No tears for Carol" is the story of a courageous woman and her struggle to survive in a world she did not understand or feel she belonged in. Borne into a world of the occult, she escaped only to endure an incestuous childhood marked by terror, and physical and emotional abuse, which locked her away in a traumatic fog until she was seventeen years of age. How much pain and abuse can one person endure? The answer is "endless" as long as she is walking in the arms of her Heavenly Father. This is my story. It is a lifetime of memories, pain, terror and finally freedom. It is a story of a shaky faith in a 'daddy' God who never condemned the times I fell but rewarded me endlessly for the times I allowed Him to gently pick me up and try once more! My life is like a movie, as if I am walking this journey with you. I see no faces in my childhood and I disassociate as though I were merely a spectator looking on. I believe that life is an illusion, a conglomerate of facts we tell ourselves to make it through the day and night. I was a chameleon, taking on the persona of those around me, flowing from one dictator to the next. In retrospect it was the knowledge that I was "invisible," that even the dead dry hay, fed to the cattle, had more value than I did. That was my legacy from my mother! I ask you not to focus on Carol but on Jesus Christ, who walked this journey with me. It was His love and strength that got me through it. God did not want puppets to follow Him around so He gave man free will. The people in my life chose to abuse me. I also chose to abuse myself. But Jesus told me He would, "Restore the years the locust have eaten," and my friend He has done just that. I believe my book will give hope, courage and compassion to understand individuals who have such unfortunate afflictions.
At the height of his television fame on The Man From UNCLE, Robert Vaughn was one of HollywoodÕ s most eligible bachelors, with countless adoring female fans. His affairs with famous celebrities, including Natalie Wood, made front-page news. But Vaughn is not just a handsome face, Ð he is a talented stage, television and film actor with strong political convictions and literary interests. In this fascinating biography Vaughn recounts his memories of a golden era in Hollywood and the highs and lows of life as a successful actor, from hot dates with starlets, to having an FBI file because of his anti-Vietnam stance, to being caught up in the Russian invasion of Prague in 1968 while filming. Vaughn befriended such luminaries as Bobby Kennedy, met Presidents at parties, and had many adventures with stars such as Jack Nicholson, Elvis Presley, Judy Garland, Bette Davis, Charlton Heston, Oliver Reed, Steve McQueen and Elizabeth Taylor. Most recently, Vaughn has been working on his TV series, Hustle, airing in January 2009. This is his revealing and captivating story Robert Vaughn is an Emmy-winning actor who has portrayed five US Presidents and currently stars in Hustle on BBC 1. He has appeared in many films, including The Magnificent Seven, Bullitt and The Towering Inferno, and several classic TV series, including The Protectors and The Man From UNCLE.
The Roman Catholic order of Sisters of the Presentation of the Blessed Virgin Mary, founded in Ireland in 1776 by Nano Nagle as the Society of Charitable Instruction of the Sacred Heart of Jesus, and migrating to North America in the mid 1850s, remains commited to tutoring, healing, and nuturing.
Charles Colson has been called, "one of the most important social reformers in a generation." Ten years ago in The Body, Colson turned his prophetic attention to the church and how it might break out of its cultural captivity and reassert its biblical identity. Today the book's classic truths have not changed. But the world we live in has. Christians in America have had their complacency shattered and their beliefs challenged. Around the world, the clash of world views has never been more strident. Before all of us, daily, are the realities of life and death, terror and hope, light and darkness, brokenness and healing. We cannot withdraw to the comfort of our sanctuaries...we must engage. For, if ever there was a time for Christians to be the Body of Christ in the world, it is now. In this new, revised and expanded edition of The Body, Charles Colson revisits the question, "What is the church and what is its relevance to contemporary culture at large?" Provocative and insightful, Being the Body inspires us to rise above a stunted "Jesus and me" faith to a nobler view of something bigger and grander than ourselves--the glorious, holy vision for which God created the church. Hardcover ISBN 0849917522
Who doesn’t love a good apocalyptic story? They come in all kinds, from the nightmare terrors of superflus and zombie invasions to quieter, more reflective tales of loss and survival. Stories that feature people struggling through the end of the world or fighting to survive in what little bits of civilization still remain are always compelling. What better way for readers to safely explore the extremes of the human condition without actually having to fight off the ravening hordes themselves? APOCALYPTIC features stories from fourteen old and new favorite authors: Seanan McGuire, Aimee Picchi, Tanya Huff, Nancy Holzner, Stephen Blackmoore, Zakariah Johnson, Violette Malan, Eleftherios Keramidas, James Enge, Leah Ning, Thomas Vaughn, Marjorie King, Jason Palmatier, and Blake Jessop. Flee the Baboon King, die of thirst in the White Mountains, brew up a bubbling blob of nanotech road kill in the back of a garbage truck, or, worst of all, try to reintegrate yourself back into society as a former zombie. Then ask yourself, would you survive the Apocalypse? Would you even want to?
In Engineering Vulnerability Sarah E. Vaughn examines climate adaptation against the backdrop of ongoing processes of settler colonialism and the global climate change initiatives that seek to intervene in the lives of the world’s most vulnerable. Her case study is Guyana in the aftermath of the 2005 catastrophic flooding that ravaged the country’s Atlantic coastal plain. The country’s ensuing engineering projects reveal the contingencies of climate adaptation and the capacity of flooding to shape Guyanese expectations about racial (in)equality. Analyzing the coproduction of race and vulnerability, Vaughn details why climate adaptation has implications for how we understand the past and the continued human settlement of a place. Such understandings become particularly apparent not only through experts’ and ordinary citizens’ disputes over resources but in their attention to the ethical practice of technoscience over time. Approaching climate adaptation this way, Vaughn exposes the generative openings as well as gaps in racial thinking for theorizing climate action, environmental justice, and, more broadly, future life on a warming planet. Duke University Press Scholars of Color First Book Award recipient
Luray Caverns, discovered in the quiet valley community of Luray in 1878, became the main attraction in Page County. In hopes of capitalizing on this new found Wonder of the World, executives of the Shenandoah Valley Railroad completed the rail from Hagerstown and Basic City to Luray by 1881. Mann Almond drove the final ceremonial spike just north of Defords Tannery in Luray. With the arrival of the railroad came a new economy supported by passengers, excursionists, lodging, and freight transport. The bulk of these transports were Eureka Mining Companys mineral extractions and Shenandoahs Big Gem iron bloom shipments. Lurays own Mercantile Mile leading to the caverns was laden with storehouses, offering goods found in larger cities, and the rail brought visitors in droves. The photographers who produced the images contained here did so only as a means of income, but today their work is our visual link to the past.
Few concepts evoke the twentieth century’s record of war, genocide, repression, and extremism more powerfully than the idea of totalitarianism. Today, studies of the subject are usually confined to discussions of Europe’s collapse in World War II or to comparisons between the Soviet Union and Nazi Germany. In Race and the Totalitarian Century, Vaughn Rasberry parts ways with both proponents and detractors of these normative conceptions in order to tell the strikingly different story of how black American writers manipulated the geopolitical rhetoric of their time. During World War II and the Cold War, the United States government conscripted African Americans into the fight against Nazism and Stalinism. An array of black writers, however, deflected the appeals of liberalism and its antitotalitarian propaganda in the service of decolonization. Richard Wright, W. E. B. Du Bois, Shirley Graham, C. L. R. James, John A. Williams, and others remained skeptical that totalitarian servitude and democratic liberty stood in stark opposition. Their skepticism allowed them to formulate an independent perspective that reimagined the antifascist, anticommunist narrative through the lens of racial injustice, with the United States as a tyrannical force in the Third World but also as an ironic agent of Asian and African independence. Bringing a new interpretation to events such as the Bandung Conference of 1955 and the Suez Canal Crisis of 1956, Rasberry’s bird’s-eye view of black culture and politics offers an alternative history of the totalitarian century.
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