Between 1815 and 1832, Great Britain settled more than 3,500 individuals, mostly from the Scottish Lowlands, in the Ottawa Valley. These government-assisted emigrations, which began immediately after the Napoleonic Wars, are explored to reveal their impact on Upper Canada. Seeking to transform their lives and their society, early Scots settlers crossed the Atlantic for their own purposes. Although they did not blindly serve the interests of empire builders, their settlement led to the dispossession of the original First Nation inhabitants, thus supporting the British imperial government's strategic military goals. After transferring homeland religious and political conflict to the colony, Scottish settlers led the demand for political reform that emerged in the 1830s. As a consequence, their migration and settlement reveals as much about the depth of social conflict in the homeland and in the colonies as it does about the preoccupations of the British imperial state.
In this masterwork of confessional literature, a man approaching middle age recalls his impetuous youth with fondness, remorse, and astonishment Spanning the years 1939 to 1946, this is the story of a defining era in one man’s life and an exhilarating tribute to the entire generation that came of age during World War II. Quince’s youthful adventures begin with his first sexual encounter, a night with a girl named Moomie in a one-room cabin in Virginia, and end with the twenty-four-year-old veteran settling down to his postwar future. In between, he falls in and out of love with dozens of women, drinks and drugs his way through two years of college and four years of military service, travels the world, and meets a dazzling array of colorful characters. In a voice both beguiling and sincere, an older, wiser Quince narrates his escapades in search of the truth about who he was and who he has become. One of the finest novels of mid-twentieth-century America, Confessions of a Spent Youth is poignant, witty, and profound.
Ladies and gentlemen, if you will kindly give me your attention for a few moments I will be happy to introduce to your favorable notice an entertainer of world-wide fame who will, I am sure, not only mystify you but, at the same time, interest you. You ha
The investigation of language, of how (and what and why) signifiers signify, is prominent in modern critical work, but the questions being asked are by no means new. In Mervelous Signals, Eugene Vance asserts that "there is scarcely a term, practice, or concept in contemporary theory that does not have some rich antecedent in medieval thought." He goes on to illustrate the complexity and depth of medieval speculations about language and literature. Vance's study of the link between the poetics and semiotics of the Middle Ages takes both a critical and a historical view as he brings today's insights to bear on the contemporary perspectives of such works as St. Augustine's Confessions, the Chanson de Roland, Chrätien's Yvain, Aucassin and Nicolette, Spenser's The Faerie Queen, and certain aspects of the works of Dante and Chaucer and of French medieval theater.
The Victorian novel acquired greater cultural centrality just as the authority of the scriptures and of traditional religious teaching seemed to be declining. Did the novel supplant the Bible? The novelists often adopted or participated in a broadly progressive narrative of social change which can be seen as a secular replacement for the theological narrative of 'salvation history' and the waning authority of biblical narrative. Victorian fiction seems in some ways to enact the process of secularization. But contemporary religious resurgence in various parts of the world and postmodern scepticism about grand narratives have challenged and complicated the conventional view of secularization as an irreversible process, an inevitable 'disenchantment of the world' which is an aspect and function of the grand narrative of modernization. Such developments raise new questions about apparently post-Christian Victorian fiction. In our increasingly secular society novel-reading is now more popular than Bible-reading. Serious novels are often taken more seriously than scripture. Norman Vance looks at how this may have come about as an introduction to four best-selling late-Victorian novelists: George Eliot, Thomas Hardy, Mary Ward and Rider Haggard. Does the novel in their hands take the place of the Bible? Can apparently secular novels still have religious significance? Can they make new imaginative sense of some of the religious and moral themes and experiences to be found in the Bible? Do Eliot and her successors anticipate some of the insights of modern theology and contemporary investigations of religious experience? Do they call in question long-standing rumours of the death of God and the triumph of the secular? Bible and Novel develops a new context for reading later Victorian fiction, using it to illuminate the increasingly perplexed and confusing issue of 'secularization' and recent negotiations of the 'post-secular'.
A boisterous, meandering, and escapade-filled romp. Youth and young manhood tales that reveal its joys and fun. Stories that discuss an influx society. An autobiographical memoir. That author's personal opinions on societal issues and protruding topics. Travel, Dating, and Life in between.
Fifteen thousand Canadians were captured during Canada's twientieth-century wars. They experienced the bewilderment that accompanied the moment of capture, the humiliation of being completely in the captor's power, and the sense of stagnating in a backwater while the rest of the world moved forward. Jonathan Vance provides the first comprehensive account of how the Canadian government and non-governmental organizations have dealt with the problems of prisoners of war, examining Canada's role in the formation of aspects of international law, the growth and activities of national and local philanthropic agencies, and the efforts of ex-prisoners to secure compensation for the long-term effects of captivity.
Paperback Quarterly, Journal of the American Paperback Institute, Volume 2 Number 2, Summer 1979, contains: "PQ Interview with William Campbell Gault," "Dell Dimers," by M. C. Hill, "Jack Vance's Planet of Adventure Series," by George Kelley, "Baby, I Could Plot," "A Glance at Paperback History," by Mark Schaffer and "Paperback Firsts," by Agatha Taylor.
James Brockman rose from shady character to preeminent defense attorney in Houston, Texas representing clients including gang leaders, jilted spouses, wealthy storekeepers and drunken on-duty policemen. These high-profile true crime and murder accounts take place between 1895 and 1910. They cross racial lines, revealing instances of separate and unequal justice in segregated Texas that had a lasting effect on the city and the state. His career gained national recognition, including his involvement in the most famous American murder case of the young twentieth century, when he himself was murdered leaving a dubious legacy.
The heroic feats of ring gladiators have taken wrestling fans on an emotional journey—living vicariously through every body slam, dropkick, and piledriver. The investment of the crowd is demonstrated by their roars of excitement, their cheers for their heroes, and their catcalls at nasty ring villains. (Un)Controlled Chaos: Canada’s Remarkable Professional Wrestling Legacy re-lives those unforgettable moments between the ropes. It provides a fascinating snapshot of the world behind the curtain, and a glimpse into the lives of the men and women who have both competed in the ring and served as the very architects of the industry.
New York Times bestselling author and daughter of Judy Garland tells the story of A Star Is Born -- at once the crowning achievement and greatest disappointment in her mother's legendary career. This is a vivid account of a film classic's production, loss, and reclamation. A Star Is Born -- the classic Hollywood tale about a young talent rising to superstardom, and the downfall of her mentor/lover along the way -- has never gone out of style. It has seen five film adaptations, but none compares to the 1954 version starring Judy Garland in her greatest role. But while it was the crowning performance of the legendary entertainer's career, the production turned into one of the most talked about in movie history. The story, which depicts the dark side of fame, addiction, loss, and suicide, paralleled Garland's own tumultuous life in many ways. While hitting alarmingly close to home for the fragile star, it ultimately led to a superlative performance -- one that was nominated for an Academy Award, but lost in one of the biggest upsets in Oscar history. Running far too long for the studio's tastes, Warner Bros. notoriously slashed extensive amounts of footage from the finished print, leaving A Star is Born in tatters and breaking the heart of both the film's star and director George Cukor. Today, with a director's cut reconstructed from previously lost scenes and audio, the 1954 A Star is Born has taken its deserved place among the most critically acclaimed movies of all time, and continues to inspire each new generation that discovers it. Now, Lorna Luft, daughter of Judy Garland and the film's producer, Sid Luft, tells the story of the production, and of her mother's fight to save her career, as only she could. Teaming with film historian Jeffrey Vance, A Star Is Born is a vivid and refreshingly candid account of the crafting, loss, and restoration of a movie classic, complemented by a trove of images from the family collection taken both on and off the set. The book also includes essays on the other screen adaptations of A Star Is Born, to round out a complete history of a story that has remained a Hollywood favorite for close to a century.
Nous sommes en train de changer le monde, de changer l'histoire, et vous en êtes ou pas." Elon Musk Elon Musk fait partie de ceux qui changent les règles du jeu. Largement considéré comme le plus grand industriel du moment, il porte l'innovation à des niveaux rarement atteints - au point d'avoir servi de modèle pour Tony Stark, alias Iron man. A 46 ans, il a monté en quelques années une entreprise, Tesla, qui révolutionne l'industrie automobile, une autre, SpaceX, qui concurrence Arianespace. Il a auparavant bouleversé le marché des paiements avec PayPal. Son objectif ultime : coloniser Mars. Avec cette édition enrichie, Ashlee Vance nous conduit toujours au plus près d'Elon Musk et de son talent. Il montre toute l'intensité de cet homme, son génie tumultueux, sa folle exigence envers lui-même et ses équipes, depuis son enfance agitée en Afrique du Sud jusqu'à ses incroyables innovations techniques et réussites entrepreneuriales. A travers ce portrait d'un des titans de la Silicon Valley, ce livre met au jour les mutations rapides et inéluctables de nos modèles industriels. Car ce ne sont plus seulement des réseaux sociaux ou des messages en 140 signes qui sont proposés par cette nouvelle économie, mais des voitures, des trains, des fusées. Visionnaire ? Mégalomane ? Elon Musk dessine en tout cas les contours du XXIe siècle. "Un livre indispensable pour comprendre ce qui fait courir l'homme le plus audacieux du monde." Laurent Guez, Les Echos week-end "Un livre intelligent, habile, d'une savoureuse minutie." Dwight Garner, The New York Times
People in the Middle Ages had chantry chapels, mortuary rolls, the daily observance of the Office of the Dead, and even purgatory—but they were still unable to talk about death. Their inability wasn’t due to religion, but philosophy: saying someone is dead is nonsense, as the person no longer is. The one thing that can talk about something that is not, as D. Vance Smith shows in this innovative, provocative book, is literature. Covering the emergence of English literature from the Old English to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.
In Secrets: Humanism, Mysticism, and Evangelism in Erasmus of Rotterdam, Bishop Guillaume Briçonnet, and Marguerite de Navarre, Jacob Vance argues that Erasmus and French Evangelical humanists made secrecy central to their literary thought. They revived Scriptural, medieval, and early Renaissance notions of secrecy in their spiritual and profane literature to advance the reforms in church and society that they advocated. Erasmus, Briçonnet, and Marguerite expanded on Origenian, Augustinian, and pseudo-Dionysian concepts of divine mystery, as being secret, throughout their works. By developing the idea that the divine remains both transcendent and immanent in the world of creation, these humanists explored, through literature, how the human spirit can either accede, or fail to accede, to the secrets of Christian wisdom.
The poems in this volume describe her Melanies 10-year journey through life, its ups and down and highlights along the way. An English girl who became an Australian Woman. A journey of discovery across the known world, through the hitherto undiscovered pathways of self.
Pudovkin's epic is the most complex work of his brilliant career. The film was made to commemorate the Bolshevik Revolution's tenth anniversary and it is a gripping recreation of the events of 1917 as well as the conditions and events that led to revolution. It is a remarkable interweaving of subplots, motifs and historical references, realized through a mix of cinematic techniques, which Vance Keply Jr traces and clarifies in his analysis of the film. He explores the production circumstances that shaped the film and its reception, establishing its key place in both Russian and world cinema.
As she enters adulthood in the turbulent 1970s, Sylvie thinks the way to change a violent world is to become a peaceful person. Yet she slowly sees how a childhood trauma thwarts her peaceful intentions and leads her to men with a dark side – including Enzo, the man she marries. Even as his behavior becomes increasingly volatile, she believes she can make things better with love and understanding. But finally living in terror. Sylvie must find a way to escape with her daughter and a way to claim her place in the world.
From early childhood, Hudson Taylor (1832--1905) dreamed of becoming a missionary in China. Though he would struggle with his faith throughout his youth, by age seventeen he had settled his spiritual issues and acknowledged God's call to the mission field. In China, Taylor took the unusual step of adopting native garb, which helped him earn the respect of many Chinese. Depending entirely on God for his financial support and for protection from hostile elements of Chinese society, Taylor lead a work that eventually became the China Inland Mission, which laid the groundwork for much of that nation's modern-day Christianity.
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