The story depicts the simple yet complex undercurrents in a mother-daughter relationship, as the daughter may kill even her father to restore her mother's honour. The main characters are Amaya, a lawyer; her daughter Supriya (Poornima), a neurologist and her father, Karan, a medical researcher. Amaya's search for her daughter, kidnapped by her father, Supriya's psychic quest for her mother separated at birth, and Karan's double life constitute the theme. The story portrays Amaya's longing to meet her daughter and Supriya's realisation that her father cheated on her mother. It started with an unexpected phone call. Amaya and Supriya continued to communicate; each day brought new revelations. Amaya evolved through Vipassana, finding new realms and meanings in life, overcoming pain, sadness, anxiety and anguish. It created detachment with enlightenment. After twenty-four years of separation, Amaya meets Supriya in prison. The police claimed Supriya killed her father even though she deeply loved him. The murder was to atone for her father's crime against her mother. Every sign of love has an inseparable, unfathomable trace of revenge; no relationship exists without violence. You slay the person you love most.
Historia ukazuje prostą, a jednocześnie złożoną strukturę relacji między matką a córką, gdzie córka jest zdolna zabić nawet swojego ojca, aby przywrócić honor matki. Głównymi bohaterami są Amaya, prawniczka; jej córka Supriya (Poornima), neurolog i ojciec, Karan, badacz medyczny. Poszukiwania Amayi w celu odnalezienia porwanej przez ojca córki, psychiczna podróż Supriyi w poszukiwaniu matki, od której została oddzielona po narodzinach, oraz podwójne życie Karana stanowią temat tej historii. Opowieść przedstawia tęsknotę Amayi za spotkaniem z córką oraz uświadomienie Supriyi, że jej ojciec zdradził matkę. Wszystko zaczęło się od nieoczekiwanego telefonu. Amaya i Supriya kontynuowały komunikację, każdego dnia odkrywając nowe tajemnice. Amaya ewoluowała dzięki praktyce Vipassany, odkrywając nowe sfery i znaczenia życia, pokonując ból, smutek, niepokój i cierpienie. To stworzyło oddalenie wraz z oświeceniem. Po dwudziestu czterech latach rozłąki, Amaya spotyka Supriyę w więzieniu. Policja oskarża Supriyę o zabójstwo ojca, mimo że głęboko go kochała. Zabójstwo miało być zadośćuczynieniem za zbrodnię ojca wobec matki. Każdy przejaw miłości ma nieodłączny, niezgłębiony ślad zemsty; żadna relacja nie istnieje bez przemocy. Zabijasz osobę, którą najbardziej kochasz.
מדיטציה על הקיום האנושי, הרומן מדגיש את הפנים המפחידות של החוק, הפוליטיקה, הדת והאל, המקורות העיקריים לכיבוש המובילים לגבעולים. הכוח, בין אם הוא אנושי או אלוהי, זן מאליץ והגשמה מתוך אלימות וכפילות, פורח בקינוחים ומשיג קדושה דרך עבדות. באופן פילוסופי, פסיכולוגי, אנושי וחברתי בצורה אחידה, הספר הוא אגוז של עבודה, סכסוך, זרוע וציפייה באדם. הסיפור הוא של תומא קונג', אסיר מורשע כבעשת עשורים ואחד, אשר נאשם באונס ורצח של ילדה קטנה שלא פגש אף פעם. הוא לא ידע שהוא השעיר לעץ של בן פוליטיקאי. רזאק היה אחר, תומא קונג' פגש בו בכלא. בגיל שלוש עשרה, רזאק ברח מהבית בקרלה לערב, נלקח להרם לשרת פילגשות של אקים, בעל נטעי תמרים. רזאק מוסחף נטול אורח חיים, ואחרי תשעה עשורים ברח מהסראגליו וחזר לקרלה. רזאק, אשר אין לו יכולת להוליך ואשר אי-זמן מתאונן את אשתו ואת רעיונותיה, הוא נקי מכל הדברים. על הגבעה, תומא קונג' שלף את המסכה שלו ושמע את צעקתו החלשה של רזאק, צעקת כאבה של האנושות.
In God’s Own Country, a democratically elected ruler metamorphosed into a despot. Individuals and society lost their dignity, freedom, and power. Flatterers emerged in large numbers. The media prostrated before the autocrat, refusing to see the anguish and death. To derive pleasure and bust tension, the dictator tortured beggars, migrant labourers and nomads by punching their faces in his secret torture chamber. History haunted him because he was a rootless vagabond, and the truth shattered his ego. Four women dared to challenge him. The story delves into democracy, the rule of law, moral ambiguity, human evil, and responsibility. Narratives incrusted with symbolism and metaphor vividly express the intricate terrains of the human psyche and deep fissures in society.
The story depicts the simple yet complex undercurrents in a mother-daughter relationship, as the daughter may kill even her father to restore her mother's honour. The main characters are Amaya, a lawyer; her daughter Supriya (Poornima), a neurologist and her father, Karan, a medical researcher. Amaya's search for her daughter, kidnapped by her father, Supriya's psychic quest for her mother separated at birth, and Karan's double life constitute the theme. The story portrays Amaya's longing to meet her daughter and Supriya's realisation that her father cheated on her mother. It started with an unexpected phone call. Amaya and Supriya continued to communicate; each day brought new revelations. Amaya evolved through Vipassana, finding new realms and meanings in life, overcoming pain, sadness, anxiety and anguish. It created detachment with enlightenment. After twenty-four years of separation, Amaya meets Supriya in prison. The police claimed Supriya killed her father even though she deeply loved him. The murder was to atone for her father's crime against her mother. Every sign of love has an inseparable, unfathomable trace of revenge; no relationship exists without violence. You slay the person you love most.
The evolution of an AI engineer into a Jesuit, a Christian priest, and later an Aghori Sadhu, a naked Hindu monk, is the story. On holiday in Goa, Grace, a local girl, invited Abe to stay with her on condition he wouldn't touch her. He became madly in love with Grace but evolved into a celibate. At the Kamakhya temple, Emma, from Amsterdam, a researcher of Aghori Sadhus, prompted him about the joys of sex that challenged Abe's manhood. Her greenish eyes mesmerised him, and the lure tore him apart. A reverberating saga of sparkling aspirations and fleeting visions of Abe, Grace and Emma, enthralled in the zest of living and entrenched in captivating catastrophe sans exit, elevates the reader into a delightful psychic amorphous experience. This explosive existential surrealistic fiction exposes the absurdity and futility of celibacy, asceticism, and renunciation. Grace and Emma are two facets of womanhood, and Abe is the quintessential artist who tries to circumvent his anguish through painting their portraits. The Aghori Sadhu symbolises the meaninglessness of life. His nudity is civilisation's primaeval status, the freedom to be naked
In God’s Own Country, a democratically elected ruler metamorphosed into a despot. Individuals and society lost their dignity, freedom, and power. Flatterers emerged in large numbers. The media prostrated before the autocrat, refusing to see the anguish and death. To derive pleasure and bust tension, the dictator tortured beggars, migrant labourers and nomads by punching their faces in his secret torture chamber. History haunted him because he was a rootless vagabond, and the truth shattered his ego. Four women dared to challenge him. The story delves into democracy, the rule of law, moral ambiguity, human evil, and responsibility. Narratives incrusted with symbolism and metaphor vividly express the intricate terrains of the human psyche and deep fissures in society.
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