Praise to Válmíki, bird of charming song, Who mounts on Poesy's sublimest spray, And sweetly sings with accent clear and strong Ráma, aye Ráma, in his deathless lay. Where breathes the man can listen to the strain That flows in music from Válmíki's tongue, Nor feel his feet the path of bliss attain When Ráma's glory by the saint is sung! The stream Rámáyan leaves its sacred fount The whole wide world from sin and stain to free. The Prince of Hermits is the parent mount, The lordly Ráma is the darling sea. Glory to him whose fame is ever bright! Glory to him, Prachetas'5holy son! Whose pure lips quaff with ever new delight The nectar-sea of deeds by Ráma done. Hail, arch-ascetic, pious, good, and kind! Hail, Saint Válmíki, lord of every lore! Hail, holy Hermit, calm and pure of mind! Hail, First of Bards, Válmíki, hail once more!
The subject of the liberation of Goa in 1961 and its integration into the Indian Union in 1962 is sparsely understood at best and misunderstood at worst. What were the events that led to the thirtysixhour military operationpossibly the first since Independence that occurred entirely at India's initiative? What was the political climate within Goa? What role did Goans themselves play? In this gripping account, former journalist Valmiki Faleiro covers a wide canvas in detail, including the entire story of Operation Vijay, the events that preceded it and those that followed. The diplomatic efforts, the arguments, the runup, the buildup, the actual ops and their aftermath in Goa, within India and internationallyall of it is vividly related in this nuanced telling. Faleiro lucidly outlines the prevailing political atmosphere and its changing character, the part played by indigenous independence movements and freedom fighters leading to the liberation of Goa, and the impact of its consequent assimilation into India. Extensively researched and extremely wellwritten, Goa, 1961 is a seminal book on an important subject and a mustread for anyone interested in Indian history.
Warrior-prince Rama is about to be crowned Young King, when he hears the devastating news that his father, King of Ayodhya, has been tricked into banishing him to the forest. His devoted wife Sita insists on accompanying him in exile, but the evil ten-headed lord Ravana has fallen deeply in love with the beautiful princess and steals her away. Aided by Hanuman, mighty captain of the monkeys, Rama sets out across the world to find her and destroy Ravana in a deadly battle. Rama the Steadfast was composed in the oral tradition in about the fifth century BC and has been retold over the generations ever since. With its fantastical characters ranging from monsters to apes, a very human hero and its profound moral purpose, it is one of the greatest of all Indian tales.
Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila.Valm'ki's Ramßyana is one of the two great national epics of India, the source revered throughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself.For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Explore Sanskrit literature, the classical language of India, representing a rich cultural tradition from the time of the Vedas in the second millennium BC until Late Antiquity. The leading works of Indian epic poetry are the ‘Ramayana’ and the ‘Mahabharata’, as well as The Five Great Epics of Tamil Literature and Sangam literature. These texts are among some of the oldest surviving epic poems ever written. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents a comprehensive range of Sanskrit epics, including the complete ‘Ramayana’ and ‘Mahabharata’, with illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to the leading works of Sanskrit epic poetry * Concise introduction to the epic poems * Complete ‘Ramayana’ and ‘Mahabharata’, with scholarly footnotes * Excellent formatting of the poems * Rare other Sanskrit epics appearing for the first time in digital publishing - explore the rich heritage of Sanskrit literature * Easily locate the sections you want to read * Features a biography on the leading poet Kalidasa * Bonus text of Arthur Anthony Macdonell’s ‘A History of Sanskrit Literature’ * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Hindu Itihasa Ramayana by Valmiki (Translated by Ralph Thomas Hotchkin) Mahabharata by Vyasa (Translated by Kisari Mohan Ganguli) Other Sanskrit Epics Buddhacharita by Asvaghosa (Translated by E. B. Cowell) Saundarananda by Asvaghosa (Translated by E. H. Johnston) Selections from ‘Raghuvamsha’ by Kalidasa (Translated by Arthur W. Ryder) Selections from ‘Kumarasambhava’ by Kalidasa (Translated by Arthur W. Ryder) Shishupala Vadha by Magha (Cantos I-IV) (Translated by M. S. Bhandare) Kiratarjuniya by Bharavi (Translated by Romesh Chunder Dutt) Bhattikavya by Bhatti (Canto I) (Anonymous translation 1867) The Biographies A History of Sanskrit Literature by Arthur Anthony Macdonell Kalidasa: His Life and Writings by Arthur W. Ryder Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Ramayana is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa. The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
The tragic rivalry between the two monkey brothers is in sharp contrast to Rama's affectionate relationship with his own brothers, and forms a self-contained episode within the larger story of Rama's adventures. Rama's intervention in the struggle between Sugriva and Valin is the chief moral focus of the book."--BOOK JACKET.
The immortal Epic of Valmiki is undoubtedly one of the gems of literature,—indeed, some considering it as the Kohinur of the literary region, which has for centuries, and from a time reaching to the dim and far past been shedding unparalleled and undying halo upon the domain presided over by "the vision and the faculty divine." The burthen of the bard's song is the perpetual contest between good and evil,that is everywhere going on in this mysteriously-ordered world of ours,and which seemingly sometimes ending in the victory of the former,and at others in that of the latter,vitally and spiritually results in the utter overthrow and confusion of evil and in the triumph and final conquest of good. Rāma sprung from the bright loins of the effulgent luminary of day, and bringing his life and being from a long and illustrious ancestry of sovereigns, Rāma taking birth among the sons of men for chastising and repressing rampant Iniquity and Injustice, typifies the spirit of good that obtains in this world,—Rāvana, that grim and terrible Ten-headed one, a Rakshasa by virtue of birth, and worthy to be the chief and foremost of Rākshasas by virtue of his many misdeeds and impieties, who challenges and keeps in awe the whole host of the celestials—"to whom the Sun did not shine too hot, and about whom the Wind did not dare to breathe," represents the spirit of unrighteousness and evil. Lakshmana, disregrading the pomp and splendours of princely life, to follow his beloved brother Rāma into the forest, and cheerfully undergoing there a world of trials and privations, and daily and nightly keeping watch and ward over his brother and his spouse in their cottage,—and Bharata, stoutly and persistently declining, despite the exhortations of the elders and the spiritual guides, to govern the kingdom during Rāma's absence in the forest, and holding the royal umbrella over his brother's sandals,are personations of the ne plus ultra of fraternal love, and consummate and perfect ideals of their kind. The righteous Bibhishana, who for Rāma's cause forsook his royal brother, and set small store by the splendours of royalty, who suffered no earthly considerations to interfere with his entire and absolute devotion to his friend, embodies in his person the sterling virtues going under the precious name of friendship. The ever-devoted Hanumana glorying in the appellation of Rāma's servant,—ever-prompt at the beck and call of his master to lay down his life—is the grandest and loftiest conception of the faithful servant that is to be found in all literature. Shall we say aught of Rāma and Sitā, or keep silence over themes too sacred for babblement and frofane mouthing? The kingdom is astir and alive with the jubilations of the populace at the prospect of Rāma's coronation; pennons by thousands are streaming like meteors in the air at the tops of stately edifices; and drums and panavas and other musical instruments are sounding forth the auspicious anouncement. The royal household swims in a sea of bliss surging and heaving on all sides. Delight and Joy move about and laugh and talk under the names of Daçarātha and Kaucalya. Anon a thunder-clap bursts in the midst of the Merry-making, and converts delight into dole, the sounds of laughter and hilarity into loud wails and lamentations issuing from hearts knowing no consolation.
ख्यात दलित लेखक ओमप्रकाश वाल्मीकि की इस पुस्तक में देश-समाज के सबसे उपेक्षित तबक़े भंगी या वाल्मीकि की ऐतिहासिक परिप्रेक्ष्य के साथ, मौजूदा वास्तविक स्थिति का सप्रमाण वर्णन करने का प्रयास किया गया है। ‘भंगी’ - शब्द सुनकर ही लोगों की भौहें तन जाती हैं। समाज की उपेक्षा और प्रताड़ना ने उनमें इस हद तक हीनताबोध भर दिया है कि वाल्मीकि समाज के उच्च शिक्षित लोग भी अपनी पहचान छुपाते फिरते हैं। दलितों में दलित यह तबक़ा आर्थिक विपन्नता के दलदल में फँसा है। पुनर्वसन की राजनीति करनेवाले इस तंत्र में इन सफाई कर्मचारियों के पुनर्वसन की जश्रूरत कभी किसी ने महसूस नहीं की। उच्चवर्गीय, ब्राह्मणवादी मानसिकता और सामन्ती सोच-विचार के लोग इन्हें कोई भी सामाजिक अधिकार देने के पक्ष में नहीं हैं। इस पुस्तक का उद्देश्य ऐतिहासिक उत्पीड़न, शोषण और दमन का विश्लेषण करना है। उसकी ऐतिहासिक और सांस्कृतिक पृष्ठभूमि का आकलन करना है, और उसके सामने खड़ी समस्याओं का विवेचन करना है। इसके लिए ऐतिहासिक विवरण ही काफ़ी नहीं हैं, वर्तमान का मूल्यांकन भी उतना ही आवश्यक है। लेखक का उद्देश्य लम्बे भीषण, नारकीय दौर में वाल्मीकि समाज की उपलब्धियों, संघर्षों की खोज कर, ऐसी मिसाल पेश करना है जो भविष्य के अन्धकार से उसे बाहर निकलने की प्रेरणा दे सके।
Omprakash Valmiki describes his life as an untouchable, or Dalit, in the newly independent India of the 1950s. "Joothan" refers to scraps of food left on a plate, destined for the garbage or animals. India's untouchables have been forced to accept and eat joothan for centuries, and the word encapsulates the pain, humiliation, and poverty of a community forced to live at the bottom of India's social pyramid. Although untouchability was abolished in 1949, Dalits continued to face discrimination, economic deprivation, violence, and ridicule. Valmiki shares his heroic struggle to survive a preordained life of perpetual physical and mental persecution and his transformation into a speaking subject under the influence of the great Dalit political leader, B. R. Ambedkar. A document of the long-silenced and long-denied sufferings of the Dalits, Joothan is a major contribution to the archives of Dalit history and a manifesto for the revolutionary transformation of society and human consciousness.
Exiled from his homeland, Prince Rama must brave through an odyssey in search of his wife, Princess Sita. She's been captured by a demon that Rama must overcome before taking his place as the rightful ruler. A dramatic tale of love, abduction and battle will play out in a world thronged by heroes, deities and demons. The timeless Ramayana has thrilled readers and listeners since the fourth century B.C.
Modern Applied Fracture Mechanics presents a practical, accessible guide to understanding and applying basic linear elastic fracture mechanics (LEFM) techniques to problems commonly seen in industry, including fatigue analysis, failure analysis, and damage tolerance. Including applications for several software programs, AFGROW, MATLAB®, ABAQUS, and a web-based FM calculator, the book discusses appropriate models, assumptions, and typical input/output parameters. It provides a framework that will enable readers to quickly learn and use fracture mechanics (FM) software packages and/or write their own code to solve unique or standard FM problems. The book covers the fundamental concepts needed to successfully execute routine applications or conduct experimental investigations. End-of-chapter problems are included, along with real-world examples to enhance student understanding. The textbook is appropriate for undergraduate students, preparing them for the industry, and for advanced studies in fracture mechanics at the graduate level. Industry professionals and researchers will find this book a valuable resource for understanding basic fracture mechanics principles and methods. Features include: Provides broad, accessible coverage of common fracture mechanics concepts and applications. Focuses on applications, real-world examples, and numerical methods in fracture analysis. Integrates and explains current end-user software coverage for fracture mechanics. Includes numerous sample problems, software examples, and end-of-chapter problems. Includes a Solutions Manual for adopting instructors.
Countless ages ago, when men and animals could speak together and powerful brahmanas could effect miracles, the uncontrollable King Ravana was terrorizing the universe. This edition records the adventure of Rama, the Lord of righteousness, as He struggles to overcome the forces of Ravana. The absorbing narration has delighted and enlightened countless generations in India, and its timeless spiritual insights are compellingly relevant in today's confused world.
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