Using the construction industry as the subject of his research, Vaughan Coffey investigates the culture/performance link using a new measure of company performance and an evaluation of organizational culture which is largely behaviourally-based.
Love Inspired Suspense brings you three new titles at a great value, available now! Enjoy these suspenseful romances of danger and faith. PLAIN REFUGE Amish Country Justice by Dana R. Lynn After overhearing an illegal gun deal, Sophie Larson’s sure of two things: her uncle’s a dangerous crime boss…and he wants her dead. With a mole in the police force and Sophie in danger, undercover cop Aiden Forster has no choice but to blow his cover and hide her deep in Amish country. TEXAS TWIN ABDUCTION Cowboy Lawmen by Virginia Vaughan Waking up in a bullet-ridden car with a bag of cash and a deputy insisting she’s his ex, Ashlee Taylor has no memory of what happened—or of Lawson Avery. But he’s the only one she trusts as they try to restore her memory…and find her missing twin. JUSTICE UNDERCOVER by Connie Queen Presumed-dead ex—US Marshal Kylie Stone goes undercover as a nanny for Texas Ranger Luke Dryden to find out who killed his sister—and the witness who’d been under Kylie’s protection. But when someone tries to kidnap the twins in her care, she has to tell Luke the truth…and convince him to help her.
In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.