Van den Broeck, Pieter's Books

Political Change through Social Innovation

A Debate

By: Moulaert, Frank,Jessop, Bob,Swyngedouw, Erik,Simmons, Liana,Van den Broeck, Pieter

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Political Change through Social Innovation

A Debate

By: Moulaert, Frank,Jessop, Bob,Swyngedouw, Erik,Simmons, Liana,Van den Broeck, Pieter

This book addresses the key question of why socially innovative initiatives, including attempts to rejuvenate democracy by introducing new modes of participation, are not leading to a democratization of the State or overcoming the gap between political leaders and people. Offering insights from three leading voices of contemporary social sciences to address the failures of contemporary democracies, the book explores the potentialities of progressive socio-political agendas, strategies, and movements seeking to overcome these failures.

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176

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Edward Elgar Publishing

Published Date

ISBN 10

1803925140

ISBN 13

9781803925141

Humanism in an Age of Science

The Amsterdam Athenaeum in the Golden Age, 1632-1704

By: Dirk van Miert

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Humanism in an Age of Science

The Amsterdam Athenaeum in the Golden Age, 1632-1704

By: Dirk van Miert

In 1632, the Amsterdam regents founded an Athenaeum or 'Illustrious School'. This kind of institution provided academic teaching, although it could not grant degrees and had no compulsory four-faculty system. Athenaeums proliferated in the first century after the Dutch Revolt, but few of them survived long. They have been interpreted as the manifestation of an evolving vision of the role of a higher education; this book, by contrast, argues that education at the Amsterdam Athenaeum was staunchly traditional both in methods and in substance. While religious, philosophical and scientific disputes rocked contemporary Dutch learned society, this analysis of letters, orations and disputations reveals that a traditional and Aristotelian humanism thrived at the Athenaeum until well into the seventeenth century.

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448

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BRILL

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ISBN 10

9047430298

ISBN 13

9789047430292

Frans Hals

Master of the Fleeting Moment

By: Jaap van der Veen,Friso Lammertse,Bart Cornelis,Erik Eising,Dagmar Hirschfelder,Katja Kleinert,Justus Lange

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Frans Hals

Master of the Fleeting Moment

By: Jaap van der Veen,Friso Lammertse,Bart Cornelis,Erik Eising,Dagmar Hirschfelder,Katja Kleinert,Justus Lange

Frans Hals is one of the most important portrait painters of all time. Like Rembrandt, the famous Dutch Baroque master's striking portraits of the bourgeoisie and social outsiders are distinguished by their extraordinary vividness and accurate depiction. His sketch-like paintings, executed with bold brushstrokes, had a decisive influence on modernist painting. This comprehensive publication coincides with the first major survey exhibition of Hals' oeuvre in more than thirty years. FRANS HALS (1582/84–1666) was born in Antwerp, the son of a cloth merchant. In 1610 he was accepted into the Haarlem Guild of St. Luke. Hals created hundreds of genre paintings, individual, and group portraits and enjoyed great public prestige. Despite his fame during his lifetime, it was not until the nineteenth century that he was enthusiastically rediscovered by the Impressionists and Realists.

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370

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Hatje Cantz Verlag

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ISBN 10

3775757651

ISBN 13

9783775757652

A Corpus of Rembrandt Paintings

Volume II: 1631–1634

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

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A Corpus of Rembrandt Paintings

Volume II: 1631–1634

By: J. Bruyn,B. Haak,S.H. Levie,P.J.J. van Thiel

Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume II) contains 900 pages, starting of with five introductory chapters and discussing 101 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging.

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890

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Springer Science & Business Media

Published Date

ISBN 10

9400944101

ISBN 13

9789400944107

Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568-1625)

By: Leopoldine van Hogendorp Prosperetti

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Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568-1625)

By: Leopoldine van Hogendorp Prosperetti

In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti discloses the nature of the philosophical culture of Antwerp at the time, show its importance in the lives of cultivated citizens, and reveals the patterns of thought and visual stratagems by which his landscapes underwrite the pursuit of wisdom. The book presents a new model for the interpretation of a range of visual genres, including various types of landscape, that were popular in the Antwerp picture trade.

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314

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

0754660907

ISBN 13

9780754660903

Profit and Principle

Hugo Grotius, Natural Rights Theories and the Rise of Dutch Power in the East Indies, 1595-1615

By: Martine van Ittersum

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Profit and Principle

Hugo Grotius, Natural Rights Theories and the Rise of Dutch Power in the East Indies, 1595-1615

By: Martine van Ittersum

This monograph is a study of the interaction of politics and political theory in The Netherlands and Asia in the early seventeenth century. Its focal point is the Dutch jurist Hugo Grotius (1583-1645), who developed his rights and contract theories for the benefit of the United Dutch East India Company or VOC. The monograph reconstructs the immediate historical context of his political thought, as conceptualized in his early manuscript De Jure Praedae/On the Law of Prize and Booty and Mare Liberum/The Free Sea (1609). It argues that Grotius’ justification of Dutch interloping in the colonial empires of Spain and Portugal made possible the VOC’s rise to power in the Malay Archipelago, which resulted in the slow, but steady, loss of self-determination on the part of the inhabitants of the Spice Islands.

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608

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BRILL

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ISBN 10

9047408942

ISBN 13

9789047408949

Justifying Christian Aramaism

Editions and Latin Translations of the Targums from the Complutensian to the London Polyglot Bible (1517-1657)

By: E. van Staalduine-Sulman

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Justifying Christian Aramaism

Editions and Latin Translations of the Targums from the Complutensian to the London Polyglot Bible (1517-1657)

By: E. van Staalduine-Sulman

In Justifying Christian Aramaism Eveline van Staalduine-Sulman explores how Christian scholars of the sixteenth and early seventeenth century justify their study of the Targums, the Jewish Aramaic translations of the Hebrew Bible. She focuses on the four polyglot Bibles – Complutum, Antwerp, Paris, and London –, and describes these books in the scholarly world of those days. It appears that quite a few scholars, Roman-Catholic, protestant, and Anglican, edited Targumic books and translated these into Latin. The book reveals a stimulating and conflicting period of the Targum reception history and is therefore relevant for Targum scholars and historians interested in the history of Judaism, Church history, the history of the book, and the history of Jewish-Christian relationships.

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390

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BRILL

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ISBN 10

9004355936

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9789004355934

A Corpus of Rembrandt Paintings VI

Rembrandt’s Paintings Revisited - A Complete Survey

By: Ernst van de Wetering

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A Corpus of Rembrandt Paintings VI

Rembrandt’s Paintings Revisited - A Complete Survey

By: Ernst van de Wetering

A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.

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739

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Springer

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ISBN 10

9401792402

ISBN 13

9789401792400

Rembrandt and the Female Nude

By: Eric Jan Sluijter,Rembrandt Harmenszoon van Rijn

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Rembrandt and the Female Nude

By: Eric Jan Sluijter,Rembrandt Harmenszoon van Rijn

Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.

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452

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Amsterdam University Press

Published Date

ISBN 10

9053568379

ISBN 13

9789053568378

The evolution of case grammar

By: Remi van Trijp

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The evolution of case grammar

By: Remi van Trijp

There are few linguistic phenomena that have seduced linguists so skillfully as grammatical case has done. Ever since Panini (4th Century BC), case has claimed a central role in linguistic theory and continues to do so today. However, despite centuries worth of research, case has yet to reveal its most important secrets. This book offers breakthrough explanations for the understanding of case through agent-based experiments in cultural language evolution. The experiments demonstrate that case systems may emerge because they have a selective advantage for communication: they reduce the cognitive effort that listeners need for semantic interpretation, while at the same time limiting the cognitive resources required for doing so.

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254

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Language Science Press

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ISBN 10

394623433X

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9783946234333

The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

By: Stijn Bussels,Bram Van Oostveldt

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The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

By: Stijn Bussels,Bram Van Oostveldt

Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.

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256

Publisher

Taylor & Francis

Published Date

ISBN 10

1003803490

ISBN 13

9781003803492

Doctor Ferdinand Peeters

The Real Father of the Pill - 2nd revised edition 2021

By: Karl van den Broeck

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Doctor Ferdinand Peeters

The Real Father of the Pill - 2nd revised edition 2021

By: Karl van den Broeck

The story of doctor Ferdinand Peeters (1918-1998) and his role in the development of the pill has held Belgium in thrall for almost a decade. It is time to introduce the real father of the contraceptive pill to the rest of the world. After years of research, Belgian journalist Karl van den Broeck concluded that not the American Gregory Pincus was the inventor of the pill. His prototype had so many adverse effects that it wasn’t a viable option in the long term. It was the Belgian doctor Ferdinand Peeters who, in 1959-1960, created the first clinically applicable contraceptive pill: Anovlar. It was this pill that set the standard for all future pills to follow. Ferdinand – Nand – Peeters was a devout Catholic and during an audience with pope John XXIII, he urged that the church should sanction the use of the Pill. But when Paul VI decided in 1968 that birth control other than the practice of periodic abstinence would remain forbidden, doctor Peeters didn’t breathe a word about his role in the development of the pill. Even his family was barely aware of it. In The Real Father of the Pill, Karl van den Broeck tells the long hidden story behind this invention, a story of innovation and threats, of grateful women and papal ambivalence. With this book doctor Peeters is finally given the recognition he deserves. This book includes the documentary The Real Father of the Pill. More information can be found in the book.

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166

Publisher

Gompel&Svacina

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ISBN 10

946371300X

ISBN 13

9789463713009

Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

By: Samuel van Hoogstraten

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Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

By: Samuel van Hoogstraten

A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.

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426

Publisher

Getty Publications

Published Date

ISBN 10

1606066676

ISBN 13

9781606066676

Amsterdam's Atlantic

Print Culture and the Making of Dutch Brazil

By: Michiel van Groesen

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Amsterdam's Atlantic

Print Culture and the Making of Dutch Brazil

By: Michiel van Groesen

In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture. In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the city, which reverberated throughout the continent. Initially, the flow of information was successfully managed by the directors of the West India Company. However, when Portuguese sugar planters revolted against the Dutch regime, and tales of corruption among leading administrators in Brazil emerged, they lost their hold on the media landscape, and reports traveled more freely. Fueled by the powerful local print media, popular discussions about Brazil became so bitter that the Amsterdam authorities ultimately withdrew their support for the colony. The self-inflicted demise of Dutch Brazil has been regarded as an anomaly during an otherwise remarkably liberal period in Dutch history, and consequently generations of historians have neglected its significance. Amsterdam's Atlantic puts Dutch Brazil back on the front pages and argues that the way the Amsterdam media constructed Atlantic events was a key element in the transformation of public opinion in Europe.

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272

Publisher

University of Pennsylvania Press

Published Date

ISBN 10

081224866X

ISBN 13

9780812248661

Imagining the Americas in Print

Books, Maps and Encounters in the Atlantic World

By: Michiel van Groesen

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Imagining the Americas in Print

Books, Maps and Encounters in the Atlantic World

By: Michiel van Groesen

In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.

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262

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BRILL

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ISBN 10

9004348034

ISBN 13

9789004348035

Artifice and Illusion

The Art and Writing of Samuel Van Hoogstraten

By: Celeste Brusati,Samuel van Hoogstraten

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Artifice and Illusion

The Art and Writing of Samuel Van Hoogstraten

By: Celeste Brusati,Samuel van Hoogstraten

Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.

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466

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University of Chicago Press

Published Date

ISBN 10

0226077853

ISBN 13

9780226077857

Book's by Van den Broeck, Pieter

Political Change through Social Innovation

Political Change through Social Innovation

Humanism in an Age of Science

Humanism in an Age of Science

Frans Hals

Frans Hals

A Corpus of Rembrandt Paintings

A Corpus of Rembrandt Paintings

Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568-1625)

Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568-1625)

Profit and Principle

Profit and Principle

Justifying Christian Aramaism

Justifying Christian Aramaism

A Corpus of Rembrandt Paintings VI

A Corpus of Rembrandt Paintings VI

Rembrandt and the Female Nude

Rembrandt and the Female Nude

The evolution of case grammar

The evolution of case grammar

The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

Doctor Ferdinand Peeters

Doctor Ferdinand Peeters

Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

Amsterdam's Atlantic

Amsterdam's Atlantic

Imagining the Americas in Print

Imagining the Americas in Print

Artifice and Illusion

Artifice and Illusion

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