This innovative work of social history is about the burial of the dead, and suggests why it is such an important historical issue. Vanessa Harding focuses on the turbulent worlds of early modern London and Paris, and makes use of rich contemporary documentation to compare and contrast their experience of dealing with the dead, profoundly questioned by the impact of the Reformation. Dr. Harding shows the over-arching importance of place and location, and of an urban social setting in which consumption and display were manifest everywhere, in shaping funeral ritual.
Sometimes relationships do more harm than good... Three years after her divorce, Mary still finds herself in the shadow of her marriage. Timid, passive and thoroughly fed up with both, she decides it's time to take back her life. Fellow teacher Kelly is fed up with the dead-end relationships that continue to leave her feeling hollow and dejected. Just as Mary is deciding it's time to make some changes, Kelly finds she's in the same position, and they turn to each other for support as they recreate who they really are. As Mary and Kelly help each other through the struggles they encounter, they find that maybe it's not about changing who you are, but accepting who the changes in your life have made you.
Making a Place for Ourselves examines an important but not widely chronicled event at the intersection of African-American history and American medical history--the black hospital movement. A practical response to the racial realities of American life, the movement was a "self-help" endeavor--immediate improvement of separate medical institutions insured the advancement and health of African Americans until the slow process of integration could occur. Recognizing that their careers depended on access to hospitals, black physicians associated with the two leading black medical societies, the National Medical Association (NMA) and the National Hospital Association (NHA), initiated the movement in the 1920s in order to upgrade the medical and education programs at black hospitals. Vanessa Northington Gamble examines the activities of these physicians and those of black community organizations, local and federal governments, and major health care organizations. She focuses on three case studies (Cleveland, Chicago, and Tuskegee) to demonstrate how the black hospital movement reflected the goals, needs, and divisions within the African-American community--and the state of American race relations. Examining ideological tensions within the black community over the existence of black hospitals, Gamble shows that black hospitals were essential for the professional lives of black physicians before the emergence of the civil rights movement. More broadly, Making a Place for Ourselves clearly and powerfully documents how issues of race and racism have affected the development of the American hospital system.
It’s Serena Snydes first day at the office. She’s beautiful; flawless to the unsuspecting and untrained eye. They don’t see the dark cloud of the past that hangs over her head or the scars that can be found in any randomly chosen spot on her dreamy figure. No one knows… but one… Jake Simmons is suddenly partnered with a mysterious woman from across the country and is given the biggest case being investigated since the year began. They find the culprit and raid his home. Everything goes great until one shot ruins his and his partner’s lives.
New in paperback As we ask anew in these troubled times what it means to be an American, You, the People provides perspective by casting its eye over the answers given by past U.S. presidents in their addresses to the public. Who is an American, and who is not? And yet, as Vanessa Beasley demonstrates in this eloquent exploration of a century of presidential speeches, the questions are not new. Since the Founders first identified the nation as “we, the people,” the faces and accents of U.S. citizens have changed dramatically due to immigration and other constitutive changes. U.S. presidents have often spoken as if there were one monolithic American people. Here Beasley traces rhetorical constructions of American national identity in presidents’ inaugural addresses and state of the union messages from 1885 through 2000. She argues convincingly that while the demographics of the voting citizenry changed rapidly during this period, presidential definitions of American national identity did not. Chief executives have consistently employed a rhetoric of American nationalism that is simultaneously inclusive and exclusive; Beasley examines both the genius and the limitations of this language.
Complete IELTS combines the very best in contemporary classroom practice with stimulating topics aimed at young adults wanting to study at university. The Student's Book with answers contains 8 topic-based units with stimulating speaking activities, a language reference, grammar and vocabulary explanations and examples, to ensure that students gain skills practice for each of the four papers of the IELTS exam. The with Answers edition contains recording scripts for the listening material and complete answer keys. It also includes a complete IELTS practice test to allow students to familiarise themselves with the format of the exam. The CD-ROM contains additional skills, grammar, vocabulary and listening exercises. Class Audio CDs, containing the recordings for the listening exercises, are also available.
Complete IELTS combines the very best in contemporary classroom practice with stimulating topics aimed at young adults wanting to study at university. The Student's Book without answers contains 8 topic-based units with stimulating speaking activities, a language reference, grammar and vocabulary explanations and examples, to ensure that students gain skills practice for each of the four papers of the IELTS test. It also includes a complete IELTS practice test to allow students to familiarise themselves with the format of the exam. The CD-ROM contains additional skills, grammar, vocabulary and listening exercises. Class Audio CDs, containing the recordings for the listening exercises, are available packaged separately or as part of the Student's Book Pack.
Archaeologist Martin Day thinks he has escaped from real life when he buys a house on the Greek island of Naxos. Events prove him mistaken. He plans to write a book about a local historian called Nikos Elias and quickly realises that Elias had secrets which might lead to an exciting discovery. Then a man is murdered in a Naxos hotel, a mild-mannered American called Michael Moralis whom Day once met. Inspector Andreas Nomikos suspects that Moralis was connected to antiquities smuggling, but Day cannot believe it of the man. Nor can he leave well alone. While trying to get to the bottom of Elias's secret obsession, he also starts making his own investigations into who killed Michael Moralis. Rich local colour, a clever plot and an eccentric archaeologist make this first book in the Naxos Mysteries series an absorbing read.
This book examines the ways in which law can be used to structure the return of indigenous sacred cultural heritage to indigenous communities, referred to as repatriation in this volume. In particular, it aims at developing legal structures that align repatriation with contemporary international human rights standards. To do so, it gathers the most valuable lessons learned from different repatriation laws and frameworks adopted in the United States and Canada. In both countries, very different ways of approaching repatriation have been used for several decades, highlighting the context-dependent nature of repatriation. The volume is divided into four parts, looking first at international law, then at the national legal landscape in the United States, followed by Canada, before the different repatriation models are evaluated against the backdrop of human rights law standards. Emphasis is placed not only on repatriation-specific legislation but also on the legal context in which it was developed and operates. In turn, the fourth part develops various models on the basis of these experiences that can be aligned with contemporary indigenous and cultural rights. The book ends by considering the models’ suitability for international repatriation and the lessons that can be learned from them. The primary audience includes those addressing the legal hurdles to repatriation, be they researchers, policymakers, communities, or museums.
How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb
Examines Turkey as a frontier land of contrasts, antiquity, and crosscultural influences, and offers practical information on accommodations, restaurants, shopping, and unusual sights and activities.
A vivid and compelling biography of Patience Collier – an actress whose career spanned a golden age of performance from the 1930s to the 1980s – and an overview of theatre, film, TV and radio in Britain over half a century. Though Patience Collier's name has faded from public consciousness since her death in 1987, it still conjures cool memories of iconic television and film from the 1970s and 1980s – Sapphire and Steel, Who Pays the Ferryman, Fiddler on the Roof and The French Lieutenant's Woman. Fearsome, eccentric and unpredictable, Patience Collier was an actress whose perfectionism shone through in her every performance, and who worked alongside many of the most celebrated actors and directors of her time. Drawing on Collier's diaries, letters and photographs as well as interviews with those who worked with her, Vanessa Morton paints a portrait of a gifted and eccentric woman weaving her way through the twentieth century, and gives a panoramic overview of theatre, film, TV and radio in Britain over half a century. Part social history, part cultural history, The Performer's Tale is a richly entertaining account of an actor's life and times. 'I never met Patience Collier. Now, having read Vanessa Morton's richly entertaining book, I feel as if I did' Michael Billington, former theatre critic of the Guardian
Jonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes: - A supporting timeline of key dates in literature and current events - An examination of the critical reception to Coe's works - An exclusive interview with Jonathan Coe himself
The Student Nonviolent Coordinating Committee formed in April 1960 to advance civil rights. With a tremendous human rights mission facing them, the founding SNCC members included communication and publicity as part of their initial purpose. This book provides a broad overview of these efforts from SNCC's birth in 1960 until the beginning of its demise in the late 1960s and examines the communication tools that SNCC leaders and members used to organize, launch, and carry out their campaign to promote civil rights throughout the 1960s. It specifically explores how SNCC workers used public relations to support and promote their platforms and to build a grassroots community movement; and how the organization later rejected these strategies for a radical and isolated approach.
Drawing on recent deconstructions in anthropology, postcolonial studies, and critical sociology, Malaysia and the Development Process situates and explores the phenomenon of international knowledge transfers within the context of globalization. Based on primary and secondary research, and a series of 'experiential' reflections, fieldwork was conducted in two foreign electronics multinationals and a variety of public and semi-public institutions. The findings reassess issues of knowledge, power, subjectivity and agency, and the relations between the West and the non-West, as they are negotiated between and within multinational workplaces and local agencies in Malaysia.
The Mother-Blame Game is an interdisciplinary and intersectional examination of the phenomenon of mother-blame in the twenty-first century. As the socioeconomic and cultural expectations of what constitutes “good motherhood” grow continually narrow and exclusionary, mothers are demonized and stigmatized—perhaps now more than ever—for all that is perceived to go “wrong” in their children’s lives. This anthology brings together creative and scholarly contributions from feminist academics and activists alike to provide a dynamic study of the many varied ways in which mothers are blamed and shamed for their maternal practice. Importantly, it also considers how mothers resist these ideologies by engaging in empowered and feminist mothering practices, as well as by publicly challenging patriarchal discourses of “good motherhood.”
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