Examines the meaning of "life" in an era of emerging biotechnology. What happens to prevailing beliefs about the uniqueness of individual life when life can be cloned? Or to traditional understandings of family relationships when a child can have up to five parents? These are some of the questions addressed by Valerie Hartouni in her consideration of the cultural effects of new reproductive technologies as reflected in video images, popular journalism, scientific debates, legal briefs, and policy decisions. In Cultural Conceptions, Hartouni tracks the circulation and communication of various myths, images, and stories pertaining to new reproductive technologies and their effects, both imagined and real, during the past two decades. While addressing topics ranging from surrogacy and cloning to adoption, ultrasound imaging, and abortion, Hartouni looks to American popular culture for clues to what these new -- and not so new -- reproductive practices tell us about issues of personhood. Hartouni investigates the emergence of new anxieties about the nature of selfhood as well as the recurrence of age-old myths regarding individuality, sexuality, property, and family. She argues that both are being played out in cultural contests over the meaning and organization of women's reproductive capacity. In her discussion of provocative issues such as The Bell Curve controversy and the Baby M. case, Hartouni traces the dialectic of crisis and containment unleashed by reproductive technologies. Ultimately, however, Cultural Conceptions argues that the anxieties that surround new reproductive technologies provide openings for alternative understandings and practices of life to emerge andchallenge those currently in place. A thoughtful, daring, and original look at this complex set of issues, Cultural Conceptions provides an much-needed guide to our nation's psyche as we approach the new millennium.
Visualizing Atrocity takes Hannah Arendt’s provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our understanding both of the Nazi genocide and totalitarianism’s broader, constitutive, and recurrent features. These myths are inextricably tied to and reinforced viscerally by the atrocity imagery that emerged with the liberation of the concentration camps at the war’s end and played an especially important, evidentiary role in the postwar trials of perpetrators. At the 1945 Nuremberg Tribunal, particular practices of looking and seeing were first established with respect to these images that were later reinforced and institutionalized through Eichmann’s trial in Jerusalem as simply part of the fabric of historical fact. They have come to constitute a certain visual rhetoric that now circumscribes the moral and political fields and powerfully assists in contemporary mythmaking about how we know genocide and what is permitted to count as such. In contrast, Arendt’s claims about the “banality of evil” work to disrupt this visual rhetoric. More significantly still, they direct our attention well beyond the figure of Eichmann to a world organized now as then by practices and processes that while designed to sustain and even enhance life work as well to efface it.
Examines the meaning of "life" in an era of emerging biotechnology. What happens to prevailing beliefs about the uniqueness of individual life when life can be cloned? Or to traditional understandings of family relationships when a child can have up to five parents? These are some of the questions addressed by Valerie Hartouni in her consideration of the cultural effects of new reproductive technologies as reflected in video images, popular journalism, scientific debates, legal briefs, and policy decisions. In Cultural Conceptions, Hartouni tracks the circulation and communication of various myths, images, and stories pertaining to new reproductive technologies and their effects, both imagined and real, during the past two decades. While addressing topics ranging from surrogacy and cloning to adoption, ultrasound imaging, and abortion, Hartouni looks to American popular culture for clues to what these new -- and not so new -- reproductive practices tell us about issues of personhood. Hartouni investigates the emergence of new anxieties about the nature of selfhood as well as the recurrence of age-old myths regarding individuality, sexuality, property, and family. She argues that both are being played out in cultural contests over the meaning and organization of women's reproductive capacity. In her discussion of provocative issues such as The Bell Curve controversy and the Baby M. case, Hartouni traces the dialectic of crisis and containment unleashed by reproductive technologies. Ultimately, however, Cultural Conceptions argues that the anxieties that surround new reproductive technologies provide openings for alternative understandings and practices of life to emerge andchallenge those currently in place. A thoughtful, daring, and original look at this complex set of issues, Cultural Conceptions provides an much-needed guide to our nation's psyche as we approach the new millennium.
Taking Hannah Arendt's account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure, this book reassesses the myths that shape our understanding of the Nazi genocide as well as totalitarianism's broader features. These myths are tied to the atrocity imagery that emerged with the liberation of the concentration camps and played an evidentiary role in the post-war trials of perpetrators. At the 1945 Nuremberg Tribunal, particular practices of looking were first established, and later institutionalized through Eichmann's trial in Jerusalem as part of the fabric of historical fact. These ways of seeing have come to constitute a visual rhetoric that drives contemporary mythmaking about how we know genocide and what is permitted to count as such. In contrast, Arendt's claims about the "banality of evil" work to disrupt this visual rhetoric.
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