Award-winning author Vanessa Riley turns all convention on its head for the first in an enchanting, dazzlingly diverse new Regency romance trilogy featuring a duke, three sisters, and a tantalizing bet with a most desirable reward... “A triumphant return to romance….Riley renders the Regency in living color, with impressive historical detail and an admirably diverse cast. Historical romance readers will be entranced.” –Publishers Weekly, STARRED REVIEW “The perfect historical read.” —Julia Quinn, #1 New York Times bestselling author When a duke discovers the woman he loves was tricked into marrying another, the master chess player makes the now-widowed Viscountess the highest-stakes wager of his life in a last-ditch effort to win her affection: he will find husbands for her two sisters—or depart forever... Georgina Wilcox, a wallflower with hidden musical talents, is furious when her reclusive older sister—the recently widowed Viscountess—refuses sorely needed help from the Duke of Torrance, the only gentleman who has shown kindness to the bereft Wilcox sisters. Georgina decides to get back at her sister and shock the Viscountess by kissing the first willing stranger she meets in the enchanting gardens of Anya House. Unfortunately, her sister is not the sole witness. A group of reporters and the ton’s leading gossips catch Georgina in a passionate embrace with a reticent composer, Lord Mark Sebastian. The third son of an influential marquis, the tongue-tied Mark is determined to keep the scandal from ruining Georgina’s reputation and his own prospects of winning the celebrated Harlbert’s Prize for music. Under the guise of private voice lessons, the two embark on a daring gamble to fool the ton into believing that their feigned courtship is honorable while bolstering Georgina’s singing genius to captivate potential suitors. Sexist cartoons, family rivalries, and an upcoming ball test the fake couple’s resolve. Will their sudden fiery collaboration—and growing attraction—prove there’s nothing false about a first kiss and scandalously irresistible temptation?
Award-winning author Vanessa Riley turns all convention on its head for the first in an enchanting, dazzlingly diverse new Regency romance trilogy featuring a duke, three sisters, and a tantalizing bet with a most desirable reward... “A triumphant return to romance….Riley renders the Regency in living color, with impressive historical detail and an admirably diverse cast. Historical romance readers will be entranced.” –Publishers Weekly, STARRED REVIEW “The perfect historical read.” —Julia Quinn, #1 New York Times bestselling author When a duke discovers the woman he loves was tricked into marrying another, the master chess player makes the now-widowed Viscountess the highest-stakes wager of his life in a last-ditch effort to win her affection: he will find husbands for her two sisters—or depart forever... Georgina Wilcox, a wallflower with hidden musical talents, is furious when her reclusive older sister—the recently widowed Viscountess—refuses sorely needed help from the Duke of Torrance, the only gentleman who has shown kindness to the bereft Wilcox sisters. Georgina decides to get back at her sister and shock the Viscountess by kissing the first willing stranger she meets in the enchanting gardens of Anya House. Unfortunately, her sister is not the sole witness. A group of reporters and the ton’s leading gossips catch Georgina in a passionate embrace with a reticent composer, Lord Mark Sebastian. The third son of an influential marquis, the tongue-tied Mark is determined to keep the scandal from ruining Georgina’s reputation and his own prospects of winning the celebrated Harlbert’s Prize for music. Under the guise of private voice lessons, the two embark on a daring gamble to fool the ton into believing that their feigned courtship is honorable while bolstering Georgina’s singing genius to captivate potential suitors. Sexist cartoons, family rivalries, and an upcoming ball test the fake couple’s resolve. Will their sudden fiery collaboration—and growing attraction—prove there’s nothing false about a first kiss and scandalously irresistible temptation?
When Vanessa Ochs begins to suspect her various physical ailments are due to her leading an ?unsanctified life,? she decides to travel to Jerusalem with her family to explore the sacred books of Judaism. Armed with a list of institutions and the names of women who specialize in teaching these sacred texts, Ochs sets out on a journey of discovery. She forges a personal relationship with her mentors, women who are determined to disprove the claim of Rabbi Eliezer ben Hyrcanus: ?The words of the Torah should be burnt rather than taught to women.? As her year in Jerusalem draws to a close, Ochs begins to find a way to reconcile her feminist views with her quest to live a life according to laws shaped by the ?sexist? views of traditional Judaism.Part scholarly investigation, part anecdotal memoir, Words on Fire is an accessible portrait of a remote world and a fascinating, firsthand account of the clash between feminism and Judaism.
In contemporary Western culture, the word "fetus" introduces either a political subject or a literal, medicalized entity. Neither of these frameworks does justice to the vast array of religious literature and oral traditions from cultures around the world in which the fetus emerges as a powerful symbol or metaphor. This volume presents essays that explore the depiction of the fetus in the world's major religious traditions, finding some striking commonalities as well as intriguing differences. Among the themes that emerge is the tendency to conceive of the fetus as somehow independent of the mother's body -- as in the case of the Buddha, who is described as inhabiting a palace while gestating in the womb. On the other hand, the fetus can also symbolically represent profound human needs and emotions, such as the universal experience of vulnerability. The authors note how the advent of the fetal sonogram has transformed how people everywhere imagine the unborn today, giving rise to a narrow range of decidedly literal questions about personhood, gender, and disability.
A vivid and compelling biography of Patience Collier – an actress whose career spanned a golden age of performance from the 1930s to the 1980s – and an overview of theatre, film, TV and radio in Britain over half a century. Though Patience Collier's name has faded from public consciousness since her death in 1987, it still conjures cool memories of iconic television and film from the 1970s and 1980s – Sapphire and Steel, Who Pays the Ferryman, Fiddler on the Roof and The French Lieutenant's Woman. Fearsome, eccentric and unpredictable, Patience Collier was an actress whose perfectionism shone through in her every performance, and who worked alongside many of the most celebrated actors and directors of her time. Drawing on Collier's diaries, letters and photographs as well as interviews with those who worked with her, Vanessa Morton paints a portrait of a gifted and eccentric woman weaving her way through the twentieth century, and gives a panoramic overview of theatre, film, TV and radio in Britain over half a century. Part social history, part cultural history, The Performer's Tale is a richly entertaining account of an actor's life and times. 'I never met Patience Collier. Now, having read Vanessa Morton's richly entertaining book, I feel as if I did' Michael Billington, former theatre critic of the Guardian
The Student Nonviolent Coordinating Committee formed in April 1960 to advance civil rights. With a tremendous human rights mission facing them, the founding SNCC members included communication and publicity as part of their initial purpose. This book provides a broad overview of these efforts from SNCC's birth in 1960 until the beginning of its demise in the late 1960s and examines the communication tools that SNCC leaders and members used to organize, launch, and carry out their campaign to promote civil rights throughout the 1960s. It specifically explores how SNCC workers used public relations to support and promote their platforms and to build a grassroots community movement; and how the organization later rejected these strategies for a radical and isolated approach.
This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent – the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective—from terrorist to sleeper agent—brings new insights into our understanding of post-9/11 representations of terrorism. The book’s interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well as media and terrorism studies.
Provides well-organized coverage of statistical analysis and applications in biology, kinesiology, and physical anthropology with comprehensive insights into the techniques and interpretations of R, SPSS®, Excel®, and Numbers® output An Introduction to Statistical Analysis in Research: With Applications in the Biological and Life Sciences develops a conceptual foundation in statistical analysis while providing readers with opportunities to practice these skills via research-based data sets in biology, kinesiology, and physical anthropology. Readers are provided with a detailed introduction and orientation to statistical analysis as well as practical examples to ensure a thorough understanding of the concepts and methodology. In addition, the book addresses not just the statistical concepts researchers should be familiar with, but also demonstrates their relevance to real-world research questions and how to perform them using easily available software packages including R, SPSS®, Excel®, and Numbers®. Specific emphasis is on the practical application of statistics in the biological and life sciences, while enhancing reader skills in identifying the research questions and testable hypotheses, determining the appropriate experimental methodology and statistical analyses, processing data, and reporting the research outcomes. In addition, this book: • Aims to develop readers’ skills including how to report research outcomes, determine the appropriate experimental methodology and statistical analysis, and identify the needed research questions and testable hypotheses • Includes pedagogical elements throughout that enhance the overall learning experience including case studies and tutorials, all in an effort to gain full comprehension of designing an experiment, considering biases and uncontrolled variables, analyzing data, and applying the appropriate statistical application with valid justification • Fills the gap between theoretically driven, mathematically heavy texts and introductory, step-by-step type books while preparing readers with the programming skills needed to carry out basic statistical tests, build support figures, and interpret the results • Provides a companion website that features related R, SPSS, Excel, and Numbers data sets, sample PowerPoint® lecture slides, end of the chapter review questions, software video tutorials that highlight basic statistical concepts, and a student workbook and instructor manual An Introduction to Statistical Analysis in Research: With Applications in the Biological and Life Sciences is an ideal textbook for upper-undergraduate and graduate-level courses in research methods, biostatistics, statistics, biology, kinesiology, sports science and medicine, health and physical education, medicine, and nutrition. The book is also appropriate as a reference for researchers and professionals in the fields of anthropology, sports research, sports science, and physical education. KATHLEEN F. WEAVER, PhD, is Associate Dean of Learning, Innovation, and Teaching and Professor in the Department of Biology at the University of La Verne. The author of numerous journal articles, she received her PhD in Ecology and Evolutionary Biology from the University of Colorado. VANESSA C. MORALES, BS, is Assistant Director of the Academic Success Center at the University of La Verne. SARAH L. DUNN, PhD, is Associate Professor in the Department of Kinesiology at the University of La Verne and is Director of Research and Sponsored Programs. She has authored numerous journal articles and received her PhD in Health and Exercise Science from the University of New South Wales. KANYA GODDE, PhD, is Assistant Professor in the Department of Anthropology and is Director/Chair of Institutional Review Board at the University of La Verne. The author of numerous journal articles and a member of the American Statistical Association, she received her PhD in Anthropology from the University of Tennessee. PABLO F. WEAVER, PhD, is Instructor in the Department of Biology at the University of La Verne. The author of numerous journal articles, he received his PhD in Ecology and Evolutionary Biology from the University of Colorado.
In the hot and steamy July of 1961, a hedonistic weekend at Lord Astor’s Buckinghamshire estate Cliveden set in motion a chain of events like no other. It was where John Profumo, Secretary of State for War, first decided he must bed the 19-year-old Christine Keeler, a model and showgirl. But that weekend Keeler headed home to London with diplomat, and known Russian spy, Yevgeny Ivanov instead. Undeterred, Profumo quickly started dating Keeler, and begun to mix in her circle, which included society osteopath Stephen Ward and fellow model Mandy Rice-Davies. But alongside flirting with the decadent upper classes, Ward and Keeler also enjoyed the seedier side of city life, becoming entangled with violent petty criminals. The heady mix of sex and espionage soon exploded. With Profumo exposed as a fraud, the government was left scrabbling to protect its reputation. Had its war minister been duped by the Soviets into careless pillow talk instigated by a Communist sympathiser? Both Ward and Keeler would become victims of the subsequent witch hunt. Ward would die by suicide and Keeler was branded a whore and liar. The Profumo Affair was the scandal that rocked the 60s. But how and why did a brief romance between a married MP and a young showgirl go on to shatter so many lives and bring down the government of Harold ‘Supermac’ Macmillan? Using the official Denning Report, recently released archival material and the accounts of those involved, Vanessa Holburn pieces together this surprisingly relatable story and asks; what really happened behind the headlines?
The Mother-Blame Game is an interdisciplinary and intersectional examination of the phenomenon of mother-blame in the twenty-first century. As the socioeconomic and cultural expectations of what constitutes “good motherhood” grow continually narrow and exclusionary, mothers are demonized and stigmatized—perhaps now more than ever—for all that is perceived to go “wrong” in their children’s lives. This anthology brings together creative and scholarly contributions from feminist academics and activists alike to provide a dynamic study of the many varied ways in which mothers are blamed and shamed for their maternal practice. Importantly, it also considers how mothers resist these ideologies by engaging in empowered and feminist mothering practices, as well as by publicly challenging patriarchal discourses of “good motherhood.”
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