Rajasthan has long been famous as a centre of production of many different kinds of cloth, and for the skilled techniques of its crafts people. From woodblock printing and cotton embroidery to gota and zardozi, every type of cloth production and decoration is found in the region. Each is also well represented in the collection of the Maharaja Sawai Man Singh II Museum, in the City Palace in Jaipur, as the members of the court were always ardent patrons and supporters of local arts." -- Front jacket flap.
Textiles embellished with gold and silver have been desired and cherished worldwide since Antiquity. In the Indian subcontinent, too, the use of metal to enhance the value and beauty of cloth is part of an ancient tradition. Jewelled Textiles: Gold And Silver Embellished Cloth of India presents a rich selection of textiles and dresses ornamented with precious metals—gold and silver. These luxurious and often opulent textiles have always been associated with wealth, beauty, supremacy, ceremony and divinity in the subcontinent. Gold and silver embroidery in India is remarkable for the manifold styles in which the threads are manipulated to produce results on cloth surfaces, enhancing and ornamenting the character of the textile. The raw materials, techniques of surface application, and the final effects thus created are unique to different regions in the country where the embroidery techniques and printing with precious metals are classified by the local terminology. Techniques by which metals are applied to textile surface like Kamdani or Badla in Lucknow, Tilla in Jammu and Kashmir and parts of Western India, Danka and Gota Patti in Rajasthan, Zardozi and Vasli in Bhopal, Hyderabad, Lucknow, Delhi and other centres in Uttar Pradesh, Rajasthan and Gujarat, Mukke Ka Kaam in Rajasthan and Gujarat and Varak from different parts of the country are described in detail in the book. These techniques are illustrated with examples of skillfully executed pieces from museums and private collections. A veritable collector’s pride.
Costumes, Textiles and Jewellery of India- Traditions in Rajasthan unveils the eloquent world of traditional Indian attire and adornment. Costume and ornamentation in India is not exclusively a reflection of the wearer's personality and preferences. It is the index of a culture proclaiming the place of origin, social position, marital status, occupation, religious affiliations and even the moods of the changing seasons as well as other socio-psychological aspects of daily life. This book focuses on Rajasthan, one of India's most celebrated states, in all the glory of its colorful history and tradition. It documents in detail, the costume and accessories of a cross-section of social groups, at a time when change and tradition are beginning to merge and evolve in the creation of new aesthetic dimensions. Each of the six sections takes up a separate aspect of costume describing rare and complex textile techniques, the nuances of clothing and colour and its usage among various social groups and provides the reader an insight into ornamentation. The section on Garment analysis includes measurements and patterns of commonly worn garments.
Textiles embellished with gold and silver have been desired and cherished worldwide since Antiquity. In the Indian subcontinent, too, the use of metal to enhance the value and beauty of cloth is part of an ancient tradition. Jewelled Textiles: Gold And Silver Embellished Cloth of India presents a rich selection of textiles and dresses ornamented with precious metals—gold and silver. These luxurious and often opulent textiles have always been associated with wealth, beauty, supremacy, ceremony and divinity in the subcontinent. Gold and silver embroidery in India is remarkable for the manifold styles in which the threads are manipulated to produce results on cloth surfaces, enhancing and ornamenting the character of the textile. The raw materials, techniques of surface application, and the final effects thus created are unique to different regions in the country where the embroidery techniques and printing with precious metals are classified by the local terminology. Techniques by which metals are applied to textile surface like Kamdani or Badla in Lucknow, Tilla in Jammu and Kashmir and parts of Western India, Danka and Gota Patti in Rajasthan, Zardozi and Vasli in Bhopal, Hyderabad, Lucknow, Delhi and other centres in Uttar Pradesh, Rajasthan and Gujarat, Mukke Ka Kaam in Rajasthan and Gujarat and Varak from different parts of the country are described in detail in the book. These techniques are illustrated with examples of skillfully executed pieces from museums and private collections. A veritable collector’s pride.
As the Indian economy integrates into global circuits of production, exchange and accumulation, the burdens of adjustment are shared unequally by different sectors, classes and regions. This study unravels the livelihood strategies and living conditions of labour in the tea gardens of Assam. The tea sector has been undergoing a crisis since the 1990s, with stagnant production, decline in exports, and closures of many tea gardens leading to large-scale retrenchments in the labour force. Based on a detailed analysis of secondary data and primary field research, the study examines the extent, types and implications of inter-generational occupational mobility (or immobility) among tea garden labourers in Assam. In the process, it reflects on how even a sector that had brought capital and labour from outside and contributed significantly to the country’s export earnings failed to create dynamic growth linkages within the local economy. The experience of the labour force in the Assam tea sector, the authors argue, is important for making sense not only of the development dynamics of the region, but of the contradictory ways in which forces of globalisation and neo-liberal reforms have been reshaping the worlds of labourers in the margins. The book will be of interest to students and scholars of labour studies, development studies, management studies, and studies of north-east India, as well as to policy-makers and those in the tea industry.
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