Based on research that was awarded the Governor General’s Academic Gold Medal, Healing Home is an exploration of the lives and health of young women experiencing homelessness. Vanessa Oliver employs an innovative methodology that blends sociology and storytelling practices to investigate these women’s access to health services, their understandings of health and health care delivery, and their health-seeking behaviours. Through their life stories, Oliver demonstrates how personal and social experiences shape health outcomes. In contrast to many previous studies that have focused on the deficits of these young people, Healing Home is both youth-centric and youth-positive in its approach: by foregrounding the narratives of the women themselves, Oliver empowers a sub-section of the population that traditionally has not had a voice in determining policies that shape their realities. Applying a strong, articulate, and systemic analysis to on-the-ground narratives, Oliver is able to offer fresh, incisive recommendations for health and social service providers with the potential to effect real-world change for this marginalized population.
Stimulus spending to address the economic crisis brought on by the COVID-19 pandemic has the potential to either facilitate the transition away from fossil energy or to lock in carbon-intensive technologies and infrastructure for decades to come. Whether they are focused on green sectors or not, stimulus measures can alleviate or reinforce socio-economic inequality. This Element delves into the data in the Energy Policy Tracker to assess the extent to which energy policies adopted during the pandemic will expedite decarbonization and explores whether governments address inequities through policies targeted to disadvantaged, marginalized and underserved individuals and communities. The overall finding is that the recovery has not been sufficiently green or just. Nevertheless, a small number of policies aim to advance distributive justice and provide potential models for policymakers as they continue to attempt to 'build back better'. This title is also available as Open Access on Cambridge Core.
Ten fabulous stories of paranormal romance by ten skilled authors, showing us that sometimes ... Love Bites. Write More Publications New Adult Paranormal Romance Anthology, featuring these authors: Elaine White, Kim Stevens, Theresa Oliver, Dana Piazzi, Stephanie Parke, Vanessa Hancock, Ashlea Burns, Susan Burdorf, Becca Boucher, and Monica Blanton.
This biography offers a chronological presentation of the major events in Nez Perce history and in the life of one of their greatest leaders, Joseph. Chief Joseph: A Biography explores the world of the Nez Perce Indians from their entrance into the Columbia Plateau through their relations with the expanding United States. It recounts their attempt to accommodate the rapidly changing world around them, and it follows the life of Chief Joseph, one of their greatest peace leaders. Readers will learn how interactions with Lewis and Clark at the beginning of the 19th century and the subsequent duplicity of white settlers and their government radically changed the Nez Perce way of life—and influenced Joseph's rise. Separating the real Chief Joseph from the myths that have grown around him, the book shows how he shepherded the Nez Perce people through the ordeals that confronted them, including the loss of their land and freedom and the persistent threats to the culture that had guided the Nez Perce for centuries.
An English court in 1736 described rape as an accusation “easily to be made and hard to be proved, and harder to be defended by the party accused, though never so innocent. ”To prove the crime, the law required a woman to physically resist, to put up a “hue and cry,” as evidence of her unwillingness. Beginning in the 1970s, however, feminist and victim-advocacy groups began changing attitudes toward rape so the crime is now seen as violent in itself: the legal definition of rape now includes everything from the sadistic serial rapist to the eighteen-year-old who has consensual sex with a fourteen-year-old. This inclusiveness means there are now more rapists among us. And more of rape’s camp followers: the prison-makers, the community watchdogs, law-and-order politicians, and the real-crime/real-time entertainment industry. Vanessa Place examines the ambiguity of rape law by presenting cases where guilt lies, but lies uneasily, and leads into larger ethical questions of what defines guilt, what is justice, and what is considered just punishment. Assuming a society can and must be judged by the way it treats its most despicable members, The Guilt Project looks at the way the American legal system defines, prosecutes, and punishes sex offenders, how this Dateline NBC justice has transformed our conception of who is guilty and how they ought to be treated, and how this has come to undo our deeper humanity
Julian Barnes's work has been marked by great variety, ranging not only from conventional fiction to postmodernist experimentation in such well-known novels as Flaubert's Parrot (1984) and A History of the World in 10 1⁄2 Chapters (1989), but also from witty essays to deeply touching short stories. The responses of readers and critics have likewise varied, from enthusiasm to scepticism, as the substantial volume of critical analysis demonstrates. This Readers' Guide provides a comprehensive and accessible overview of the essential criticism on Barnes's work, drawing from a selection of reviews, interviews, essays and books. Through the presentation and assessment of key critical interpretations, Vanessa Guignery provides the most wide-ranging examination of his fiction and non-fiction so far, considering key issues such as his use of language, his treatment of history, obsession, love, and the relationship between fact and fiction. Covering all of the novels to date, from Metroland (1981) to Arthur and George (2005), this is an invaluable introduction to the work of one of Britain's most exciting and popular contemporary writers.
How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb
This “sublimely sensual Regency [romance] delivers wit, a tightly knit plot, a refreshingly different hero, and a realistically complicated heroine” (Booklist, starred review). She is difficult, demanding, and at times, quite fierce. And Dr. John Blackmore can’t take his eyes off her. The Countess of Randolph is the most striking woman he has ever seen . . . and the most infuriating patient he has ever tended. Mired in responsibility, Bathsheba doesn't have time to convalesce in the country. She should be in London, hunting for a wealthy new lover to pay off her late husband's vast debts, not dallying with a devastatingly handsome doctor. But it is only a matter of time until the good doctor and the obstinate countess will have to contend with the sparks that fly between them. And once their bodies surrender, their hearts may follow . . .
Mastering the Marquess Praise for Vanessa Kelly and Mastering the Marquess "A rare gem." --Julianne MacLean, USA Today bestselling author "Fast paced and difficult to put down." --Romantic Times "A delectable treat." --Sharon Page, author of The Club Since the loss of her parents, Meredith Burnley has contented herself with a solitary life looking after her half-sister, Annabel. But Meredith's peace is shattered when her uncle schemes to marry her off to his son in order to gain her inheritance. Desperate, Meredith has only one choice: to flee with Annabel to their estranged grandparents' home. But their arrival soon reignites a family scandal--and kindles unexpected romance. . . Happily reunited with the girls, Annabel's grandmother resolves to convince her nephew, Stephen Mallory, the Marquess of Silverton, to abandon his rakish lifestyle and wed Annabel. Stephen is clearly captivated--but with the wrong sister! Determined to make Meredith his own, Stephen embarks on a seduction that will leave her with no choice but to surrender to his touch. . . Sex and the Single Earl Praise for Vanessa Kelly and Sex and the Single Earl "A sensual treat!" -Anna Campbell "Successfully marrying the tart wit of a traditional Regency romance with the steamy passion of today's Regency historicals isn't easy, but Kelly proves to be more than capable." –Booklist "Guaranteed to satisfy even the most passionate romance reader." --Teresa Medeiros, New York Times bestselling author of The Devil Wears Plaid Their marriage was convenient. . . Simon St. James, fifth Earl of Trask, knows he could do worse in the marriage of convenience department. Sophie Stanton may be a bit of a social liability, with her ungovernable ways and flighty nature, but Simon has responsibilities as an earl that far outweigh happiness in the household. And as for happiness in the bedroom. . .he has to admit he sees Sophie's potential in that arena. . . Their passion was not! But Sophie isn't some bargaining chip to be traded, and she's not about to let Simon St. James tell her how to live her life--even though she has nurtured a crush on the handsome young earl for as long as she can remember. If his idea of courtship is telling her what to do, then she is not interested, or at least she is trying not to be. But when his scolding words turn to scorching kisses, suddenly Sophie starts paying attention. . . My Favorite Countess She is difficult, demanding, and at times, quite fierce. And Dr. John Blackmore can't take his eyes off her. The Countess of Randolph is the most striking woman he has ever seen. . .and the most infuriating patient he has ever tended. Mired in responsibility, Bathsheba doesn't have time to convalesce in the country. She should be in London, hunting for a wealthy new lover to pay off her late husband's vast debts, not dallying with a devastatingly handsome doctor. But it is only a matter of time until the good doctor and the obstinate countess will have to contend with the sparks that fly between them. And once their bodies surrender, their hearts may follow. . .
Situated on the southwest coast of modern Turkey, Miletos stood for centuries as one of the paramount cities in the Hellenic world, a gateway between the East and West. It became especially famous as the most prolific mother city in Greek history, sending out at least forty-five known primary and secondary settlements into the Sea of Marmara and the Black Sea, while at home developing into an intellectual and artistic center and one of the birthplaces of Western science and philosophy. A history of Miletos is long overdue. Despite the significance of this city in antiquity and the important results of ongoing excavations there, the last full-scale discussion of Miletos was written in 1915. In Miletos, the Ornament of Ionia, Vanessa B. Gorman provides the first and only modern, integrated history of the city, collecting and scrutinizing sources about Miletos for the period stretching from the first signs of habitation until 400 B.C.E. This book reviews the archaeological evidence for the physical city, demonstrates the likelihood of both Minoan and Mycenaean settlements there, and substantiates the fact of the Persian destruction and refoundation of Miletos along orthogonal lines. With insight and diligence, Gorman surveys the cults known to have existed during this period; traces the political progress of the city through monarchy, oligarchy, tyranny, and democracy; and sketches the terms of its subjugation under the Persians and later the Athenians. Providing a detailed and up-to-date account of the development of one of the major urban centers of Asia Minor, Gorman's book will engage classicists, historians, and Near Eastern specialists. Vanessa B. Gorman is Associate Professor of History, University of Nebraska, Lincoln.
The year 2017 marked the 150th anniversary of Confederation and the 1867 Constitution Act. Anniversaries like these are often seized upon as opportunities for retrospection. This volume, by contrast, takes a distinctively forward-looking approach. Featuring essays from both emerging and established scholars, The Canadian Constitution in Transition reflects on the ideas that will shape the development of Canadian constitutional law in the decades to come. Moving beyond the frameworks that previous generations used to organize constitutional thinking, the scholars in this volume highlight new and innovative approaches to perennial problems, and seek new insights on where constitutional law is heading. Featuring fresh scholarship from contributors who will lead the constitutional conversation in the years ahead - and who represent the gender, ethnic, linguistic, and demographic make-up of contemporary Canada - The Canadian Constitution in Transition enriches our understanding of the Constitution of Canada, and uses various methodological approaches to chart the course toward the bicentennial.
The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries.Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time.A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.
Ray, Sasha, Liam, and Harper have been friends since they were young. They've gotten through the worst together, but it seems like a recent argument might be just enough to break the ties of their friendship for good. That is, until the earthquake hits. Together they must navigate through the rubble to get to safety. But suddenly Harper is missing. With aftershocks happening every few minutes, it's going to take all three of them to save their lost friend. Personal drama doesn't seem so serious when every moment is a struggle to stay alive.
With dreams of becoming a professional snowboarder on her mind, Jessa drags her younger brother Pax up the tricky slopes of a mountain, ignoring warnings of an approaching storm. She’s having a great time riding the powder—until the storm everybody warned her about gets in the way. Now whiteout conditions make it too dangerous for them to continue. This would-be professional boarder must figure out how to get herself and her younger brother to safety before they both freeze to death.
Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.
In Thinking without Thinking in the Victorian Novel, Vanessa L. Ryan demonstrates how both the form and the experience of reading novels played an important role in ongoing debates about the nature of consciousness during the Victorian era. Revolutionary developments in science during the mid- and late nineteenth century—including the discoveries and writings of Herbert Spencer, William Carpenter, and George Henry Lewes—had a vital impact on fiction writers of the time. Wilkie Collins, George Eliot, George Meredith, and Henry James read contributions in what we now call cognitive science that asked, "what is the mind?" These Victorian fiction writers took a crucial step, asking how we experience our minds, how that experience relates to our behavior and questions of responsibility, how we can gain control over our mental reflexes, and finally how fiction plays a special role in understanding and training our minds. Victorian fiction writers focus not only on the question of how the mind works but also on how it seems to work and how we ought to make it work. Ryan shows how the novelistic emphasis on dynamic processes and functions—on the activity of the mind, rather than its structure or essence—can also be seen in some of the most exciting and comprehensive scientific revisions of the understanding of "thinking" in the Victorian period. This book studies the way in which the mind in the nineteenth-century view is embedded not just in the body but also in behavior, in social structures, and finally in fiction.
Fans of Bridgerton will love these two Regency romances for the price of one, featuring two best friends, each determined to advertise for love. The Bittersweet Bride: Widow Theodosia Cecil needs a husband and needs one fast to protect her land, so she places an anonymous ad in the paper. She’s delighted she spends her remaining weeks exchanging flirtatious letters with the perfect man... Until she meets him and realizes he’s the son of the man trying to steal her land. The Bashful Bride: When sparks fly between timid heiress Ester Croome and a handsome actor, they’re quick to elope. But when she discovers there is so much more to him than meets the eye, in order to save the marriage the shiest woman alive must publicly woo the most desirable man in England...her husband.
For fans of Downton Abbey, Gosford Park and After the Party. Duty, scandal, and a mother’s desperate attempt to protect her sons from a secret that will destroy them. 'A breathtakingly good, heartbreaking and utterly absorbing story.' Cressida Connolly, author of After the Party LONDON 1921 – Jean Buckman, a young and innocent American heiress arrives in England to find a society decimated by war but resolutely clinging to the status quo. She marries Edward Warre an engaging but complex man and the owner of a once great but now struggling estate. As the marriage falters, Jean spends her summers in the South of France where she embarks on a passionate affair that will have repercussions for the rest of her life. Two sons arrive, the oldest, heir to the estate, is not the true bloodline. But Edward needs Jean’s money to survive, and she needs her husband's silence. The Other Side of Paradise is the heart-breaking story of a family ripped apart by the shackles of inheritance and the rules imposed upon them by a society that cannot face the truth. 'With gorgeously fluid prose that never snags on the period detail, Beaumont is a debut writer with a bold future.' Jessica Fellowes, author of The Mitford Murders
Ruth Croome, a Blackamoor heiress, was supposed to get married in a gorgeous wedding gown, made from her father’s exquisite fabrics. Instead, they eloped to Gretna Green and upon returning, their carriage was beset by highwaymen and she witnessed the murder of her new husband. Now, four years later, with a child, she wants to move on with her life. A marriage of convenience will do. Ruth already had a love for the ages. Adam Wilky is really the heir to the Wycliff barony—which he never told Ruth. Too much danger. So many secrets. When he was nearly beaten to death and sold into impressment, he thought Ruth had died, too. Ready for revenge, he finally returns and discovers Ruth alive—with a son who could only be his—and she is furious to discover he lied to her. Now it’ll take more than remembered passion if he hopes to win his reluctant wife back... Each book in the Advertisements for Love series is STANDALONE: * The Bittersweet Bride * The Bashful Bride * The Butterfly Bride * The Bewildered Bride
Iona Walker, a successful and ambitious lawyer, struggles to rededicate herself to God while coping with her mother's cancer and searching for the people who kidnapped her father, a minister and former drug lord.
Nietzsche coins the enigmatic term homo natura to capture his understanding of the human being as a creature of nature and tasks philosophy with the renaturalisation of humanity. Following Foucault's critique of the human sciences, Vanessa Lemm discusses the reception of Nietzsche's naturalism in philosophical anthropology, psychoanalysis and gender studies. She offers an original reading of homo natura that brings back the ancient Greek idea of nature and sexuality as creative chaos and of the philosophical life as outspoken and embodied truth, perhaps best exemplified by the Cynics' embrace of social and cultural transformation.
Nashville's Music Row is as complicated as the myths that surround it. And there are plenty, from an adulterous French fur trader to an adventurous antebellum widow, from the early Quonset hut recordings to record labels in glass high-rise towers and from "Your cheatin' heart' to 'Strawberry wine.' Untangle the legendary history with never-before-seen photos of Willie Nelson, Patsy Cline, Kris Kristofferson and Shel Silverstein and interviews with multi-platinum songwriters and star performers. Authors Brian Allison, Elizabeth Elkins and Vanessa Olivarez dig into the dreamers and the doers, the architects and the madmen, the ghosts and the hit-makers that made these avenues and alleys world-famous."--Unedited summary from page [4] of cover
Emphasizing an appreciation for street lit as a way to promote reading and library use, Morris’s book helps library staff establish their “street cred” by giving them the information they need to provide knowledgeable guidance.
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