La Evolución de la Luz" es un libro sobre espiritualidad, presentado con el lenguaje más coloquial de modo que cualquier tipo de lector, ya sea que tenga información previa o no sobre el tema, lo entienda perfectamente y logre identificarse con la autora. "La Evolución de la Luz" está escrito en primera persona, logrando una profunda conexión con la autora. Al leer este libro, el lector siente como si estuviera platicando con una buena amiga. Vanessa revela secretos inquietantes de su niñez haciendo que el lector tome su poder y reconozca el Plan Divino. Cualquiera que haya pasado por momentos difíciles se identifica con ella, dándole sentido a su vida y sus experiencias.
En el principio de la Creación, uno de los 12 Seres Creadores originales malinterpreta una consigna del Creador y considera que puede convertirse en su igual, dando origen a la Oscuridad y desencadenado el mal que nunca debió haber existido. Debido a su desconexión de la energía del Creador, este ser y aquellos a quienes dio origen necesitan alimentarse de otra fuente por lo que secuestran la "idea" del Ser Humano (cuya concepción original fue del Creador) y la materializan en la Tierra. Sin embargo, la chispa original del Creador estaba ya en los Seres Humanos y es lo que hoy nos permitirá cortar el ciclo de esclavitud al que estamos sometidos y finalmente alcanzar la iluminación. ¿Cómo llegaron estos seres a adueñarse de nuestra Creación? ¿De qué manera utilizan al Ser Humano para sus propios fines? ¿Cuanto falta para que este mundo y todo lo que hay en él alcance la iluminación? Este libro responde estas y muchas otras preguntas.
During the second half of the nineteenth century, Paris emerged as the entertainment capital of the world. The sparkling redesigned city fostered a culture of energetic crowd-pleasing and multi-sensory amusements that would apprehend and represent real life as spectacle. Vanessa R. Schwartz examines the explosive popularity of such phenomena as the boulevards, the mass press, public displays of corpses at the morgue, wax museums, panoramas, and early film. Drawing on a wide range of written and visual materials, including private and business archives, and working at the intersections of art history, literature, and cinema studies, Schwartz argues that "spectacular realities" are part of the foundation of modern mass society. She refutes the notion that modern life produced an unending parade of distractions leading to alienation, and instead suggests that crowds gathered not as dislocated spectators but as members of a new kind of crowd, one united in pleasure rather than protest.
Four Caribbean Women Playwrights aims to expand Caribbean and postcolonial studies beyond fiction and poetry by bringing to the fore innovative women playwrights from the French Caribbean: Ina Césaire, Maryse Condé, Gerty Dambury, Suzanne Dracius. Focussing on the significance of these women writers to the French and French Caribbean cultural scenes, the author illustrates how their work participates in global trends within postcolonial theatre. The playwrights discussed here all address socio-political issues, gender stereotypes, and the traumatic slave and colonial pasts of the Caribbean people. Investigating a range of plays from the 1980s to the early 2010s, including some works that have not yet featured in academic studies of Caribbean theatre, and applying theories of postcolonial theatre and local Caribbean theatre criticism, Four Caribbean Women Playwrights should appeal to scholars and students in the Humanities, and to all those interested in the postcolonial, the Caribbean, and contemporary theatre.
An invaluable visual reference when sailing in foreign waters, this highly illustrated boat dictionary in nine languages focuses on all the topics boaters will need to refer to when abroad.
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja.
This book explores the significance of human animality in the philosophy of Friedrich Nietzsche and provides the first systematic treatment of the animal theme in Nietzsche's corpus as a whole Lemm argues that the animal is neither a random theme nor a metaphorical device in Nietzsche's thought. Instead, it stands at the center of his renewal of the practice and meaning of philosophy itself. Lemm provides an original contribution to on-going debates on the essence of humanism and its future. At the center of this new interpretation stands Nietzsche's thesis that animal life and its potential for truth, history, and morality depends on a continuous antagonism between forgetfulness (animality) and memory (humanity). This relationship accounts for the emergence of humanity out of animality as a function of the antagonism between civilization and culture. By taking the antagonism of culture and civilization to be fundamental for Nietzsche's conception of humanity and its becoming, Lemm gives a new entry point into the political significance of Nietzsche's thought. The opposition between civilization and culture allows for the possibility that politics is more than a set of civilizational techniques that seek to manipulate, dominate, and exclude the animality of the human animal. By seeing the deep-seated connections of politics with culture, Nietzsche orients politics beyond the domination over life and, instead, offers the animality of the human being a positive, creative role in the organization of life. Lemm's book presents Nietzsche as the thinker of an emancipatory and affirmative biopolitics. This book will appeal not only to readers interested in Nietzsche, but also to anyone interested in the theme of the animal in philosophy, literature, cultural studies and the arts, as well as those interested in the relation between biological life and politics.
In contemporary Western culture, the word "fetus" introduces either a political subject or a literal, medicalized entity. Neither of these frameworks does justice to the vast array of religious literature and oral traditions from cultures around the world in which the fetus emerges as a powerful symbol or metaphor. This volume presents essays that explore the depiction of the fetus in the world's major religious traditions, finding some striking commonalities as well as intriguing differences. Among the themes that emerge is the tendency to conceive of the fetus as somehow independent of the mother's body -- as in the case of the Buddha, who is described as inhabiting a palace while gestating in the womb. On the other hand, the fetus can also symbolically represent profound human needs and emotions, such as the universal experience of vulnerability. The authors note how the advent of the fetal sonogram has transformed how people everywhere imagine the unborn today, giving rise to a narrow range of decidedly literal questions about personhood, gender, and disability.
As new networks of railways, steamships, and telegraph communications brought distant places into unprecedented proximity, previously minor discrepancies in local time-telling became a global problem. Vanessa Ogle’s chronicle of the struggle to standardize clock times and calendars from 1870 to 1950 highlights the many hurdles that proponents of uniformity faced in establishing international standards. Time played a foundational role in nineteenth-century globalization. Growing interconnectedness prompted contemporaries to reflect on the annihilation of space and distance and to develop a global consciousness. Time—historical, evolutionary, religious, social, and legal—provided a basis for comparing the world’s nations and societies, and it established hierarchies that separated “advanced” from “backward” peoples in an age when such distinctions underwrote European imperialism. Debates and disagreements on the varieties of time drew in a wide array of observers: German government officials, British social reformers, colonial administrators, Indian nationalists, Arab reformers, Muslim scholars, and League of Nations bureaucrats. Such exchanges often heightened national and regional disparities. The standardization of clock times therefore remained incomplete as late as the 1940s, and the sought-after unification of calendars never came to pass. The Global Transformation of Time reveals how globalization was less a relentlessly homogenizing force than a slow and uneven process of adoption and adaptation that often accentuated national differences.
Grimms’ fairy tales are among the best-known stories in the world, but the way they have been introduced into and interpreted by cultures across the globe has varied enormously. In Grimms’ Tales around the Globe, editors Vanessa Joosen and Gillian Lathey bring together scholars from Asia, Europe, and North and Latin America to investigate the international reception of the Grimms’ tales. The essays in this volume offer insights into the social and literary role of the tales in a number of countries and languages, finding aspects that are internationally constant as well as locally particular. In the first section, Cultural Resistance and Assimilation, contributors consider the global history of the reception of the Grimms’ tales in a range of cultures. In these eight chapters, scholars explore how cunning translators and daring publishers around the world reshaped and rewrote the tales, incorporating them into existing fairy-tale traditions, inspiring new writings, and often introducing new uncertainties of meaning into the already ambiguous stories. Contributors in the second part, Reframings, Paratexts, and Multimedia Translations, shed light on how the Grimms’ tales were affected by intermedial adaptation when traveling abroad. These six chapters focus on illustrations, manga, and film and television adaptations. In all, contributors take a wide view of the tales’ history in a range of locales—including Poland, China, Croatia, India, Japan, and France. Grimms’ Tales around the Globe shows that the tales, with their paradox between the universal and the local and their long and world-spanning translation history, form a unique and exciting corpus for the study of reception. Fairy-tale and folklore scholars as well as readers interested in literary history and translation will appreciate this enlightening volume.
How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb
Search has changed everything. Has your business harnessed its full potential? A business's search strategy can have a dramatic impact on how consumers interact with that business. But even more importantly, search engine activity provides amazingly useful data about customer behavior, needs, and motivations. In this non-technical book for executives, business owners, and marketers, search engine strategy guru Vanessa Fox—who created Google's portal for site owners, Google Webmaster Central—explains what every marketer or business owner needs to understand about search rankings, search data, comprehensive search strategies, and integrating your strategy into the businesses processes. Updated statistics, tools, and recommendations Details about the latest changes from Google, Bing, and the overall search landscape Explanation and recommendations related to Google's substantial new search algorithm, know as "Panda" Discussion of the changing landscape of the integration of search and social media, including the addition of Google+ to the mix Traditional marketing isn't enough anymore. Businesses need to evolve as customer behavior evolves. Marketing in the Age of Google shows you how.
Through the stories of twenty-six inspiring figures - from ‘Capability’ Brown, Humphry Repton and Vita Sackville-West to lesser known figures, and present-day gardeners such as Beth Chatto and John Brookes - this book brings the colourful history of British gardening to life.
This book teaches you how to master classic and cutting edge Foley techniques in order to create rich and convincing sound for any medium, be it film, television, radio, podcasts, animation, or games. Award-winning Foley artist Vanessa Theme Ament demonstrates how Foley is designed, crafted, and edited for any project, down to the nuts and bolts of spotting, cueing, and performing sounds. Various renowned sound artists provide a treasure trove of indispensable shortcuts, hot tips, and other valuable tricks of the trade. This updated third edition features the following: New chapters dedicated to Foley in games, television, broadcasting, and animation, as well as what is new in sound for media education A multitude of sound "recipes" that include proven Foley methods you can immediately use on your own projects A diverse range of case studies from well-known films, shows, games, and animation Interviews with current sound artists from around the world By exploring the entire audio post-production process, this book provides you with an excellent understanding of where Foley fits in the business of filmmaking and is a perfect guide for both newcomers and experienced sound designers wanting to learn more about this art. Accompanying the book are online resources featuring video demonstrations of Foley artists at work, video tutorials of specific Foley techniques, lectures from the author and more.
Instruction covering four exam modules: listening, reading, writing and speaking. Includes one practice test and answer key. Script of accompanying audio recording.
• Explores beliefs and myths from Mesopotamia, ancient Egypt, and around the Mediterranean, revealing how ancient goddesses were powerful Queens of the Heavens and Guardians of the Underworld, not passive fertility symbols • Looks at creator goddesses, sun goddesses, lunar goddesses, warrior maiden goddesses, and night goddesses, including Hathor, Asherah, Inanna, Hekate, Athena, Astarte, and Gula-Bau • Includes modern adaptations of ancient goddess magic rituals and instructions for creating divine amulets, figurines, and stones blessed with the goddesses’ powers In the most ancient cultures of our world, goddesses were seen not as passive fertility symbols but as powerful, active Queens of the Heavens who protected cities, guided the dead and dying, and oversaw all forms of rebirth and transformation. Sharing her years of research and personal exploration into ancient goddess mythology, evolution, and ritual, Vanessa Lavallée explores the animistic beliefs of our long-forgotten ancestors, especially in Mesopotamia, ancient Egypt, and around the Mediterranean, and shows how the Queens of the Heavens still have a vital role to play in modern spirituality. She looks at sun goddesses who were often viewed as the mothers of the gods and shows how to spiritually and magically work with the Great Mothers of the Sky. Examining maiden warrior goddesses such as Athena, Circe the sorceress, Britomartis, Dyktinna, and Aphaia from the island of Aegina, the author explains their connections to the Eagle constellation and eagle lore and reveals how to work with the Warrior goddess archetype. Looking at night goddesses, the author describes their connection to the Goat Star, the Milky Way, Death, and the Underworld and explores their star magic and healing powers, including working with Vega, Sirius, Inanna, Hekate, and Gula-Bau. Exploring lunar goddesses, their role as protectors, and their connections to the Swan and the Cygnus constellation, she looks at how to work with guardian goddesses such as Astarte, Aphrodite, and Tanit. Offering modern adaptations of ancient goddess magic rituals and tools, the author explains how to perform rituals for healing, protection, and purification and how to create divine amulets, figurines, and stones blessed with the goddesses’ powers. She also reveals how to practice astral bathing for spiritual help and guidance. Presenting initiation practices throughout to help you connect with each Queen of the Heavens, this guide to the myth, magic, and history of ancient goddesses reveals that their legacy is still spiritually alive.
“You may not know Marie-Louise Christophe but once you have met her, you won’t forget her. Vanessa Riley’s historical novel feels timely and relevant, commemorating a time when Black women were queens.” —Jodi Picoult, #1 New York Times bestselling author Acclaimed historical novelist Vanessa Riley is back with another novel based on the life of an extraordinary Black woman from history: Haiti’s Queen Marie-Louise Christophe, who escaped a coup in Haiti to set up her own royal court in Italy during the Regency era, where she became a popular member of royal European society. The Queen of Exiles is Marie-Louise Christophe, wife and then widow of Henry I, who ruled over the newly liberated Kingdom of Hayti in the wake of the brutal Haitian Revolution. In 1810 Louise is crowned queen as her husband begins his reign over the first and only free Black nation in the Western Hemisphere. But despite their newfound freedom, Haitians still struggle under mountains of debt to France and indifference from former allies in Britain and the new United States. Louise desperately tries to steer the country’s political course as King Henry descends into a mire of mental illness. In 1820, King Henry is overthrown and dies by his own hand. Louise and her daughters manage to flee to Europe with their smuggled jewels. In exile, the resilient Louise redefines her role, recovering the fortune that Henry had lost and establishing herself as an equal to the kings of European nations. With newspapers and gossip tracking their every movement, Louise and her daughters tour Europe like other royals, complete with glittering balls and princes with marriage proposals. As they find their footing—and acceptance—they discover more about themselves, their Blackness, and the opportunities they can grasp in a European and male-dominated world. Queen of Exiles is the tale of a remarkable Black woman of history—a canny and bold survivor who chooses the fire and ideals of political struggle, and then is forced to rebuild her life on her own terms, forever a queen. "A sweeping look at the political, social, and romantic intrigue surrounding Haiti’s first and only queen. Riley’s depiction is richly imagined and wholly original." — Fiona Davis, New York Times bestselling author of The Magnolia Palace "Queen of Exiles is the riveting account of Marie-Louise Christophe, Haiti's first and only Queen. Bold, ambitious, historically sound and beautifully told."--Sadeqa Johnson, New York Times bestselling author of The House of Eve
Contemporary Los Angeles. A trucker and his wife, a nine-year-old saxophonist, an ice cream vendor, a sex worker, and a corpse, among others--are borderless selves in a borderless city, a city impossible to contain.
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