New in paperback As we ask anew in these troubled times what it means to be an American, You, the People provides perspective by casting its eye over the answers given by past U.S. presidents in their addresses to the public. Who is an American, and who is not? And yet, as Vanessa Beasley demonstrates in this eloquent exploration of a century of presidential speeches, the questions are not new. Since the Founders first identified the nation as “we, the people,” the faces and accents of U.S. citizens have changed dramatically due to immigration and other constitutive changes. U.S. presidents have often spoken as if there were one monolithic American people. Here Beasley traces rhetorical constructions of American national identity in presidents’ inaugural addresses and state of the union messages from 1885 through 2000. She argues convincingly that while the demographics of the voting citizenry changed rapidly during this period, presidential definitions of American national identity did not. Chief executives have consistently employed a rhetoric of American nationalism that is simultaneously inclusive and exclusive; Beasley examines both the genius and the limitations of this language.
This is the complete reference to the classic yachts and dinghies still sailing today. Focusing on the most well-known, popular and enduring designs - from the 7ft Optimist to the 125ft J class - this beautifully illustrated book showcases 144 boats from across the world, with a wealth of detail on each class, including: the origins and history of the class; what it's like to sail one; fascinating stories about the boat, who sailed her, and her development; stunning photography, sailplans and sail symbol; full detail on her length, layout and designer. Featuring designers from an internationally recognised hall of fame (including William Fife, Olin Stevens, Maurice Griffiths and Uffa Fox), Classic Classes is the perfect resource for classic boat owners and enthusiasts worldwide, whether their interest lies in high-performance thoroughbred racers, well-loved creek crawling cruisers or popular home-built classic dinghies. Published in advance of the 2012 Olympics, there is also a section devoted to the 46 Olympic classes.
Like many black school principals, Ulysses Byas, who served the Gainesville, Georgia, school system in the 1950s and 1960s, was reverently addressed by community members as "Professor." He kept copious notes and records throughout his career, documenting efforts to improve the education of blacks. Through conversations with Byas and access to his extensive archives on his principalship, Vanessa Siddle Walker finds that black principals were well positioned in the community to serve as conduits of ideas, knowledge, and tools to support black resistance to officially sanctioned regressive educational systems in the Jim Crow South. Walker explains that principals participated in local, regional, and national associations, comprising a black educational network through which power structures were formed and ideas were spread to schools across the South. The professor enabled local school empowerment and applied the collective wisdom of the network to pursue common school projects such as pressuring school superintendents for funding, structuring professional development for teachers, and generating local action that was informed by research in academic practice. The professor was uniquely positioned to learn about and deploy resources made available through these networks. Walker's record of the transfer of ideology from black organizations into a local setting illuminates the remembered activities of black schools throughout the South and recalls for a new generation the role of the professor in uplifting black communities.
“In these soaring, open-hearted essays, Vanessa Zoltan writes with fierce brilliance about suffering, survival, and the kind of meaning in life that can withstand real scrutiny.”—John Green, bestselling author of The Fault in Our Stars and The Anthropocene Reviewed A deeply felt exploration of the ways our favorite books can shape and heal us, from the host of Harry Potter and the Sacred Text. Our favorite reads keep us company, give us hope, and help us find meaning in a chaotic world. In this fresh and relatable work, atheist chaplain Vanessa Zoltan blends memoir and personal growth as she grapples with the notions of family legacy and identity through the lens of her favorite novel, Jane Eyre. Informed by her training at the Harvard Divinity School and filtered through the pages of Jane Eyre as well as Little Women, Harry Potter, and The Great Gatsby, Zoltan explores topics ranging from the trauma she has inherited as the granddaughter of four Holocaust survivors to finding hope, meaning, and even magic in our deeply fractured times. Brimming with a love of classic literature and the tenderness of self-reflection, the book also reveals simple techniques for reading any work as a sacred text--from Virginia Woolf to Anne of Green Gables to baseball scorecards. Whether you're an avowed "Eyrehead" or a voracious reader and pop culture fan, this deeply felt and inspiring book will light the way to a more intimate appreciation for whatever books you love to read.
You'll laugh as much as you cry at this poignant tale of female friendship, love and loss' Marie Claire A story of friendship, heartbreak and the day that changed two lives forever from the bestselling author of The Vintage Teacup Club. The perfect read for fans of Lucy Diamond and Lucy Dillon. When life as you know it changes, will it define you, destroy you or make you stronger? Best friends Isla and Sophie made each other a promise a long time ago: to never let life pass them by. Years later, Isla is in love, living abroad and fulfilling her dreams. But for Sophie, things haven't turned out the way she was expecting and she hasn't achieved any of the things she and Isla talked about. And then, in one sudden moment, life irrevocably changes for both women. Isla and Sophie have hard decisions to make but above all else they must face up to the uncertainty that lies ahead. It's only when they realise that this is easier together, two friends standing side by side, that each woman can embrace whatever the future holds for them. Emotional, poignant and uplifting, The Little Pieces of You and Me is a story about old friends, new beginnings and what happens when being strong is your only choice. It will take your breath away.
In the hot and steamy July of 1961, a hedonistic weekend at Lord Astor’s Buckinghamshire estate Cliveden set in motion a chain of events like no other. It was where John Profumo, Secretary of State for War, first decided he must bed the 19-year-old Christine Keeler, a model and showgirl. But that weekend Keeler headed home to London with diplomat, and known Russian spy, Yevgeny Ivanov instead. Undeterred, Profumo quickly started dating Keeler, and begun to mix in her circle, which included society osteopath Stephen Ward and fellow model Mandy Rice-Davies. But alongside flirting with the decadent upper classes, Ward and Keeler also enjoyed the seedier side of city life, becoming entangled with violent petty criminals. The heady mix of sex and espionage soon exploded. With Profumo exposed as a fraud, the government was left scrabbling to protect its reputation. Had its war minister been duped by the Soviets into careless pillow talk instigated by a Communist sympathiser? Both Ward and Keeler would become victims of the subsequent witch hunt. Ward would die by suicide and Keeler was branded a whore and liar. The Profumo Affair was the scandal that rocked the 60s. But how and why did a brief romance between a married MP and a young showgirl go on to shatter so many lives and bring down the government of Harold ‘Supermac’ Macmillan? Using the official Denning Report, recently released archival material and the accounts of those involved, Vanessa Holburn pieces together this surprisingly relatable story and asks; what really happened behind the headlines?
From the author of The Vintage Teacup Club The first rule of afternoon tea: never rush. Take time to savor it. Just like friendship… The Seafront Tearoom is an insider secret in small-town Scarborough – a beach-front haven with the best tea and cakes in town – and journalist Charlie Harrison would love to put it on the map with a feature in her magazine. But single mom Kat Murray doesn’t want to see her favorite sanctuary overrun by tourists, and begs Charlie to seek out other options. She offers her help, as a “tea obsessive,” and so does French au pair Séraphine Moreau, whose upbringing makes her a connoisseur of everything sweet and indulgent. Together the three women will scour the countryside for quaint hideaways and hidden gems, sharing along the way their secrets, disappointments, and dreams – and discovering that friendship, like tea, takes time to steep. But learning too that once you open your heart, the possibilities are endless. Reading Guide Included
Dark Victorians illuminates the cross-cultural influences between white Britons and black Americans during the Victorian age. In carefully analyzing literature and travel narratives by Ida B. Wells, Harriet Martineau, Charles Dickens, Frederick Douglass, Thomas Carlyle, W.E.B. Du Bois, and others, Vanessa D. Dickerson reveals the profound political, racial, and rhetorical exchanges between the groups. From the nineteenth-century black nationalist David Walker, who urged emigrating African Americans to turn to England, to the twentieth-century writer Maya Angelou, who recalls how those she knew in her childhood aspired to Victorian ideas of conduct, black Americans have consistently embraced Victorian England. At a time when scholars of black studies are exploring the relations between diasporic blacks, and postcolonialists are taking imperialism to task, Dickerson considers how Britons negotiated their support of African Americans with the controlling policies they used to govern a growing empire of often dark-skinned peoples, and how philanthropic and abolitionist Victorian discourses influenced black identity, prejudice, and racism in America.
Toy Stories: Analyzing the Child in Nineteenth-Century Literature explores the stakes of recurrent depictions of children’s violent, damaging, and tenuously restorative play with objects within a long nineteenth century of fictional and educational writing. As Vanessa Smith shows us, these scenes of aggression and anxiety cannot be squared with the standard picture of domestic childhood across that period. Instead, they seem to attest to the kinds of enactments of infant distress we would normally associate with post-psychoanalytic modernity, creating a ripple effect in the literary texts that nest them: regressing developmental narratives, giving new value to wooden characters, exposing Realism’s solid objects to odd fracture, and troubling distinctions between artificial and authentic interiority. Toy Stories is the first study to take these scenes of anger and overwhelm seriously, challenging received ideas about both the nineteenth century and its literary forms. Radically re-conceiving nineteenth-century childhood and its literary depiction as anticipating the scenes, theories, and methodologies of early child analysis, Toy Stories proposes a shared literary and psychoanalytic discernment about child’s play that in turn provides a deep context for understanding both the “development” of the novel and the keen British uptake of Melanie Klein’s and Anna Freud’s interventions in child therapy. In doing so, the book provides a necessary reframing of the work of Klein and Freud and their fractious disagreement about the interior life of the child and its object-mediated manifestations.
In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars.
The contributors draw on their professional experience in school and community settings to describe a wide variety of suitable therapeutic interventions that enable children to deal with experiences of trauma, loss, abuse, and other risk factors that may affect their ability to reach their full academic and personal potentials.
Rivals is both the ultimate directory of football derbies and a collection of the stats that 'really matter' for the English League Clubs. Forget the dry and oft-quoted football facts, 'Rivals' arms the reader with a completely new set of fan-based stats. Find out which club has the highest 'nutter rating' (arrests per 1,000 attendance), or the worst 'Your ground's too big for you' ranking! Which club offers their supporters the worst 'Fans' value-for-money' (admission price as a ratio of 5 year league position!) There are many intriguing, often funny, stories behind the web of little publicised, though frequently intense, rivalries between clubs and fans. With many contributions from supporters, the book examines the extraordinary cult of British Football Derbies, looking at the inter-town and regional biases, stereotypes, and opinions that fans have about their footballing rivals. At 240pp, Rivals is a light-hearted collection of statistics, fans' testimony and boundless trivia. The book uncovers the amusing, bizarre, and sometimes alarming portraits of the intensity of fans' feelings, and the way in which they perceive other teams, towns and cities. It has a clear format pulling together diverse facts. Attractively designed with information given under headings allowing the reader to compare various facts on a club-to-club basis, the text can be read from cover to cover or dipped into.
When Rosa and Bee get together in the run-up to Bee's wedding, they reminisce about the holiday they took together as teenagers to the beautiful Greek island of Paros. They remember the sandy coves, the guest house in the converted windmill where they stayed with their friend Iona, and the gorgeous local men. As memories of that long-forgotten holiday resurface, they are forced to confront the turns their lives have taken - and the guilt they both feel about letting Iona slip away from them. When they learn that the windmill guest house is going bust they form a plan: why not go back to the island and take it over themselves? And so begins a life-changing journey - because it turns out that opening a guest house and reliving their teenage dreams isn't that easy . . . Full of romance and friendship, love and life, laughter and tears, The Beachside Guest House is an uplifting novel about the magic of starting over with friends by your side.
What constitutes a good parent, and when do they go too far? We often hear stereotypes associated with strict Asian parenting, and yet, although the accreditations on paper are known to many, still we find ourselves wondering, But at what costs? Secrets of a Fortune Cookie: A Memoir describes the harrowing journey of author Vanessa Yang, a young woman of Chinese descent, who was born in Singapore and educated in schools across the globe. She experienced a traditional Asian-style upbringing, with no consideration to social development. As a strictly raised Chinese Singaporean expatriate student in international schools, she was also influenced by her friends and peersand their Western ideals. Her mothers relentless Eastern upbringing, dominated by an isolated focus on academics alone, was not a productive fit to a teenagers growing desires to fit in and find encouragement and love. These disparate experiences and lifestyles were the seeds of her vicious teen rebellion against everything her parents honored, and it was these acts of defiance that ultimately climaxed her insecurities. Satirically funny and heartrending by turns, her story of independent self-discovery brings to light, the aptly pondered detriments of the causes and consequences of stereotypical Asian-style parenting. In the end, the clash of cultures she and her sisters faced drove her to resort to drastic measures in order to find the love and confidence she never received at home. A remarkable memoir with valuable life lessons, Secrets of a Fortune Cookie offers an inspiring look at a young womans turbulent past.
Vanessa Bell, artist, sister of Virginia Woolf, wife of Clive Bell and lover of Duncan Grant, is one of the most fascinating and modern figures of the Bloomsbury set, but unlike most of them she rarely put pen to writing paper. When she did, she was witty and illuminating about their early lives. The eldest of the Stephen family, she grew up with Virginia in Victorian gloom at Hyde Park Gate and later blossomed in bohemian style in Bloomsbury. From the twenties to the forties she lived and painted at Charleston Farmhouse like a heroine of the sixties and seventies, at the centre of a colourful world of family, friends, artists and intellectuals. Sketches in Pen and Ink is a unique collection of largely unpublished memoirs - most of them written to be read at meetings of the Memoir club, in which Vanessa writes with wit and charm about herself, her childhood, her remarkable family and friends, her moving relationship with Roger Fry, and her art. Her daughter, Angelica Garnett, has written a vivid and personal introduction which adds considerably to our understanding of this extraordinary woman and artist.
The creation of public and government policy presents a "wicked" problem because it tends to be highly contested, involves many different stakeholders, and yields outcomes that change and evolve over time. Developing Government Policy Capability examines the role project management plays in supporting how policy work is conducted. Using Australia's controversial Tobacco Plain Packaging Act 2011 as a case study, the authors explore the question: Can project management practices contribute to improving government policy development and implementation capability? Their argument—that project management can solve even "wicked" problems—is not necessarily new. As they explain, that's pretty much what project management is all about. Project managers need to clearly articulate, acknowledge, and legitimize invisible work—the bridge between what is being done and what is supposed to be done. The project management tool set and the importance of recognizing the societal dimension when planning and conducting projects can make it possible for practitioners to tackle even the most complex policy work.
Most observers and historians rarely acknowledge the history of civil rights predating the twentieth-century. The book Black Rights in the Reconstruction Era pays significant scholarly attention to the intellectual ferment—legal and political—of the nineteenth-century by tracing the history of black Americans’ civil rights to the postbellum era. By revisiting its faulty foundational history, this book lends itself to show that, after emancipation, national and local struggles for racial equality had led to the encoding of racism in the political order in the American South and the proliferation of racism as an American institution.Vanessa Holloway draws upon a host of historical, legal, and philosophical studies as well as legislative histories to construct a coherent theory of the law’s relevance to the era, questioning how the nexus of race and politics should be interpreted during Reconstruction. Anchored in the Reconstruction Amendments, Supreme Court decisions and landmark statutes of the 1860s and 1870s—the Black Codes, the Freedmen’s Bureau, the Civil Rights Act of 1866, the Reconstruction Acts, the Enforcement Acts, and the Civil Rights Act of 1875—Black Rights in the Reconstruction Era offers a new perspective on the political history of law between the years 1865 and 1877. It is predominant in the ongoing debates on social justice and racial inequality.
In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
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