s. After highlighting the work of nineteenth-century scientific illustrators and garden designers, she focuses on nature's advocates such as Rachel Carson and Dian Fossey who differed strongly with men on both women's "nature" and the value of the natural world. These women challenged the dominant, male-controlled ideologies, often framing their critique with reference to values arising from the female experience. Norwood concludes with an analysis of the utopian solutions posed by ecofeminists, the most recent group of women to contest men over the meaning and value of nature.
Hilaire Belloc’s thinking on the economy constitutes, by its originality and acuity, a heterodox approach of the greatest interest in addressing the economic problems of his time and those of our own. Belloc’s main interest as a writer were on economics and history, and his works were praised by economists such as F. A. Hayek or Wilhelm Röpke and political philosophers such as Robert Nisbet and Russell Kirk, but his contributions have been often overlooked. To address that oversight, this book inserts Belloc ́s ideas into the academic dialogue on economics. Despite not being a trained economist, Belloc developed his thought based on a coherent system rooted in original elements such as the scholastic tradition. Belloc’s Christian or “post-scholastic” economics updates and renews many of the scholastic concepts to make them applicable to the economy of the world he knew. Issues such as the impossibility of socialism, entrepreneurship, the effects of monetary policy and credit on economic cycles, or the sustainability of the welfare state were studied by Belloc from a very singular perspective. Describing and interpreting the economic thought of Belloc, the book will be of interest to scholars and students, as well as general readers, interested in heterodox perspectives on economics.
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