A follow-up to Zelah Green finds OCD sufferer Zelah struggling through an isolated summer until Caro, from her former group therapy home, arrives and behaves in deliberately provocative ways to force Zelah out of her complacency. Original.
My name is Hanna. I am 15. I am Latvian. I live with my mother and grandmother. My father is missing, taken by the Russians. I have a boyfriend and I'm training to be a dancer. But none of that is important any more. Because the Nazis have arrived, and I am a Jew. And as far as they are concerned, that is all that matters. This is my story. "A tragic, harrowing and deeply moving account of the Holocaust from the perspective of an ordinary girl." - The Bookseller
This is the first biography to concentrate exclusively on Woolf's close and inspirational friendships with the key women in her life, including the caregivers of her Victorian childhood who instilled in her a lifelong battle between creativity and convention: her taciturn sister, Vanessa Bell; enigmatic artist Dora Carrington; complex writer Katherine Mansfield; aristocratic novelist Vita Sackville-West; and riotous, militant composer Ethel Smyth.
My name is Inge. I am sixteen. I live in Munich. Food is rationed, though the war ended years ago. My boyfriend is Jewish. My parents would not approve, so I hide this from them. I think they are hiding something from me, too. Letters arrive on my birthday, but they are not addressed to me. They are for a girl named Kasia. This is her story.
Zelah Green, a girl whose serious OCD starts taking over her life, conquers her condition with professional help, humor and friends with their own troubles whom she meets along the way. Original.
Lilah May used to be angry. VERY angry. But not any more. She's got her temper - and her life - back under control. Or has she? Things with her best friend, Bindi, are going from bad to worse. The whereabouts of her brother Jay is still a mystery. And gorgeous Adam Carter is still out of reach. Groo! Can Lilah sort out her family, her friendship and her love life? Or is her anger about to reach all new levels? This funny and moving story is the follow up to The Taming of Lilah May.
Lilah's Anger Diary, March 26th Anger levels: 11/10 I'm Lilah May and I'm ANGRY. So angry that I'm about to be excluded from school, my parents can't control me, and only one person in the world understands me. And that's my best friend, Bindi. I haven't always been this way. It all started with my brother Jay. And what no one realises is that it's all my fault. By the award-winning author of Zelah Green, Queen of Clean.
This novel tells the story of Zelah Green, the cleanaholic, who spends most of her life looking for germs and dirt. When her Dad vanishes, Zelah is sent to an unfamiliar place with 'crazy people'. She finally thinks her life may be looking up when she meets Sol
Elva Aggiano was murdered in 1997 by her husband Bruno. Of the four Aggiano children, three vowed never to speak to their father again. Remarkably, their daughter Natalia renewed her relationship with Bruno and became his friend and companion until his death in 2066. This is her astonishing story.Kind and loyal, Elva was a bright young woman from a typical English seaside town who was swept off her feet by an older , handsome Italian bodybuilder. It was all she had ever wanted; the promise of life as a loving mother and devoted wife. But a dark secret from her past left vulnerable to Bruno's brooding, possessive nature, and behind closed doors, Elva's family idyll turned into a reign of terror of both mental and physical abuse for her and her children.Their daughter Natalia speaks for the first time about how the family suffered, about her escape onto the streets aged 17 and her traumatic struggle to survive alone. Natalia finally persuaded Elva to run away along with her youngest son and for the first time, Elva found the happiness and confidence that had always eluded her. But it was not to last. Giving way to Bruno's request to see his young son, Elva returned to the marital home, where Bruno mercilessly stabbed her to death.Against all odds, Natalia found the courage to stand by her father even after he'd ripped the family apart. During often harrowing visits to Rampton high-security psychiatric hospital, she learned to love Bruno for the first time. Her fascinating journey led Natalia to honour her mother's memory, finding a way to live forgiveness and unconditional love.'Amazing' - Peter Andre'An extraordinary young woman and so selfless' - Carol Vorderman
A fascinating historical novel of grit, valor, and resilience October 1864. After years of spying for the Union, Hattie Logan longs for victory and a chance to start a new life with Lieutenant John Elliott. But when her brother, George, summons her to Canada, she discovers how desperate the Rebels are to prevail. When the famous actor John Wilkes Booth and a mysterious veiled lady rouse Hattie’s suspicions, she tells herself she’s only imagining trouble. But then George is poisoned, and Hattie finds herself embroiled in a web involving some of the South’s most powerful figures. Joining forces with Booth’s former lover Alice Gray, she tracks down the dangerous men—and women—who’ll stop at nothing to have their way. The trails Hattie follows lead her to a startling revelation: there’s a plot afoot involving President Abraham Lincoln. The logical course—and the easiest—is to discount her suspicions. But if she ignores what her heart says is true, the future she envisions may well be lost. A gripping tale of courage, devotion, and hope during the turbulent final months of America’s Civil War. Perfect for readers of Lisa Wingate, Martha Hall Kelly, and Glen Craney.
An illegitimate royal with a rakish reputation finds that responsibility can come with tantalizing benefits in this Regency romance. Some men are born into scandal. Others pursue it with a passion. Griffin Steele, secret son of the Duke of Cumberland, is guilty on both counts. Yet somehow London's most notorious scoundrel has been saddled with an abandoned baby boy—and with the unflappable, intriguing spinster summoned to nurse him . . . Justine Brightmore may be a viscount's niece, but she's also a spy's daughter, determined to safeguard the infant when his suspected royal parentage makes him a target. Yet how will she protect herself from the rakish Griffin? Marriage might shield her reputation, but it can only imperil her heart, especially with a groom intent on delicious seduction . . .
The Student Nonviolent Coordinating Committee formed in April 1960 to advance civil rights. With a tremendous human rights mission facing them, the founding SNCC members included communication and publicity as part of their initial purpose. This book provides a broad overview of these efforts from SNCC's birth in 1960 until the beginning of its demise in the late 1960s and examines the communication tools that SNCC leaders and members used to organize, launch, and carry out their campaign to promote civil rights throughout the 1960s. It specifically explores how SNCC workers used public relations to support and promote their platforms and to build a grassroots community movement; and how the organization later rejected these strategies for a radical and isolated approach.
Making a Place for Ourselves examines an important but not widely chronicled event at the intersection of African-American history and American medical history--the black hospital movement. A practical response to the racial realities of American life, the movement was a "self-help" endeavor--immediate improvement of separate medical institutions insured the advancement and health of African Americans until the slow process of integration could occur. Recognizing that their careers depended on access to hospitals, black physicians associated with the two leading black medical societies, the National Medical Association (NMA) and the National Hospital Association (NHA), initiated the movement in the 1920s in order to upgrade the medical and education programs at black hospitals. Vanessa Northington Gamble examines the activities of these physicians and those of black community organizations, local and federal governments, and major health care organizations. She focuses on three case studies (Cleveland, Chicago, and Tuskegee) to demonstrate how the black hospital movement reflected the goals, needs, and divisions within the African-American community--and the state of American race relations. Examining ideological tensions within the black community over the existence of black hospitals, Gamble shows that black hospitals were essential for the professional lives of black physicians before the emergence of the civil rights movement. More broadly, Making a Place for Ourselves clearly and powerfully documents how issues of race and racism have affected the development of the American hospital system.
Belonging is often overlooked in its relationship to society and social change, and yet it forms the bedrock of how we relate to the world around us. Through the work of Marx, Giddens and Goffman, this book covers the familiar terrain of identity theory, while going beyond it to other sites of identification and social change.
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja.
The delightful debut of a Regency historical mystery featuring Jane Austen’s indefatigable Emma Knightly! Perfect for fans of Anna Lee Huber, Darcie Wilde, Claudia Gray, and Stephanie Barron. Less than one year into her marriage to respected magistrate George Knightley, Emma has grown unusually content in her newfound partnership and refreshed sense of independence. The height of summer sees the former Miss Woodhouse gracefully balancing the meticulous management of her elegant family estate and a flurry of social engagements, with few worries apart from her beloved father’s health . . . But cheery circumstances change in an instant when Emma and Harriet Martin, now the wife of one of Mr. Knightley’s tenant farmers, discover a hideous shock at the local church. The corpse of Mrs. Augusta Elton, the vicar’s wife, has been discarded on the altar steps—the ornate necklace she often wore stripped from her neck . . . As a chilling murder mystery blooms and chaos descends upon the tranquil village of Highbury, the question isn’t simply who committed the crime, but who wasn’t secretly wishing for the unpleasant woman’s demise. When suspicions suddenly fall on a harmless local, Emma—armed with wit, unwavering determination, and extensive social connections—realizes she must discreetly navigate an investigation of her own to protect the innocent and expose the ruthless culprit hiding in plain sight.
The Cherokees who first occupied this area called northern Georgia their enchanted land, but the discovery of gold caused a land rush, an illegal treaty of expulsion, and the Trail of Tears. Dalton was created when the Western and Atlantic Railroad was built to connect Atlanta with Chattanooga, Tennessee. In 1863, during the Civil War, this small town became a battle scene along Gen. William T. Shermans march, with both armies occupying the community. After the war, the leading citizens built Crown Cotton Mill and Village to expand the towns economy. In 1895, fifteen-year-old Catherine Evans hand-tufted a bedspread, ushering in the bedspread and tufted carpet bonanzas. With the invention of tufting machines in the 1930s and 1940s, Dalton boomed as carpet companies, supply houses, bedspread lines, and retail outlets brought wealth to the city. At one point, there were more millionaires per capita in Dalton than anywhere in the country. Today Dalton is growing with the help of a diverse Hispanic labor force and continues to be the Carpet Capital of the World.
The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries. Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time. A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.
Dark Victorians illuminates the cross-cultural influences between white Britons and black Americans during the Victorian age. In carefully analyzing literature and travel narratives by Ida B. Wells, Harriet Martineau, Charles Dickens, Frederick Douglass, Thomas Carlyle, W.E.B. Du Bois, and others, Vanessa D. Dickerson reveals the profound political, racial, and rhetorical exchanges between the groups. From the nineteenth-century black nationalist David Walker, who urged emigrating African Americans to turn to England, to the twentieth-century writer Maya Angelou, who recalls how those she knew in her childhood aspired to Victorian ideas of conduct, black Americans have consistently embraced Victorian England. At a time when scholars of black studies are exploring the relations between diasporic blacks, and postcolonialists are taking imperialism to task, Dickerson considers how Britons negotiated their support of African Americans with the controlling policies they used to govern a growing empire of often dark-skinned peoples, and how philanthropic and abolitionist Victorian discourses influenced black identity, prejudice, and racism in America.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.