Mario Vargas Llosa's A Fish in the Water is a twofold book: a memoir of one of Latin America's most celebrated witers, beginning with his birth in 1936 in Arequipa, Peru; and the story of his organization of the reform movement which culminated in his bid for the Peruvian presidency in 1990.
Concerned, Le Guern brings the puzzling notes to the bumbling but brilliant Chief Inspector Jean-Baptiste Adamsberg and his straight-edged, right-hand man, Adrien Danglard. When strange signs that were historically believed to ward off the black death start to appear on the doors of several buildings, Adamsberg takes notice and suspects a connection with Le Guern's warnings. After a flea-bitten corpse with plague-like symptoms is found in one of the marked buildings, Fred Vargas's inimitable genius chief inspector is under pressure to solve the mystery and restore calm to a panicked Paris. But is it a real case of the bubonic scourge, or just a sinister trick designed to frighten as the body count grows and the culprit continues to elude the police?"--BOOK JACKET.
WINNER OF THE NOBEL PRIZE IN LITERATURE In The Feast of the Goat, this 'masterpiece of Latin American and world literature, and one of the finest political novels ever written' (Bookforum), Mario Vargas Llosa recounts the end of a regime and the birth of a terrible democracy, giving voice to the historical Trujillo and the victims, both innocent and complicit, drawn into his deadly orbit. Haunted all her life by feelings of terror and emptiness, forty-nine-year-old Urania Cabral returns to her native Dominican Republic - and finds herself reliving the events of l961, when the capital was still called Trujillo City and one old man terrorized a nation of three million. Rafael Trujillo, the depraved ailing dictator whom Dominicans call the Goat, controls his inner circle with a combination of violence and blackmail. In Trujillo's gaudy palace, treachery and cowardice have become a way of life. But Trujillo's grasp is slipping. There is a conspiracy against him, and a Machiavellian revolution already underway that will have bloody consequences of its own. "A fierce, edgy and enthralling book ... Mr. Vargas Llosa has pushed the boundaries of the traditional historical novel, and in doing so has written a book of harrowing power and lasting resonance."--The New York Times
The Nobel Prize–winning author’s classic novel of civil war in nineteenth-century Brazil: “A modern tragedy on the grand scale . . . As dark as spilled blood” (Salman Rushdie, The New Republic). Deep within the remote backlands of Brazil lies Canudos, home to all the damned of the earth: prostitutes, bandits, beggars, and every kind of outcast. It is a place where history and civilization have been wiped away. There is no money, no taxation, no marriage, no census. Canudos is a cauldron for the revolutionary spirit in its purest form, a state with all the potential for a true, libertarian paradise—and one the Brazilian government is determined to crush at any cost. In perhaps his most ambitious and tragic novel, Mario Vargas Llosa offers his fictionalized vision of the story of Canudos, inhabiting characters on both sides of the massive, cataclysmic battle between the society and government troops. The resulting novel is a fable of Latin American revolutionary history, an unforgettable story of passion, violence, and the devastation that follows from fanaticism.
Internationally acclaimed and bestselling crime writer Fred Vargas will be published for the first time in Canada in hardcover by Knopf Canada. In this remarkable addition to the Commissaire Adamsberg series, has a serial killer followed Adamsberg to Canada on his training mission? Between 1943 and 2003, nine people have been stabbed to death with a most unusual weapon: a trident. In each case, arrests were made, suspects confessed their crime and were sentenced to life. One slightly worrying detail: all the presumed murderers lost consciousness during the night of the crime and cannot remember whether they actually did it or not. Commissaire Adamsberg is convinced all the murders are the work of one person: the terrifying Judge Fulgence. Years before, Adamsberg’s own brother had been the principal suspect in a similar case and avoided prison only thanks to Adamsberg’s help. History now repeats itself when Adamsberg, who is temporarily based in Quebec for a training mission, is accused of having savagely murdered his young lover. In order to prove his innocence, Adamsberg must go on the run from the Canadian police and find Judge Fulgence. The heir to Maigret, Commissaire Adamsberg is back in a new investigation that will keep the reader spellbound until the very last word.
Three men disappear in the Peruvian Andes where a guerilla group resides, in the Nobel Laureate’s “intriguing political detective story . . . A terrific novel” (Kirkus Reviews). In Death in the Andes, Mario Vargas Llosa returns to the world of Corporal Lituma and his assistant Tomas Correo, last seen in Who Killed Palomino Molero?. Through his chilling tale of mystery, Vargas Llosa weaves an intricate tapestry of stark political realities and age-old Andean mysticism. When three men go missing and are presumed dead, suspicion falls on the Peruvian Marxist group Sendero Luminoso, or Shining Path. As Lituma and Correo investigate, they find themselves embroiled in the remote corners of an isolated community, which is itself caught in the web of violent guerrilla warfare. Part detective thriller, part political allegory, Death in the Andes shimmers with an undercurrent of magical realism. The narrative’s panoramic view of Peruvian society illuminates its violent present, deeply entrenched in its rich yet haunting past.
Set in Lima, the novel tells of a love story whose participants may be the fictional characters of Don Rigoberto. With his usual sly assurance, Vargas Llosa keeps the reader guessing which episodes are real and which issue from the Don's imagination; the resulting novel, an aggregate of reality and fantasy, is sexy, funny, disquieting, and unfailingly compelling.
At a small gallery in Florence, a Peruvian writer happens upon a photograph of a tribal storyteller deep in the jungles of the Amazon. He is overcome with the eerie sense that he knows this man...that the storyteller is not an Indian at all but an old school friend, Saul Zuratas. As recollections of Zuratas flow through his mind, the writer begins to imagine Zuratas's transformation from a modern to a central member of the unacculturated Machiguenga tribe. Weaving the mysteries of identity, storytelling, and truth, Vargas Llosa has created a spellbinding tale of one man's journey from the modern world to our origins, abandoning one in order to find meaning in both.
A New York Times Notable Book of 2007 From Nobel Prize-winning author Mario Vargas Llosa comes The Bad Girl, a "...splendid, suspenseful, and irresistible [novel]. . . A contemporary love story that explores the mores of the urban 1960s--and 70s and 80s."--The New York Times Book Review Ricardo Somocurcio is in love with a bad girl. He loves her as a teenager known as "Lily" in Lima in 1950, when she flits into his life one summer and disappears again without explanation. He loves her still when she reappears as a revolutionary in 1960s Paris, then later as Mrs. Richardson, the wife of a wealthy Englishman, and again as the mistress of a sinister Japanese businessman in Tokyo. However poorly she treats him, he is doomed to worship her. Charting Ricardo's expatriate life through his romances with this shape-shifting woman, Vargas Llosa has created a beguiling, epic romance about the life-altering power of obsession.
The true story of Guatemala’s political turmoil of the 1950s as only a master of fiction can tell it Guatemala, 1954. The military coup perpetrated by Carlos Castillo Armas and supported by the CIA topples the government of Jacobo Árbenz. Behind this violent act is a lie passed off as truth, which forever changes the development of Latin America: the accusation by the Eisenhower administration that Árbenz encouraged the spread of Soviet Communism in the Americas. Harsh Times is a story of international conspiracies and conflicting interests in the time of the Cold War, the echoes of which are still felt today. In this thrilling novel, Mario Vargas Llosa fuses reality with two fictions: that of the narrator, who freely re-creates characters and situations, and the one designed by those who would control the politics and the economy of a continent by manipulating its history. Harsh Times is a gripping, revealing novel that directly confronts recent history. No one is better suited to tell this riveting story than Vargas Llosa, and there is no form better for it than his deeply textured fiction. Not since The Feast of the Goat, his classic novel of the downfall of Trujillo’s regime in the Dominican Republic, has Vargas Llosa combined politics, characters, and suspense so unforgettably.
A New York Times Notable Book Flora Tristán, the illegitimate child of a wealthy Peruvian father and French mother, grows up in poverty and journeys to Peru to demand her inheritance. On her return in 1844, she makes her name as a champion of the downtrodden, touring the French countryside to recruit members for her Workers' Union. In 1891, Flora's grandson, struggling painter and stubborn visionary Paul Gauguin, abandons his wife and five children for life in the South Seas, where his dreams of paradise are poisoned by syphilis, the stifling forces of French colonialism, and a chronic lack of funds, though he has his pick of teenage Tahitian lovers and paints some of his greatest works. Flora died before her grandson was born, but their travels and obsessions unfold side by side in this double portrait, a rare study in passion and ambition, as well as the obstinate pursuit of greatness in the face of illness and death.
Beloved former ABC 20/20 anchor Elizabeth Vargas share the truth about her alcohol addiction and anxiety disorder in this honest and emotional memoir. From the moment she uttered the brave and honest words, "I am an alcoholic," to interviewer George Stephanopoulos, Elizabeth Vargas began writing her story, as her experiences were still raw. Now, in Between Breaths, Vargas discusses her accounts of growing up with anxiety--which began suddenly at the age of six when her father served in Vietnam--and how she dealt with this anxiety as she came of age, eventually turning to alcohol for a release from her painful reality. The now-A&E Network reporter reveals how she found herself living in denial about the extent of her addiction, and how she kept her dependency a secret for so long. She addresses her time in rehab, her first year of sobriety, and the guilt she felt as a working mother who could never find the right balance between a career and parenting. Honest and hopeful, Between Breaths is an inspiring read. Winner of the Books for a Better Life Award in the First Book category Instant New York Times and USA Today Bestseller
The intellectual autobiography of Mario Vargas Llosa, winner of the Nobel Prize in Literature. From its origins, the liberal doctrine has represented the most advanced forms of democratic culture, and it is what has most defended us from the inextinguishable “call of the tribe.” This book hopes to make a modest contribution to that indispensable project. In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel laureate, “tireless in his quest to probe the nature of the human animal” (Marie Arana, The Washington Post), maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and his alienation from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth. The works of Adam Smith, José Ortega y Gasset, Friedrich A. Hayek, Karl Popper, Raymond Aron, Isaiah Berlin, and Jean-François Revel helped the author enormously during those uneasy years. They showed him another school of thought, one that placed the individual before the tribe, nation, class, or party and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa’s engagement with their work and charts the evolution of his personal ideology.
SHORTLISTED FOR THE CWA INTERNATIONAL DAGGER 2018 When two Parisian women are murdered in their homes, the police suspect young accordionist Clément Vauquer. As he was seen outside both of the apartments in question, it seems like an open-and-shut case. Desperate for a chance to prove his innocence, Clément disappears. He seeks refuge with old Marthe, the only mother figure he has ever known, who calls in ex-special investigator Louis Kehlweiler. Louis is soon faced with his most complex case yet and he calls on some unconventional friends to help him. He must show that Clément is not responsible and solve a fiendish riddle to find the killer...
The Nobel Prize–winning author’s controversial debut novel exposes the brutal realities of life within a Peruvian military academy. At the Leoncio Prado Military Academy in Lima, Peru, four young cadets have joined forces in an effort to survive the myriad brutalities of their instructors and classmates. But soon this inner circle is pushed to its limits, setting off a chain of events that starts with a theft and leads to murder and suicide. The Time of the Hero presents, with chilling accuracy and power, the cadets’ nightmare life: brutal initiation rights, poker in the latrines, drinking contests; and, above all else, the strange military code which, whether broken or followed, can only destroy. When The Time of the Hero was first published in Peru in 1962, it was considered so scandalous that a thousand copies were burned in an official ceremony at the Leoncio Prado Military Academy. That same year, the book received the Biblioteca Breve Prize, an award given to the best work of fiction in the Spanish language.
Jean-Baptiste Adamsberg is not like other policemen. His methods appear unorthodox in the extreme: he doesn’t search for clues; he ignores obvious suspects and arrests people with iron-clad alibis; he appears permanently distracted. The Chalk Circle Man is the first book featuring Jean-Baptiste Adamsberg, one of the most engaging characters in contemporary detective fiction. When strange, blue chalk circles start appearing overnight on the pavements of Paris, the press take up the story with amusement and psychiatrists trot out their theories. Adamsberg is alone in thinking this is not a game and far from amusing. He insists on being kept informed of new circles and the increasingly bizarre objects which they contain: empty beer cans, four trombones, a pigeon’s foot, four cigarette lighters, a badge proclaiming “I Love Elvis,” a hat, a doll’s head. Adamsberg senses the cruelty that lies behind these seemingly random occurrences. Soon a circle with decidedly less banal contents is discovered: the body of a woman with her throat savagely cut. Adamsberg knows that other murders will follow.
At a small gallery in Florence, a Peruvian writer comes across a photograph of a tribal storyteller deep in the Amazon jungle. As he stares at the photograph, it dawns on him that he knows this man. The storyteller is not an Indian at all but his university classmate, Saul Zuratas, who was thought to have disappeared in Israel. As recollections of Zuratas flow through his mind, the writer begins to imagine Zuratas' transformation into a member of the Machiguenga tribe.In The Storyteller, Mario Vargas Llosa has created a spellbinding tale of one man's journey from the modern world to our origins.
Commissaire Adamsberg investigates the death of three men linked by their childhood at an orphanage in Nimes, all killed by the venom of the recluse spider, in the new novel by the #1 bestselling French crime writer “A wildly imaginative series.”—The New York Times “Adamsberg is a terrific creation and his team of misfits a joy to watch in action.”—Peter Robinson, New York Times bestselling author of the Inspector Banks series A murder in Paris brings Commissaire Adamsberg out of the Icelandic mists of his previous investigation and unexpectedly into the region of Nîmes, where three old men have died of spider bites. The recluse has a sneaky attack, but is that enough to explain the deaths of these men, all killed by the same venom? At the National Museum of Natural History, Adamsberg meets a pensioner who tells him that two of the three octogenarians have known each other since childhood, when they lived in a local orphanage called The Mercy. There, they had belonged to a small group of violent young boys known as the "band of recluses." Adamsberg faces two obstacles: the third man killed by the same venom was not part of the "band of recluses", and the amount of spider venom necessary to kill doesn't add up. Yet after the Nîmes deaths, more members of the old band succumb to recluse bites, leading the commissaire to uncover the tragedy hidden behind the walls of the orphanage.
An inside look at the U.S./Mexican border through the eyes of former U.S. Border Patrol agent, Vincent Vargas, who served in Iraq and Afghanistan with the U.S. Army’s 75th Ranger Regiment. Featuring a Foreword by #1 New York Times bestselling author Jocko Willink. The U.S./Mexican border stretches nearly 2,000 miles and is protected by a thin line of overworked and underfunded U.S. Border Patrol Agents, who risk their lives every day. Stigmatized in the media and fought over in the halls of Washington D.C., this is the true story of what is really happening on the U.S./Mexican border. Borderline provides an inside look through the eyes of former U.S. Border Patrol agent, Vincent Vargas, who is no stranger to violence, having served in Iraq and Afghanistan with the U.S. Army’s 75th Ranger Regiment. The story begins on the battlefields of the Middle East and culminates on the southwest border of the United States, where Vargas was tasked with protecting his country, his fellow agents, and the immigrants caught in the middle. He learned firsthand about the unforgiving brutality of the cartels, human traffickers and the desert. After bearing witness to the carnage, Vargas made the decision to join the Border Patrol’s elite search & rescue unit called BORSTAR. With almost unfettered access, Vargas provides an in-depth, never-before-seen look into the U.S. Border Patrol, from the agency’s origins to its present-day missions.
Mario Vargas Llosa's brilliant, multilayered novel is set in the Lima, Peru, of the author's youth, where a young student named Marito is toiling away in the news department of a local radio station. His young life is disrupted by two arrivals. The first is his aunt Julia, recently divorced and thirteen years older, with whom he begins a secret affair. The second is a manic radio scriptwriter named Pedro Camacho, whose racy, vituperative soap operas are holding the city's listeners in thrall. Pedro chooses young Marito to be his confidant as he slowly goes insane. Interweaving the story of Marito's life with the ever-more-fevered tales of Pedro Camacho, Vargas Llosa's novel is hilarious, mischievous, and masterful, a classic named one of the best books of the year by the New York Times Book Review.
A phenomenal bestseller in France, This Night’s Foul Work is another irresistible installment in the internationally acclaimed Commissaire Adamsberg series. On the edge of Paris two small-time drug dealers have had their throats cut in a peculiar fashion. Setting out on the trail of the shadowy killer, Commissaire Adamsberg and his detectives travel between Paris and the Normandy countryside. Adamsberg’s investigation into these horrible deaths brings him into contact with the attractive Ariane Lagarde –a pathologist who caused him professional grief some twenty-five years ago. There’s also a new lieutenant on the scene, whose ties to Adamsberg’s past create tension and hostility in his present. Vargas has given us another multi-layered, deliciously-paced and thrilling addition to her acclaimed series. This Night’s Foul Work is the finest novel yet from the wonderful Fred Vargas.
A landmark collection of essays on the Nobel laureate’s conception of Latin America, past, present, and future Throughout his career, the Nobel Prize winner Mario Vargas Llosa has grappled with the concept of Latin America on a global stage. Examining liberal claims and searching for cohesion, he continuously weighs the reality of the continent against the image it projects, and considers the political dangers and possibilities that face this diverse set of countries. Now this illuminating and versatile collection assembles these never-before-translated criticisms and meditations. Reflecting the intellectual development of the writer himself, these essays distill the great events of Latin America’s recent history, analyze political groups like FARC and Sendero Luminoso, and evaluate the legacies of infamous leaders such as Papa Doc Duvalier and Fidel Castro. Arranged by theme, they trace Vargas Llosa’s unwavering demand for freedom, his embrace of and disenchantment with revolutions, and his critique of nationalism, populism, indigenism, and corruption. From the discovery of liberal ideas to a defense of democracy, buoyed by a passionate invocation of Latin American literature and art, Sabers and Utopias is a monumental collection from one of our most important writers. Uncompromising and adamantly optimistic, these social and political essays are a paean to thoughtful engagement and a brave indictment of the discrimination and fear that can divide a society.
THE NATIONAL BESTSELLER “This riveting, courageous memoir ought to be mandatory reading for every American.” —Michelle Alexander, New York Times bestselling author of The New Jim Crow “l cried reading this book, realizing more fully what my parents endured.” —Amy Tan, New York Times bestselling author of The Joy Luck Club and Where the Past Begins “This book couldn’t be more timely and more necessary.” —Dave Eggers, New York Times bestselling author of What Is the What and The Monk of Mokha Pulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms. “This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home. After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.” —Jose Antonio Vargas, from Dear America
Modern classrooms face an increasing population of special needs students and 'regular' students who have behavioural problems. The mission of this book is to show teachers and other human service professionals working in school settings how to employ non-aversive, behaviour analysis principles in classrooms and other school settings.
France’s bestselling and award-winning crime writer Fred Vargas joins Vintage Canada. The Three Evangelists is an enormously entertaining departure from Vargas’s Commissaire Adamsberg series. Sophia Simeonidis, a Greek opera singer, wakes up one morning to discover that a tree has appeared overnight in the garden of her Paris house. As her husband doesn’t give a damn, she asks her new neighbours to dig around the tree to find out if something has been buried. Her neighbours are eccentric: Vandoosler, an ex-cop fired from the police for having helped a murderer to escape, and sharing the house are three impecunious historians: Mathias, Marc and Lucien – the three evangelists, as Vandoosler calls them. They accept the job because they are desperate for money and rather curious. When they find nothing and Sophia’s dead body turns up weeks later, they decide to investigate.
Set in Peru during a war between U.S. Marines and a Cuban-Bolivian revolutionary army, this fictional memoir characterizes the evolution of a revolutionary, in a powerful psychological portrait of the fanaticism and destruction of revolution.
A Haunting tale of power, corruption, and the complex search for identity Conversation in The Cathedral takes place in 1950s Peru during the dictatorship of Manuel A. Odría. Over beers and a sea of freely spoken words, the conversation flows between two individuals, Santiago and Ambrosia, who talk of their tormented lives and of the overall degradation and frustration that has slowly taken over their town. Through a complicated web of secrets and historical references, Mario Vargas Llosa analyzes the mental and moral mechanisms that govern power and the people behind it. More than a historic analysis, Conversation in The Cathedral is a groundbreaking novel that tackles identity as well as the role of a citizen and how a lack of personal freedom can forever scar a people and a nation.
Explores the life of Sir Roger Casement, a British consul and Irish nationalist who was hanged for treason after he challenged the British authority in Northern Ireland.
In this young readers’ adaptation of his adult memoir Dear America, Pulitzer Prize-winning journalist and undocumented immigrant Jose Antonio Vargas tells his story, in light of the 12 million undocumented immigrants currently in the United States. Jose Antonio Vargas was only twelve years old when he was brought to the United States from the Philippines to live with his grandparents. He didn’t know it, but he was sent to the U.S. illegally. When he applied for a learner’s permit, he learned the truth, and he spent the next almost twenty years keeping his immigration status a secret. Hiding in plain sight, he was writing for some of the most prestigious news organizations in the country. Only after publicly admitting his undocumented status—risking his career and personal safety—was Vargas able to live his truth. This book asks questions including, How do you define who is an American? How do we decide who gets to be a citizen? What happens to those who enter the U.S. without documentation? By telling his personal story and presenting facts without easy answers, Jose Antonio Vargas sheds light on an issue that couldn’t be more relevant.
Explores the resounding musical performances of Mexican American women such as Chelo Silva, Eva Ybarra, Eva Garza, and Selena within Tejano/Chicano music
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